In our wired world, visual images of military conflict and political strife are ubiquitous. Far less obvious, far more elusive, is how we see such images, how witnessing military violence and suffering affects us. Distant Wars Visible brings a new perspective to such enduring questions about conflict photography and other forms of visual advocacy, whether in support of U.S. military objectives or in critique of the nation at war.
At the book’s center is what author Wendy Kozol calls an analytic of ambivalencea critical approach to the tensions between spectacle and empathy provoked by gazing at military atrocities and trauma. Through this approach, Distant Wars Visible uses key concepts such as the politics of recoil, the notion of looking elsewhere, skeptical documents, and ethical spectatorship to examine multiple visual cultural practices depicting war, on and off the battlefield, from the 1999 NATO bombings in Kosovo to the present.
Kozol’s analysis draws from collections of family photographs, human rights photography, independent film production, photojournalism, and other examples of war’s visual culture, as well as extensive visual evidence of the ways in which U.S. militarism operates to maintain geopolitical dominancefrom Fallujah and Abu Ghraib to the most recent drone strikes in Pakistan.
Throughout, Kozol reveals how factors such as gender, race, and sexuality construct competing visualizations of identity in a range of media from graphic narrative and film to conflict photography and battlefield souvenirsand how contingencies and contradictions in visual culture shape the politics and ethics of witnessing.
About the Author
Wendy Kozol is professor of comparative American studies at Oberlin College. She is the author of Life’s America: Family and Nation in Postwar Photojournalism and has coedited two anthologies (with Wendy S. Hesford): Haunting Violations: Feminist Criticism and the Crisis of the “Real” and Just Advocacy? Women’s Human Rights, Transnational Feminism, and the Politics of Representation.
Table of Contents
Introduction: Looking Elsewhere
1. Domesticating War in Kosovo: Media Witnessing and Transnational Motherhood
2. Human Rights, Visual Rhetoric: Photojournalism and the War in Afghanistan
3. Precarity in the Night Sky: Missile Defense Advocacy and the U.S. Surveillance Regime
4. Battlefield Trophies: Soldiers' Archives and the Affective Politics of Recoil
5. Skeptical Documents: Toward an Ethics of Spectatorship
Conclusion: From the Sky, On the Ground