The arresting sixth novel in Simon Scarrow's epic series of the Roman army
It is spring A.D. 45 in Rome, and Centurions Macro and Cato, dismissed from the Second Legion in Britain, are waiting for an investigation into their involvement in the death of a fellow officer. It is then that the imperial secretary, the devious Narcissus, makes them an offer they can't refuse: to rescue an imperial agent who has been captured by pirates operating off the Illyrian coast. With him were scrolls vital to the safety of the emperor and the future of Rome.
But Narcissus also sends Vitellius, an old enemy of the two centurions. The three officers set out from Ravenna with the imperial fleet but the pirates are forewarned and the Romans pay a heavy price. Outnumbered by the enemy, surrounded by rumors of treachery, and endangered by Vitellius's desire to redeem himself, Centurions Macro and Cato must find the pirate base to avert a disaster that could destroy the emperor and the very core of Rome.
"[A] rip-roaring, thoroughly entertaining tale of swashbuckling adventure from one of the most exciting writers of historical fiction."---Scottish Daily Record
About the Author
Simon Scarrow teaches at City College in Norwich, England. He has in the past run a Roman History program, taking parties of students to a number of ruins and museums across Britain. He lives in Norfolk, England, and The Eagle's Prophecy is his sixth novel featuring Macro and Cato.
Simon Scarrow teaches at City College in Norwich, England. He has in the past run a Roman history program, taking parties of students to a number of ruins and museums across Britain. He lives in Norfolk, England, and writes novels featuring Macro and Cato. His books include Under the Eagle and The Eagle's Conquest.
Read an Excerpt
The Eagle's Prophecy
By Simon Scarrow
St. Martin's PressCopyright © 2005 Simon Scarrow
All rights reserved.
The three ships lifted as the gentle swell passed beneath their keels. From the high steering deck of the merchantman, the port of Ravenna was visible for a moment before the vessels slumped down into the trough. The merchantman was caught between two sleek liburnians, secured in place by several boarding hooks tethered to stout posts on the ships on either side. The pirates aboard the liburnians had shipped their oars and hastily dropped their mainsails before swarming aboard the merchantman. The assault had been hard-fought and bloody.
Proof of the fury of the attackers lay scattered upon the deck: the broken bodies of sailors, sprawled across dark smears of blood on the smooth, well-worn planking. In amongst them lay the corpses of over twenty of the pirates, and from the steering deck the captain of the larger liburnian frowned as he looked down on the scene. They had lost too many men taking the ship. Usually, the howling wave of armed men pouring over the side unnerved their victims so much that they dropped their weapons and surrendered at once. Not this time.
The crew of the merchant ship, together with a handful of passengers, had met the pirates right at the ship's rail and held them off with a gritty determination that the pirate captain could not recall seeing before–certainly not in the steady run of trading vessels he and his men had been preying on for the last few months. Armed with pikes, boathooks, belaying pins and a few swords, the defenders had held their ground as long as possible before they were forced back by superior numbers of better armed men.
Four of them in particular had drawn the pirate captain's eye: big, solid men in plain brown tunics, armed with short swords. They had fought to the end, back to back, around the base of the mast, and had killed a dozen pirates before they had been overwhelmed and cut down. The captain himself had killed the last of them, but not before the man had slashed open his thigh–a flesh wound, now tightly bound up, but still throbbing with a painful intensity.
The pirate captain made his way down on to the main deck. He stopped by the mast and prodded one of the four men with his boot, rolling the body on to its back. The man had a soldier's build and bore several scars. Like the others. Perhaps that explained their skill with the sword. He rose to his feet, still looking down at the dead Roman. A legionary then, as were the man's companions.
