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The Godfather

4.6 56
Director: Francis Ford Coppola

Cast: Marlon Brando, Al Pacino, James Caan


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Often considered one of the landmark films in American cinema, The Godfather was previously available on DVD only as part of a box set featuring all three of the films in the series. This single-disc edition of The Godfather is similar to the edition of the film available in that set. The film is presents in a widescreen anamorphic transfer that


Often considered one of the landmark films in American cinema, The Godfather was previously available on DVD only as part of a box set featuring all three of the films in the series. This single-disc edition of The Godfather is similar to the edition of the film available in that set. The film is presents in a widescreen anamorphic transfer that preserves the original theatrical aspect ratio. This top-quality transfer does a fine job of capturing the dark hues employed by cinematographer Gordon Willis. An English soundtrack has been rendered in Dolby Digital 5.1, while a French soundtrack has been recorded in Dolby Digital Mono. English subtitles are accessible. The only supplemental material offered is a feature-length commentary recorded by director Francis Ford Coppola. He relates a wealth of stories about how difficult and stressful the shooting of the film was for him. He also explains an interesting, though unintentional, camera trick during the funeral scene into which some people have read a great deal of significance. While the box set is highly recommended to any serious film lover, this edition is a solid release from Paramount.

Editorial Reviews

Barnes & Noble - Ed Hulse
No. 1 with a bullet on many favorites lists, Francis Ford Coppola's The Godfather -- which is available, together with its sequels, in the deluxe Godfather DVD Collection -- revitalized the gangster film when it premiered in 1972. Even though it employed familiar character types and situations, Coppola painted a more vivid, realistic, and compelling portrait of Mob life than had ever been seen on screen before. Mario Puzo's pulpy, best-selling novel provided Coppola a broad canvas to work upon, but it was the director's embellishments that made the picture so vibrant. Marlon Brando, in his last truly memorable performance, assayed the role of aging, soft-spoken Mafia patriarch Don Corleone. And Al Pacino became an international star thanks to his portrayal of Michael, the youngest Corleone, a returning war hero reluctantly drawn into the family business following the brutal slaying of older brother Sonny (James Caan). Although epic in scope, The Godfather endures in part through throwaway lines that became part of the popular lexicon, such as, "We'll make him an offer he can't refuse. Images from the film linger on, such as the Hollywood producer awakening to find the severed head of his favorite horse in bed with him, a "message" one never forgets. The Godfather eschewed simplistic genre stereotypes in favor of naturalistic characterizations, thanks in great part to the film's extraordinary ensemble, including Robert Duvall, Diane Keaton, and Talia Shire. The director used violence sparingly, but was unstinting in depicting its savagery, and he orchestrated the operatic plot complications masterfully. Nearly three decades after its initial release, this unforgettable film remains the preeminent gangster film of the late 20th century.
All Movie Guide - Lucia Bozzola
"I believe in America" -- and America embraced The Godfather, turning it into a landmark artistic triumph and blockbuster hit. The movie was initially planned as a low-budget adaptation of Mario Puzo's Mafia family best-seller, and young director Francis Ford Coppola was hired because Paramount thought he would be easy to control. Instead, he fought the studio to cast little-known Al Pacino as Michael Corleone and foundering Marlon Brando as Don Vito, and he turned The Godfather into an operatic period epic about family, honor, and American economic success (the word "Mafia" is never used); in return, he was almost fired during production. The finished film's narrative drive and imagery were astonishing. Beginning with the opening sequence intercutting Vito's sepulchral study with the bright wedding outside, Coppola renders the Corleones threatening in their business and appealing in their closeness as they negotiate the legacy of Vito's prosperity. Gordon Willis' shadowy cinematography infused the film with shades of black, brown, and gold, contrasting bleak Family dealings with warm family loyalty. The famously extreme violence, particularly the horse head and Sonny's tollbooth demise (echoing 1967's Bonnie and Clyde), revealed the cost of protecting the family honor; the baptism montage elevated Michael's corruption to diabolical proportions as he consolidates his business power. Highly anticipated and critically revered, The Godfather became one of the biggest box-office hits of all time, adding several catchphrases to the cultural lexicon, revitalizing the gangster genre, turning Pacino into a star, and reviving Brando's career. Nominated for 10 Oscars, The Godfather won Best Picture, but Brando snubbed his Best Actor prize and Coppola lost Best Director to Cabaret's Bob Fosse. Willis' cinematography wasn't even nominated, and although Nino Rota's memorable music did initially receive a nomination, the Academy rescinded it when they discovered that Rota included material in the score from one of his earlier compositions. In 1998, the American Film Institute named The Godfather one of the three greatest American films ever made, testifying to its enduring artistic legacy.

