Four childhood friends in present-day New Orleans are torn apart by envy, passion, and a secret murder.
Five years ago, Meredith, Brandon, Greg, and Stephen quickly discover the fragile boundaries between friendship and betrayal as they enter high school and form new allegiances. Meredith, Brandon, and Greg gain popularity, while Stephen is viciously treated as an outcast. Then two violent deaths destroy the already delicate bonds of their friendship.
When the friends are drawn back together, new facts about their mutual history are exposed and what was held to be a tragic accident is revealed as murder. As the true story emerges, other secrets begin to unravel with more dangerous, far-reaching consequences.
A Density of Souls is a stunning debut novel that uncovers the darker side of the teenage psyche.
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About the Author
Christopher Rice is the son of the novelist, Anne Rice, and the poet, Stan Rice. He is presently living in New Orleans, where he grew up. A Density of Souls is his debut novel.
Read an Excerpt
Cannon School occupied an entire block of New Orleans, its sprawl of manicured lawns and neocolonial brick buildings dividing the neighborhood in half. The back end of Cannon's football field had drained the blocks behind it of property value, turning the neighborhood into a welter of shotgun houses with crumbling front porches. The façade of the school's main buildings faced the wealthier Creole cottages of uptown. The school announced its name on a bronze plaque above its entrance doors, both of which bore the Cannon seal frosted onto glass panes set in polished mahogany frames. The entrance doors led into the administrative hallway where the business of the finest private school in New Orleans was conducted in gentle whispers punctuated by gracious laughs.
The commerce of the front wing of Cannon School was softened and padded by wall-to-wall carpeting in all the offices, interrupted by the occasional clicking of high heels over the hallways' hardwood floors. Beneath crown moldings, Cannon's finest alumni stared out from eight-by-ten picture frames.
There was no hallway connecting the locker room and the administrative offices. To get from one to the other, a teacher would have to leave the building completely and re-enter the campus through the side parking lot. This was a bone of contention for most of Cannon's faculty, because the faculty lounge was located at the far end of the administrative hallway. Thus, there was no easy access between Cannon's classrooms and the over-decorated faculty lounge with its worn, soft sofas and massive mahogany coffee table.
At the far end of the campus, a wrought-iron breezeway connected the three-story Athletic Complex to the smaller, squat Theatre Building; it was almost as if the athletic department were taunting its less popular cousin. The handful of theatre enthusiasts at Cannon were often forced to exit quickly through the breezeway onto the side street, for fear of meeting up with the varsity football players who always seemed to have leftover steam to vent after afternoon practice. Play rehearsals in the Theatre Building were sometimes interrupted by footballs hitting the side of the building; the actors knew the field was too far away from the pigskins to be simply misdirected passes.
The Senior Courtyard sat in the exact center of campus, separating the Administrative Building from the English Building and its ground floor locker room, and featured rusted wrought-iron furniture. Fringed with yellowing banana trees, the Senior Courtyard was so exclusively reserved for the graduating class that any underclassmen found sitting in it without an invitation would promptly be shoved into the nearest empty locker. But the only way for students to reach the classroom hallways from the locker room was through the Senior Courtyard and up a concrete set of steps which led to the second floor of the English Building. During this time, nervous underclassmen would scurry up the steps, trying to avoid the glare of seniors awaiting an opportunity to assert themselves as the top echelon of Cannon's aristocracy.
Half of Cannon's lessons were taught by its queer architecture. Its passages and connections were illogical, subjecting its students to intermittent bursts of pain and confusion. Over four years, Cannon's students were forced to find the proper mix of aggression and grace to guide them through passages that led from one ritual to another, in a seemingly endless succession of hierarchies, before finally depositing them back into the city that had given them birth the same city that had given birth to Cannon itself.
As Meredith Ducote learned on the first day of her freshman year and the last day of her life as a child, students were forced to enter Cannon every morning through the side gate, rounding the outside of the main campus buildings before coming to a single entrance of glass doors. The locker room took up the entire ground floor of the English Building. Even with its expanse of benches and blue-painted lockers, it could barely contain Cannon's three hundred students.
The glass doors were gliding shut as Meredith turned the corner of the English Building. The doors were tinted and a green poster taped to them read WELCOME FRESHMAN! Its edge was torn where it had been caught between the opening and closing doors.
