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Cross (Jack Taylor Series #6)

Cross (Jack Taylor Series #6)

4.5 2
by Ken Bruen

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Jack Taylor brings death and pain to everyone he loves. His only hope of redemption - his surrogate son, Cody - is lying in the hospital in a coma. At least he still has Ridge, his old friend from the Guards, though theirs is an unorthodox relationship. When she tells him that a boy has been crucified in Galway city, he agrees to help her search for the killer.


Jack Taylor brings death and pain to everyone he loves. His only hope of redemption - his surrogate son, Cody - is lying in the hospital in a coma. At least he still has Ridge, his old friend from the Guards, though theirs is an unorthodox relationship. When she tells him that a boy has been crucified in Galway city, he agrees to help her search for the killer.

Jack's investigations take him to many of his old haunts where he encounters ghosts, both dead and living. Everyone wants something from him, but Jack is not sure he has anything left to give. Maybe he should disappear--pocket his money and get the hell out of Galway like everyone else seems to be doing. But when the sister of the murdered boy is burned to death, Jack decides he must hunt down the killer, if only to administer his own brand of justice.


Editorial Reviews

Publishers Weekly

In Shamus-winner Bruen's brilliant sixth Jack Taylor novel (after 2007's Priest), the tormented Galway detective feels like a ghost in a newly prosperous city that little resembles his birthplace. Years of alcoholic dissipation have taken their toll. Jack's apprentice and surrogate son, Cody, lies in hospital, the victim of bullets meant for Jack. His only real friend is Ridge, a lesbian Ban Gardai(female cop), and their relationship is a complicated mixture of affection and hostility. Jack decides to cut his losses and move to America, but first he agrees to help Ridge solve a series of heinous murders. A young man's crucifixion is followed by his sister being burned to death. As Jack investigates, he squares off against a 20-year-old girl whose grief over her religious fanatic mother's death in a hit-and-run accident has become a black insanity that demands biblical vengeance. Bruen riffs on different meanings and implications of the word crossthroughout, and his insights into pain, loss and Irishness are unforgettable. (Mar.)

Copyright 2007 Reed Business Information\
Library Journal

As a result of a shooting meant to kill Galway PI Jack Taylor (Priest), Cody, his young apprentice and surrogate son, lies comatose and close to death in the hospital. Meanwhile, Taylor tries to make sense of the brutal murder by crucifixion of a young man and the burning death of the victim's sister. As always, things are not as they appear, and there is more than one shock for Taylor and the reader at book's end. Shamus and Macavity Award winner Bruen should be taken in small doses, as his idea of "noir" may be too dark for most. [See Prepub Mystery, LJ11/1/07.]

—Jo Ann Vicarel\
Kirkus Reviews
Galway private eye Jack Taylor must catch a psychopath who kills by crucifying. On the prowl for a really bad person, Taylor tries to kick some bad habits while kicking himself for having some bad timing. Long a substance abuser, he's chosen to get clean the hard way, going cold turkey, and it's half killing him. And it's not just the booze, the pills and the smokes that are getting him down; it's all that extra gloom and doom suddenly burdening his life, which on the best day was never a thing of joy. An American kid Taylor loved almost as a son is hospitalized, comatose, his chances for recovery slim to none. Taylor's cop friend has a lump on her breast that terrifies both of them. And Taylor's decision to help an alcoholic ex-cop spawns dire consequences. Yet when he's asked to stop a sadistic killer whose hatred seems at once random and focused, he can't back away. As one character says of Taylor: "Bottom line, you're that rarity, you're a decent human being . . . more flawed than most, but you're not cold."Though Bruen (Priest, 2007, etc.) sometimes nudges noir into bathos, this is dark-side stuff from a master.\
From the Publisher

“His insights into pain, loss and Irishness are unforgettable.” —Publishers Weekly (starred review)

“An amazing portrait of a peculiarly Irish form of despair, and nary a page passes without a memorably mordant laugh, a wonderful turn of phrase, or an aphorism that any crime fan will want to share with another devotee.” —Booklist (starred review)

“This is dark-side stuff from a master.” —Kirkus Reviews

“We've been in love with Bruen's sharp, spare prose since first stumbling across The Killing of the Tinkers, and we're certain that his dark, reluctant hero will draw many a hard-boiled fan from the likes of Jim Thompson and James Ellroy as well as new favorites Charlie Huston and Duane Swierczynski. Significant 7" pick for the best books of March '08” —Amazon.com

