Death on Demand: A Shaw and Valentine police procedural

Death on Demand: A Shaw and Valentine police procedural

by Jim Kelly

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Overview

Death on Demand: A Shaw and Valentine police procedural by Jim Kelly

The stunning new Shaw & Valentine mystery

When the newspapers turn up to cover Ruby Bright’s 100th birthday, they find her seaside care home is a murder scene. Someone spirited Ruby away by wheelchair down to the water’s edge on the idyllic north Norfolk coast, and strangled her. But why kill a harmless centurion?

As Detective Inspector Shaw and Detective Sergeant Valentine investigate, it’s clear Ruby wasn’t the first victim, and nor is she the last. All trails seem to lead back to the old Parkwood Springs estate, close to the docklands. There’s only one way in and one way out of the estate – through the derelict Lister Tunnel. But what is the secret within …?

Product Details

ISBN-13: 9781780295619
Publisher: Severn House Publishers
Publication date: 07/01/2016
Series: A Shaw and Valentine Mystery Series , #6
Edition description: Reprint
Pages: 224
Sales rank: 656,063
Product dimensions: 5.50(w) x 8.75(h) x (d)

About the Author

A previous Dagger in the Library winner, Jim Kelly is the author of the Philip Dryden mysteries and Shaw & Valentine police procedurals. He lives in Ely, Cambridgeshire.

Read an Excerpt

Death On Demand

A Shaw & Valentine Mystery


By Jim Kelly

Severn House Publishers Limited

Copyright © 2015 Jim Kelly
All rights reserved.
ISBN: 978-1-78029-561-9


CHAPTER 1

The first glimmer of the rising supermoon appeared as a star of light on the marine horizon at a point, according to DI Peter Shaw's iPhone compass, five degrees from magnetic north. Its intensity brightened by the second, until a beam broke free, sweeping across the sea, as if from some unseen polar lighthouse. Within a dozen heartbeats the lunar curve was revealed, tracking east, gliding perhaps on watery rails.

Shaw checked his watch. Moonrise had been predicted at 7.08 p.m. precisely; it was now 7.09 p.m., revealing the precision of celestial mechanics. The crowd on the beach, in contrast, was chaotically human. Small groups broke into applause; a strange, neo-pagan welcome for the phenomena they had all come to witness: congratulating a lump of inanimate rock, if a spectacularly beautiful one, for succumbing to the universal laws of physics.

The speed of ascent into the night sky was extraordinary, clearly visible to the naked eye; the moon's rise heavenwards accentuated by the warm layer of air just above the sea, the result of a day of unrelenting sunshine, which had, in effect, created a giant lens, an atmospheric magnifying glass. The crowd whooped and clapped, urging the moon along its inevitable path.

One of the party groups on the sand had a portable speaker and, on cue, it began to broadcast the opening bars of Strauss's Also Sprach Zarathustra – the closest, it was clearly felt, that several thousand years of human evolution had yet come to the music of the spheres. Shaw, sitting on the bottom rung of the ladder which led to the lifeguard's high chair, recalled that the opening bars of the musical poem were entitled Sunrise – and were therefore spectacularly inappropriate.

Rising, the moon accrued a pink-orange luminescence, giving the orb a subtle shadowing, a three-dimensional quality, a sense of untold mass often absent from the usual white, cold disc. Shaw was moved, not by the grandeur of the phenomenon, but by the way in which this ball of rock gave to the flat sky an astonishing depth, so that he sensed that he could reach out a hand and cradle the great sphere in mid-air, turning it if he wished to see the hidden dark side.

Sixty-five seconds after making its first appearance the moon finally let loose the bounds of earth and was free, launching itself into a silent voyage which suggested the verb sailing, a spinnaker billowing out at the leading edge, perhaps, with flags trailing, and a wake even, like a stream of stardust. Camera lenses clicked in a chorus behind him, on the crest of the dunes, where a line of photographers had set up their tripods to catch the event: the crowded beach as foreground, with its flickering barbecue fires, mobile phones flashing, and a single Chinese lantern already lit, a child's hand away from its own free flight.

