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Auto accidents are an epidemic in Argentina, and two people with very different perspectives on the crisis are brought together in this drama from filmmaker Pablo Trapero. Sosa (Ricardo Darín) was once a respected attorney until his license to practice law was suspended, and now he makes ends meet offering his services under the table to accident victims hoping to make money in a lawsuit. One day, while staking out the scene of an auto wreck, Sosa meets Luján (Martina Gusman), a doctor who treats urgent cases. Despite her seemingly noble line of work, Luján has demons of her own, including a dependency on drugs, and she finds herself attracted to the morally conflicted lawyer, even after he helps to arrange for an accident for the benefit of a friend. Carancho was an official selection at the 2010 Cannes Film Festival.

Product Details

Release Date: 06/07/2011
UPC: 0712267301225
Original Release: 2010
Rating: NR
Source: Strand Home Video
Presentation: [Wide Screen]
Time: 1:47:00

Special Features

Original theatrical trailer; Other Strand Releasing trailers

Cast & Crew

Performance Credits
Ricardo Darín Sosa
Martina Gusman Lujan
Carlos Weber Fello
Jose Luis Arias Casal
Fabio Ronzano Pico

Technical Credits
Pablo Trapero Director,Editor,Producer,Screenwriter
Mercedes Alfonsin Art Director
Marisa Amenta Makeup
Julian Apezteguia Cinematographer
Ezequiel Borovinsky Editor
Felipe Braun Co-producer
Alejandro Cacetta Co-producer
Martín Carranza Associate Producer
Federico Esquerro Sound/Sound Designer
Alejandro Fadel Screenwriter
Gregory Gajos Co-producer
Juan Pablo Galli Co-producer
Martina Gusman Executive Producer
Arthur Hallereau Co-producer
Alexandra Henochsberg Co-producer
Martin Mauregui Screenwriter
Santiago Mitre Screenwriter
Daniel Rutolo Production Manager
Juan Vera Co-producer
Suh Young-joo Co-producer

Scene Index

Disc #1 -- Carancho
1. Helping Hand [9:18]
2. A Swindler [10:47]
3. Change of Luck [13:00]
4. Cardiac Arrest [11:44]
5. ER Brawl [10:07]
6. Who's in Charge? [3:25]
7. Lurking Vultures [2:13]
8. Power of Attorney [6:51]
9. On Call [11:05]
10. No Time to Waste [8:15]
11. Abosolute Madness [4:47]
12. Credits [11:35]

Customer Reviews

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Carancho 4 out of 5 based on 0 ratings. 1 reviews.
Grady1GH More than 1 year ago
CARANCHO ('Vulture' or 'a bird of prey; an animal that attack and feed on wounded animals') is a disturbing film from the opening sequences until the end. Before any story begins we are given the information (superimposed over black and white photographs for broken glass and bodies on a street) about the number of automobile accidents and deaths (in excess of 8,000) each year, the leading cause of deaths in Argentina. This grim fact has produced an even more grim industry - ambulance chasing lawyers who follow and even at times stage accidents in order to collect from insurance and scam the real victims and the insurances companies too. This industry requires the participation of doctors, paramedical personnel and police on the take. Every aspect of this horrendous situation is played out in this tersely written (Alejandro Fadel, Martín Mauregui, Santiago Mitre, and Pablo Trapero who also directs). It is a tough film to watch but does serve to alert the audience to a major crime industry that though set in Buenos Aires, Argentina is prevalent probably throughout the world. Sosa (Ricardo Darín) is a lawyer who has lost his license form some unstated reason who is now working for a 'foundation' that falls into the category discussed above. He not only chases ambulances but also pays men to stage them so that he can collect money based on the fact that he works with the distraught families to win power of attorney for the injured or deceased, giving him access to the insurance money. His bosses are competitive and Sosa is repeatedly attacked physically a la mob style for his failure to perform. Sosa meets Luján (Martina Gusman), a beautiful young doctor who is at the beginning of her career and must work emergency rooms and ride in ambulances to administer to the injured or ill in order to gain experience to become a respected physician. They meet over an accident - Luján is giving aid to a victim and Sosa is planning to use the victim in his crime racket. Both Sosa and Luján seem to have occult senses of responsibility and ethics but life has brought them to a place where they must submerge their standards in order to survive: Luján happens to be a drug addicted 'to sustain the brutality of her work' and Sosa endangers the lives of innocent people to satisfy the bosses to whom he must bow in order to survive. It is this contrast between their passion for each other and their participation in the dark crime of 'caranchos' that provides the push/pull of their relationship, resulting in an ending few will predict. Both Darín and Gusman are outstanding in very difficult roles, but the supporting cast -Carlos Weber, José Luis Arias, Fabio Ronzano, Loren Acuña, Gabriel Almirón, and José Manuel Espeche - is equally strong in smaller roles. This is a very dark film - in story, in locale (the San Justo region of Buenos Aires), and in the fact that it all takes place at night - but it carries information we all need to note and molds that information into a suspenseful thriller that is so well paced by director Pablo Tapero that every moment is filled with meaning. Grady Harp