“Bruen's latest is classic Irish noir--bitter, dark and packing a kick, a literary pint of Guinness Extra Stout with a shot of Jameson on the side.” —The Chicago Tribune

“CROSS sucks you into the dark, gritty streets of Galway.” —Entertainment Weekly

“[A] bleak and brilliant series...Bruen's writing matches the plight of [Jack] Taylor and of his home, Galway---hard defensive, lyrical and heartbreaking. I've never been a fan of audiobooks, but I'd get one in a minute just to hear the caustic comedy of this Irish voice unfold.” —The Plain Dealer (Cleveland)

“Bruen's previous novel, PRIEST, is a finalist for this year's Edgar Award, and it's a terrific story of vengeance. CROSS, however, may be even better, another dark journey into a tarnished Emeral Isle and a damaged soul on the verge of surrendering hope forever. 'If I continued as I was, Galway would kill me,' Jack thinks. Here's hoping Bruen gives him another shot at redemption.” —The Miami Herald

Product Details

Gardners Books
Publication date:
Jack Taylor Series , #6

Read an Excerpt


By Ken Bruen

St. Martin's Press

Copyright © 2007 Ken Bruen
All rights reserved.
ISBN: 978-0-312-34142-8


'A cross is only agony if you are aware of it.'

Irish saying

It took them a time to crucify the kid. Not that he was giving them any trouble; in fact, he'd been almost cooperative. No, the problem was getting the nails into his palms – they kept hitting bone.

Meanwhile, the kid was muttering something.

The younger one said, 'Whimpering for his mother.'

The girl leaned close and said in a tone of surprise, 'He's praying.'

What was she expecting – a song?

The father lifted the hammer, said, 'It's going to be light soon.'

Sure enough, the first rays of dawn cutting across the small hill, throwing a splatter of light across the figure on the cross, looked almost like care.

'Why aren't you bloody dead?'

How to reply? I wanted to say, 'Tried my level best, really, I wanted to die. Surviving was not my plan, honestly.'

Malachy was my old arch enemy, my nemesis, and, like the best of ancient Irish adversaries, I'd even saved his arse once.

He was the heaviest smoker I'd ever met and God knows I've met me share. He now chain-lit another, growled, 'They shot the wrong fucker.'

Lovely language from a priest, right? But Malachy never followed any clerical rule I'd ever heard of. He meant Cody, a young kid who I saw as my surrogate son and who had taken the bullets meant for me. Even now, he lay in a coma and his chances of survival varied from real low to plain abysmal.

The shooting hadn't helped my limp, the result of a beating with a hurley. I was thus limping along the canal, seeing the ducks but not appreciating them as I once had. Nature no longer held any merit. Heard my name called and there was Father Malachy, the bane of my life. When I ended up trying to help him, was he grateful? Was he fuck. He had the most addictive personality I'd ever met, be it nicotine, cakes, tea or simply aggression, and addictive personalities are my forte. I've always wanted to say my forte – gives a hint of learning, but not showy with it. In truth, my forte was booze. He was looking grumpy, shabby and priestly. That is, furtive.

He had greeted me with that crack about being bloody dead and seemed downright angry. He was dressed in the clerical gear: black suit shiny from wear and the pants misshapen, shoes that looked like they'd given ten years' hard service. Dandruff lined his shoulders like a gentle fall of snow.

I said, 'Nice to see you too.' Let a sprinkle of granite leak over the words and kept my eyes fixed on him. He flicked the butt into the water, startling the ducks.

I added, 'Still concerned for the environment?'

His lip curling in distaste, he snapped, 'Is that sarcasm? Don't you try that stuff on me, boyo.'

The summer was nearly done. Already you could feel that hint of the Galway winter bite; soon the evenings would be getting dark earlier, and if I'd only known, darkness of a whole other hue was coming down the pike. But all I heard were the sounds of the college, just a tutorial away from where we stood. Galway is one of those cities where sound carries along the breeze like the faintest whisper of prayers you never said, muted but present.

I turned my attention afresh to Malachy. We were back to our old antagonism, business as usual.

Before I could reply he said, 'I gave the boy the last rites, did you know that? Anointed him with the oils. They thought he was a goner.'