A family twenty yards down the beach from Shaw examined a large lunar map spread out on the sand, a father-figure excitedly pointing out the principal features to a ten-year-old boy, while his toddler sister stood, transfixed, dead arms hanging loose at her sides, watching this strange apparition as if bewitched by a hypnotist's pendulum watch. The 'Man in the Moon' had never been more apparent, the 'eyes' of the Mare Crisium and the Mare Serenitatis like giant sockets in a pumpkin skull. As the colours bled away, the orange and red, the green and the blue, slipping from the surface as the moon rose, a lifeless white took their place, suggesting not just the bones and teeth, but the deathless quality of outer space.

A cheer rose behind Shaw, prompting him to look back up the beach to Surf! – the beach bar and café run by his wife, Lena. The dozen picnic tables had sold out for a special 'Supermoon Menu' of smoked eel, Hunstanton fishcakes (squid and hake) and toasted marshmallow pie; plus a house cocktail dubbed 'The Moon Riser', which fortuitously included shots from several untouched bottles on the shelf behind the bar (including a Japanese whiskey, a Basque sloe brandy and a vile Czech liqueur with the consistency of axle grease). The result was nothing if not potent, and Shaw wondered how many of the diners were applauding just the one moon. Several of the sky-watchers stood on picnic tables, but all faces tracked the magnificent progress of the light in the sky, like upturned sunflowers. A pleasing symmetry seemed to create a tension between the watchers and the watched: the giant face looking down, the hundreds staring back in reply.

Lena, meticulous in everything related to her clientele, had included a fact sheet on the back of the menu, pointing out, among other things, that no less an authority than NASA had estimated that a supermoon (the coincidence of a full harvest moon with the point at which the earth's lone satellite is at its closest to its parent planet) would appear in the sky fourteen per cent bigger by area, seven per cent wider, and – best of all – thirty per cent brighter, than its every-night self. This was the moment of perigee-syzygy, according to the scientists. Shaw memorized the spelling on the one-in-a-million chance he ever got to use it in a game of Scrabble with his daughter.

The cheering persisted as three waitresses, employed by Lena for the occasion, dispensed a further round of the lethal potion.

Down by the water's edge, a group had gathered around a quad bike loaded with an entire consignment of Chinese lanterns. Shaw, in his role as a crewman for the local lifeboat a mile south at Hunstanton, had been involved in making sure that Surf!'s supermoon event used bio-degradable lanterns, and would only proceed to a mass launch if an off-shore wind was blowing. Shaw planned a two-hour coastguard shift on top of the lifeguard chair, tracking the lanterns, making sure any real life emergencies didn't get lost in the drifting light show.

'Peter.'

Turning quickly at the sound of his name, Shaw found himself face-to-face with his chief constable, Kieran Joyce, in shorts and Irish rugby shirt, cradling a large Moon Riser. Twenty yards along the beach he noted Joyce's personal driver, in dark suit and tie, sipping an orange juice, and looking bored. For a moment Shaw felt a distinct sense of doom approaching. At the same instant he realized that this was probably due to the supermoon itself, supposedly a sign of imminent disaster, for as the moon controlled the tides and the drifting tectonic plates of the earth, its super counterpart was said to trigger tidal waves, earthquakes and all manner of biblical dangers.

'Sorry to creep up,' said Joyce. 'You were miles away. Makes you think, a sight like that.'

Shaw dutifully considered the giant moon with his one good eye, the right. He'd lost the sight in his left on the beach one day, ten miles to the east, when he tried to get a toddler away from a pool of toxic waste which was bubbling out of a discarded drum of industrial effluent. The kid, waving a stick, had panicked as Shaw scooped her up in his arms, the tip of the stick catching his right sclera, injecting the poison waste into the soft tissue. Lena always said it was like a beauty spot, that it simply served to accentuate how handsome the rest of his face remained. Echoes again: this time the rising moon and the white, lifeless pupil, a contrast to its water-blue twin.

