Cannibal Holocaust

Cannibal Holocaust

Director: Ruggero Deodato Cast: Robert Kerman, Francesca Ciardi, Perry Pirkanen

DVD (Wide Screen)

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Product Details

Release Date: 08/26/2008
UPC: 0652799000527
Original Release: 1979
Source: Grindhouse Releasing
Region Code: 0
Presentation: [Wide Screen]
Sound: [Dolby Digital Stereo]
Time: 1:36:00
Sales rank: 22,212

Special Features

New hi-definition 16x9 digital restoration of the original uncensored Director's cut; ; Spectacular new stereo re-mix and original mono mix ; ; Provocative audio commentary by Director Ruggero Deodato & star Robert Kerman; ; Selected on-camera commentary; ; The Making of Cannibal Holocaust; one hour Italian documentary featuring rare behind the scenes footage; ; Exclusive on-camera interviews with Deodato, Kerman and co-star Gabriel Yorke; ; Original theatrical trailers; ; Extensive gallery of stills and poster art; ; The original shooting script; ; Necrophagia "Cannibal Holocaust" music video - directed by Jim Van Bebber; ; Liner notes by legendary horror journalist Chas Balun

Cast & Crew

Scene Index

Disc #1 -- Cannibal Holocaust - Reel 1
1. Opening Credits/ Cannibal Holocaust [:57]
2. "Man is Omnipotent" [2:03]
3. Amazonia [:09]
4. Return to the Camp [3:19]
5. Arrival of Monroe [:11]
6. Chacko [2:51]
7. On the Trail [:52]
8. Leeches! [:43]
9. Discovering Felipe [1:57]
10. "Tonight We Eeat Meat!" [1:33]
11. The Adulteress [1:36]
12. Miguel's Peace Offering [2:04]
13. The Yacumo Village [:56]
14. Dinner with the Yacumos [:25]
15. Back on the Trail [:18]
16. The Shamatari vs The Yacumos [:41]
17. Token of Gratitude [:44]
18. Experiment in Psychology [2:53]
19. The Ghastly Remains [:02]
20. Monroe Makes a Move [1:46]
21. Dinner with the Yanomamo [1:15]
22. Back in New York [2:44]
23. The Last Road to Hell [:32]
24. Terrible Primadonnas [:08]
25. Colleagues and Family [1:13]
26. Reel One [3:00]
27. Sea Turtle [1:15]
28. Reel Two [1:46]
29. The Death of Felipe [:35]
30. Fame [:51]
31. Reel Three/ Saved by the Anaconda [1:37]
32. First Yacumo Encounter [1:18]
33. The Yacumo Village [1:52]
34. The Massacre of the Yacumos [1:59]
35. In the Mood [2:27]
36. "People Want Sensationalism!" [3:04]
37. Reel Four [1:59]
38. Nature Recycles Everything [3:49]
39. Social Surgery [:07]
40. Alan's Dream [:47]
41. Money From Misery [:03]
42. The Final Reels [:09]
43. Little Monkey [:39]
44. The Impalement [:03]
45. "They're All Around Us!" [1:27]
46. Jack [:05]
47. Trapped [:56]
48. Faye [:54]
49. Alan [:34]
50. The Real Cannibals/ End Credits [:45]

Customer Reviews

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Cannibal Holocaust 4 out of 5 based on 0 ratings. 3 reviews.
Ruadhan_McElroy More than 1 year ago
This film is notorious for polarising audiences; people either love it or hate it, and for different reasons. The reasons to hate it are pretty obvious: it's a grainy, intentionally shocking, intentionally repulsive piece of work. The portrayal of the Amazon natives is essentially racist. The actors are largely inexperienced stage performers. Still, it's these elements that give it its realism, subversiveness, and quirky sort of "charm". All at once, it attempts to both disgust the audience in the way that earlier classic pieces of art, such as _Un Chien Andalou_'s infamous razor and eye scene, and Eraserhead's grotesque reptillian "baby" had before -- only instead of the surreal, Cannibal Holocaust aims for a sort of hyperrealism to the point that it was investigated as a potential "snuff film" (wherein a performer is filmed actually being murdered; it was quickly discovered that no human died on screen or during any stage of filming Cannibal Holocaust, though six animals were filmed being slaughtered, a piglet was shot, and five other animals, including a large turtle, a coati, and a New World monkey are killed and dismembered with knives). The super-realism is necessary for the film's social commentary about civilization, and begs the audience to ask whether or not civilization is either something to strive for, or if it is actually any different from those "savage" cultures that civilizations fears and prefers to avoid. An especially disturbing scene I found was when the documentary crew is shown first setting an Amazon tribal village on fire and then the characters in the "film crew" who are dating then proceed to have sex atop the ashes as the villagers watch -- while the story of the film treats the real tribe within it fictitiously to the point of appearing racist, this one powerful scene inverts the film's merely _apparent_ racism and, in reality, is portraying the white documentarians from NYC as exploititive and the real display of racism in the film.

Could the same point have been made without resorting to fallacies about the real tribes it references? I don't think so. After reading some history of the film, I learned that it was an Italian production with the "film crew" characters written to be allegorical of the Italian news media and accusations of staging "news", sensationalising tragedy, and propagandising to the people. One common element of political propaganda is that it distorts the truth or simply masks it in falsehoods -- it is only appropriate that a film originally written to criticize propaganda and sensationalism in the news would falsify the nature of the real tribes portrayed to encourage the audience to question what is real and what is staged.
Anonymous More than 1 year ago
Guest More than 1 year ago
Human’s the most dangerous animal. He (human) gets what he’s deserved (raping of amazon’s women, firing their home leads to their own death-sentencing, and that's just fair). Music reflects – everything’s gonna be alright, whatever happens – take it easy. The topic of interfering into other cultures is always up-to date and never bores film makers and auditorium. Freud was right – aggression + libido=universal human nature