I suppose gratitude was expected, but I went, 'Isn't that, like, your job, ministering to the sick, comforting the dying, stuff like that?'

He gave me the full appraisal, as if I'd somehow tricked him, said, 'You look like death warmed up.'

I turned to go, shot, 'That's a help.'

Fumbling for another cig, he asked, 'Did they find the shooter?'

Good question. Ni Iomaire – in English, Ridge, a female Guard, known as a Ban Gardai – had told me they'd ruled out one of the suspects, a stalker I'd leaned on. He was in Dublin on the day of the shooting. That left a woman, Kate Clare, sister of a suspected priest-killer. I didn't mention her to Ridge. It was complicated: I'd felt responsible for the death of her brother, and if she shot at me, I wasn't all that sure what the hell I wanted to do. She may also have killed others. I'd figured I'd deal with her when I regained my strength.

I said to Malachy, 'No, they ruled out the prime suspect.'

He wasn't satisfied with that. 'So, the person who shot your friend is still out there?'

I didn't want to discuss this, especially not with him, said, 'Not much escapes you.'

Then he abruptly changed tack. 'You ever visit your mother's grave?'

There are many crimes in the Irish lexicon, odd actions that in the UK wouldn't even rate a mention, but here were nigh on unforgivable.

Topping the list are:

Silence or reticence. You've got to be able to chat, preferably incessantly. Making sense isn't even part of the equation.

Not buying a round. You might think no one notices, but they do.

Having notions, ideas above your imagined station.

Neglecting the grave of your family.

There are others, such as having a posh accent, disliking hurling, watching BBC, but they are the second division. There's a way back from them, but the first division, you are fucked.

I tried, 'Believe it or not, when you're visiting a shot boy, shot full of bloody holes, it's harder than you might think to nip out to the cemetery.'

He blew that off, said, "Tis a thundering disgrace.'

The current national disgrace was the major hospitals admitting they'd been selling the body parts of dead children without the permission of the parents. Even the tax shenanigans of the country's politicians paled in comparison to this. The Government had pledged that heads would roll – translate as, scapegoats would be found. I'd had enough of Malachy and made to move away.

He asked, 'What do you make of the crucifixion?'

I was lost. Was this some metaphysical query? I went for the stock reply. 'I take it as an article of faith.'

Lame, right?

We'd been walking, walking and sparring, and had reached a shop at the top of the canal. Moved under the store's canopy as drops of rain began to fall.

A man emerged, stopped, pointed at a No Smoking decal, barked, 'Can't you read?'

Malachy rounded on him, went, 'Can't you mind your own business? Fuck off.'

As I said, not your expected religious reply.

The man hesitated then stomped away.

Malachy glared at me, then said, 'When the Prods crucified some poor hoor two years ago, I believed it was just one more variation on the punishment stuff that paramilitaries do, but I thought it was confined to the North.'

I tried for deep, said, 'Nothing is confined to the North.'

He was disgusted, began to walk away and said, 'You're drinking again. Why did I think I could talk sensible to you?'

I watched him amble off, scratching his head, a cloud of light dandruff in his wake. It never occurred to me the horror he'd mentioned would have anything to do with me. Boy, was I wrong about that.

The booze, sure, I was nearly drinking again. You get shot at, you're going to have a lot of shots in the aftermath. Course you. are. It's cast-iron justification. More and more, I'd begun to re-walk my city. What is it Bruce Springsteen titled his New York, 'My City Of Ruins'? At the back of my mind was the seed of escape, get the hell out, so I'd decided to see my town from the ground down. Ground zero.

I moved from the canal to St Joseph's Church, and a little along that road is what the locals now term Little Africa. A whole area of shops, apartments, businesses run by Nigerians, Ugandans, Zambesians, people from every part of the massive continent. To me, a white Irish Catholic, it was a staggering change, little black kids playing in the streets, drum beats echoing from open windows, and the women were beautiful. I saw dazzling shawls, scarves, dresses of every variety. And friendly ... If you smiled at them, they responded with true warmth.

And that, despite the despicable graffiti on the walls:

Non Irish Not Welcome

Irish Nazis ... a shame of epic proportion.

An elderly black man was moving along in front of me and I said, 'How you doing?'

He gave me a look of amazement, then his face lit up and he said, 'I be doing real good, mon. And you, brother, how you be doing?'

