Repulsion [Criterion Collection]

Overview

Acclaimed director Roman Polanski's first English-language effort is a psychological thriller about an unstable young beautician named Carol (Catherine Deneuve) whose fear of men and sex explodes over the course of a weekend which she spends alone in her sister Helen's (Yvonne Furneaux) London flat. When Helen and her sweetheart Michael (Ian Hendry) take a vacation, Carol starts to hallucinate and eventually loses what is left of her mind. She continues her descent into madness with two dead bodies, a decomposing rabbit, and a rotten potato as her non-verbal companions. This horror-drenched psychological drama caused quite a stir at the 1965 Cannes Film Festival after being shown in a non-competing time slot. The music was provided by vibraphone master Chico Hamilton. Watch for Polanski is a small roll as the spoon player.

Product Details

Release Date:	07/28/2009
UPC:	0715515047913
Original Release:	1965
Rating:	NR
Source:	Criterion Collection
Region Code:	1
Presentation:	[Wide Screen]
Sound:	[Dolby Digital Mono]
Language:	English
Time:	1:45:00
Sales rank:	22,822

Special Features

Audio Commentary featuring Polanski and Actress Catherine Deveuve; ; A British Horror Film (2003), a Documentary on the making of Repulsion, featuring Interviews with Polanski, Producer Gene Gutowski, and Cinematographer Gilbert Taylor; ; A 1964 French television documentary filmed on the set of Repulsion, with rare footage of Polanski and Deneuve at work; ; Original Theatrical Trailers; ; Plus: A Booklet featuring an essay by film scholar and curator Bill Horrigan

Cast & Crew

Performance Credits

Catherine Deneuve	Carole
John Fraser	Colin,Bridget
Ian Hendry	Michael
Yvonne Furneaux	Helen
Patrick Wymark	Landlord
Renee Houston	Miss Balch
Valerie Taylor	Mme. Denise
James Villiers	John
Hugh Futcher	Reggie
Mike Pratt	Workman
Monica Merlin	Mrs. Rendlesham
Imogen Graham	Manicurist
Roman Polanski	Spoons Player
Lewis Alexander	s¿siad
Maxwell Craig	pracownik
Aileen Lewis	s¿siadka
Mel Churcher	Nun
Jim O'Brady	pracownik
Charles Rayford	barman
Chico Hamilton	Composer

Technical Credits

Roman Polanski

Gerard Brach

David Stone

Roman Polanski	Screenwriter,Director
Gerard Brach	Screenwriter
Gene Gutowski	Producer
Michael Klinger	Executive Producer
Tony Tenser	Executive Producer
Stephen Dalby	Sound Effects
Gerry Humphreys	Sound Effects
Les Hammond	Sound Effects
Lionel Strutt	Sound Effects
Tom Priestley	Sound Effects
David Stone	Screenwriter

Scene Index

Disc #1 -- Repulsion
1. Opening Titles [2:17]
2. Fire and Ice [6:18]
3. Helen and Michael [10:57]
4. Next Morning [7:26]
5. Cracks [9:03]
6. Left Alone [6:23]
7. Fear and Aversion [12:02]
8. Trouble at Work [9:14]
9. Visit from Colin [8:44]
10. Hands [5:02]
11. The Landlord [12:18]
12. Busywork [5:23]
13. Return [9:12]
14. End Credits [:44]
1. Color Bars [:00]
1. Maurice Binder [2:17]
2. Daydreaming [6:18]
3. Simple Things [10:57]
4. Despot [7:26]
5. South Kensington [9:03]
6. Inside Herself [6:23]
7. A Horrific Element [12:02]
8. Sound and Atmosphere [9:14]
9. The Score [8:44]
10. Violence [5:02]
11. Critical Moments [12:18]
12. Mental Limping [5:23]
13. Surrealists [9:12]
14. The Eye [:44]

Menu

Disc #1 -- Repulsion
   Play the Movie
   Chapters
   Commentary
      This Commentary features Director Roman Polanski and Actress Catherine Deneuve, and was recorded exclusively for the Criterion Collection in 1994. To listen to the Commentary while viewing the movie, press the Audio key on your remote at any time: On/Off
      Index III
         Color Bars
   Trailers
   A British Horror Film
      Play lll
   Grand Écran
      Play lll

Editorial Reviews

Director Roman Polanski's first English-language film, Repulsion (1965) is a meticulous and vertiginous descent into madness, with Catherine Deneuve as a young Belgian at war with her inner demons. Deneuve plays Carol, whose aversion to men and tenuous grip on reality come into play when her sister/roommate (Yvonne Furneaux) goes on holiday, leaving Carol alone in their London flat. Don't expect a thrill every minute here. Polanski's masterfully paced film moves ever so slowly into dementia, carefully weaving a portrait of Deneuve's deranged psyche through exquisitely detailed visuals and sounds. Deneuve portrays Carol as a woman in a perpetual daydream, and the apartment literally undergoes a slow metamorphosis as her psychosis deepens. The other performances are equally detailed, full of subtle observations about the interplay between the sexes, with all the men coming off as either creepy, dangerous, or both. Polanski's confidence and virtuosity are apparent in every frame of this superb psychological thriller, and fans of his better-known works (Rosemary's Baby, Chinatown) will find it a riveting cinematic experience.

Barnes & Noble - Gregory Baird

Roman Polanski's terror classic shows us, in simple but effective terms, the horrors that lurk inside a troubled psyche. While obviously working on a shoestring budget, Polanski recreates with disturbing impact the strange and unsettling horror of a mind that has begun to turn upon itself. Carol Ledoux (played brilliantly by Catherine Deneuve) is not on a strong emotional footing as the story begins: she's at once compelled by and terrified of her sexual needs, and she displays an unhappy emotional distance from others that suggests a mild form of autism. When Carol is left alone after her sister leaves on vacation, her fragile connection with the rest of the world gives way, and. as she isolates herself in her apartment, Carol's mind fragments into a hallucinatory state, which Polanski manifests on-screen with an apt surrealism. Within the increasingly grim and shadowy confines of the flat, revolting images of rotting food and buzzing flies mingle with things that shouldn't or couldn't actually be there, and Polanski's impressionistic use of odd angles, visual distortion, and blunt, shocking violence make Carol's world seem as frighteningly alien to us as it must be to her. Polanski is aided immeasurably by Deneuve's performance; she's the only person onscreen for a large percentage of the movie, and the understated realism of her madness makes the film all the more convincing, demonstrating that the human mind can conjure images far more terrifying than can a special effects crew with a huge budget.

All Movie Guide - Mark Deming