Meredith's sweaty palm slid off the door handle. She gently kicked one of the doors inward with her foot. It didn't budge. She wiped her hand across her skirt and pulled the door open, revealing what seemed like three hundred faces that all seemed to stare back at her, if only for a second, before they collapsed into laughter and conversations.
Earlier that morning, Meredith had argued with her mother about the halter top she had bought from Contempo Casuals a week before freshman orientation. The argument had culminated in a tug-of-war with the halter top during which Trish Ducote kept intoning, "Meredith, you are fourteen!" It was her mother's voice, high-pitched through clenched teeth, that came to Meredith through the locker room racket. The admonishment became an accusation.
Her breasts suddenly seemed huge. She could suddenly feel them pressing against the halter top and her exposed arms went hot and clammy with sweat.
She found herself paralyzed, paces past her locker and surrounded by laughing, bellowing classmates. At fourteen, Meredith had experienced few moments from which there seemed to be no escape, but this was one of them. She glanced behind her and saw a group of girls (all wearing shirts with sleeves) gathered around the door to what she was pretty sure was her locker. They looked back at her like conspiring thieves.
Someone brushed Meredith's shoulder with his book bag. Meredith almost let out a startled yelp before she saw Brandon.
He was sitting on a bench against the far wall. Meredith didn't recognize the guy next to him; his face was concealed under the bill of a baseball cap that read CANNON KNIGHTS and he was hunched over with his forearms on his knees, obviously whispering the punch line of a joke. Brandon erupted into laughter and rocked back on the bench.
When he saw Meredith, his laughter stopped. Meredith felt a smile tighten her face, but it died as Brandon's eyes rolled up and down her body, his face suddenly expressionless. He nudged the guy sitting next to him.
Greg Darby looked up at Meredith from beneath his cap.
For a brief moment, as Greg took her in, Meredith understood what the four weeks of pre-season football training had done to Greg and Brandon. It had made them men. Or at least look like what Meredith thought men should be.
When Greg smiled, Meredith felt her heels sink to the floor. She realized she had been walking on tiptoe since she had entered Cannon.
Stephen was waiting by Meredith's locker, trying to guard it from the posse of girls. They had giggled at his approach and whispered after his arrival, but he held his back on them. Knowing this was the only way he could wait for Meredith alone. He told himself that Meredith would hardly want to ask a bunch of strangers to move out of her way so he'd keep a clear passage open for her.
She had looked right at him. And then away.
Meredith took a seat between Greg and Brandon, and Greg curled one arm around her shoulders. She playfully batted it away. Stephen stared at them; he was perfectly within their line of vision. None of them looked his way. When the three of them finally rose from the bench, with Greg extending a hand to help Meredith to her feet, Stephen made no move to follow them out the doors into the Senior Courtyard.
Something dark uncurled inside of him.
During his first morning at Cannon, Stephen's only companion was the collective din of whispers, snickers and openly disdainful glares he received as he passed. All of which made him acutely aware of the flop of blond bangs that partially concealed his eyes, the strain of his backpack straps as they pulled at his gaunt frame, and worst of all, the reflexive cock of his wrist as he extracted a book from his backpack during class. It all culminated in the nightmare of PE, the aftermath of which propelled him to the back freight door of Cannon's Theatre Building and the smell of cigarette smoke wafting through the open door of a brightly lit office down the musty, darkened corridor of the backstage.
Stephen had deliberately gone to PE early. He had been frightened by the idea of having to take off his clothes, so he had planned to change quickly and make it to the gym floor before everyone else. Then the football players had exploded into the locker room, slugging metal doors and bellowing war cries intended to clear a path before them. Their heads had all been shaved during freshman varsity initiation. Stephen thought of Nazis. At Cannon, athletes were exempt from physical education classes, but the first week of the semester was dedicated to endurance testing, mandatory for everyone.
They had assembled on the gym floor, where it seemed all eyes inspected Stephen. He relaxed slightly when he saw that neither Brandon nor Greg were in his class. The football players had mangled their PE uniform shirts to protest a week of third-period gym classes. Daniel Weber had torn holes for his nipples on either side of the Cannon logo across the shirt's breast. Coach Stubin ordered him to put duct tape over them. Stephen looked from Daniel's nipples to the polished gym floor, where he saw his own reflection between his tennis shoes. He lifted his head to stare off into some distant corner of the gym, and found himself taking in the series of banners that hung from the banister of the jogging track circling the gym's ceiling, proclaiming the various District Title wins of the Cannon Knights.