I ventured I was doing OK and fuck, it made me whole day. I moved on, a near smile on me own face. Hitting the top of Dominic Street, I turned left and strolled towards the Small Crane.

Isn't that a marvellous name? So evocative, and you just have to ask ... is there a large crane?


Then you hit the pink triangle. I shit thee not. In Galway. A gay ghetto. Me father would turn in his grave.

Me, I'm delighted.

Keep the city moving, keep it mixed, blended, and just maybe we'll stop killing our own selves over hundreds of years of so-called religious difference.

But I was getting too deep for me own liking, muttered, 'Bit late for you to be getting a social/political conscience.'

There's a lesbian bar on the corner and I would have loved me bigoted mother to know that. She'd have put a match to it and then got a Mass said.

I had quickened my pace, was on Quay Street, the Temple Bar of Galway, smaller but no less riotous, bastion of English hen parties and general mayhem, imported or otherwise. I turned at the flash hotel called Brennan's Yard, where the literati drank.

I had dreaded returning to my apartment. There's a Vince Gill song, 'I Never Knew Lonely'. You live on your own, see a loved one go down, there's few depressions like entering an empty apartment, the silent echoes mocking you. I wanted to roar, 'Honey, I'm home.'

I walked slowly up the stairs of my building, dread in my gut, the keys in my hand. There was a key ring attached, given to me by Cody, it had a Sherlock Holmes figurine. I took a deep breath, turned the key. I'd been to the off-licence, got my back-up.

Bottle of Jameson in my hand, I walked in, found a glass, poured a healthy measure, toasted, 'Welcome home, shithead.'

No matter what the cost – and I've paid as dear a price as there is – those first moments when the booze lights your world, there is nothing ... nothing to touch that. Put the cap on the bottle. I was back to the goddamn longing, to trying to keep within a certain level of balance. Shite, I'd been down this road a thousand times, never worked, always ended in disaster. The silence in the room was deafening.

I'd been doing this demented stuff a while now, buying booze, pouring it and then pouring it down the toilet, each time muttering like a befuddled mantra, 'Down the toilet, like my life.'

Before the shooting – What a line that is, a real conversation spinner, beats Where I took my vacation hands down – I'd been trying to implement changes, had decided to change the things I could. Got as far as buying a whole new range of music, stuff I'd been reading about for years but never got round to hearing. Picked up a CD by Tom Russell, little realizing the serendipity of one track. The album was titled Modern Art and he had a recording of Bukowski's poem 'Crucifix In A Death Hand'.

I noticed I had the volume on full and wondered if me hearing was going. I poured the whiskey down the toilet. Once the drink compulsion eased, I looked round my home. Was there a single item that meant anything? The books were lined against the wall, a thin layer of dust on the spines. Like the shadows on my life, the dust had settled slowly and it didn't seem like anyone was going to eradicate it.


'Men are so inevitably mad that not to be mad would be to give a mad twist to madness.'

Pascal, Pensées, 412

The girl was humming softly, an old Irish melody she no longer knew the name of. It was her mother's song and sometimes, if the girl turned real quick, she thought she could catch a glimpse of her mother, those blue eyes fixed on something in the distance, her slight figure, like a tiny ballerina, shimmering in the half light of the dying day.

She never told anyone of this, hugged it to herself like the softest fabric, like the piece of Irish linen her mother had put so much value on. It had been brought out on special occasions, handled with loving care and then put away, her mother saying in that soft Irish lilt, 'This will be yours some day, alannah.'

Alannah — my child — the first Irish word that held any real significance for her.

The girl's eyes moved around the room: cheap wallpaper was peeling from the top, a thin strip of carpet barely covered the floor and the windows badly needed to be cleaned. Her mother would never have allowed that, those windows would have been sparkling.

Near the door was the cross, a heavy hand-carved piece, the features of the Christ outlining the torment, the nails clearly visible in the hands and feet. Her mind flashed to that other figure and she lingered on the image for a time. It was burned into her memory like a promise she'd made to her mother, and in her own way she had fulfilled the pledge. There was so much to do yet.

And then she smiled. The mantra her mother had used: 'So much to do.'

She was maybe six, and her mother had decided to give the house a total clean. 'Top to bottom.'

