Don't Look Back [Criterion Collection] [2 Discs]

Director: D.A. Pennebaker

Overview

In 1965, filmmaker D.A. Pennebaker accompanied Bob Dylan to England to make a film about the singer/songwriter's British tour. At the time, no one could have known how fortuitous Pennebaker's timing would prove to be. Within a few months of this tour, Dylan would forsake his role as The Conscience of Folk Music to pick up a Fender Stratocaster and play rock and roll. Within a year, Dylan would suffer a motorcycle accident that would put him out of commission for nearly 18 months. Recording several brilliant solo performances and capturing a wealth of fly-on-the-wall footage of Dylan's interactions with friends and strangers, Pennebaker caught Dylan on the cusp of a radical career change, and the man in this film seems to be thrashing about in his shackles, looking for some sort of escape route.

Product Details

Release Date:	11/24/2015
UPC:	0715515160919
Original Release:	1967
Rating:	NR
Source:	Criterion Collection
Region Code:	1
Presentation:	[B&W]
Sound:	[Dolby Digital Mono]
Language:	English
Time:	1:36:00
Sales rank:	17,435

Special Features

New restored 4K digital transfer, approved by Director D.A. Pennebaker, with newly restored monaural sound from the original quarter-inch magnetic masters; Audio commentary from 1999 featuring Pennebaker and tour manager Bob Neuwirth; 65 Revisited a 2006 documentary by Pennebaker; Audio excerpt from a 2000 interview with Bob Dylan for the documentary No Direction Home, cut to previously unseen outtakes from Don't Look Back; New documentary about the evolution of Pennebaker's filming style; Daybreak Express (1957), Baby (1954), and Lambert & Co. (1964), three short films by Pennebaker; New conversation between Pennebaker and Neuwirth about their work together; Snapshots from the Tour a new pience featuring never-before-seen outtakes from Don't Look Back; New interview with musician Patti Smith; Conversation between music critic Greil Marcus and Pennebaker from 2010; Alternative version of the film's "Subterranean Homesick Blues" cue card sequence; Five audio recordings of Dylan songs not used in the film; Trailer; Plus: a booklet featuring an essay by critic and poet Robert Polito

Cast & Crew

Performance Credits

Bob Dylan	Performer
Joan Baez	Performer
Donovan	Performer
Alan Price	Performer
Albert Grossman	Performer
Allen Ginsberg	Performer

Technical Credits

D.A. Pennebaker	Director
John Court	Producer
Albert Grossman	Producer
Jones Alk	Sound/Sound Designer

Scene Index

Disc #1 -- Bob Dylan: Don't Look Back
1. "Subterranean Homesick Blues" [2:34]
2. London, 1965 [3:02]
3. Press Conference [3:36]
4. "Who's This Donovan?" [4:43]
5. Beginnings [1:38]
6. "The Times They Are A-Changin'" [4:32]
7. Merseyside [4:45]
8. "The Longsome Death Of Hattie Carroll" [5:07]
9. "Turn, Turn, Turn" [4:38]
10. Hanging Out [5:13]
11. Albert Grossman Negotiates [6:14]
12. Newcastle [2:16]
13. The Science Student [8:15]
14. The High Sheriff's Lady [4:14]
15. Alan Price [:58]
16. On The Move [3:12]
17. "Who Threw The Glass?" [3:16]
18. Donovan [4:57]
19. Concert Prep [3:30]
20. The Interview [6:28]
21. Royal Albert Hall [10:43]
22. "Give The Anarchist A Cigarette" [2:06]
1. Color Bars
1. The Scopitone [2:34]
2. Two Art Forms Merge [3:02]
3. Bob And Joan [3:36]
4. "Playing Chess With The Filmmakers" [4:43]
5. Happenstance [1:38]
6. Avant-Garde Styles [4:32]
7. Equipment/Neuwirth As Ally [4:45]
8. Editing Decisions [5:07]
9. Surrounded By Music [4:38]
10. The Rock-And-Roll Lifestyle [5:13]
11. Distribution [6:14]
12. Dylan Composes [2:16]
13. Preconcert Jitters/Terry Ellis [8:15]
14. "Stephen And Stephen" [4:14]
15. Trespassing [:58]
16. The Film's Center/"Going Places" [3:12]
17. Night Off [3:16]
18. Synched Responses [4:57]
19. The Harmonica Crisis [3:30]
20. Lashing Out Against Public Media [6:28]
21. "One Man, A Guitar, And A Harmonica" [10:43]
22. A Need For An Ending [2:06]
1. Color Bars
1. London, April 29 [10:30]
2. Sheffield, April 30 [5:28]
3. Liverpool, May 1 [9:40]
4. Leicester, May 2 [3:55]
5. The Savoy Hotel, London, May 4 [2:54]
6. Birmingham, May 4 [7:30]
7. Newcastle, May 6 [6:33]
8. Manchester, May 7 [3:21]
9. The Savoy Hotel, London, May 8 [4:49]
10. Royal Albert Hall, London, May 9 [8:21]
11. "Subterranean Homesick Blues" [2:16]
Disc #2 -- Bob Dylan: Don't Look Back
1. Chapter 1 [33:24]
2. Chapter 2 [:31]
1. Chapter 1 [26:01]
1. Chapter 1 [13:31]
2. Chapter 2 [:25]

