H. G. Wells was both the author of the original source -- an essay, rather than an actual novel, concerning mankind's future -- and the screenplay (in conjunction with Lajos Biro) of this epic science fiction tale, but it was producer Alexander Korda who framed the terms on which it is presented, vast and elegant, and visually striking. Opening in the year 1940, we see the next century of human history unfold, initially with amazing prescience. In Everytown (a stand-in for London) in 1940, the people prepare to celebrate Christmas amid rumors and rumblings of war -- forward-thinking pacifists like John Cabal (Raymond Massey) try to raise concerns amid a populace either too fearful to think about the risks, or so pleased with business conditions that they're oblivious to the downside of war. And then it comes, devastating Everytown (in scenes shockingly close to the actual World War II London blitz, a half-decade away when these scenes were written) and the country, and finally the world. After 30 years, the war goes on, except that there are no more nations to fight it, only isolated petty fiefdoms ruled by brigand-like strongmen, running gangs organized like tiny armies. Among the most ruthless and successful of them is Rudolph (Ralph Richardson), who runs what's left of Everytown. He keeps his people in line by force, and his war with his neighbors going with his bedraggled troops, while pressuring the tiny handful of scientists, mechanics, and pilots to keep as many of the aging, decrepit planes as they can operating. A few educated men around him -- whom he doesn't really trust -- try to resist the worst of his plans and orders, while going through the motions of carrying them out.
And then, one day, out of the sky comes a plane the like of which they've never seen before, sleek and fast, and piloted by a mysterious man whom Rudolph orders imprisoned. It is John Cabal, older but just as dedicated to the cause of peace, and ready to fight for it. He announces the existence of a new order, run by a society of engineers and scientists, called Wings Over The World, here to re-establish civilization. Rudolph will hear none of it, thinking instead to use Cabal's plane and those of any of his friends who follow as weapons of war -- but Rudolph's wife Roxana (Marguerite Scott) sees the wisdom of what Cabal offers and helps him. The bombers of Wings Over The World drop the Gas of Peace, which puts the entire population of Everytown to sleep -- all except Rudolph, who goes down fighting and dies -- allowing the army of the Airmen to enter and free the city.
Seventy years go by, during which the Earth is transformed and a new civilization rises, led by scientists and engineers. Immense towers now rise into the sky, and the population is freed from most of the concerns that ever led to it war. In fact, a new complacency starts to take hold amid a populace for whom most needs are now easily met -- all except the leaders, engineers who keep advancing, year after year, with new projects and goals. And now, having conquered the Earth and all of the challenges it has to offer, Oswald Cabal (Raymond Massey), the great-grandson of John and the current leader, is about to embark on the grandest project of all, moving into deep space. The first launch of a manned vehicle, fired by the Space Gun, is about to take place. But there is discontent being spread by the sculptor Theotocopulos (Cedric Hardwicke), who is weary and distressed from this constant push toward new advances and progress -- he wants mankind to reassert itself over this ever-advancing technology, and sees the Space Gun and all it represents as a new threat. In a speech, he exhorts the restive populace to stop the launch. They proceed, en masse, to attack the Space Gun, while Cabal struggles to beat them to their objective and take the next bold step into space. "All of the Universe," he declares, "or nothing -- which shall it be?"
New, restored high-definition digital film transfer; Audio commentary featuring film historian and writer David Kalat; New interview with writer and cultural historian Christopher Frayling on the film's design; New visual essay by film historian Bruce Eder on Arthur Bliss's musical score; Unused special effects footage by artist László Moholy-Nagy, along with a video installation piece by Jan Tichy incorporating that footage; Audio recording from 1936 of a reading from H.G. Well's writing about the wandering sickness, the plague in Things To Come; Plus: a booklet featuring an essay by critic Geoffrey O'Brien
Disc #1 -- Things to Come 1. 1940, Everytown [7:31] 2. "Stand to Arms!" [10:03] 3. War Marches On [5:17] 4. The Wandering Sickness [8:51] 5. The Boss Returns [10:40] 6. Forced to Extremities [8:03] 7. A Greater World Than This [8:13] 8. "Long Live the Chief" [7:41] 9. Building the New City [5:40] 10. 2036, Everytown [15:53] 11. The Space Gun [9:04] 1. Color Bars [:20]
Disc #1 -- Things to Come Play the Movie Chapters Commentary Commentary: On Commentary: Off Index The Shaping of Things to Come History of the Past and Predictions for the Future Not an Actor's Director Sir Arthur Bliss Archetypes A Brave New World The Preserver Peace Gas Effects Extravaganza El Greco Things As They Are Color Bars Supplements Christopher Frayling on the Design Play Bruce Eder on the Score Play László Moholy-Nagy Play Footage Play Things to Come, 1936-2012 The Wandering Sickness Play
Things to Come 4 out of 5based on
More than 1 year ago
Things to come's title is the only thing wrong with this movie! It is really about a science/tech society that comes about when the old industrialism destroys itself through war(it practically predicts ww11!). Although it predicts world war two, it predicts the war lasts for decades like the old medieval wars, but that is o.k. because it is sci-fi besides, if it had successfully predicted that, Wells would have been even more right than he already is! The film gives the emotions of war, and the emotions of rational people in the face of irrational society about to destory itself! I don't know anything more emotional! The acting is better than in Superman Returns! The movie flows better than Superman Returns! The film goes on to watch society smoothly and successfully transition to advanced technological society as if all political decisions were to be made logically. Of course, this is a dream sci-fi film. Maybe if war lasted as long as he has it, a scientific group could have taken control, but I guess now we'll never know! The film continues to discuss the philosophy of life and point out that the human species is technologically dependent and about exploration if it is to survive. This movie's special effects, directing, acting, and ideas are amazing for a 1930's film! - especially considering few films have ever considered the understanding of the role of science and technology in the human condition like this one. In this day and age of humanity arguing for going back into the trees and/or world war 111 for a christian armegeddon, this is the greatest film ever!
More than 1 year ago
Strange but good movie This is one of the strangest movie I have seen. It had a very strange story line that I was interested in watching till the end to see how it unravels. The movie is about a guy who finds a portal to John Malco
Read MoreStrange but good movie This is one of the strangest movie I have seen. It had a very strange story line that I was interested in watching till the end to see how it unravels. The movie is about a guy who finds a portal to John Malcovich's brain. Anyone who goes into the portal can watch what John Malcovich is doing and ''be'' John Malcovich for 15 minutes.
More than 1 year ago
More than 1 year ago
More than 1 year ago
This films only redeeming quality is its science fiction visual effects, which are still inferior to Metropolis, a decade earlier. The acting is awful, and well the script....Wells whole purpose is to convince the audience that the world should be ruled by a bunch of unelected technocrats. Why? to Wells, the individual is incapable of self government, or even electing some one to representive himself. Mankind can only be saved by science! Specifically, self appointed scientist who know what is best for the rest of us. Sound familiar? Of course in the film, everyone ends up living in a sterile futuristic underground city, but at least we're safe aren't we? While watching, I kept thinking how this film must have been looked at in 1936, when it premiered. Nazi Germany was re-arming and threatening, the Soviet Union was trying to export Marxism, and the worlds economy was still in shambles. And yet the message of this film is :submit. Only through submission will there be peace.In the film, everyone is equally culpable for mankinds disasters. Everyone except the scientist, the men of letters and learning, who like a kindly all knowing Big Brother, direct every action, thought and future. To question them is madness, for they always know best.