The captain frowned. What were legionaries doing on the merchantman? And not just any legionaries: these were hand-picked men–the best. Hardly casual passengers returning on leave from the east. No doubt they had organised and led the defence of the merchantman. And they had fought to the last drop of blood, with no thought of surrender. A shame, that, the captain reflected. He would have liked to offer them the chance to join his crews. Some men did. The rest were sold to slave-traders who asked no questions about the provenance of their property, and who were wise enough to ensure that the slaves were taken to market at the opposite end of the Empire. The legionaries would have been equally valuable as recruits or slaves, once their tongues had been cut out; a man would find it hard to complain about the injustice of his enslavement if he lacked a voice ... But the soldiers were dead. They had died purposelessly, the captain decided. Unless, they had been sworn to protect something, or somebody ...
So what were they doing on the ship?
The pirate captain rubbed the dressing on his thigh and glanced round the deck. His men had thrown open the hatches of the cargo hold and were passing the more precious-looking pieces of cargo up on to the deck, where their comrades tore open the boxes and chests, scrabbling through the contents in search of valuables. More men were below decks, going through the possessions of the passengers, and dull thuds and splintering crashes sounded from beneath the planking.
The captain stepped over the bodies at the base of the mast and picked his way forward. Pressed into the bows were the survivors of the attack: a handful of sailors, mostly injured, and several passengers. They watched him warily as he approached. He nearly smiled as he saw one of the sailors trembling as he tried to edge away. The captain forced himself to keep his face devoid of expression. Below the dark, matted locks of his hair, piercing black eyes looked out from beneath a strong brow. His nose was broken and twisted, and knotted white scar tissue curved up across his chin, over his lips and up his cheek. His appearance had a wonderful effect on those that beheld him, but the injuries were not the marks of experience borne by a life-long pirate. Rather, they had been with him since childhood when his parents had dumped him as an infant in the slums of Piraeus, and he had long since forgotten the cause of his hideous scarring. The passengers and crew of the merchantman wilted before him as the pirate halted a sword's length away and ran his dark eyes over them.
'I am Telemachus, the leader of these pirates,' he said in Greek to the terrified sailors. 'Where is your captain?'
There came no reply, just the nervous breathing of men facing a cruel and imminent fate. The pirate captain's eyes never left them as his hand reached down and slowly drew his falcata.
'I asked for the captain —'
'Please, sir!' a voice interrupted. The pirate's gaze slid to the man who had been so desperate to back away from him. Now the sailor raised his arm and pointed a wavering finger along the deck. 'The captain's over there ... He's dead ...I saw you kill him, sir.'
'Did you?' The pirate's thick lips curled into a smile. 'Which one?'
'There, sir. By the aft hatch. The fat one.'
The pirate captain looked over his shoulder and his eyes sought out the rotund body of a small man spread-eagled on the deck. Smaller by a head now. The latter was nowhere in sight, and Telemachus frowned a moment until he recalled an instant after he had jumped down on to the deck. Ahead of him a man, the merchantman's captain, had screamed and turned to run away. The glittering edge of the falcata had arced through the air, through the fleshy neck with barely a jolt, and the captain's head had leaped up and over the side.
'Yes ... I remember.' The pirate's smile broadened into a contented grin. 'So who is the first mate?'
The sailor who had done all the speaking so far, half turned and nodded faintly at a large Nubian standing beside him.
'You?' The pirate gestured with the point of his blade.
The Nubian gave his shipmate a withering, contemptuous glance, before he nodded.
The first mate reluctantly advanced and looked warily at his captor. Telemachus was glad to see that the Nubian had the guts to meet his gaze. There was one man, at least, amongst the survivors. The pirate pointed back to the bodies around the foot of the mast.
'Those men–the tough bastards who killed so many of my men–who were they?'
The Nubian nodded. 'Came aboard in Rhodes.'
'I see. And who were they guarding?'
'A Roman, sir.'
Telemachus glanced over the shoulder of the Nubian at the other prisoners. 'Where is he?'
The Nubian shrugged. 'Don't know, sir. Haven't seen him since you boarded us. Might be dead. Might have gone over the side, sir.'
'Nubian ...' the captain leaned closer and spoke in an icy, menacing tone, 'I wasn't born yesterday. Show me this Roman, now, or I'll show you what your heart looks like ... Where is he?'