But now, in the theatre, there was smoke and light, tattered costumes and old set pieces, the ragged edges of stage flats. Carolyn Traulain threw open the office door and a blinding rectangle of light fell across Stephen. She looked startled when Stephen didn't raise a hand to block the glare from his eyes.
"Are you here for the meeting?" Carolyn asked.
Stephen stuttered a yes, hating the sibilant s on the end. She nodded and disappeared into a thicket of curtains and darkness. The overhead lights flickered to life, illuminating the theatrical debris that surrounded him. There were so many flats he could have tripped over.
Carolyn Traulain had a white scar that scooped beneath the collar of her black T-shirt before resurfacing on the opposite side of her neck. She occasionally glanced at Stephen as she set up a small battalion of metal folding chairs, kicking each chair's legs out. "You came from Polk?" she asked.
"Yeah," Stephen said as he moved to a faded green sofa against the wall. It had obviously been a set piece in every production since the school's founding in 1905.
"We get a lot of kids from Polk," Carolyn said. She was the first person all day to speak to Stephen like an ordinary person, and he immediately loved her for it. She met his eyes with each question and he saw no laughter in them.
But the mention of Bishop Polk Elementary School, so much closer to home and now abruptly transformed into a memory, tugged at something in him. He brought his book bag onto his lap and began to tear at one of the seams with a fingernail he had not yet chewed off. He tried not to think of the old morning bike rides to school. As the battalion of students turned onto Jackson Avenue, they would pass beneath the bell tower, its portico towering high enough to catch the first rays of a rising sun that had not yet mounted the tree line.
Over, Stephen thought. That's over now.
Carolyn's voice startled him. "The first day can be rough."
A flicker of genuine emotion softened her eyes. Stephen could only manage a forced smile in response. Carolyn nodded, as if a suspicion of hers had been confirmed.
They both jumped at the sound of the freight door thrown open.
A shadow was advancing through the darkness. Stephen could make out the bulky outline of a letter jacket and his breath caught in his throat. For an instant, he thought it was Greg.
It wasn't. The shadow was shorter, thicker. It moved with an ease of strength over the discarded dresses and sequined shirts. A powerful arm pushed a curtain out of its way.
A short, dark-skinned boy turned and regarded Stephen with drowsy brown eyes. On the shoulder of his letter jacket a miniature cartoon Knight raised a sword.
"Wassup?" he asked.
Stephen tried a nod that resulted in a stiff jerk of his neck.
"Glad to see you could join us, Jeff," Carolyn announced, emerging from her office with a folding chair under one arm.
Jeff looked from the chairs to Carolyn.
"Sorry, Miss T. See, Coach called this meeting 'cause we're playing Buras on "
Carolyn threw up one arm to steady herself, releasing the chair. It smacked onto a pile of paint-speckled plastic tarps.
"Right. No surprise," Carolyn said, plucking up the chair and kicking the legs out.
Jeff turned to face her. "Look, I'm sorry " he began, both arms thrown open.
"You're always sorry and you never show up at meetings!"
Carolyn turned and disappeared into the prop closet. Jeff's eyes moved to the empty folding chairs all around him and then to Stephen and back again.
"And if you ask me about the musical again, I'm going to strangle you." Carolyn's voice blew in from the prop closet, followed by a metallic crash.
"You're killing me with the waiting, Miss T!" Jeff called out.
"And you'll wait even longer, if you keep calling me Miss T. Goodbye Jeff. Get your cudgel and go to the field!"
"What's a cudgel?" Jeff asked with a smile.
He pivoted and found himself facing Stephen, whose presence he had apparently forgotten. Stephen looked away from the boy whose profile was broader and thicker than his own entire frame.
"Freshman?" Jeff asked.
"Yeah," Stephen answered, dropping his voice so suddenly and ridiculously that Jeff smiled, which made the discomfort worse.
"Junior," Jeff said. "Gets better, dude."
