The Divine Comedy of Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television. Dante, Cinema, and Television corrects this oversight.
The essays, from a broad range of disciplines, cover the influence of the Divine Comedy from cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television. Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
|Publisher:||University of Toronto Press, Scholarly Publishing Division|
|Series:||Toronto Italian Studies Series|
|Edition description:||2nd ed.|
|Product dimensions:||6.20(w) x 9.28(h) x 1.05(d)|
About the Author
The late Amilcare Iannucci was a professor in the Department of Italian Studies and the Centre for Comparative Literature at the University of Toronto. He was the author of a book on Dante, Forma ed evento nella Divina Commedia, and editor of Dante Today.
What People are Saying About This
'This book proves that scholarship may go beyond the traditional boundaries, through non-traditional devices such as cinema and television. It, therefore, confirms that there are no boundaries in the search to a better understanding of Dante, a literary giant who, in his wildest dreams, could not possibly have thought of his work finding its way through this new venue of communication.'