'It's very big, I'm very small, that's as philosophical as I get, sir,' he said.

The former deputy chief constable of Northern Ireland, Joyce, a high-flyer at forty-eight years of age, found himself widely tipped as a potential candidate for the biggest job of all, with the Met, if the politics went his way. He'd been in the new job for six weeks and so far had taken the softly-softly approach. Shaw wasn't fooled, for when he looked into Joyce's eyes he saw echoes of the Irishman's past: a vicious sectarian childhood spent in Belfast's poorest Catholic neighbourhood – the Short Strand. Joyce had seen his father shot dead by a gunman at the height of the Troubles in 1976; a fleeting grey figure in the newsreel, hurling a petrol bomb over a barricade of burnt-out cars. According to one interview Shaw had tracked down online, ten-year-old Kieran had watched from his bedroom window as the fatal shot found its target, his father clutching at the throat wound that would drain his life away. Twenty years later his son was at the heart of the negotiations which had laid the foundations of the peace process. Shaw tried to imagine what that felt like inside; sitting across a conference table in an anonymous room, pouring out tap water into crystal glasses for men, any one of whom might have been behind the cross hairs of a rifle that day, adjusting the telescopic sight to bring his father's outline into focus.

'Just a couple of things, Peter.'

Shaw's sense of augury deepened, so that the sounds of Surf! – the high-decibel chit-chat, the Beach Boys soundtrack – seemed to fade away. The world appeared to contract into a sphere of warm air, containing just the two police officers.

Joyce was compact, slight and wiry, with a thick head of hair prematurely silver-white. There wasn't a single half ounce of fat on his bones, and he gave the appearance of someone who could drive a nail into a plank of wood with the flat of his hand.

'Sir.'

'Walsingham, Peter. I'm at the Home Office tomorrow. I'd like to reassure Whitehall we have this under control. I'm sorry, I know this is a social event. But we're coppers, not bank clerks, so we don't really do down time. I'd like an update.'

Every year, several times a year, thousands of pilgrims joined forces to mark the old paths which led to the shrine of the Virgin Mary, at Walsingham, a town ten miles inland from the coast. The so-called 'National' pilgrimage was the biggest, held in the spring; but this year a special one was planned for the August bank holiday to mark World Pilgrim Day, organized by an international committee and expected to attract thousands. The so-called 'World' had spawned a counter-pilgrimage, a coalition of largely Left-wing protestors, keen to challenge what were seen as the forces of reaction. The West Norfolk Constabulary was solely responsible for public order on the day.

Earlier, in the back office in their cottage behind Surf!, Shaw had checked out TV footage the team had downloaded from BBC Look East. A crowd of about two hundred were shown processing along a narrow country lane, following a priest and an icon of the Virgin Mary decked in flowers. The faithful, to either side, had crossed themselves as the icon passed, or knelt to say a prayer. A lone uniformed constable had made an entirely symbolic effort to keep the way ahead clear by preceding the procession, arms out-stretched. The pilgrims were still a week away and security was the responsibility of the Cambridgeshire force. As soon as they crossed the county line they were Shaw's problem.

It wasn't a new problem. They'd been coming for a thousand years, interrupted only by the Reformation. Way back, a Saxon noblewoman had seen a vision of Christ's mother and been given the exact cubic measurements of the 'Holy House' of Nazareth, the site of the Miracle of the Annunciation. Shaw, the unwilling recipient of a Catholic education, knew his scripture: the Annunciation was the moment Gabriel told Mary she'd give birth to the Christ-child.