'Here,' a voice called out from the rear of the huddle of prisoners. A figure pushed himself forward, a tall lean man with the unmistakable features of his race: dark hair, olive skin and the long nose that Romans were prone to look down at the rest of the world. He wore a plain tunic, no doubt trying to pass himself off as one of the cheap fares who spent the entire journey on deck. But the man's vanity was irrepressible and an expensive ring still adorned the first finger on his right hand. The large ruby set into a gold band caught the captain's eye immediately.
'You'd better pray that comes off easily ...'
The Roman glanced down. 'This? It's been in my family for generations. My father wore it before me, and my son will wear it after me.'
'Don't be too sure.' The captain's amusement flickered across his scarred features. 'Now then, who are you? Any man who travels with four brick shithouses for company has got to be someone with influence ... and wealth.'
Now it was the Roman's turn to smile. 'More than you can imagine.'
'I doubt it. I have quite an imagination when it comes to wealth. Now, much as I'd like the rare opportunity of sharing some talk with a man of culture I'm afraid we haven't the time. There's a chance that one of the lookouts at Ravenna witnessed our little naval action and has passed the word on to the local navy commander. Good as my ships are, I doubt they'd outfight an imperial squadron. So who are you, Roman? I'm asking for the last time.'
'Very well. Caius Caelius Secundus, at your service.' He bowed his head.
'Now that's a nice, noble-sounding name. I imagine your family might be able to stump up a decent ransom?'
'Of course. Name a price–a reasonable price. It'll be paid, then you can set me and my baggage ashore.'
'As easy as that?' The captain smiled. 'I'll have to consider ...'
There was a commotion from aft as a pirate burst from the hatch leading down into the passengers' quarters. He was carrying something bundled in a plain cotton sheet. He held it up as he scurried forward.
'Captain, look! Look at this!'
All faces turned towards the man as he ran to the bows, and then dropped to his knees as he carefully laid the bundle down and swept the folds of cloth back to reveal a small chest, constructed from a dark smooth wood, almost black. It had a glassy gleam that spoke of age and many hands caressing its surface. The wood was reinforced by bands of gold. Where the bands intersected, small onyx cameos were set into the gold, likenesses of the most powerful of the Greek gods. A small silver plate on the lid bore the legend 'M. Antonius hic fecit'.
'Mark Antony?' For a moment the pirate captain was lost in admiration for the beauty of the thing, and then his professional mind began calculating its worth, and he looked up at the Roman.
The face of Caius Caelius Secundus was blank.
'All right then, not yours ... but in your possession. Quite a piece of work. Must be worth a fortune.'
'It is,' the Roman conceded. 'And you may have it.'
'Oh ... may I?' Telemachus replied with elaborate irony. 'Most kind of you. I think I will.'
The Roman bowed his head graciously. 'Just permit me to keep the contents.'
The captain looked at him sharply. 'Contents?'
'A few books. Something for me to read, while the ransom is arranged.'
'Books? What kind of books would be kept in a box like that, I wonder?'
'Just histories,' the Roman explained quickly. 'Nothing that would interest you.'
'Let me be the judge of that,' the captain replied, and bent down to examine the chest more closely.
There was a small keyhole in the front and the chest had been so finely constructed that only the faintest of lines showed where the lid met the bottom half of the chest. The captain glanced up.
'Give me the key.'
'I-I haven't got it.'
'No games, Roman. I want the key, now. Or you'll be feeding the fish, in small pieces.'
For a moment the Roman did not reply, or make any move. Then there was a glittering flash as the captain's arm swung up and the point of his sword stopped a finger's breadth from the Roman's throat, steady as a rock, as if it had never moved. The Roman flinched, and now at last he revealed his fear.
'The key ...' Telemachus said softly.
