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Secret in Their Eyes
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The Secret in Their Eyes

4.2 5
Director: Juan José Campanella

Cast: Ricardo Darín, Soledad Villamil, Pablo Rago


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Juan José Campanella helmed this crime thriller about judicial cover-ups and corruption in Argentina. Ricardo Darín stars as Benjamín, a former criminal court employee who wants to write a novel about an Argentine case from the 1970s in which a woman was raped and murdered. He confides his intentions


Juan José Campanella helmed this crime thriller about judicial cover-ups and corruption in Argentina. Ricardo Darín stars as Benjamín, a former criminal court employee who wants to write a novel about an Argentine case from the 1970s in which a woman was raped and murdered. He confides his intentions to a judge with whom he's been secretly smitten for years, Irene (Soledad Villamil), but she expresses reservations about the idea, for reasons that eventually become apparent. Meanwhile, flashbacks set up the central story, unfolding in 1970s Argentina. In that narrative, Argentina has fallen under the control of a military junta and a fair trial has become an increasingly uncommon event in that nation's courts. A woman is found raped and murdered while her husband was at work, and two immigrant workers are essentially forced into confessing to the crime. Benjamín then teams up with his colleague and friend, the lush Pablo Sandoval (Guillermo Francella), and the two go about identifying and tagging the perpetrator of the original crime. Subtle detail in a photograph alerts Benjamin to the possibility that a man named Gómez (Javier Godino) may have been the real culprit, but finding Gómez and obtaining conclusive evidence against him is no simple task. Moreover, as Benjamín and Pablo struggle to have the case reopened, they also find that bureaucracy and power in Argentine government have made this close to impossible. El Secreto de Sus Ojos (aka The Secret in Their Eyes) received its North American premiere at the 2009 Toronto International Film Festival.

Editorial Reviews

All Movie Guide
Several critics initially expressed surprise and even some resentment that Argentine director Juan José Campanella's The Secret in Their Eyes claimed the 2009 Academy Award for Best Foreign Language Film over European favorites The White Ribbon (Michael Haneke) and A Prophet (Jacques Audiard), often with the disclaimer that they had not actually seen Campanella's film yet (to say nothing of the other two nominees, Israel's Ajami, directed by Scandar Copti and Yaron Shani, and Peru's The Milk of Sorrow, direct by Claudia Llosa). Since the Oscars, those voices of dissension have diminished considerably, perhaps because our miniscule cultural attention span has latched onto a thousand other distractions, or perhaps because the award led to an increased number of screenings of the film for critics, who can now admit, however begrudgingly, that The Secret in Their Eyes is fully deserving of its statuette. This is an odd case of the award, and its ensuing controversy and publicity, serving to enact (or at least expedite) its own justification. The argument over which of the five nominees is the better film is still in question and will only be settled by time, but it can be said with absolute certainty that The Secret in Their Eyes is an outstanding film that merits a wide audience, which it is now more likely to receive. The film delights, frightens, and intrigues on multiple levels, beginning with its narrative, which provides an innovative examination of two entirely conventional plot elements -- love and murder. Protagonist Benjamín Espósito, portrayed by Campanella's quintessential star Ricardo Darín, is a retired investigator who decides to write a book about his most haunting case, the brutal rape and murder of a gorgeous young housewife that occurred some 25 years earlier. Espósito's superior, Irene Menéndez Hastings (Soledad Villamil), is still working at the law office they once shared, and when he goes to seek her approval and assistance on the project, she is simultaneously pleased to see him again and anxious to send him on his way without her cooperation. Campanella uses the device of Espósito's book to institute the tried-and-true structure of alternating flashbacks with present action, but also to complicate the layers of depiction, perception, and interpretation within the film. The foundation of the mystery that propels the plot is presented in the flashback sequences, which ostensibly take place entirely within Espósito's memory, but they include multiple scenes where he is not present to witness and record the action. Meanwhile, the contemporary scenes gradually reveal the nature of his relationship with Hastings and his ulterior motive for writing the book, thus calling into question his reliability as a narrator. Eventually, the two timelines grind away at each other until the audience comes to realize that the portrayed events are versions of a truth that is no longer available in whole. If one knows something about the social and political atmosphere in Argentina during the 1970s, this glitch in the authenticity of the action takes on further meaning. It is important to note that the flashback scenes are set in 1974, two years before Jorge Rafael Videla used a military coup to seize power and initiate the "Dirty War," wherein tens of thousands of dissenters, foreigners, and left-wing militants were "disappeared" -- a euphemism for kidnapping, torture, and murder. Such suppression and violence had begun to accumulate in the years just before Videla took power, placing the characters of the film in an eerie realm where they are just becoming aware of the impotency of the law they are sworn to uphold. Campanella, who was also nominated for an Academy Award for his 2001 film, Son of the Bride, has perfected his pacing and shot composition directing many episodes of American television series, including House, Law & Order: SVU, and Strangers with Candy. His scenes are consistently visually interesting and provocative, and occasionally spectacularly so, as exemplified by a jaw-dropping sequence that takes place in a soccer stadium, which will have audiences begging the projectionist to rewind the film for a second look. Any attempt to describe this stunning act of cinema would only serve to negate its astonishing effect -- suffice to say that Campanella has thrust himself into competition with Orson Welles (Touch of Evil), Mikhail Kalatozov (I Am Cuba), and Jean-Luc Godard (Weekend) for the second most impressive (or at least most audacious) shot of all time (Aleksandr Sokurov's Russian Ark retains the title in this category), though we have to deduct points for digital enhancement. The Secret in Their Eyes supplies ample ammunition for ardent supporters of Haneke and Audiard to load their cannons with. Though the characters are bracingly genuine in most of their interactions and behavior, they occasionally slip into speech that is obviously scripted, and the split time structure adds some noticeable artifice to the scenes in the present, as the characters awkwardly avoid revealing details of the plot which are known to them, but not the audience. There is also a gratuitous plea for insight and sentiment involving a note which Espósito hastily scratches down while he is sleeping and spends the rest of the film trying to decipher. In spite of these missteps, the film is a devastating pleasure and an utter triumph. Although it was thrust into cinema history very suddenly and unexpectedly, it should retain its eminence long into the foreseeable future.

