Rize

Rize

Director: David LaChapelle Cast: Tommy the Clown, Lil Tommy, Larry
4.4 5

DVD (Full Frame)

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Overview

Rize

Noted photographer David LaChapelle makes his feature directorial debut with this documentary on a new facet of street culture in South Central Los Angeles. In 1992, after long-simmering racial tensions in Los Angeles erupted in riots following the verdicts in the Rodney King trial, a man named Tommy Johnson sought to spread a new message in a new way to the city's African-Americans. Creating a character called Tommy the Clown, Johnson developed an act that combined hip-hop-flavored comedy and dancing with an anti-gang and anti-violence message. Johnson's performances became wildly popular in South Central -- so much so that at one point, 50 different groups inspired by Johnson's example were performing in the area. In time, Johnson's loose-limbed dance style inspired a new wave of hip-hop street dancing called "krumping," a wildly athletic style in which arms, legs, and bodies fly with a frenzied abandon that moves at almost inhuman speeds. Rize follows the birth of clown dancing and krumping in South Central, and records how many young people have adopted the dance as a style of competition, offering a safer and healthier alternative to the gang culture that has long dominated Los Angeles. Rize premiered at the 2005 Sundance Film Festival.

Product Details

Release Date: 10/25/2005
UPC: 0031398183112
Original Release: 2004
Rating: PG-13
Source: Lions Gate
Region Code: 1
Presentation: [Full Frame]
Time: 1:24:00
Sales rank: 48,914

Special Features

Theatrical full screen version; DVD introduction with cast and director David LaChapelle; Filmmaking insight with director and director of photography; New dancer interviews with director David LaChapelle; Tribeca film festival Q&A with cast; David LaChapelle photo gallery; Dance moves by Rize dancers; Extended dances; Deleted scenes; Director commentary; 5.1 and 2.0 Dolby Digital audio; English and Spanish subtitles; Trailers

Cast & Crew

Performance Credits
Tommy the Clown Participant
Lil Tommy Participant
Larry Participant
Swoop Participant
Nino Participant
Dragon Participant
Lil C Participant
Tight Eyez Participant
Baby Tight Eyez Participant
Daisy Participant
Big Participant
Ms. Prissy Participant
La Nina Participant
Quinesha Participant

Technical Credits
David LaChapelle Director,Producer
Gregory Alt Makeup
Christopher Aud Sound Editor
Amy Marie Beauchamp Score Composer
Jose Cancella Score Composer
Patrick J. Foley Sound Editor
Melanie Glover Makeup
Nathan Hamilton Makeup
Marc Hawker Producer
Sean Hellfritsh Camera Operator
Ellen Jacobson-Clarke Executive Producer
Darcy Jennings Production Manager
Tiffany Johnston Makeup
Brian Lewis Makeup
Leda Maliga Camera Operator
Mark L. Mangino Sound Editor
Jonathan McHugh Musical Direction/Supervision
Stavros Merjos Executive Producer
Barry Peele Executive Producer
Sasha Rendulich Camera Operator
Linda Sammut Makeup
Joseph M. Setele Camera Operator
Rebecca Skinner Executive Producer
Alzo Slade Camera Operator
Morgan Pierre Susser Cinematographer
Richmond Talauega Producer
Tone Talauega Producer
Michael Totten Camera Operator
Fernando Villena Editor
Jon Volcek Camera Operator
Timothy West Sound Mixer
Ishbel Whitaker Executive Producer

Scene Index

Disc #1 -- Rize
1. Main Titles/The Riots [3:11]
2. Take It by Storm [1:31]
3. Tommy the Clown [7:37]
4. Doing Something Positive [4:37]
5. Happy Birthday [2:10]
6. Stripper Dance [3:38]
7. Krump [5:49]
8. Our Ghetto Ballet [5:12]
9. Tight Eyez and Family [3:54]
10. Miss Prissy [2:39]
11. Don't Hold Back [2:26]
12. The Battle Zone [3:43]
13. Preparing for Battle [3:28]
14. Miss Prissy Vs. La Niña [2:34]
15. Clowns Vs. Krumpers [5:23]
16. Backstage [2:57]
17. Amazing Grace [8:47]
18. God's Gift [6:02]
19. Curtain Call [3:57]
20. There is No Limit/End Credits [7:13]

Customer Reviews

Most Helpful Customer Reviews

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Rize 4.4 out of 5 based on 0 ratings. 5 reviews.
Guest More than 1 year ago
Says Swwop. I’ve seen this movie because it was made by David Lachapelle and since he’s such a great photographer, I thought it was going to be visually pleasing movie. But when the documentary was over I was just overwhelmed by how amazing it was. The dance sequences and the sheer force of personality of some of the profiled subjects helps to carry along the film making it more of a matter style vs. substance. There were a lot of people profiled in this movie, but never into great detail. They also draw comparisons in the style of dancing and haphazardly layer them with footage from African tribes. That aspect is fascinating, but the viewer doesn't get much more than teased with where it all came from. The filmmakers obviously know how to make actors look really good, but A lot more thought should have been put into the overall structuring of the film. There are a few scenes which are obviously, and painfully, staged. And the whole structure at times seems rather random, rhythmic, and slow. LaChapelle does has a lot to learn about narrative and treating sensitive topics with decency, not stereotypes. LaChapelle luckily picked a great topic for his first film and hopefully not his last. The originality of this movie was great and the creativity was impressive. Miss Prissy really stood out on this movie as well as the other dancers which make this movie worth checking out.
Guest More than 1 year ago
This movie touched me in such a way...I cried and cried and cried. Tears of joy, tears of sorrow, tears of confusion...Outstanding.
Guest More than 1 year ago
Says Swoop. I’ve seen this movie because it was made by David Lachapelle and since he’s such a great photographer, I thought it was going to be visually pleasing movie. But when the documentary was over I was just overwhelmed by how amazing it was. The dance sequences and the sheer force of personality of some of the profiled subjects helps to carry along the film making it more of a matter style vs. substance. There were a lot of people profiled in this movie, but never into great detail. They also draw comparisons in the style of dancing and haphazardly layer them with footage from African tribes. That aspect is fascinating, but the viewer doesn't get much more than teased with where it all came from. The filmmakers obviously know how to make actors look really good, but A lot more thought should have been put into the overall structuring of the film. There are a few scenes which are obviously, and painfully, staged. And the whole structure at times seems rather random, rhythmic, and slow. LaChapelle does has a lot to learn about narrative and treating sensitive topics with decency, not stereotypes. LaChapelle luckily picked a great topic for his first film and hopefully not his last. The originality of this movie was great and the creativity was impressive. Miss Prissy really stood out on this movie as well as the other dancers which make this movie worth checking out.
grmafluffy More than 1 year ago
I have loved this from the first time I watched it and have seen it many times...it never gets boring. If you were raised in the break-dancing era, or if you just love full emotional dancing...you'll love this film
Anonymous More than 1 year ago