In the late 7th Century, the High King of Ireland is killed at night in the middle of his compound. Who killed him is not in question - there are unimpeachable witnesses that point directly to the clan chieftain responsible. Dubh Duin is, after all, found by the High King's guards in the High King's bed chamber holding the murder weapon. But with impending civil war in the balance, the motive for the murder becomes of paramount importance.
The Chief Brehon of Ireland asks Fidelma of Cashel - sister to the King of Muman and a dailagh - to investigate. What her investigations reveal is an intricate web of conspiracy and deception that threatens to unbalance the five kingdoms and send them spiralling into a violent and bloody civil war and religious conflict. And it's up to Fidelma to not only see to justice but to prevent the violent fracturing of an increasingly fragile peace.
About the Author
Peter Tremayne is the fiction pseudonym of Peter Berresford Ellis, a renowned scholar on the Ancient Celts and the Irish. As Tremayne, he is best known for his stories and novels featuring 7th century Irish religieuse Fidelma of Cashel. He lives in London.
Read an Excerpt
Dancing With Demons
A Mystery of Ancient Ireland
By Peter Tremayne
St. Martin's PressCopyright © 2007 Peter Tremayne
All rights reserved.
Ferloga had been an innkéeper most of his adult life and was in the habit of boasting that he had seen all manner of guests — rich and poor, the arrogant and the humble. He had had dealings with kings and chieftains, religious of all descriptions, rich merchants, travelling players, farmers passing on their way to market and even beggars desperate for shelter. Ferloga's proud claim was that no guest had ever tried to cheat him of his fee, for there were few of them that he was unable to judge; after a glance, he could tell what calling in life they followed and whether they were trustworthy or not. But, as the elderly innkeeper sat talking with his wife while she finished cleaning the utensils after the morning meal, he freely confessed to confusion. The guest who had arrived not long after nightfall on the previous evening had been an utter mystery to him.
A tall, thin man, almost skeletal, the pale parchment-like skin had stretched tightly over his bony features. That he was elderly was indisputable, but whether sixty or eighty years of age was impossible to discern. He had curious eyes, the left one made sinister by the white film of a cataract. His unkempt white hair seemed to tumble in all directions, thick and curly, ending around his shoulders. His neck reminded Ferloga of a chicken's scrawny folds with a prominent bobbing Adam's apple. A dark grey woollen cloak, which had probably once been white, covered the man from neck to ankles. He carried a long wooden staff with curious carving on it, and a leather satchel was slung from his shoulder.
At first Ferloga had thought that he was a wandering religious, for he certainly looked like one of the hermits that one infrequently encountered on the road, and it was clear that he had arrived on foot. However, once he loosened his cloak, the stranger displayed none of the usual symbols of the New Faith but wore a curious necklet of gold and semi-precious stones which, Ferloga knew, no religious would ever wear.
The conversation had been unexpectedly short. Ferloga was used to some sociability from his guests but this elderly traveller merely demanded a bed. He even declined a traditional mug of corma to protect against the chill of the night. When Ferloga asked whither he had come, the man replied: 'A long journey from the north,' and nothing more. Ferloga took the view that the man was exhausted from his travels and, indeed, he noticed that the newcomer was swaying slightly and the dark skin under his eyes was a trifle puffy. So the innkeeper did not press the late arrival further but conducted him to a small room above the stairs, and withdrew.
Now, in the light of dawn, Ferloga was still wondering about his mysterious guest.
His plump wife sniffed in irritation as she gave the cauldron of porridge, still warming over the fire, a stir to stop it sticking.
'Rather than sit there trying to make guesses, why don't you go and rouse the man. It's long past sun up. All the other guests have risen, broken their fasts and continued on their way. I do not plan to stay here all day making sure the porridge does not burn. I need to go berry picking.'
Ferloga sighed and slowly rose from his comfortable seat by the side of the fire. Lassar, was right, of course. The business of the inn could not wait for ever and it was unusual for guests to delay so long in the morning.
