Design and the Question of History
Design and the Question of History is not a work of Design History. Rather, it is a mixture of mediation, advocacy and polemic that takes seriously the directive force of design as an historical actor in and upon the world. Understanding design as a shaper of worlds within which the political, ethical and historical character of human being is at stake, this text demands radically transformed notions of both design and history. Above all, the authors posit history as the generational site of the future. Blindness to history, it is suggested, blinds us both to possibility, and to the foreclosure of possibilities, enacted through our designing.

The text is not a resolved, continuous work, presented through one voice. Rather, the three authors cut across each other, presenting readers with the task of disclosing, to themselves, the commonalities, repetitions and differences within the deployed arguments, issues, approaches and styles from which the text is constituted. This is a work of friendship, of solidarity in difference, an act of cultural politics. It invites the reader to take a position – it seeks engagement over agreement.
1136738900
Design and the Question of History
Design and the Question of History is not a work of Design History. Rather, it is a mixture of mediation, advocacy and polemic that takes seriously the directive force of design as an historical actor in and upon the world. Understanding design as a shaper of worlds within which the political, ethical and historical character of human being is at stake, this text demands radically transformed notions of both design and history. Above all, the authors posit history as the generational site of the future. Blindness to history, it is suggested, blinds us both to possibility, and to the foreclosure of possibilities, enacted through our designing.

The text is not a resolved, continuous work, presented through one voice. Rather, the three authors cut across each other, presenting readers with the task of disclosing, to themselves, the commonalities, repetitions and differences within the deployed arguments, issues, approaches and styles from which the text is constituted. This is a work of friendship, of solidarity in difference, an act of cultural politics. It invites the reader to take a position – it seeks engagement over agreement.
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Design and the Question of History

Design and the Question of History

Design and the Question of History

Design and the Question of History

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Overview

Design and the Question of History is not a work of Design History. Rather, it is a mixture of mediation, advocacy and polemic that takes seriously the directive force of design as an historical actor in and upon the world. Understanding design as a shaper of worlds within which the political, ethical and historical character of human being is at stake, this text demands radically transformed notions of both design and history. Above all, the authors posit history as the generational site of the future. Blindness to history, it is suggested, blinds us both to possibility, and to the foreclosure of possibilities, enacted through our designing.

The text is not a resolved, continuous work, presented through one voice. Rather, the three authors cut across each other, presenting readers with the task of disclosing, to themselves, the commonalities, repetitions and differences within the deployed arguments, issues, approaches and styles from which the text is constituted. This is a work of friendship, of solidarity in difference, an act of cultural politics. It invites the reader to take a position – it seeks engagement over agreement.

Product Details

ISBN-13: 9781472521606
Publisher: Bloomsbury Publishing
Publication date: 02/26/2015
Series: Design, Histories, Futures
Sold by: Barnes & Noble
Format: eBook
Pages: 320
File size: 2 MB

About the Author

Tony Fry is an adjunct professor, Griffith University, Brisbane and is a visiting professor at several universities internationally. Tony has published ten books, including Becoming Human by Design (Bloomsbury, 2012), Design as Politics (Bloomsbury, 2010) and Design Futuring (Bloomsbury, 2008).

Clive Dilnot is professor of Design Studies at Parsons The New School for Design, New York, USA. Recent publications include Ethics? Design? (2005) and the text for Chris Killip: Pirelli Work (2007).

Susan C. Stewart is Director of Postgraduate Studies and Curriculum Development, Design School, University of Technology Sydney, Australia.
Tony Fry is Principal of The Studio at the Edge of the World, Tasmania, Adjunct Professor at the University of Tasmania, Australia and Visiting Professor at University of Ibagué, Colombia. He is an award-winning designer, cultural theorist, educator and author. He has held academic positions in Australia and internationally and is the author of sixteen books, including Design Futuring (Bloomsbury, 2009), Design as Politics (Bloomsbury, 2011), Becoming Human By Design (Bloomsbury, 2012), Remaking Cities (Bloomsbury, 2017), Defuturing (Bloomsbury, 2020) and Writing Design Fiction (Bloomsbury, 2021).

Table of Contents

Preface, Pre-face Essential Reading


Book 1: Wither Design/Whether History, Tony Fry
Introduction
1. Rememberings&Dismemberings
2. Another History, Another Designing
3. Design in the Maelstrom of Time

Book 2: History, Design, Futures, Clive Dilnot
Preface
Introduction: The structure of existence is undergoing a fundamental change
1. Unhappiness: Lack of History, Lack of the Future
2.The Artificial
3. Destructiveness and its Overcoming
4. Apparatus History Acting

Book 3, Susan Stewart
And so to another setting …
… On Care and Education


Index
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