As Stephen tried another nod, Jeff stared at him for a second before turning and leaving. When Stephen finally heard the freight door slam shut behind Jeff, the aftershock of sudden desire congealed. He finally understood the whispers that had followed him around all day. He knew what was being said. And he knew it was true.
Because Meredith had spent the morning with Brandon Charbonnet and Greg Darby, she could easily introduce herself into the posse of girls who spent lunch period on the hill next to the cafeteria with their sleeves and hems rolled back to the tanning powers of the sun. Kate Duchamp had immediately rolled over onto her stomach, pushed her Oakley sunglasses up off her face, and said a word hardly anyone said as a freshman on the first day of high school. "Hi."
"Hey," Meredith replied with forced indifference as she took her seat.
"You went to Polk, right?"
"That's why you're friends with those guys?"
"One of them is so hot ..."
"Greg," a voice finished.
"No ... Brandon is so fine! Have you ever seen his brother?" asked another female voice Meredith couldn't identify. All the girls around her were lying flat on their backs beneath the glare of the sun.
"Who's the other one?" Kate asked.
Meredith felt as if the patch of earth beneath her butt had shifted and sunk several inches beneath her. The other one!
"Omigod ..." Now Meredith recognized the voice. It was Cara Stubin, the football coach's daughter and the only other freshman girl to make varsity cheerleading along with Meredith. "He's like ..."
"Stephen. He's kind of cute ..." another voice from the grass offered.
"I heard his mom is like so fucked up," Cara continued. Meredith's first instinct was to rise up and stomp one foot into Cara's stomach.
"My mom said she came to this parents' meeting in this dress with, like, her tits hanging all over the place ..."
Other girls laughed. Meredith realized Kate had not taken her gaze off her.
"I'm sorry. But I think I'd be a little screwed up, too, if my husband blew his brains out!" another girl said defensively.
"Do you know him?" Kate asked Meredith.
She remembered a cemetery pummeled by rain. She remembered a tangle of mud-flecked legs. The memory led Meredith to commit an act that would carve itself into her memory with the building precision of regret.
"He's a fag," she said flatly.
Some flame guttered inside of her, quietly and without protest. She felt hotter, but she assumed it was the sun on her bare arms.
Kate laughed, signaling that Meredith's pronouncement was more of an accusation than a joke.
Ten minutes before the lunch bell rang, Kate Duchamp invited Meredith to go to the bathroom with her. Meredith followed silently as Kate led her through the desolate English Hallway, past classrooms where teachers savored lunchtime silence at their desks. Once inside the bathroom, Kate said, "Watch the door," gesturing toward it with one thumb before moving slowly down the four stalls, checking for feet. She opened the door to the first one. Meredith braced herself across the door.
"So how long have you been friends with them?" Kate asked, as she gathered her platinum blonde hair behind her head, holding it tight in one fist.
"Since we were kids. We all live near each other."
"Brandon's fine. You're not, like ... You guys don't ..."
"No!" Meredith responded so quickly that Kate laughed before she sank to her knees on the stall floor. Meredith listened to the sound of Kate vomiting into the toilet bowl. She rose, butt first, out of the open stall door, wiping the corner of her mouth with a triangle of shredded toilet paper.
"That crap they serve isn't even meat. It's like meat juice with, like, extra fat poured on top."
Meredith managed a laugh. Kate hadn't even had to gag herself to force her lunch out of her stomach.
"What about the other one?" Kate asked, stepping clear of the stall door.
"Greg?" Meredith asked, with a note of ambivalence in her voice that suggested even she his childhood friend was not sure of his name.
"Yeah," Kate said, her eyes darting back and forth between Meredith and the open stall door. Meredith guessed that if she hesitated Kate would lose interest in the conversation and ask right out why she hadn't tried to throw up her lunch.
"Well ..." Meredith said.
By Friday, Meredith Ducote and Greg Darby were declared "together" by their classmates.
Stephen overheard the news in his fourth-period history class. "Greg Darby and Meredith Ducote are going out." The whisper from the next desk over was still resonant. The teacher, Mr. Humboldt, was asking a question. Stephen knew the answer. He looked down to his open textbook at a Mesopotamian ziggurat and felt something between nausea and acute pain. Without thinking, he raised his hand.
