"[A] marvelous mystery you won't want to put down." Publishers Weekly
Barry Clayton has a job he doesn't want. When his father became stricken with Alzheimer's, Barry left the Charlotte police force for the small mountain community of Gainesboro, North Carolina, where his family runs the local funeral home. "Buryin' Barry" reluctantly assumed the mantle of town undertaker, trying to fit his life into this somber profession.
Almost at once it turns deadly. At the graveside service for an elderly woman, a grieving grandson strides in clad like Clint Eastwood in a duster, rips out a shotgun, and murders his family. Then the shooter turns the weapon on Barry. "Take a message to my grandmother," Dallas Willard shouts. "Tell her they tried to take the land. Tell her I love her." The blast hits Barry in the shoulder.
Barry is not cut from the same black cloth as his father, and his irreverent wit and independence have already won him the friendship of the county sheriff, one-eyed war hero Tommy Lee Wadkins. Besides, Barry's a police pro. Trusting his wounds to the hands of local surgeon Susan Miller, Barry begins a search for both the killer and the reason for his crime. It isn't long before a second shooting occursbut when Dallas Willard's body is discovered at the bottom of a quarry pond, it becomes clear that Gainesboro is caught in the grip of something more than a deadly family quarrel...
About the Author
Mark de Castrique grew up in the mountains of western North Carolina where many of his novels are set. He's a veteran of the television and film production industry, has served as an adjunct professor at the University of North Carolina at Charlotte teaching The American Mystery, and he's a frequent speaker and workshop leader. He and his wife, Linda, live in Charlotte, North Carolina. www.markdecastrique.com
Read an Excerpt
By Mark de Castrique
Poisoned Pen PressCopyright © 2003 Mark de Castrique
All right reserved.
Chapter OneCrab Apple Valley Baptist Church sat high on a grassy knoll overseeing the sinners scattered along the valley floor. A gravel road curved up to a parking lot adjacent to the simple, white-framed structure. Our hearse was already backed up close to the front door.
On the other side of the church, the cemetery sprawled down the hillside. A green canvas awning rose over a freshly dug grave and advertised the services of Clayton and Clayton Funeral Directors. We had been able to set up close to the sanctuary because Martha Willard's family had been one of the valley's first settlers and enjoyed a family plot of choice proximity.
Wayne Thompson, my uncle, waved to me as I pulled into the far corner of the gravel lot and left closer parking for the family and mourners. For such a small funeral, he had brought only one other man. There would be no family limousine or procession.
Wayne smiled from underneath the oversized black umbrella as he came over to offer me its temporary shelter while I pulled my own from the back seat.
"Everything's under control, Barry. Freddy and I have already positioned the casket in front of the altar." He stepped back as I pressed the release button and my umbrella launched into shape.
"Good. Any problem with the vault?" I asked.
"No. Rain is flowing away from the grave. The immediate family can fit under the tent and the rest of us will be under umbrellas. I threw an extra ten in the hearse."
"How's the family doing?"
"Pretty good, I guess," said Wayne. "Preacher Stinnett's been dealing with them. I gather there's a little family tension."
We began walking toward the front of the church. I kept glancing down to avoid the puddles. Wayne glided along in the precise gait bred by years of escorting the bereaved, as he watched the main road for any sign of early mourners. Uncle Wayne and my father had been burying the people of Laurel County for over forty years.
"Norma Jean's taken charge of things," he continued. "She's the one who prearranged the funeral."
That had been unusual, even if the service was for someone like Martha Willard who got so out of it toward the end. Most of the mountain people I knew were too superstitious to finalize a funeral unless death was imminent-as in before sunset.
"And the others?" I asked. "Lee and Dallas? They doing all right?"
"Lee is doing what Norma Jean and Preacher Stinnett tell him. Dallas? Well, I ain't seen him yet. Nobody's seen him. Leastwise, that's what Preacher Stinnett said earlier this morning. Norma Jean told him when Grandma Martha died, Dallas walked out of the room without saying a word. At first they were mad, then after two days passed, they got worried. I think they're afraid he might have hurt himself. Lee and the preacher stopped by his cabin at seven this morning, but he wasn't there."
"I was afraid he'd take her death awfully hard."
"Yeah," said Uncle Wayne. "Well, Dallas is a strange one, that's for sure."
We spent the next forty-five minutes arranging flowers, placing folding chairs at the graveside, and setting up the "Those Who Called" book in the vestibule for attendees to sign. About quarter to ten, people began to arrive. I worked in the parking lot, passing out umbrellas and directing traffic.
