The story of southern writingthe Dixie Limited, if you willruns along an iron path: an official narrative of a literature about community, about place and the past, about miscegenation, white patriarchy, and the epic of race. Patricia Yaeger dynamites the rails, providing an entirely new set of categories through which to understand southern literature and culture.
For Yaeger, works by black and white southern women writers reveal a shared obsession with monstrosity and the grotesque and with the strange zones of contact between black and white, such as the daily trauma of underpaid labor and the workings of racial and gender politics in the unnoticed yet all too familiar everyday. Yaeger also excavates a southern fascination with dirtwho owns it, who cleans it, and whose bodies are buried in it.
Yaeger's brilliant, theoretically informed readings of Zora Neale Hurston, Harper Lee, Carson McCullers, Toni Morrison, Flannery O'Connor, Alice Walker, and Eudora Welty (among many others) explode the mystifications of southern literary tradition and forge a new path for southern studies.
|Publisher:||University of Chicago Press|
|Product dimensions:||6.00(w) x 9.00(h) x 1.00(d)|
Table of Contents
1. Southern Women Writers: A Confederacy of Water Moccasins
2. Dynamiting the Rails: Desegregating Southern Literary Studies
3. "And Every Baby . . . Was Floating Round in the Water, Drowned": Throwaway Bodies in Southern Fiction
4. Race and the Cloud of Unknowing
5. Beyond the Hummingbird: Southern Gargantuas
6. Politics in the Kitchen: Roosevelt, McCullers, and Surrealist History
7. White Objects, Black Ownership: Object Politics in Southern Fiction
8. The Body as Testimony
9. Studying the Wafflehouse Chain, or Dirt as Desire in Their Eyes Were Watching God