The work at hand examines the origin and content of the law of music adaptation and assigns it dogmatically to the field of copyright law regulations. It also explores the issue of the barriers GEMA faces in the administration of this law and the law's consequences on the actual use of music.
|Sold by:||Barnes & Noble|
|File size:||3 MB|
About the Author
Sebastian Schunke, Humboldt-Universität zu Berlin.