The classroom bristled. Mr. Humboldt couldn't conceal his surprise. Stephen had not once raised his hand the entire week.
Stephen answered. The fall of ancient cultures would become more familiar than the students sitting around him.
Most Helpful Customer Reviews
Adolescence is difficult for even the most adjusted youngster, but for childhood friends Stephen, Meredith, Brandon, and Greg it is a nightmare. The foursome used to enjoy playing hide and seek in a nearby cemetery, but during a storm Meredith watches Greg and Stephen humping each other. She found the incident ugly and that day forever changed everyone¿s relationships. Meredith felt compelled to hurt Stephen . She succeeded by informing the high school¿s in crowd that he was a fag leading to Stephen becoming the prime target of everyone including Greg. Greg and Meredith become an entry, but their relationship turns violent. Meredith becomes an alcoholic and Brandon turns into a maniacal terrorist. Now five years after starting high school, the former friends are together at a reunion that reveals frightening truths including a murder. There is a vein of darkness and brooding disaster throughout the story line. This leads the audience to anticipate tragedy is about to strike at almost any moment even with the exciting climax providing a ray of light for the future. A DENSITY OF SOULS illuminates the reaction to alleged homosexuality by a predominantly heterosexual crowd and its aftermath on the victims of sexual choice bias. Christopher Rice shows he is a talented author who can spin a dark tale without the benefit of the supernatural or his mother¿s fame. Harriet Klausner
Canon School = Newman School. If you're ever in New Orleans visit 1903 Jefferson Ave. He basically gave a map of the place in the first chapter. I should know I spent 6 years there. He described the school & students to a T. He basically wrote about his freshman year. This is a biography.
If you can keep up with the huge amount of characters that there are, I recommend this book. It was so good! I couldn't put it down. Christopher Rice has a very complex writing style and you might find yourself getting a little lost but you won't be bored.
I have to give the ultimate praises for Christopher Rice's first published novel. It was very well written and very intriguing. I've read a few books here and there with gay men as the main characters, but they have all been stereotypical and weak in their stories. Christopher brings to life all the characters in this novel and you feel absorbed into the psyches of every one of them. The twists and turns throughout the story (up to the very end) kept me going, as well as the detailed visual descriptions (Rice is definitely a descriptive writer). One of my favorite (and most emotional) passages from the book is: 'You told me about what you called the light in the darkness. About how life was neither good nor bad, but a combination of both and occasionally good things pop up in the middle of tragedy, but they still don't make tragedy go away. They can't protect you. They're just light. But what you didn't say is that sometimes, certain people can be a light in the darkness. There are some people in this world who are worth saving when other people decide they shine the wrong kind of light on the wrong kind of things. You have been and will always be my light in the darkness.'
This book was incredible. Its dark elements and twisted plot made it a page-turner. It was hard to believe this a first novel for Rice.
I've read this book several times, and bought it shortly after it was released-years ago. I was literally shocked after first reading this novel, because this was the first published novel by Christopher Rice, and rarely before has a first time writer written such a wonderful first novel. This book had many twists and turns, and I continue to read it every once in awhile, and I urge anyone interested in Christopher Rice's novels to start with this one.
A good, if somewhat melodramatic story.
Christopher Rice wrote in such a captivating way that I honestly could not put this book down. There are areas that are lacking, however, the overall plot was fantastic, the story drawas you into itself. Plot twists are found throughout the book, or at least what I percieved as such. Overall, this was a fantastic read!
A fantastic first book. Christopher Rice takes us to dark places and long kept secrets and never once lets us slip away. There was not a point in this book that I wanted to put it down. Full of great images and a storyline that will keep you thinking well after you finish the last page.
This book was a bit darker than I expected, especially from a first time writer. I did enjoy it though. Christopher Rice took a lot of chances with this and it paid off for him. The ending is a bit twisted though. I would have to warn that those who are squeamish, or those who have a problem with homosexuality would not like this book. If you are ok with that though, then this book is a pretty good murder mystery. I would dare to say that I enjoyed reading Christopher's book almost more than I like reading his mothers books. I will give him a B+.
A good book to read on the beach or in a doctor's waiting room. Easy to read, enjoyable story. Worth picking up at the library or at a used bookstore.
