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Gone Baby Gone

Gone Baby Gone

4.3 15
Director: Ben Affleck

Cast: Casey Affleck, Michelle Monaghan, Morgan Freeman


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Ben Affleck's adaptation of Dennis Lehane's novel Gone, Baby, Gone stars Casey Affleck as Patrick Kenzie, a private investigator from working-class Boston who takes on a case involving a kidnapped girl. The girl's aunt begs Patrick to take the case because he has


Ben Affleck's adaptation of Dennis Lehane's novel Gone, Baby, Gone stars Casey Affleck as Patrick Kenzie, a private investigator from working-class Boston who takes on a case involving a kidnapped girl. The girl's aunt begs Patrick to take the case because he has connections to criminal Boston that the police do not. He agrees and along with his partner, Angie Gennaro (Michelle Monaghan), they uncover a web of corruption that threatens the relationship between the two. Ed Harris and Morgan Freeman co-star as members of the Boston Police Department.

Editorial Reviews

All Movie Guide - Perry Seibert
There is an old adage that defines the difference between "plot" and "story." The plot is that the queen dies and then the king dies, but the story is that the queen dies and then the king dies of a broken heart. Ben Affleck's directorial debut, an adaptation of Dennis Lehane's novel Gone Baby Gone gets the plot right, but neglects the story. The movie has a deliberate, occasionally ponderous, pace, but the plot -- involving the attempts by private detectives to assist the police in finding a kidnapped little girl -- involves so many twists and turns that the film never becomes boring. Casey Affleck is rock solid as detective Patrick Kenzie, who, with his professional and personal partner Angie Genero (Michelle Monaghan), uses his working-class Boston contacts to uncover information the police might have overlooked. Ben Affleck approaches directing much like the award-winning screenwriter that he is. Within each scene there is an important piece of information that must be communicated, and he makes sure that the necessary information gets to the audience. He painstakingly keeps the audience right with the often complicated motivations of the characters. In lesser hands that style might have come off as talking down to the audience, not trusting the viewer to be able to keep up with the intricacies, but instead the film plays as if Ben Affleck was afraid to veer away from the plot because he might mess up. As a director, he seems to believe that if he just gets the plot points down, he'll be fine, and while those are good instincts to have, he needed to trust himself and his actors a little more. The movie comes down to a hefty moral decision Patrick must make, one that will deeply affect the relationship he shares with Angie. This payoff never reaches the emotional crescendo it should, in part because by failing to take his eyes off the plot, the director never gives us the history between his two lead characters. The film is almost too faithful to the novel in that the rich history between these characters flourished over the course of the previous three books in the series, making it unnecessary for Lehane to linger extensively on their history in order to make his remarkable book achieve its devastating climax. The actors are game, but they haven't been given the chance to showcase the depth or intensity of their feelings for each other. Ben Affleck shows promise as a director with Gone Baby Gone -- now he just needs to gain a little more confidence.

Product Details

Release Date:
Original Release:
Miramax Lionsgate
Region Code:
[Wide Screen]
[Dolby Digital Stereo, Dolby Digital 5.1 Surround]
Sales rank:

Cast & Crew

Performance Credits
Casey Affleck Patrick Kenzie
Michelle Monaghan Angie Gennaro
Morgan Freeman Jack Doyle
Ed Harris Remy Bressant
John Ashton Nick Poole
Amy Ryan Helene McCready
Amy Madigan Bea McCready
Titus Welliver Lionel McCready
Michael Kenneth Williams Devin
Edi Gathegi Cheese
Mark Margolis Actor
Madeleine O'Brien Actor
Slain Actor
Trudi Goodman Actor
Matthew Maher Actor
Jill Quigg Actor
Sean Malone Actor

Technical Credits
Ben Affleck Director,Screenwriter
Nadia Aleyd Casting
Sean Bailey Producer
Chay Carter Co-producer
Chris Cornwell Art Director
David Crockett Executive Producer
Alix Friedberg Costumes/Costume Designer
William C. Goldenberg Editor
Harry Gregson-Williams Score Composer
Nic Harcourt Musical Direction/Supervision
Alan Ladd Producer
Amanda Lamb Associate Producer
Jeff Largent Sound/Sound Designer
George R. Lee Set Decoration/Design
Donna Morong Casting
Alan Rankin Sound/Sound Designer
Dan Rissner Producer
Sharon Seymour Production Designer
Aaron Stockard Associate Producer,Screenwriter
Christopher Surgent Asst. Director
John Toll Cinematographer