Fidelma of Cashel halted her horse on a rise of the road, which ran from Cluain Meala, the Field of Honey, the settlement on the banks of the broad River Siúr, where she had spent the night, north to her brother's fortress. She had spent a week away from Cashel in attendance at Lios Mhór, the great abbey and settlement south beyond the mountain range of Mhaoldomhnaigh. Although she had slept well the previous night, Fidelma felt exhausted after a week's hard work. She was a dálaigh, or advocate, of the law courts of the five kingdoms of Éireann, proficient to the degree of anruth, the second highest qualification in the land. Her rank therefore allowed her not only to plead cases before judges but, when nominated, to hear and adjudicate in her own court on a range of applications that did not require the presence of a judge of higher rank. It was a task that Brehon Baithen, the senior judge of the kingdom of Muman, often requested her to perform. It was also a task that she liked least.
She frequently found it tiring to sit in a stifling court and listen to the complaints and arguments of those who appeared before her. Often it was a waste of time and the plaintiffs should have been advised that their claims, more often than not, were born from pettiness and malice and without foundation in law. But it was her task and duty to sit patiently and decide whether there was a case to be answered and whether it should be brought before a more senior Brehon. And, after a week in the law courts at Lios Mhór, she felt drained and irritable and was delighted when she could finally mount her horse and set off across the mountains back towards her brother's royal fortress at Cashel.
Turning in her saddle, she watched her companion trotting up towards her. The youthful warrior who joined her was Caol, the commander of her brother's guard. He had been designated to act as her escort on the trip.
Fidelma smiled as he reined in his mount beside her and gestured with an outstretched arm. 'That's Ráth na Drínne ahead. I could do with refreshment at Ferloga's inn before we continue on to Cashel.'
Caol inclined his head briefly. 'As it pleases you, lady.' Those who knew Fidelma as sister to Colgú, King of Muman, always used the respectful form of address rather than her ecclesiastical one of Sister. Caol added: 'We did leave Cluain Meala without breaking our fast and I could do with something to fill the emptiness in my stomach.'
There was a slight note of rebuke in his voice as he reminded Fidelma of her eagerness to be off even before daylight that morning. However, Caol knew why Fidelma was anxious to return to Cashel. She had been a week away from her little son, Alchú, and Caol appreciated her anxiety as a mother. He knew that she must be feeling an additional anxiety because her husband Eadulf, the Saxon, had left Cashel over a week before on an embassy to the abbey at Ros Ailithir on behalf of Ségdae, Abbot of Imleach and chief bishop of Muman. How long he would be away on his embassy, which involved matters of ecclesiastical importance, was anyone's guess. Perhaps he would be gone several weeks. That being so, Caol had tried not to complain about her general impatience and quickness of temper during this last week.
Fidelma was smiling almost apologetically at him, as if she read his thoughts.
'I know, I know,' she said softly. 'Had I not been in such a hurry to be on the road to Cashel this morning, we could have broken our fasts and had something warming to keep out the chill on the journey. But Ferloga's inn lies ahead of us and we can soon rectify the lack of nourishment caused by my impatience.'
She turned and nudged her horse forward towards the distant rise of Ráth na Drínne.
It was not long before they trotted into the yard before the inn, causing the chickens and geese to start an angry chorus at being disturbed. Before they began to dismount, the door of the inn swung open and Ferloga himself came hurrying out. The first thing that Fidelma noticed was his pale features and concerned expression.
'What ails you, Ferloga?' she asked, frowning down at him.
'Lady ...' The innkeeper's expression seemed to brighten as he recognised her. 'Thank God that you have come.'
Fidelma raised an eyebrow in query as she dismounted and faced the elderly innkeeper.
'You appear distraught, Ferloga. What is the trouble?'
'One of my guests, lady,' replied the man. 'He was late to rise and so I went up to wake him. I have just found him in bed — dead.'
Caol had dismounted and was taking Fidelma's reins from her. 'Dead?' He suddenly looked interested. 'Murdered?'
Ferloga looked shocked. 'Murdered? I hadn't thought ...'
'Put the horses in the stable, Caol,' Fidelma instructed before turning to the shocked innkeeper. 'Come, let us examine this body. Who is this guest, anyway?'
As he turned to lead the way back into the inn, Ferloga contrived to shrug. 'I've no idea, lady. He arrived late last night and told me nothing. He was elderly, that is all I know.'