Menu

Disc #1 -- Bob Dylan: Don't Look Back
   Play The Movie
   Chapters
   Commentary
      Commentary: On/Off
         Commentary: On
         Commentary: Off
      Index
   Supplements
      Dylan On Dont Look Back
         Play
      65 Revisited
         Play
         Index
      Griel Marcus And D.A. Pennebaker
         Play
      "Subterranean Homesick Blues" (Alternate Take)
         Play
      Additional Audio Performances
         "It Ain't Me, Babe"
         "It's All Over Now, Baby Blue"
         "Love Minus Zero/No Limit"
         "The Lonesome Death Of Hattie Carroll"
         "To Ramona"
         About The Recordings
   Trailer
Disc #2 -- Bob Dylan: Don't Look Back
   D.A. Pennebaker: A Look Back
      It Starts With Music
         Play
      Daybreak Express
         Play
         Introduction
      Baby
         Play
      Lambert & Co
         Play
   D.A. Pennebaker And Bob Neuwirth
      Play
   Snapshots From The Tour
      Play
   Patti Smith
      Play

Editorial Reviews

A portrait of the artist as a young brat, D. A. Pennebaker's Don't Look Back follows Bob Dylan on his 1965 tour of Britain. On the cusp of his incarnation as a rock-'n-roll icon, Dylan exhibits an eerie confidence and self-possession on stage. Offstage, the center of a media onslaught -- almost quaint to today's eyes -- Dylan is a whirlwind of words, sometimes charming and insightful, sometimes badgering and sophomoric. He delights in irritating journalists small and large (he informs a Time reporter that a bum vomiting in the street is what's "real") and playing bad boy with his hangers-on and pals -- Alan Price, Bob Neuwirth, Joan Baez, and, in a wonderfully vicious sequence, Donovan. Pennebaker's verité camera shows clearly what sets Dylan apart from the hurly-burly that surrounds him: his ability to withdraw and focus. Watch him typing lyrics in a hotel room while Baez sings, or in a telling moment just before going onstage: Neuwirth clowns, people wander in and out, but Dylan is already apart and alone -- the artist ready to step into the spotlight of the world stage.

Barnes & Noble - Rachel Saltz

Bob Dylan is one of the most important figures of 20th century America and 1965-1966 was his most prolific period. Within this short time he wrote, recorded, and released three masterpieces (Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde), plugged in and got booed at the Newport Folk Festival, toured Europe twice, and changed the face of rock & roll. The first European tour was chronicled in Don't Look Back, a documentary by D.A. Pennebaker, who was wise enough to give very little screen time to stage performances. Instead, he turned the camera on inside limos, hotel rooms, and backstage, giving us the man behind the music. Seeing performers behind the scenes is common today with Behind the Music and similar programs, but in 1965, the idea that someone could be just as interesting off-stage as on was radical thinking. The film captures a critical time in Dylan's career, having just released Bringing It All Back Home, his first "electric, rock & roll" record; he is changing so quickly that he literally can't even keep up with himself. When he booked the tour, he didn't assemble a band, because at that time, he was still a solo performer. Now, he clearly wants to move past the old material, but can not due to the fact no one is backing him up. His frustration runs so deep that at one point in the film when a mic cuts out while he's performing, he keeps playing despite the fact he can't be heard. He's annoyed with journalists who want him to explain what his impact has been when he just wants to keep going, and not look back. Much is made of his savage treatment of the press in this film, but it's the smaller moments that make this a must-see. These include an impromptu hotel room performance of "Lost Highway," a view of Bob working out a song on a piano, and a hysterical conversation where Dylan and his manager, Albert Grossman, try to figure out why the English press is calling him an anarchist. Other treats include very rare footage of Dylan at 19 performing for a small group of blacks in the Deep South and the famous "Subterranean Homesick Blues" clip. Don't Look Back is an uncompromising look at an artist dealing with the burdens of fame while trying to grow, and is required viewing for all music fans.

All Movie Guide - Scott Engel