Customer Reviews

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Gone Baby Gone 4.3 out of 5 based on 0 ratings. 15 reviews.
Guest More than 1 year ago
The movie gives several different perspectives on what most would agree is a self-centered single mother who routinely neglects her small daughter -- and that's putting it mildly. The suspense and tension around the hunt for the girl after she is abducted is the major story, but the background of neglect and abuse is a constant undercurrent and ultimately becomes the focal point of the climax. Just a word of caution to those who have been victims of neglect and/or abuse as children: though excellent in many respects, this film can stir up painful memories. I know someone with such a history who saw it recently, and had a very difficult time with it.
Guest More than 1 year ago
This film is raw, cutting, and filled with so much &quot speed&quot that it is &quot gone baby gone&quot before you know it. That said, it's not afraid to tackle the tough subjects of neglect and abuse of a drug and sex-addicted mother, corruption of law enforcement, and the very tough choices that those in law enforcement, social work, clinical work have to make on a daily basis. This film is not for the faint of heart but it delivers. Well worth the Netflixing or Blockbustering rental. Outstanding cast, outstanding performances, and outstanding direction and production.
Guest More than 1 year ago
Ben Affleck proved to be a pleasant surprise, that no one saw coming, as a first-time director in this morally ambiguous drama, adapted from Dennis Lehane's novel, that is authentic, fragile and deep with character. Rich with a cast that fires on all cylinders, Casey Affleck and Amy Ryan give impressive, raw, vulnerable performances that stick with you long after the movie is over. At first blush, you expect this grim, suspenseful story in the search for a missing Boston girl to fall in the pastiche territory of movie-of-the-week. Instead, this is a satisfying film that follows in the footsteps of Mystic River that Clint Eastwood would be proud of. Without spoiling the ending, Affleck delivers a thought provoking film you will puzzle over and poses a difficult question that carries no easy answers - What is right and what is wrong? It's this kind of filmmaking that excites and inspires.
Guest More than 1 year ago
I was reticent to see this film as I had read the book and felt greatly depressed afterward, but still liked the book all the same. I caught it on cable and although some liberties were taken with characters and plotlines, it is a very faithful adaptation of the book. I was surprised by Affleck's vision in capturing the bleakness of Dorchester, but showing hidden beauty of it as well. I was also impressed with Casey's depiction of Patrick Kenzie, but was disappointed that there wasn't more character development for him or for Angie Gennaro.
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Guest More than 1 year ago
Ben Affleck has written "with Aaron Stockard" a superb screenplay adaptation of Dennis Lahane's novel GONE BABY GONE and has proceeded to direct this tough tale with an ensemble cast of both well-known actors and unknown actors and walk-ons from the streets of the Boston area where they grisly story takes place. The result is a film so well tuned and realistic with a perfect sense of pacing and character development that it becomes a remarkable calling card for Ben Affleck's career as a director. That it is going unnoticed "with the exception of Amy Ryan's nomination for Best Supporting Actress" by the Oscars is a grave oversight ! The time is contemporary Dorchester, Massachusetts and Patrick Kenzie "Casey Affleck" and his girlfriend/partner Angie Gennaro "Michelle Monaghan", become aware of a missing child Amanda "Madeline O'Brien" in their own neighborhood. The child's aunt Bea "Amy Madigan" and uncle Lionel "Titus Welliver", unable to cope with Amanda's drugged out mother Helene "Amy Ryan", knock on Patrick and Angie's door, pleading with them to help find Amanda: Patrick and Angie are private detectives who just happen to be an integral part of the neighborhood. Reluctant at first to become involved in the now 3-day police hunt for the child, a hunt headed by the respected Captain Jack Doyle "Morgan Freeman" who his lost his own daughter in similar circumstances and detectives Remy Bressant "Ed Harris" and Nick Poole "John Ashton" and who as a triad feel they are competent to handle the case without the 'immature experience' of the young couple. But Patrick and Angie do become involved, uncover leads within the neighborhood that lead to the clues behind the missing child incident and in doing so, unravel a lot of corruption within the police force, and also discover differences between themselves that threaten their otherwise close relationship. To say more would remove the incredible tension this story maintains all the way to the fadeout credits. The cast is uniformly excellent, from the smallest roles to the most major ones. It is difficult to single out any performer for praise as this is truly an ensemble piece. The flavor of the film is honest, unflinching, and refuses to ignore the grotesque incidents that must be shown for the movie to maintain its impact. Writer Dennis Lahane "'Mystic River', 'Shutter Island'" is a master of detailing the spectrum of responses that ugly matters induce: even the most noble of intentions have their shadowy side. Affleck finds all of this in this excellent film, a film so strong that it easily bears repeated viewings. Highly recommended...but not for the squeamish. Grady Harp
Guest More than 1 year ago
A film with a potential it failed to meet, a talented cast asked to perform below their abilities and an ending that was unravelled so poorly that that it left the viewer feeling slightly patronized. While both Affleck brothers have talent of varying degree, this film employs the lackluster capacity of one to equalize the superiority of the other. Also, Morgan Freeman, please take a hiatus. "Seven Shawshank Dollar Babies"