At ten o'clock, Wayne joined me. He scanned the valley, and the irritation broke through his voice. "I got the family all settled in the front pew, but no one has seen hide nor hair of Dallas." He checked his watch. "I hate a third of the family ain't here, but I'm giving Preacher Stinnett the signal in ten minutes whether Dallas has the decency to show up or not. You may as well go on in."
Inside the narrow sanctuary, mourners sat in scattered clumps along the hand-hewn pews. Necks twisted around as my footsteps echoed on the wide-plank pine floor. I felt like a bride at the wrong wedding, and I made a hasty retreat off to the side. People continued to look toward the rear of the church, making me realize they were awaiting the arrival of Dallas Willard. Many faces were familiar enough to have names attached. Others belonged to the nameless folks you cross paths with in a small community, seeing each other at the post office or farmer's market.
Across the aisle sat a man who seemed out of place with the simpler mountain folk. The tailored cut of his dark suit spoke of power, and the perfectly trimmed steel-gray hair and robust tan reeked money. I couldn't place him though he looked at me and nodded a silent greeting. Then he glanced behind me to the door. I turned and saw Wayne give a single distinct nod to Preacher Stinnett.
The scripture was read in predictable order: a few passages of Psalms followed by New Testament assurances of Everlasting Life. Preacher Stinnett kept his eulogy brief, emphasizing Martha Willard's good works and her love for her family. I suspected he wanted to get everyone out to the grave and back before the heavens opened up. He walked to the closed casket in front of the altar and gave a prayer for Martha's soul with a plea that all would know Jesus like Martha now did.
At the "Amen," our assistant, Freddy Mott, motioned for the pallbearers to stand. Then the congregation rose as Martha left the church for the final time.
We led the procession down the steps and around to the cemetery. The weather had thickened. Umbrellas sprang up in the dampness like mushrooms. A British novel of forgotten title came to mind because it was the first time I had read the word mizzle-to rain so fine that the droplets hung in the air without falling to earth. Mist and drizzle merged to mizzle. The effect was "mizzlerable."
Norma Jean and Lee joined Preacher Stinnett and the casket under the tent. The rest of us encircled them, the men giving way for the women and a few children to stand under the protection of the canvas. I wound up just behind the family, positioned beside a frail, thin tombstone, trying to keep the water on my umbrella from draining down the necks of my neighbors.
Preacher Stinnett cleared his throat, and then stopped short of speaking. Through the silence came the steady crunch of gravel from the footsteps of a latecomer. All heads turned toward the approaching sound.
Dallas Willard, lips drawn tight across his expressionless face, strode stiff-legged out of the mist, his head uncovered, his body shrouded in a long gray coat that brushed the ground, and his hands buried in his pockets. He materialized like some Civil War soldier snatched from a Mathew Brady photograph. I wouldn't have been surprised if a ghostly cavalry horse had trailed him.
People parted to let him get to the casket. Dallas walked through them like they didn't exist. He stopped at the foot, not crossing over to stand beside his brother and sister. He looked neither at them nor at Preacher Stinnett. Instead, his gaze fell upon only one person. His gaze fell upon me.
I nodded but said nothing. His hair looked like wet straw. Rivulets ran down his cheeks, but I couldn't tell whether they were tears or simply condensed moisture. Then his thin lips broke into a smile of some shared secret that set my neck tingling.
"And now that we are all finally gathered here," lectured Preacher Stinnett, "let us bow our heads, close our eyes, and pray together the prayer our Lord taught us."
Reluctantly, I looked down, sensing that Dallas still stared at me.
"Thy Kingdom come" was followed by the ear-splitting blast of a shotgun. I snapped my eyes open to see Lee Willard hurled back against a tombstone. Dallas stood with the great coat open and the twelve-gauge level at his waist. Before anyone could take a breath, he pumped the action and kicked the spent shell onto Martha's casket. Norma Jean tried to turn away, but the second blast caught her in the side, and I heard the sickening gasp as the life-breath was wrenched from her lungs. Again, Dallas reloaded, but this time he swung the gun at me. Steam boiled off the hot barrel.
"They're goin' to Hell," he shouted. "And so am I. Tell Grandma I'll save the land. Tell her I love her."
Even before he began speaking, somehow the muddled gray cells of my brain realized Dallas Willard meant to kill me. In that split-second, I reacted. I threw the open umbrella at him as I flung myself toward the protection of the tombstone.