Product Details

Release Date:
Original Release:
Region Code:
[Wide Screen]
[Dolby Digital Mono, Dolby Digital 5.1 Surround]

Special Features

Closed Caption; Commentary by director Francis Ford Coppola

Cast & Crew

Performance Credits
Marlon Brando Don Vito Corleone
Al Pacino Michael Corleone
James Caan Sonny Corleone
John Cazale Fredo Corleone
Robert Duvall Tom Hagen
Diane Keaton Kay Adams
Sterling Hayden McCluskey
Richard Conte Barzini
Talia Shire Connie Corleone
Al Lettieri Sollozzo
Martino Johnny Fontane
Lenny Montana Luca Brasi
John Martino Paulie Gatto
Richard S. Castellano Clemenza
John Marley Jack Woltz
Abe Vigoda Tessio
Gianni Russo Carlo Rizzi
Rudy Bond Cuneo
Morgana King Mama Corleone
Richard Bright Neri
Alex Rocco Moe Greene
Tony Giorgio Bruno Tattaglia
Vito Scotti Nazorine
Jeannie Linero Lucy Mancini
Julie Gregg Sandra Corleone
Simonetta Stefanelli Apollonia
Angelo Infanti Fabrizio
Corrado Gaipa Don Tommasino
Franco Citti Calo
Saro Urzi Vitelli
Victor Rendina Phillip Tattaglia
Tere Livrano Theresa Hagen
Salvatore Corsitto Bonasera
Ardell Sheridan Mrs. Clemenza
Carmine Coppola Piano Player (uncredited)
Sofia Coppola Baby (uncredited)
Joe Spinell Willy Cicci (uncredited)
Carlo Savina Conductor

Technical Credits
Francis Ford Coppola Director,Screenwriter
Paul R. Baxley Stunts
Sass Bedig Special Effects
Michael Chapman Camera Operator
Warren Clymer Art Director
Dick Smith Makeup Special Effects
A.D. Flowers Special Effects
Gray Fredrickson Associate Producer
Fred T. Gallo Asst. Director
Louis Di Giaimo Casting
Charles Grenzbach Sound/Sound Designer
Anna Hill Johnstone Costumes/Costume Designer
Marc Laub Editor
Joe Lombardi Special Effects
Christopher Newman Sound/Sound Designer
Mario Puzo Screenwriter
William H. Reynolds Editor
Philip Rhodes Makeup
Fred Roos Casting
Nino Rota Score Composer
Albert S. Ruddy Producer
Carlo Savina Musical Direction/Supervision
Philip Smith Set Decoration/Design
Murray Solomon Editor
Dean Tavoularis Production Designer
Gordon Willis Cinematographer
Peter Zinner Editor

Scene Index

Side #1 --
1. I Believe in America [7:01]
2. The Wedding [4:17]
3. Johnny Fontane [1:00]
4. Tom Hagen Goes to Hollywood [:27]
5. Meeting With Sollozzo [2:35]
6. Shooting of Don Corleone [2:12]
7. Luca Brasi Sleeps With the Fishes [4:33]
8. Michael at the Hospital [3:28]
9. It's Strictly Business [:57]
10. How's the Italian Food in This Restaurant? [7:16]
11. The Don Returns Home [5:58]
12. The Thunderbolt [2:13]
13. Sonny Gives Carlo a Warning [:39]
14. Michael Marries Apollonia [3:04]
15. I Don't Want His Mother to See Him This Way [2:36]
16. Apollonia's Murder [9:30]
17. We Are All Reasonable Men Here [10:20]
18. The Don Puts Michael in Charge [7:04]
19. I'm Moe Green [14:10]
20. I Never Wanted This for You [7:06]
21. Baptism and Murder [:32]
22. Don't Ask Me About My Business, Kay [:50]
23. End Credits [:33]


