|Publisher:||The University of North Carolina Press|
|Product dimensions:||9.20(w) x 11.30(h) x 1.30(d)|
About the Author
Elizabeth Stillinger is a historian of American decorative arts who lives in Connecticut.
Erika Doss is professor of art history in the Department of Fine Arts at the University of Colorado at Boulder
Deborah Chotner is assistant curator of American and British paintings at the National Gallery of Art.
Read an Excerpt
Drawing on America's PastFolk Art, Modernism, and the Index of American Design
By Virginia Tuttle Clayton Elizabeth Stillinger Erika Doss Deborah Chotner
The University of North Carolina PressCopyright © 2003 University of North Carolina Press
All right reserved.
ForewordSixty years ago the National Gallery of Art acquired the Index of American Design, an extraordinary collection of more than 18,000 watercolor renderings of American folk, popular, and decorative art. The Index was the product of a government-supported program that operated from 1935 to 1942 as a unit of the WPA's Federal Art Project, offering relief work to some of the many artists unemployed and impoverished during the Great Depression. After the project ended, Federal Art Project director Holger Cahill favored the allocation of the Index of American Design to the National Gallery because he understood that the Gallery would properly care for and exhibit this incomparable survey of Americana. The National Gallery eagerly accepted the offer of this unique compendium of watercolors and over the past six decades has committed its curatorial and conservation resources to maintaining the Index and organizing many exhibitions of its renderings that have traveled throughout the United States. In 2000 the Gallery received a grant from the Save America's Treasures program of the United States Department of the Interior, National Park Service, to perform new conservation on the watercolor plates, and this work has now been successfully completed.
To celebrate the sixtieth anniversary of the gallery's acquisition of the Index, the National Gallery is presenting Drawing on America's Past: Folk Art, Modernism, and the Index of American Design, an exhibition of about eighty outstanding Index renderings that reunites nearly half of them with the actual artifacts they portray-for the first time since the project was in operation. In the essays for the exhibition catalogue, Virginia Clayton, Elizabeth Stillinger, and Erika Doss examine the organization and day-to-day functioning of the Index project, its relationship to American art between the two world wars, and the role it played in forming our present notions of what is American in American art. Deborah Chotner's catalogue entries contribute up-to-date information about the works of folk, popular, and decorative art depicted in the Index.
We are indebted to the Henry Luce Foundation for providing the generous support that allowed us to realize this exhibition and its catalogue. We are also grateful to all the public institutions and private collectors who graciously allowed us to borrow for the exhibition the original artifacts portrayed in the Index of American Design.
Earl A. Powell III Director, National Gallery of Art
Excerpted from Drawing on America's Past by Virginia Tuttle Clayton Elizabeth Stillinger Erika Doss Deborah Chotner Copyright © 2003 by University of North Carolina Press. Excerpted by permission.
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What People are Saying About This
Includes 82 outstanding examples in color plates, which present a watercolor illustration adjacent to the original object. The select bibliography, an annotated list of state projects, and the artists' biographies make this pictorial archive of Americana an exceptional value. . . . Essential for specialized collections of Americana and folk art, this book is also recommended for all art collections.Library Journal
More than a coffee table book, the well-written essays and new research on the objects and illustrators elevate Drawing on America's Past to the position of good American studies and art history scholarship as well.John A. Burrison, Georgia State University
This large-scale, lavishly-produced volume. . . . [with] eighty-two magnificent color reproductions. . . . make[s] this volume appealing to a general audience.American Studies