Secundus grasped the ring with the fingers of his other hand and struggled to get it off. It fitted his finger snugly, and his manicured fingernails tore at the skin as he tried to free it. At last, lubricated by smears of blood, the ring came free with a grunt of effort and pain. He hesitated a moment and then offered it to the pirate captain, his fingers slowly uncurling to reveal the gold band resting in the palm of his hand. Only it wasn't just a ring. On the underside, running parallel to the finger, a small, elegantly crafted shaft protruded, with an ornate device at the end.
'There.' The Roman's shoulders sagged in defeat as the pirate captain grasped the ring and fitted the key to the lock. It was designed to be inserted one way only, and he struggled a while before he managed to find the correct orientation. Meanwhile, the rest of his crew crowded forward to see what was happening. The key slotted home, the captain eased it round. There was a soft click and the lid eased up a fraction. With eager fingers Telemachus raised the lid, swinging it back on its hinges to reveal the contents.
He frowned. 'Scrolls?'
In the small chest lay three large scrolls, fastened to ivory pins and covered with soft leather sleeves. The covers were so faded and stained that the captain guessed the books must be antique. He stared at them in disappointment. A chest like this should have contained a fortune in jewels or coins. Not books. Why the hell would a man travel with such a wondrous chest, only to use it to carry a few weathered scrolls in?
'Like I said,' the Roman forced a smile, 'just scrolls.'
The pirate captain flashed him a shrewd look. 'Just scrolls? I don't think so.'
He stood up and turned towards his crew. 'Get this chest and the rest of the loot on to our ships! Get moving!'
The pirates bent to their task at once, hurriedly transferring the most valuable items of the cargo on to the decks of the two liburnians tied alongside. The bulk of the cargo was marble; valuable but too heavy to load on to the pirate vessels. It did have one immediate use, the pirate captain thought, smiling. It would take the ship straight to the bottom when the time came.
'What are you going to do with us?' Secundus asked.
The pirate captain turned from supervising his men, and saw the sailors watching him closely, making little effort to hide their fear.
Telemachus scratched the stubble on his chin. 'I've lost some good men today. Too many good men. I'll make do with some of yours.'
The Roman sneered. 'What if we won't join you?'
'We?' The captain smiled slowly at him. 'I have no use for a pampered Roman aristocrat. You'll be joining the rest of them, the ones who won't be coming with us.'
'I see.' The Roman squinted towards the horizon and the distant lighthouse at Ravenna, calculating the distance.
The captain suddenly laughed, and shook his head. 'No, you don't see. There'll be no help from your navy. You and the others will be dead long before they could send a ship out here. Besides, there won't be anything left for them to find. You and this ship will be going down together.'
Telemachus didn't wait for a response, but swiftly turned away, striding back across the deck and swinging himself down on to the deck of his vessel with well-practised ease. The chest was already waiting for him at the foot of the mast, but he spared it only a brief greedy glance as he stopped to give his orders.
The grizzled head of a stocky giant loomed over the rail of the merchantman. 'Yes, chief?'
'Prepare to fire the vessel. But not before you pick the best of the prisoners. I want them taken on board your ship. You can kill the rest. Leave that arrogant prick of a Roman till last. I want him to sweat a little before you deal with him.'
Hector grinned, and disappeared from sight. Shortly afterwards there was a series of splintering crashes as the pirates cut some timber to build a pyre in the hold of the merchantman. The captain turned his attention back to the chest, squatting down in front of it again. Looking closely, he became aware of just how fine a piece of craftsmanship this was. His fingers stroked the rich sheen of the surface and bumped lightly over the gold and onyx cameos. Telemachus shook his head again. 'Scrolls ...'
Excerpted from The Eagle's Prophecy by Simon Scarrow. Copyright © 2005 Simon Scarrow. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
Scarrow's Roman Army series is excellent. If you like historical fiction, particularly about the Roman Army, you will enjoy this series. Scarrow's prose is consistently well written; plots are well set out; and the two protagonists (Cato and Macro)are well balanced together which all makes for an easy and enjoyable read. Highly recommended.
