Ding Dong The Diva's Dead

Ding Dong The Diva's Dead

by Cat Melodia

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Overview

Deborah de Lille is an opera singer-in the least grand sense. Debbie doesn't foresee a future beyond Handel Messiahs and low-budget tours ... until her agent finagles her a minor role with a small-town company. The artists assembled for this production of Offenbach's spooky opera, Tales of Hoffmann, have more than opera on their minds. Their games of love are not for the faint of heart, and the cutthroat atmosphere may have become literal. How far are they willing to go to advance their careers and even the score? The singer Debbie replaced died under suspicious circumstances, and after another minor player bows out suddenly, she is also given her role. Now she has two small roles that no one in their right mind would kill for. So, either someone isn't in their right mind, or the close calls threatening Debbie's safety are all unlucky coincidences. Add to the mix three preening tenors, a sexy lesbian director, a vengeful conductor, an obscenely rich and Hollywood-handsome general director, a fading Italian pop star, a trio of bitchy leading sopranos, an ambitious understudy, countless attention-starved underlings, an anti-opera terrorist group, a resident ghost, and Debbie's kooky and dysfunctional friends and family, and you have an opening night that promises to genuinely thrill and chill.

Product Details

ISBN-13: 9781603818070
Publisher: Coffeetown Enterprises, Inc.
Publication date: 01/30/2011
Pages: 240
Product dimensions: 5.00(w) x 8.00(h) x 0.55(d)

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Ding Dong the Diva's Dead 4.1 out of 5 based on 0 ratings. 9 reviews.
CommunityBookstop on LibraryThing More than 1 year ago
Debbie finds herself at a opera house that is full of weird things going on. Everything from bee stings to disappearing ghosts calling her name. Her band of associates are vastly different everything from nasty mean sopranos, to lesbian direction, the understudy who seems to know the cleaning guy and designer. Debbie finds herself getting jealous at one point of the understudy who seems to be perfect and pretty to make it worse.
Anonymous More than 1 year ago
I would like a house at nc houses res 5
Anonymous More than 1 year ago
Thankyou
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Wht do you mean
Anonymous More than 1 year ago
Where do i live?
Anonymous More than 1 year ago
Buy houses here. The houses are at "NC houses" all res.
Reader_Views More than 1 year ago
Reviewed by Olivera Baumgartner-Jackson for Reader Views (9/11) I like proverbs and old sayings of all kinds. Very often I even try and live by what they tell us, and in such endeavors I could be more or less successful. Here is one of my favorite ones: "Don't judge the book by its cover." And yes, this is one that I try to follow as often as possible. When it comes to "Ding Dong the Diva's Dead," that was truly a good decision. If I judged this particular book by its cover, I would have never opened it. The slightly cartoon-like cover showed a voodoo-doll-crossed-with-an-inflatable-object-from-the-adult-store depiction of a diva and a cast of sinister looking people. The title with its weird yellow script and the shadowed sub-title did little to make me any more interested in the story. But I decided to be brave, and I opened the book on a randomly selected page. After the first couple of sentences I was giggling uncontrollably, deciding to start it from the beginning, as it should be read. Granted, being fluent in more than one language certainly helped me to catch some of the well-placed barbs, but even without that I would have found the book to be an absolute delight. Deborah de Lille is an opera singer. Just not of the Maria Callas caliber. So she is more than thrilled when her agent secures her a minor role with a small town opera company in Ville d'Aurore, an idyllic looking and sounding setting. The production? Offenbach's "Tales of Hoffman," a rather spooky opera even in its classical form, but even more so under the direction of Corabelle Swift, the stage director with peculiar ideas on how to make it more contemporary and relevant. When one adds three leading ladies with huge egos, an assorted bunch of cocky males, a suspicious death of a prominent singer, and various creepy incidents to the mix, Debbie certainly has a lot to worry about. Who is out to get her? And more importantly - why? The "Ding Dong the Diva's Dead" was a well-paced and utterly charming mystery. Its cast of characters, although large enough to be difficult to keep track of, was extraordinarily charming, even when it came to the villains. The dialogue, the story line, the twists and turns, author's obvious insider knowledge of all opera related things and her wicked sense of humor kept me turning the pages until I finished reading the story late the same day. My favorite part? It would have to be some of the names. Kopfschlager, Perlmutter, Mannschliesser and Poubelle? Chapeau, Madame Melodia, and "Brava!" for sure. I would recommend "Ding Dong the Diva's Dead" to any lover of unpredictable mysteries with a hefty dose of intelligent humor. If this person happens to be an opera lover, even better - but I certainly do not believe love of opera would limit the enjoyment of this clever whodunit.
mrsred49 More than 1 year ago
If you enjoy a book about the opera and the singers then you will really enjoy this book. As for me this is just not my type of music and I could not really get into the book that well. I tried to read the book but just could not understand it enough to give it what it deserves as a review. Thanks so much to Tuibute Publications for sending me a copy of this book to review.
harstan More than 1 year ago
Thirtyish opera singer Deborah de Lille is thinking of ending her career as she sees her future on stage performing as a two bit player on minor league tours. However, her agent gets the mezzo-soprano a part with the new Ville d'Aurore troupe in Idaho. The production is Offenbach's Tales of Hoffmann. In Idaho Debbie quickly joins the production in time for rehearsal. She learns she got the demanding support role of Nicklausse when the performer she replaced died in a car accident. Her role is demanding though always in a secondary role. Debbie plans to be professional on and off stage, but when she gets a second part due to a performer leaving, she becomes the victim of petty jealousies, megalomaniacal performers and sexual thrusts from both genders, while someone wants the new diva dead. The fun in this entertaining amateur sleuth is observing the humorous goings-on behind the scenes of a local opera company as the cut throat competition is not just about roles on stage. Whereas Debbie is the star holding the tale together, the support cast is solid with a range of egomaniacal personalities at the opera house and zany (insane may be more descriptive) friends and family of the heroine. Fans will appreciate A Night At The Opera. Harriet Klausner