I was blown away by the power of his narration. As a fan of Anne Rice¿s very early work, I know how things can start off with a bang and end with a whimper. I hope Chris manages to hold on to whatever he has better than his mom did. My curiosity to see how like or unlike his mom¿s writing was well rewarded. He has all her descriptive power without bogging us down in her minutiae. He does dialogue a bit better than mom, I think. Pacing is better, too. Well, I take that back, her pacing is OK ¿ at least in the early novels. The details aren¿t too thick on the ground until the later Vampire Novels and the witch novels, which I hated.
I am of two minds on this one. Christopher's writing is beautiful -- it's lush and descriptive and he manages to mostly avoid his mother's purple prose. And on the one hand he really nails the cliques and insecurities and pain of high school, but on the other some of his characters are just cliched to the extreme. But the thing is, you care about them, and you want to understand them, even when they're being pretentious, self-involved jerks. He tries to fit too much into the plot, and I really think a few of the 'twists' could have been left out -- but overall I did enjoy the book and think I'll pick up another of his books.
In the afterward, Rice says that he hates the prose of this book. I disagree. The book starts off like a southern-gothic novel, paying a lot of attention to the surroundings and foreshadowing that secrets are hidden in a fictional version of New Orleans. But, when the characters step on scene, I'm reminded of haiku, which is supposed to create an image while leaving each reader responsible for bringing the emotions to the piece. Rice gives some pretty lurid details but we only get the barest glimpse at the character's emotional response; we see what they do rather than what they feel. The readers are expected to fill in the emotional blanks. I really liked this element of the book. My problem with the story was keeping track of characters. First, there's many. I'm an introvert and my world is much smaller than the socialites found in this book. It takes a lot of effort for me to keep track of that many characters. Then, secondly, it's easy to confuse some of the characters because of similarities in names: Jeremy and Jordan; Meredith and Monica. The drama, combined with the foreshadowing, kept me coming back to see if what I guessed would happen would happen (it did but in a satisfying way that made me feel socially smarter than I actually am). I've read many books by Anne Rice but hadn't read her son before I received a free copy of this book in exchange for a review. I'm glad for the introduction and look forward to reading more of Christopher Rice's work.
I loved this book. Christopher Rice has created his own niche in writing with this strange, compelling story of mystery, atmosphere (you feel like you really do need to get out of the horrendous New Orleans humidity) and a cast of some really diverse personalities. It's a difficult book to attempt to describe, story wise; that takes care of itself. It's sometimes frustrating, often bewildering but ultimately rewarding. I love a book so steeped in atmosphere that you want to go there. When another author named Rice wrote a defiantly original story of a vampire being interviewed, she gave us the grit and grime of New Orleans of long ago, and I actually spent two weeks there, and everything she wrote was true, and I was able to walk those streets and visit landmark places. I mention this only because Mr. Rice has more than obviously inherited his mother's astounding talent for writing, yet he's done it in his own direction and his own vision. His mind seems to be one step ahead of him all of the time, making for a spontaneous twist here, a wild guess there and when the book ends, there is a subtle feeling that lasts for days. I like a book that makes me think about what I just read.." It appears that the majority of other reviewers are also of that opinion. Christopher Rice is not new to the literary landscape; he has written other novels. But this is his "breakthrough" book, and he knows it. And I cannot wait to see what is coming next!
I must say I am thrilled that Anne Rice passed the suspense can't put it down gene on to her son Christopher. This book as well as his other available Nook Books are wonderful. I wasn't expecting the end twist, but that was the fun of reading A Density of Souls. It kept me turning the pages late into the night. I would love if the other books that are mentioned but not listed by B & N by this wonderful Author would become available on Nook as I no longer buy hard or paper back books. Christopher, your true critics are your fans and this fan loves your work as much as your mother's.
Wow. An apealing look into a world most people still kringe over and try to ignore. Very good novel by an innocent and somewhat inexperienced young gay man with a passion to share his emotions on friendship, cruelity, and persiverance. A GREAT STIRING NON-THREATENING READ. Very enjoyable.
This is my 2 copy of this book. And evrn though i have read it like a millon times. It just keeps getting better and better. I am a huge fan and i own everyone of his books. This is by far the best one he's ever wrote. And this part gos out to the people who thunk that it't not a good book. Wake the heck up it's only the best book out there.