As they entered the inn, Lassar came forward anxiously. 'Ah, it is good that you are here, lady. This could be bad for us if the kin of the guest claim we have been neglectful in our duties towards him and somehow contributed to his death.'
Fidelma knew exactly why the elderly couple were concerned. The laws for innkeepers in the Bretha Nemed Toisech were very precise about their responsibilities. A guest, by virtue of the fact, was given legal protection, and anyone killed or injured while under that protection was counted to have been a victim of the crime of díguin, the violation of such protection. The responsibility was down to the fer tige oíget or the guest-house owner, whether it was a public hostel or a private inn. If responsible, Ferloga might lose his inn and be fined a heavy sum.
Fidelma gave the old woman a smile of reassurance. 'Where is the body?' she asked Ferloga.
He turned to ascend the dark wooden stairs that led to the upper floor. 'This way,' he said.
The body lay on its back in the bed. Ferloga had already opened the shutters to allow light to flood into the room. Fidelma wished that Eadulf was with her. Having studied medical matters for a period in Tuam Brecain, the renowned Irish medical college, his knowledge would have been invaluable. She bent down and allowed her eye to traverse the body of the old man who lay there. There were two things she noticed immediately. The facial muscles seemed twisted into a grimace, as if a last moment of pain had been frozen on the features. That death could not have taken place much before dawn was clear because the flesh was not really cold. The second thing she noticed was that the pale lips were blue, unusually so. Disguising her distaste, she drew back the covers and quickly ascertained that there were no marks of physical violence on the body. Replacing the covers, she stood up, turning to face the anxious Ferloga.
At that moment, Caol came hurrying up the stairs into the room and cast a look at the corpse.
'Can I help, lady?' he asked.
Fidelma shook her head. 'Take a closer look and see if you agree with me. I believe the old man suffered a fit.' She used the word taem to indicate the condition.
Caol glanced down, nodding. 'Blue and twisted lips and a convulsion of the muscles. I have observed the like before, lady, on the battlefield. Twice now I have seen men work themselves up into such a rage that, suddenly, they clutch at their chests and their faces become contorted and they fall into a paroxysm. Many have died from it.'
Fidelma agreed. 'There seems no barrier to the condition, old age nor youth. I have even heard that some can survive the fit, and have described it as a terrible, debilitating pain here in the centre of the chest. No, have no fear, Ferloga, yours is not the responsibility for this death.'
There was a deep sigh of relief from the doorway. Lassar had followed Caol up the stairs and stood watching them.
'I'll go below and prepare some refreshment for you, lady,' she said.
'If you have fresh bread and honey, it will more than satisfy me,' Caol added quickly as the old woman turned away.
Fidelma was gazing quizzically down at the corpse again. 'Who was he?' she asked.
Ferloga shrugged. 'I had little chance to find out. He arrived after dark, only said that he was from the north, which was not a matter of surprise for I could hear the northern accents in his speech. He answered no questions, asked only one of his own, ate nothing, drank less and demanded to be shown to his bed.'
Fidelma looked keenly at the innkeeper. 'Asked only one question? What was that?'
'He asked what road he should take this morning to find Cnánmchailli.'
Fidelma shook her head thoughtfully. 'The place beyond Ara's well? But there is nothing there, only an ancient pillar stone.'
'Just what I said,' agreed Ferloga. 'But he wanted to know the road, so I told him.'
'Did you form any opinion of the man? You have a reputation for knowing your guests even when you spend only a few moments with them.'
Ferloga grimaced wryly. 'I was saying only this morning to Lassar that I am perplexed. At first, I thought he was a religious until I examined his clothing and ornaments more closely. Alas, this man puzzles me.'
'And he came here on foot?' asked Caol. When Fidelma shot him a glance of surprise, Caol added, by way of explanation: 'When I dealt with our horses just now, I saw no other horse in the stable that would belong to a guest.'
'You are right,' Ferloga said. 'This man arrived on foot with only that strange staff to help him on his travels.'
