Crisis Shot

Crisis Shot

by Janice Cantore


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Tess O’Rourke dreams of becoming the first female chief of police in Long Beach, California. As commander of the East Division, she is well on her way . . . until the night she responds to an officer-needs-assistance call and fatally shoots an unarmed teenager. Despite being cleared of wrongdoing by a grand jury, Tess is so hounded by the public that she takes a job in Oregon to escape the bad press.

Winning over the residents of Rogue’s Hollow might be more difficult than adjusting to her new role as police chief in the small, backwater town. Especially when her closest friend, the pastor’s wife, goes missing and the woman’s cousin is found shot. Tess finds an ally in sheriff’s deputy Steve Logan, but as they track down Rogue’s Hollow’s first murderer, she worries that she’s breaking one of her rules and getting too close to him.

Product Details

ISBN-13: 9781496423702
Publisher: Tyndale House Publishers
Publication date: 09/05/2017
Series: Line of Duty Series , #1
Pages: 432
Sales rank: 328,837
Product dimensions: 5.40(w) x 8.20(h) x 1.10(d)

About the Author

Janice Cantore is a retired Long Beach police officer whose twenty-two years of experience on the force lend authenticity to her suspense novels. Among her books are Catching Heat, Burning Proof , and Drawing Fire.

Read an Excerpt



"999! 999 —" Click. The voice cut off.

Commander Tess O'Rourke was halfway to the station when the emergency call exploded from the radio. The frantic transmission punched like a physical blow. A triple 9 — officer needs help — was only used when an officer was in the direst emergency.

Adrenaline blasted all the cobwebs from Tess's brain. Dispatch identified the unit as 2-Adam-9, JT Barnes, but had no luck getting the officer back on the air.

She was early, hadn't been able to sleep. Seven months since Paul left and she still wasn't used to sleeping alone. After a fitful four-hour nap on the recliner in the living room, she'd given up, showered, and decided to head into work early in predawn darkness, at the same time all hell broke loose.

Tess tried to get on the radio to advise that she was practically on top of the call and would assist, but the click and static of too many units vying for airtime kept her from it. Pressing the accelerator, Tess steered toward Barnes's last known location.

A flashing police light bar illuminating the darkness just off Stearns caught her eye. She turned toward the lights onto a side street, and a jolt of fear bit hard at the sight of a black-and-white stopped in the middle of the street, driver's door open and no officer beside it. It was an area near the college, dense with apartment buildings and condos, cars lining both sides of the street.

She screeched to a stop and jammed her car into park as the dispatcher wrestled to get order back on the air.

Tess keyed her mike. Voice tight, eyes scanning. "Edward-7 is on scene, will advise" was her terse remark to the dispatcher.

She drew her service weapon and bolted from her unmarked car, cold air causing an involuntary inhale. Tess was dressed in a long-sleeved uniform but was acutely aware that she was minus a vest and a handheld radio. As commander of the East Patrol Division in Long Beach, her duties were administrative. Though in uniform, she wore only a belt holster, not a regular patrol Sam Browne. It had been six years since she worked a patrol beat as a sergeant in full uniform.

But one of her officers, a good one, was in trouble, and Tess was not wired to do nothing.

"JT?" she called out, breath hanging in the frigid air as her gaze swept first the area illuminated by yellow streetlights and then the empty car.

The only sounds she heard were the gentle rumble of the patrol car engine and the mechanical clicking of the light bar as it cycled through its flashes.

A spot of white in front of the car caught her eye and she jogged toward it. Illuminated by headlights were field interview cards scattered in front of the patrol unit as if JT had been interviewing someone and was interrupted, dropping the index cards.

Someone took off running.

She followed the line of cards between two parked cars and up on the sidewalk, where the trail ended, and then heard faint voices echoing from the alley behind an apartment building. Sprinting toward the noise across grass wet with dew, she rounded a darkened corner and saw three figures in a semicircle, a fourth kneeling on the ground next to a prone figure.

"Go on, cap him, dawg! Get the gat and cap him!"

Anger, fear, revulsion all swept through her like a gust of a hot Santa Ana wind. Tess instantly assessed what was happening: the black boots and dark wool uniform pants told her Barnes was on the ground.

"Police! Get away from him!" She rushed headlong toward the group, gun raised.

In a flood of cursing, the three standing figures bolted and ran, footfalls echoing in the alley. The fourth, a hoodie partially obscuring his face, looked her way but didn't stop what he was doing.

He was trying to wrench the gun from Barnes's holster.

Was Barnes dead? The question burned through Tess, hot and frightening.

"Move away! Move away now!" Tess advanced and was ignored.

Sirens sounded loud and Tess knew help was close. But the next instant changed everything. The figure gave up on the gun and threw himself across the prone officer, grabbing for something else. He turned toward Tess and pointed.

She fired.


Excerpted from "Crisis Shot"
by .
Copyright © 2017 Janice Cantore.
Excerpted by permission of Tyndale House Publishers.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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