Product Details

Release Date:
Original Release:
Sony Pictures
Region Code:
[Wide Screen]
[Dolby AC-3 Surround Sound]
Sales rank:

Special Features

Join writer/director Juan José Campanella behind the scenes and on set to see how he casted and created this unique film

Cast & Crew

Performance Credits
Ricardo Darín Benjamín Espósito
Soledad Villamil Irene Menéndez Hastings
Pablo Rago Ricardo Morales
Javier Godino Isidoro Gómez
Carla Quevedo Liliana Coloto
Barbara Palladino Chica Piropo
Rudy Romano Ordoñez
Alejandro Abelenda Pinche Mariano
Mario Alarcon Juez Fortuna LaCalle
Guillermo Francella Pablo Sandoval
Sebastián Blanco Pinche Tino
Mariano Argento Romano
Jose Luis Gioia Inspector Báez
Juan José Ortiz Agente Cardozo
Kiko Cerone Molinari
Fernando Pardo Sicora
Maximiliano Trento Guardia Comisaría
Sergio López Santana Jácinto Cáceres
Elvio Duvini Juan Robles
David Di Napoli Escribano Andretta
Pedro Kochdilian Borracho 1
Oscar Sanchez Borracho 2
Gabriela Daniell Alejandra Sandoval
Alicia Haydee Pennachi Madre Gómez
Darío Valenzuela Capataz
Carlos Mele Viejo Letrina
Iván Sosa Custodio Interrogatorio
Judith Buchalter Madre Irene
Hector LaPorta Guardia Civil Ministerio Bienestar Social
Liliana Cuomo Margarita
Alejandro Perez Matón

Technical Credits
Juan José Campanella Director,Editor,Producer,Screenwriter
Mariela Besuievsky Producer
Muriel Cabeza Cinematographer,Production Manager
Gerardo Herrero Executive Producer
Federico Jusid Score Composer
Axel Kuschevatzky Associate Producer
Felix Monti Cinematographer
Cecilia Monti Costumes/Costume Designer
Jose Luis Diaz Ouzande Sound Editor
Marcelo Pont Art Director
Vanesa Ragone Executive Producer
Walter Rippel Casting
Lucila Robirosa Makeup
Eduardo Sacheri Screenwriter

Scene Index

Disc #1 -- The Secret in Their Eyes
1. Chapter 1 [4:56]
2. Chapter 2 [5:07]
3. Chapter 3 [4:52]
4. Chapter 4 [3:50]
5. Chapter 5 [2:15]
6. Chapter 6 [5:57]
7. Chapter 7 [4:44]
8. Chapter 8 [1:43]
9. Chapter 9 [7:12]
10. Chapter 10 [4:50]
11. Chapter 11 [1:46]
12. Chapter 12 [2:51]
13. Chapter 13 [5:32]
14. Chapter 14 [4:54]
15. Chapter 15 [5:13]
16. Chapter 16 [3:57]
17. Chapter 17 [6:36]
18. Chapter 18 [2:40]
19. Chapter 19 [3:10]
20. Chapter 20 [1:17]
21. Chapter 21 [1:37]
22. Chapter 22 [6:39]
23. Chapter 23 [3:08]
24. Chapter 24 [4:37]
25. Chapter 25 [6:58]
26. Chapter 26 [4:41]
27. Chapter 27 [4:07]
28. Chapter 28 [6:40]


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The Secret in Their Eyes 4.2 out of 5 based on 0 ratings. 5 reviews.
BahamaJoe More than 1 year ago
A great movie deserving of the Oscar for best foreign film. If you like police procedural thrillers this movie deliivers.  The ending is dramatic and not to be missed. The acting is superb too and the setting of the film in BA  in the aftermath of the "dirty war" is also very realistically portrayed. 
Anonymous More than 1 year ago
Mesmerizing, fabulous acting, unique ambience, faces that haunted me for weeks. A character study, love story, twisty plot. What more could you ask for?
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