Fidelma moved to the ornately carved staff that had been propped in a corner of the room. Taking it in her hands she gazed curiously at the dark oak wood which was mounted and tipped with bronze, both as a spiked ferrule and as an ornate headed piece. In fact, at the top part of the staff, the piece of bronze was shaped as a head wearing a tore; a male head with a long, flowing moustache and some semi-precious glinting red stones for the eyes. From ear to ear was a crescent-shaped head-dress studded with little triskel-style solar symbols.
'It's quite beautiful,' muttered Caol, gazing over her shoulder.
'It's also quite old,' said Ferloga.
'It's certainly very ancient,' agreed Fidelma. 'I seem to have seen those symbols before, but I can't quite recall where ...'
'There are curious symbols and animals carved all over the staff,' observed Caol, pointing. 'It must be very valuable.'
'What else did he carry that might identify him?' demanded Fidelma, turning to Ferloga.
The innkeeper gestured at a leather satchel, which the man had been carrying the night before. There was also the richly inscribed gorget, which he had worn around his neck and which was now placed on the table by the side of the bed. The old man had obviously removed it from his neck before reposing himself for sleep.
'Apart from his robe and clothing, there is only the satchel and this ornament.'
The satchel revealed no more than a change of clothing, an extra pair of sandals and a knife, and such toilet items as anyone might carry. However, if the staff had been a fascinating object of art then the gorget was even more so. The necklet was made of intricately beaten gold, decorated with all manner of ancient symbols that also seemed disturbingly familiar to Fidelma — but which she could not place at all. She was about to remark on it when Caol gave a grunt of surprise.
She turned to see him removing a small leather bag from under the pillow on which the old man's head lay. He held it up and the bag clinked as if it contained metal. He handed it to Fidelma.
'I think we'll find that this strange old man was rich,' he said.
Fidelma opened the string that tied the leather pouch together. Indeed, it was full of coins, mainly of gold and silver but with a few bronze coins. She glanced at several of them.
'They are mainly old coins of Gaul and Britain, ones the Britons struck before the coming of the Romans. That's curious. I can't see any Roman coins among them either and they are the easiest to come by these days.'
'That may mean the old man intended to travel in Gaul or Brittany?' suggested Caol.
Fidelma returned his smile but shook her head. 'It only means that he was in possession of coins from those countries, but they are centuries old. If someone was going to travel, why would they not be in possession of more modern coins?'
Caol looked a little crestfallen. 'You are right, lady. But the old man must have been some sort of merchant, to have these foreign coins and so many. Only merchants are so rich.'
'I doubt that he was a merchant.' It was Ferloga who uttered the thought.
Fidelma turned to give him a quizzical look. The innkeeper was looking worried.
'Not everyone has converted to the New Faith, lady. You know that already. Some keep to the old ways.'
She suddenly realised what the innkeeper was implying. Picking up the old man's gorget, she examined it carefully and let out a slow breath as she agreed with Ferloga's unspoken thought.
Excerpted from Dancing With Demons by Peter Tremayne. Copyright © 2007 Peter Tremayne. Excerpted by permission of St. Martin's Press.
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Most Helpful Customer Reviews
If you like the Sister Fidelma mysteries then this is not to be missed. In plot and movement it is much like the others in the series but there is always a new twist. I would suggest that you not read this as your first Sister Fidelma book. Go back and find the beginning of the series. After reading the first few then you can read them out of order and not get confused. I always enjoy Peter Tremayne!
Dancing with Demons is 16th novel in the chronicles of Sister Fidelma. This book takes place a year after last we left her and Eadulf. The High King has been assassinated and to keep suspicions from causing the Heir elect political problems Fidelma is requested to investigate the matter as an impartial third party. What looks like a simple case with witnesses and a suicide of the assassin turns into much, much more. I was waiting and hoping for another excellent mystery and Tremayne (IMHO) succeeded and met my expectations once again. He is an Irish historian and he puts lots of details of the time period (7th Century) into his books, but he weaves them so well that it doesn't feel like a history lesson. If you like Agatha Christie or Ellis Peters I think you will enjoy Sister Fidelma by Peter Tremayne.
Even if History were not my favorite subject I would still love to read these books. I have read them all several times. I just wish there were more to read and more often. The detail of Irish history is unique, the characters become people you know.