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The Godfather 4.6 out of 5 based on 0 ratings. 56 reviews.
gravity More than 1 year ago
Many movie productions get categorized under FILM and the unwarranted respect just from that certain title -- but The Godfather is the TRUTH. When it comes down to perfect acting, flawless direction and character growth, this film has it all. First, Brando's performance is spectacular. From his voice to his his body language, The Don is untouchable during this film. Secondly, up and coming actor (at that time) Al Pacino delivers his most remarkable and unforgettable character yet. Truly a genius with a gift for acting right from the beginning. Thirdly, Francis Ford Coppola's cinematic directorial talent shines as he uses the proper close-ups of the actors at the perfect time and chooses the right angle to portay the mood of each scene resonates as simply fantastic. Lastly, that iconic song. Undeniably the most popular song in American film. Just a single note and you know what's on TV in the other room. Most importantly though, are the lessons learned from The Godfather. Lines like, "Don't ever takes sides with anyone against the Family again, ever." And "I'll make him an offer he can't refuse", prove the importance of loyalty in life. Released in 1972, this *film* stands alone and unscathed as a true monument of superb filmmaking.
Guest More than 1 year ago
Thank you Francis Ford Coppola. Now America has 2 unbeatable forces {along with Godfather Part II} that will forever change the face of movies forever {sorry Citizen Kane, Casablanca, etc.}. I really must express my gratitude to you Coppola and admit that if these movies were any better, we would have forces as powerful as god himself.
Guest More than 1 year ago
''Fredo, you're my older brother and I love you,'' says a stoid Michael Corleone. ''But don't ever take sides against the family again...Ever!''The Corleone family rules in what is arguably the greatest American film of the last 50 or 100 years. It was Brando's last truly great role and a start of greatness for Pacino, Caan and Duvall. This is a film where you know the dialogue and you mouth it with every viewing. It's a stunner. You see Pacino's transformation from college professor Michael Corleone to Ivy League killer as a celluloid miracle, but also as an actor's spawning. It's the smaller roles than garner attention: Al Martino as Johnny Fontaine, Richard Conti as Bartzini, Abe Vigoda as Tessio...because they create the landscape for the main characters.Coppola has a masterwork that only grows better with time like the wine in Clemenza's spaghetti sauce.
Guest More than 1 year ago
It is much better if you read first the book before watching it. I didnt exactly enjoy the movie because it was full of conversation, however, I am curious about Mafias' and stuff about them. My brother is the one who told me what Godfather is really all about. As I was reading the book by Mario Puzo, I realize that it was a good novel. I like the Corleone's, from Sonny to Michael and even their father Vito. It was a good movie, full of action and creativity of Mario Puzo.
Guest More than 1 year ago
When I first watched this a movie, I thought, ''What's so great about this movie?'' But when I watched the movie for the second time, I had a different opinion this time. There isn't much to say other than the fact that it deserved to win an academy award for best picture and #3 on the AFI's 100 best American movies of all time.
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Guest More than 1 year ago
Watching this film is an offer you can't refuse, unless of course, you want to sleep with the fishes! There aren't enough 'STARS' offered to rate this film. Brando is simply outstanding as the patriarch of a Sicilian crime family. Pacino is likewise excellent as the youngest son who demonstrates he can provide the Corleone family with continuing leadership. The film is superb in all regards, Plot, Cinematography, Acting, Musical Score, Action... everything. An American classic. Don't miss this one!
Guest More than 1 year ago
beats scarface casino bronx tale boss of bosses everything its the best of the best in my book
Guest More than 1 year ago
The first of the series of three box office hits was released in 1972. The story is about Vito Corleone, the head of a Mafia family in New York, who runs a very tight family business. The movie begins with Vito’s daughter's wedding and his son Michael, who has just come home from WWII. Michael does not wish to become a part of the violent family business but is forced to after Don Vito is shot by Virgil Sollozzo’s hit men for refusing to protect his drug dealing business. The shooting results in an explosion of a violent mafia war between the Corleone’s and the responsible men. I enjoyed this movie very much. Once you sit down to watch it, you cannot leave. Great plot, acting, casting, and writing made this movie an instant classic. Rated on the top 5 movies on many top movie lists, the Godfather has been a hit with many generations over time.
Guest More than 1 year ago
The Godfather, part one, isn't and shouldn't be about awards--they are always biased and inevitably subjective. Please consider instead the impact it has had on so many facets of our daily lives, especially our vocabulary. The genius of this film was its Copeland-esque drafting of an American urban landscape of values, mores, and uprooted identity. Instead of some Huntington approach, the Godfather was unabashed in its candidness for the politically incorrectness of the dialogue that makes up the American heritage. Far from just another gangster movie (good guy (white-skinned)cops versus bag guy (usually either Jewish, Irish or Italian immigrants)gangsters) the depth of the narrative plot comes from discord within--among Itallian-Americans themselves--despite the background of a world trying to define itself ethnically, as opposed to morally.
Guest More than 1 year ago
I have always thought of this book as remarkable. Probably Coppola's best. Marlon Brando offered his last truly recognizeable film performance. I assume this film might be based on Frank Costello or the Genovese family, so this film did not have the stilted effect that later Mafia films had. Made Robert Deniro, Robert Duvall and Al Pacino into the most hallowed positions in Hollywood.
Guest More than 1 year ago
everything about this film is a treasure-the plot, the actors, the music!
Kiko1021 More than 1 year ago
This is one of my favorite movies ever. Even though it's about three hours long, I've seen it over 500 times. The story grabs you right from the beginning and doesn't let go of you, not even after it's over. As for the acting in this - simply awesome! Brando, Pacino, Caan, Duvall, Keaton - all of them are incredible in this. Plus, it's not only a mob movie with crime and violence; it's also about power, family values, and respect. If you've never seen it, you're truly missing out on one of the best movies ever made.
MovieandMusicManiac More than 1 year ago
I saw Marlon Brando for the first time in THE GODFATHER and I must say it is one of the better performances that I have ever seen in a movie. No wonder people talk about him as being a movie legend.

The movie itself is extremely powerful.

Al Pacino is fantastic in it. So are James Caan and John Cazale.

Screenwriter-director Francis Ford Coppola did an outstanding job of telling this story, based on the novel by Mario Puzzo, about a gangster father and his three sons. It was like a Greek tragedy all the way.

I would see this again and again.
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