After the Saxon noblewoman saw the angel, she promptly built a replica of the Holy House as instructed. (Or, it was miraculously constructed overnight by Gabriel: you took your choice.) The noblewoman's son built an abbey over the house. When the Holy Land was invaded by the Infidel, places like Walsingham were ideally placed to mop up the medieval tourist market. Millions made the trip to what became known as 'England's Nazareth'.

Henry VIII tore down the abbey, despite having been an enthusiastic pilgrim himself. The shrine was rebuilt in the 1920s with its replica replica of the Holy House tucked inside. As a result, Walsingham survived as an exotic, one-off remnant of pre-Reformation England, an Italian hill town cast down, it seemed, on the greensward of protestant Norfolk by a flock of passing angels.

But the chief constable wasn't interested in Walsingham's heavenly past – he feared an infernal future. In recent years the pilgrimage had attracted various protest groups, from the Far Right, enraged at Marian idolatory, to the Far Left, eager to air liberal views on women priests, gay rights and a Woman's Right to Choose. Joyce, haunted by his own sectarian past, wanted to make sure north Norfolk didn't spawn its own unique marching season.

It was Peter Shaw's job to ensure the 'World' went ahead without incident. It took him less than a minute now to outline the measures he was taking: all leave had been cancelled for the force's uniformed branch on the day, two helicopters would be on stand-by at Fakenham – seven miles south – while CID officers would be in the crowd. All official protest groups had been contacted and allocated agreed 'protest points'. Six CCTV sites had been planned on radial routes and at the shrine.

'OK. Good,' said Joyce, looking out to sea. 'Keep on it, Peter. It's a bag of worms, so let's keep it tied up nice and tight. This is a one-off. Next year we'll be back to the National. We can handle that.'

All the lanterns were aloft, a string of more than fifty, drifting up and out to sea, the candles flickering. Shaw was struck by the contrast between this joyful pagan worship of the supermoon, and the fervent, pious passion of the pilgrims, on their way to Walsingham.

'I better get back to my table,' said Joyce. 'My wife's not safe left alone with one of these ...' He shook the cocktail glass. 'You've got a good business here. You've built something.'

'It's my wife's business – lock, stock and barrel.'

'Right,' said Joyce, but he hadn't heard. 'Oh. The other thing. DS Valentine's medical didn't go well.'

George Valentine was Peter Shaw's partner, his sergeant. They'd been a team, a reluctant duo it had to be said, for nearly six years. Valentine had been his father's partner back in the eighties. DCI Jack Shaw was a legend in the West Norfolk Constabulary – although Joyce had probably never heard of him. To the outside world, Valentine was an old-fashioned copper, a dinosaur roaming the brave new world of CSI, community relations and equal opportunities, not to mention health and safety. At fifty-nine he was in the last furlong before retirement. A widower, smoking sixty Silk Cut a day, he had never felt the need to plan for the time when he didn't have to go to work. Dying on the job wasn't a possibility – it was George Valentine's goal.

'He's got an appointment with the force doctor, Scrutton, at St James' to review his test results. They made him take a scan to track emphysema. Unfortunately, the picture told a different story – lung cancer. Looks bad, I'm afraid. If he wants some time off to think, he can have it. His pension lump sum comes in at just under £130,000. He could see the world. I don't know. Whatever spins his wheels. Right now he'll be feeling fine. In six months he'll be on his knees. This isn't something that's going to go away.

'That's all entirely entre nous. You didn't hear it from me. It might be an idea to take him out and get him pissed after he's seen Scrutton. You need to break through, crack the complacency. Miracles aside, this is going to kill him.'

Joyce spilt the dregs of his Moon Riser into the sand and waded off towards the lights of Surf!. On the way up the beach he passed a slim, black woman in a white bikini holding two full cocktail glasses, which meant Shaw had less than thirty seconds to manufacture a smile to greet his wife.


(Continues...)

Excerpted from Death On Demand by Jim Kelly. Copyright © 2015 Jim Kelly. Excerpted by permission of Severn House Publishers Limited.
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