Ruth Webb fills this gap in our knowledge of the ancient world and provides us with a richly detailed look at social life in the late antique period through an investigation of its performance culture. The book focuses on the eastern empire, from Greece proper to modern-day Turkey and Egypt, between the second and sixth centuries CE. Using some of the tools provided by modern performance theory, this book explains how audiences interpreted the actions on stage, how the status of male and female performers shifted across time and place, how skilled the actors actually were (it was commonplace to dismiss these performers for their lack of skill), and what role spectacles involving spoken and sung words, as well as stylized gestures, had in Greco-Roman civic life.
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About the Author
Table of Contents
- Theater and Society
- Pantomime: The Dancing Body
- The Pantomime as Drama: Dancers, Audiences, and the Communicative Body
- Mime: The Drama of Everyday Life
- Mime, Humor, and Society
- Images of Actors: Identification and Estrangement
- Ideas of the Audience: Possession and the Eye
- Christians and the Theater
- Biographical and Bibliographical Notes on the Principal Ancient Sources
What People are Saying About This
Pantomime -- dances which told stories -- fired the imagination of the ancient world. In the Roman Empire, dancers were superstar entertainers who wildly excited the audience with their brilliantly expressive and worryingly sexy performances. And as the Roman Empire moved into the Christian Empire, the full force of moral disapproval was brought to bear on the physical display of the dancing body. Demons and Dancers is a superb introduction to this extraordinary story.
Simon Goldhill, author of Jerusalem: City of Longing