Table of Contents
Acknowledgments ix
Tables and Figures xi
Conventions xii
Abbreviations xiii
Chart of Historical Periods Discussed xv
Introduction 1
A Critic in the Borderlands 1
From Margin to Footnote 4
The Formation of a Canon 5
Structure of the Book 10
Implications 13
1 Poems and Poems 15
Talking with a Madman 17
A New Classic: The Songs of Chu 22
The Shi Thing 25
Poems on Stone 30
Genre Trouble 35
Supplementing and Rewriting 41
Rhyme as a Reason 45
Three Hundred More 51
2 Re-Collections 57
Early Anthologies: Plans and Principles 59
Collecting the Classics 68
The Poetics of Completism 70
Found Poetry: The Stone Drums 78
Verse Inscribed 81
A Market for Antiquity 83
Boundaries Restored 86
Recalling the Canon: The Classic Inspires Anthologies 88
3 In the Image of the Classic 95
Ritual Models 97
Autocommentary: Prefaces 99
Commentary Where It Counted 100
Rewriting the Canon: Song Dynasty Ritual Songs 105
New Doubts in the Song 110
4 Circulation in the Troposphere 115
Defining and Refining the Tropes 117
Interpreting Creation 120
Borrowing Back 123
Zhu Xi: Engaging with Two Canons 126
Joining Fortes: Tropes in Combination 130
Speaking with Master Qu: Zhu Xi and the Songs of Chu 134
Counterfactual Canons: Extending the Principles 141
Recombination 143
5 Inventious Discovery 149
The Lu School, Lost and Found 150
The Mind's Eye: New Readings in the Ming 152
Reinvented Traditions 158
Pernicious Poems? 169
The Breakdown of Song Learning 172
Better Writing Through Forgery 177
Duplicitous Standards: The Manipulation of the Lu Poems 180
Hidden Legacies 188
Debunking and Rethinking 189
Conclusion 194
Appendixes
I The Han and Mao School Readings of "Heaven Made" 203
II Early Witnesses to Shao Yong's Couplet 204
III The Authenticity of Shizbun &Chinese character; and Shiyi &Chinese character; 206
IV Tang to Ming Collections with Titles Alluding to the Poetry Classic 208
Reference Matter
Notes 219
Works Cited 253
Index 271