The Dark Half

The Dark Half

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Overview

The Dark Half

It is extremely distressing to see even a mid-level release like The Dark Half receive such a lackluster transfer. The pan-and-scan format does not help this film, which would benefit considerably from wider frame. Articles have indicated that George Romero preferred the pan-and-scan format, but it seems difficult to imagine his reasons. This transfer contains plenty of grainy moments and a limited amount of sharpness within the images. Nothing distracts completely from the viewing, but few positives exist. Considering the unfortunate visual transfer, this 2.0-channel Dolby Surround track actually works relatively well. The audio remains centralized and rarely moves through the sound field, but it springs quite clearly from the speakers. The dialogue is easily understandable, and the scare effects serve their purpose. While not a superior effort, this transfer does offer a worthwhile listening experience. The only saving grace of this minimal release is a two-page collectible booklet that provides a few behind-the-scenes anecdotes. The included material remains brief, but several interesting items do appear. The lone additional feature is the full-frame trailer, which gives away plenty of information in typical fashion.

Product Details

Release Date: 09/28/1999
UPC: 0027616786623
Original Release: 1991
Rating: R
Source: Mgm (Video & Dvd)
Region Code: 1
Presentation: [Full Frame]
Time: 2:01:00

Special Features

Closed Caption; Collectible behind-the-scenes booklet; Original theatrical trailer

Cast & Crew

Performance Credits
Timothy Hutton Thad Beaumont,George Stark
Amy Madigan Liz Beaumont
Michael Rooker Sheriff Alan Pangborn
Julie Harris Reggie DeLesseps
Robert Joy Fred Clawson
Kent Broadhurst Mike Donaldson
Chelsea Field Annie Pangborn
Beth Grant Shayla Beaumont
Rutanya Alda Miriam Cowley
Tom Mardirosian Rick Cowley
Glenn Colerider Homer Gamache
Royal Dano Digger Holt
Lamont Arnold NYC Cop #1
David W. Butler Trooper #1
William Cameron Officer Hamilton
Curt Debor Trooper #2
David Earle Officer #2
Christine Forrest Trudy Wiggins
Lee Hayes NYC Cop #2
Jeff Howell Dave
J. Michael Hunter Garrison
Erik Jensen Male Student
Bruce Kirkpatrick Officer #1
Drinda La Lumia Dodie
Larry John Meyers Doc Pritchard
Jeff Monahan Wes
Zachary Mott Norris Ridgewick
Nardi Novak Pangborn's Receptionist
Elizabeth Parker Wendy & William Beaumont
Christina Romero Little Girl
Rohn Thomas Dr. Albertson

Technical Credits
George A. Romero Director,Executive Producer,Screenwriter
Barbara Anderson Costumes/Costume Designer
Cletus Anderson Production Designer
Declan Baldwin Producer
Pasquale A. Buba Editor
Tom Dubensky Asst. Director
James C. Feng Production Designer
Jeannee Josefczyk Makeup
Peter Kuran Special Effects
Michael Levine Camera Operator
Nicholas C. Mastandrea Asst. Director
Tony Pierce-Roberts Cinematographer
Christine Romero Associate Producer
Drew Ann Rosenberg Asst. Director
John Sutton Musical Direction/Supervision
John Vulich Makeup
Christopher Young Score Composer
Stephen King Source Author

Scene Index

Side #1 --
1. Logo/Title/1968 [:10]
2. "A Twin" [3:35]
3. "You're Doing It!" [2:28]
4. "The Inner Being" [1:55]
5. "George Stark...Phoney" [1:29]
6. "Tell 'Em Yourself" [3:26]
7. Attached to George [4:08]
8. The Waking of George [3:48]
9. Laid Back to Rest [1:44]
10. Late Night Hitcher [2:44]
11. Finding the Truck [4:50]
12. Thad's Fingerprints [1:26]
13. Dreaming of George [4:20]
14. Clawson's Demise [2:32]
15. Suspect in 2 Murders [2:02]
16. The Seizure [5:07]
17. George Strikes Again [2:39]
18. Describing George [3:02]
19. "Hello, Mike!" [3:13]
20. Phone Call to Rick [3:27]
21. Leveling With Alan [1:26]
22. At Rick's Place [2:29]
23. A Call From George [2:54]
24. ...And Another [3:38]
25. Tapping In [3:28]
26. Falling Apart [5:17]
27. It's Not a Tumor [3:06]
28. House Arrest [3:30]
29. Reggie's Explanation [2:51]
30. Kidnapped [5:26]
31. Thad Arrives [4:47]
32. Working Together [3:54]
33. The Brawl [6:28]
34. "Your Ending Or Mine" [3:35]
35. The Birds [1:57]
36. End Credits [3:21]

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