The buckshot blasted through the flying umbrella as if it were tissue paper. The pellets hit my left shoulder with such force that the impact twisted my mid-air flight and sent me crashing on my face lengthwise behind the grave marker. Pain seared down my arm and I couldn't move.
Dallas fired again and the century-old tombstone disintegrated above my head. Dust and granite chips rained down on me. Somewhere, a woman screamed. I rolled over on my back and clutched my shoulder. The warm, sticky dampness spread between my fingers. I opened my eyes and saw only the thick gray sky.
Time passed in a blur of detached images. Preacher Stinnett's face obliterated the sky as he knelt over me, trying to save my soul. I heard myself shout for Uncle Wayne which must have been alarming-a wounded, bleeding man calling for an undertaker. Wayne was the only person I knew skilled in first aid. Others rushed around me amid a continuous chorus of screams and moans. Hysteria predominated.
Suddenly, he was there, pulling my hand away from the wound. "Winged you," Uncle Wayne said, and smiled with reassurance. "No artery damage, but your Sunday-go-to-meeting suit is a goner."
I squeezed his arm and let him know I was okay. "The others?" I asked.
"Norma Jean and Lee are dead. Dallas got away in his pickup. It's a miracle none of the bystanders were hit. I guess the buckshot never spread out enough." Wayne looked up and yelled, "Freddy, get the hearse up here. Make sure someone phones the sheriff. And tell the hospital we're coming in." He turned back to me. "You don't mind going by hearse, do you?"
"As long as it doesn't become a habit."
A few minutes later, I was lifted into the back of the long black vehicle. The floor was not padded, but then the regular passengers rarely complained. Several of the men shed their raincoats and tucked them under me. I felt a weariness wash over me, and my arm and shoulder began to throb. I closed my eyes. Sounds collapsed into a muffled roar as I tumbled down a long well into darkness.
Chapter TwoI opened my eyes to a small, dim, private hospital room. The institutional clock by the wall-mounted television read six P.M. My stay in the recovery room must have been textbook timing.
I tried to move and felt the bandages crossing my chest. My right arm was free, but the left was bound tightly to my side. A mound of dressing covered my shoulder and arm down to the elbow. My left hand rested on my stomach, and with cautious concentration, I wiggled each finger. Everything seemed to be in working order.
My mouth was so dry I thought my tongue was welded to the roof. Post-anesthetized cotton mouth makes swallowing a Herculean effort and chips of ice more precious than diamonds. I wanted a few slivers to melt down my throat and would have sold everything I owned to get them.
A service cart was adjacent to the right side of the bed, and on it sat a white Styrofoam water pitcher. The Holy Grail could not have been more desirable. I searched for a cup, but the nurse's aide had forgotten to leave one. She had also forgotten to put the call button by my good arm, and no amount of stretching could bring it within reach.
Where there is a will, there is a way; and I figured water straight from the pitcher was better than no water at all. As I lifted it to me, the weight didn't feel like water. Sure enough, only ice was inside. The aide must have left it just moments before I awoke. No melting had occurred.
I tipped the pitcher against my lips, thrusting my tongue out to snare this frozen manna from heaven. Nothing. The ice remained fused in the bottom half. I banged the rim against my teeth, hoping to shake loose a few crystals. Instead, the confined snowstorm broke loose, and the entire contents crashed into my face and tumbled down my neck and under the flimsy hospital gown. My "god-dammit" was followed by the sound of unrestrained laughter. I brushed the ice from my eyes and saw the blurry silhouette of a woman standing in the doorway.
"Well, if you nurses had any brains, you would have put the damn button within reach."
The laughter abruptly halted.
Her voice took on the tone of one used to being obeyed. "And how many times do I have to tell you the nurses in this understaffed and underfunded hospital work their tails off? As for me, I didn't have the brains to be a nurse. I had to settle for being a surgeon who carves up undertakers that are so foolish they let their clients shoot them."
She marched over, bent down, and kissed me on the lips. Without another word, she began picking up the clumps of ice now melting through the sheets and gown. The chill had cleared my head enough to appreciate her delicate hands. I shifted my attention to her long neck and mahogany-colored hair. Dark brown eyes and pursed full lips gave evidence of the concentration and concern she brought to her work.
"Okay, Susan, you already know I'm a jerk. I had just hoped to keep you from discovering how big a jerk I am. I can only plead that I don't get shot every day."
She smiled. "I don't often see my patients try to freeze themselves, and I don't operate on my boyfriend every day."