For some reason that had struck the child as hilarious, and as she laughed her mother had joined in, the two of them, arms round each other, laughing like they'd won the lottery.

When the laughter had subsided, her mother had looked right into her eyes, asked, 'Do you know how much I love you?'

And she'd said, to her mother's total delight, 'Top to bottom.'

The girl felt her eyes begin to fill with tears and she stood up abruptly, began to pace the worn carpet. She focused on what she had to do next, her conviction that not only would it be done but in such a way that it would scream, like the silent Christ on the hand-carved cross.

She resumed her humming as the details began to take shape.


'You put the heart crossways in me.'

Irish expression for being given a bad fright.

There's an open-plan café in the Eyre Square shopping centre.

Eyre Square was still in the throes of a major redevelopment and, like everything else, was two years behind completion. En route to the centre, I'd stopped for a moment by the site of Brown's Doorway which, like the statue of Padraig O'Conaire, had been removed. They'd promised they'd restore them and there were maybe three people in the city who actually believed it. There'd once been a monument to Lord Clanricarde in Eyre Square. Like a metaphor for all our history, it had been paid for by his tenants and, need I add, against their will. My father had told me of the wild celebrations in 1922 when it had been taken down, and, nice touch, after they hammered it to smithereens they used the base for the statue of O'Conaire.

You look straight down the Square and there's the Great Southern Hotel, though what was so great about it was anyone's guess. It was expensive, but then, wasn't everything? According to a recent poll, it was cheaper to live in New York. When I was a child, two cannons had stood sentry right where I stood and the whole park had been circled by railings. They were long gone.

As were the fairs.

Fair day in Galway meant fair day in Eyre Square. These affairs began around four a.m. Get at it early.

And they did.

Cattle, sheep, pigs and horses were paraded with varying degrees of pride and cunning. The real winners were the pubs which sprang up to cater for the crowd. And of course along came a bank – Bank of Ireland, to my back, had now a massive building, begun no doubt in those better times.

Deals were still made on Eyre Square but they involved dope, women, passports and, naturally, booze.

I sighed for a loss too profound for articulation and turned, walked past Faller's the jeweller's and crossed the road into the centre proper. Took the down escalator, in every sense, and went to the café on the lower floor.

You sit, have a snack, watch the tourists. Scarce this year, due to fear of flying, terrorists, rising prices. All the retail outlets had SALE signs in the windows, a sure sign of desperation and an economy on the slide. Our Celtic Tiger had roared and loud for nigh on eight years and man, we wallowed in its trough. Now the downside, we didn't feed that goddamn animal and the whore died.


Excerpted from Cross by Ken Bruen. Copyright © 2007 Ken Bruen. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Ken Bruen has been a finalist for the Edgar and Anthony Awards, and has won a Macavity Award, a Barry Award, and two Shamus Awards for the Jack Taylor series. He is also the author of the Inspector Brant series. Several of Bruen's novels have been adapted for the screen: The first six Jack Taylor novels were adapted into a television series starring Iain Glen; Blitz was adapted into a movie starring Jason Statham; and London Boulevard was adapted into a film starring Colin Farrell and Keira Knightley. Bruen lives in Galway, Ireland.

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Cross 4.5 out of 5 based on 0 ratings. 2 reviews.
harstan More than 1 year ago
In Galway detective Jack Taylor feels his past has caught up with him as the years of boozing has wracked his body. A loner due to his alcoholism, he is emotionally shattered when his apprentice Cody was shot when Jack was the intended victim. Jack decides it is time to cross the pond and start anew in America.----------- While Cody remains in the hospital, Jack¿s solo friend lesbian Gardai Ridge persuades him to help her on a monstrous series of murders. The first victim was crucified alive followed by the burning at the stake of his sister. Jack¿s investigation leads him to a grieving twenty year old woman screaming for fire and brimstone against those involved in a hit and run that killed her bible thumping mother.------------ The Jack Taylor Irish thrillers are some of the most exciting tales on the market, but CROSS may be the best yet as Ken Bruen plays brilliant word games with connotations, denotations, and implications of the title word. The story line is filled with action yet enables the reader to know Jack who personally understands crippling grief as he believes suffering is as Irish as stew.-------------- Harriet Klausner
Anonymous More than 1 year ago
I had the sense that it was going to be dark and it was, I  but I stayed with it. Trying to find someone's behavior  that was redeemable