I've said it before and I'll say it again: it's not fantastic, but it's a good read. I can't put these books down!And that's quite something coming from someone with an aversion (to say the least) to Romans. I like Macro and Cato. I want to know what they are up to. I hope Vitellius gets...well, something nasty...at some point.I suppose Simon Scarrow is a better writer than I give him credit for. Because, eventhough I complain about his style (I love the game of finding the word 'bodily' in every book), he's got me hooked. So he must be doing something right.Now, where's the next one?
Simon Scarrow's sixth installment of his "Eagle" story follows Centurions Macro and Cato during a transitional phase in the threaded storyline of this Sand and Sandals series. In the last book, "The Eagle's Prey", our heroes were banished from the war front in Britannia, where the majority of the previous five books took place. "Prophecy" centers on Rome's battle against piracy in and around the northeast Italian coast while providing a launch pad for our characters to explore the further reaches of the Roman Empire."Prophecy" is built around two primary plot points. The first is Rome's battle with piracy in the Adriatic Sea. The second is a mystery around the discovery of certain scrolls that the pirates have seized and are holding for bid with high-dollar potential buyers. The story starts in Rome, several months after the episode in Brittania, and provides new scenery for our boys from the Legion. While not many pages were dedicated to their time in Rome, the urban capital makes for a strong change of pace to the overall series storyline.Furthering that change of pace, Scarrow places the bulk of the story on and around the sea, including numerous naval battles, and the requisite drama associated with the high seas. Macro and Cato are already well-cast characters. If you're not familiar with the series, you won't be too enlightened by their development, however we do get a peek into Macro's youth. I enjoyed the book. There's something comforting about returning to characters you know, including Vespasian who teams up again with Macro and Cato. Vitellius returns in his role as leading foil, setting up what will likely be an ultimate battle between he and Vespasian for Rome's leadership in 69 AD.Scarrow isn't writing historical literature...he's writing historical fiction - it's fun, down to earth, adventurous and exciting. He knows his space well and is comfortable with his characters' place and the enticement to his audience.I find the entire series a great escape and touch-point to the wold of the Roman Empire.
Simon Scarrow's sixth installment of his "Eagle" story follows Centurions Macro and Cato during a transitional phase in the threaded storyline of this Sand and Sandals series. In the last book, "The Eagle's Prey", our heroes were banished from the war front in Britannia, where the majority of the previous five books took place. "Prophecy" centers on Rome's battle against piracy in and around the northeast Italian coast while providing a launch pad for our characters to explore the further reaches of the Roman Empire. "Prophecy" is built around two primary plot points. The first is Rome's battle with piracy in the Adriatic Sea. The second is a mystery around the discovery of certain scrolls that the pirates have seized and are holding for bid with high-dollar potential buyers. The story starts in Rome, several months after the episode in Brittania, and provides new scenery for our boys from the Legion. While not many pages were dedicated to their time in Rome, the urban capital makes for a strong change of pace to the overall series storyline. Furthering that change of pace, Scarrow places the bulk of the story on and around the sea, including numerous naval battles, and the requisite drama associated with the high seas. Macro and Cato are already well-cast characters. If you're not familiar with the series, you won't be too enlightened by their development, however we do get a peek into Macro's youth. I enjoyed the book. There's something comforting about returning to characters you know, including Vespasian who teams up again with Macro and Cato. Vitellius returns in his role as leading foil, setting up what will likely be an ultimate battle between he and Vespasian for Rome's leadership in 69 AD. Scarrow isn't writing historical literature...he's writing historical fiction - it's fun, down to earth, adventurous and exciting. He knows his space well and is comfortable with his characters' place and the enticement to his audience. I find the entire series a great escape and touch-point to the wold of the Roman Empire.
Very good reading, Scarrows writting is very enteraining, latter books in his series are hard to find, books 7 & 8 unavaiable through B&N but can be found in the UK but worth waiting for just plan ahead if you want to finish the series.
This was a great book. I began reading it and couldn't set it down 'till I was finished. I highly recommend this book to anyone who has an interest in the Roman legions or navy and the daily lives of their soldiers!