"I thought it was policy not to operate on loved ones?"
"Then next time I'll just let you bleed till Dr. O'Malley drives back from Myrtle Beach. I suppose now you're going to weasel out of our Friday night date."
"Of course not. How big is this bed?"
She didn't laugh at my joke. "Not nearly as big as your male ego. You're going to be out of action for a while, Barry. That was a close call. You almost wound up in your own funeral home."
Her words sobered me. "Tell me how it went. What's the prognosis for patient Barry Clayton?"
"Good," she said. "Mostly because of luck, not my skills. The mass of pellets missed you. The anesthesiologist shoots ducks and figures from the size of the pellets they were number one buck with about twenty in the shell. Only six struck your shoulder and upper arm. They hit head on and lodged in the joint space. We had to extract them and re-tie some of the muscles in the most traumatized area."
"Movement restricted?" I asked.
"You'll have reduced latitude. Sort of like you had a chronic dislocation problem only the damage wasn't done by the bone popping out. It was the pellets tearing their way in. You'll need six weeks for healing along with simple physical therapy to stretch the muscles we had to shorten.
Excerpted from Dangerous Undertaking by Mark de Castrique Copyright © 2003 by Mark de Castrique
Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Table of Contents
Most Helpful Customer Reviews
First Line: Crab Apple Valley Baptist Church sat high on a grassy knoll overseeing the sinners scattered along the valley floor.Former Charlotte policeman Barry Clayton has a new job that he doesn't want. With his father caught in the talons of Alzheimer's, Barry quits the Charlotte police force and returns to the small mountain community of Gainesboro, North Carolina, to take over the role of town undertaker.Almost immediately, his job turns deadly. At the graveside service for an elderly woman, her grief-stricken grandson kills his family and turns the gun on Barry. "Take a message to my grandmother," Dallas Willard shouts. "Tell her they tried to take the land. Tell her I love her." The shotgun blast hits Barry in the shoulder. His wounds being seen to by the woman he loves, Barry begins to search for Dallas and the reason for Dallas's actions.Fortunately Barry's irreverent humor and independence have earned him the friendship of the county sheriff, and he is a former policeman after all, so Sheriff Tommy Lee Wadkins is happy to have the help. When a second shooting occurs and Dallas Willard's body is found in a quarry pond, Barry realizes he could be the next victim on the killer's list.Already a fan of the author through his Sam Blackman series, I looked forward to this first book in his "Buryin' Barry" series. I wasn't disappointed. There is a very strong sense of both the place and its people in Dangerous Undertaking which adds richness to the story. How a family deals with Alzheimer's is also honestly and sensitively dealt with.Although I also come from a small town, I wasn't aware of how a funeral home can be part of the fabric of a place-- probably because the funeral director in my hometown was more a figure of fun. (All I have to do is think "cats and Cadillacs" to start grinning.)Another bonus in the book is Barry's sense of humor, which led me to laugh out loud several times. Here's a sample: Sheriff Tommy Lee Wadkins smiled and spoke out of the corner of his mouth. "Cover me." "Cover you?" My voice cracked through wilted vocal cords. "I'm a damn undertaker. The only thing I can cover you with is dirt."The mystery, involving land prices and greed, takes some unexpected twists and turns along the way, which keeps it interesting. In the end, however, it's the strong cast of characters that kept me savoring the pages all the way to the end.I'm looking forward to my next visit with Barry Clayton.
The first chapter with the funeral scene remains as the best opening I have enjoyed. The story, told by Barry Clayton, unfolds in the North Carolina mountains. In this short novel, the characters dominant the pages from the circuit preacher, Lester Pace, to the reclusive liquor maker, Talmadge Watson; and many minor characters throughout the story. The weather, greed, and family loyalty greatly factor into the story. I have read both series by Mark de Castrique, but Barry Clayton pulls me into the story of the problems and heartaches that control our existence. Mark de Castrique softly hints of the encroachment of business into the freedom of rural life.
This is a fabulous book for mystery lovers and southern fiction readers alike. The intrigue of the 'whodunit' storyline keeps the pages moving quickly, but there is substance behind the intricate plot. The mystery of why people keep dying in the small mountain town of Gainsboro, NC had me hooked immediately, especially when the detective is a cop turned undertaker. Yet some of the best moments in this book have little to do with the mystery itself...such as de Castrique's sensitive portrait of a family dealing with Alzheimer's. I hope de Castrique will return to these likeable characters and the perfectly captured mountain setting in a sequel!