Donna Leon’s bestselling mystery novels set in Venice have won a multitude of fans for their insider’s portrayal of La Serenissima. From family meals to coffee bars, and from vaporetti rides to the homes and apartments of Venetians, the details and rhythms of everyday life are an integral part of this beloved series. But so are the suffocating corruption, the never-ending influx of tourists, and crimes big and small. Through it all, Leon’s Commissario Guido Brunetti has been an enduring figure. A good man who loves his family and his city, Brunetti is relentless in his pursuit of truth and some measure of justice.
In Earthly Remains , the twenty-sixth novel in this series, Brunetti’s endurance is tested more than ever before. During an interrogation of an entitled, arrogant man suspected of giving drugs to a young girl who then died, Brunetti acts rashly, doing something he will quickly come to regret. In the fallout, he realizes that he needs a break, needs to get away from the stifling problems of his work.
When Brunetti is granted leave from the Questura, his wife, Paola, suggests he stay at the villa of a relative on Sant’Erasmo, one of the largest islands in the laguna. There he intends to pass his days rowing, and his nights reading Pliny’s Natural History. The recuperative stay goes according to plan until Davide Casati, the caretaker of the house on Sant’Erasmo, goes missing following a sudden storm. Now, Brunetti feels compelled to investigate, to set aside his leave of absence and understand what happened to the man who had become his friend.
Earthly Remains is quintessential Donna Leon, a powerful addition to this celebrated series.
About the Author
Donna Leon is the author of the highly acclaimed, internationally bestselling Commissario Guido Brunetti mystery series. The winner of the CWA Macallan Silver Dagger for Fiction, among other awards, Donna Leon lived in Venice for many years and now divides her time between Venice and Switzerland.
Date of Birth:February 28, 1942
Place of Birth:Montclair, New Jersey
Education:B.A., 1964; M.A. 1969; postgraduate work in English literature
Read an Excerpt
After an exchange of courtesies, the session had gone on for another half-hour, and Brunetti was beginning to feel the strain of it. The man across from him, a 42-year-old lawyer whose father was one of the most successful – and thus most powerful – notaries in the city, had been asked to come in to the Questura that morning after having been named by two people as the man who had offered some pills to a girl at a party in a private home two nights before.
The girl had washed them down with a glass of orange juice reported also to have been given to her by the man now sitting opposite Brunetti. She had collapsed some time later and had been taken to the emergency room of the Ospedale Civile, where her condition had been listed as 'Riservata'.
Antonio Ruggieri had arrived punctually at ten and, as apparent evidence of his faith in the competence and probity of the police, had not bothered to bring another lawyer with him. Nor had he complained about the heat in the one-windowed room, though his eyes had paused for a moment on the fan standing in the corner, doing its best – and failing – to counteract the muggy oppression of the hottest July on record.
Brunetti had apologized for the heat in the room, explaining that the ongoing heatwave had forced the Questura to choose between using its reduced supply of energy for the computers or for air conditioning and had chosen the former. Ruggieri had been gracious and had said only that he'd remove his jacket if he might.
Brunetti, who kept his jacket on, had begun by making it amply clear that this was only an informal conversation to provide the police with more background information about just what had happened at the party.
Registering this bumbling commissario's badly disguised admiration for the stature of Ruggieri's family, the famous people in the city who were their clients and friends, and the circle of wealth and ease in which Ruggieri travelled by right, it had taken the lawyer little time to lapse into easy condescension towards the older man.
Because the officer sitting next to Commissario Brunetti was wearing a uniform, Ruggieri ignored him, though he kept his sensors active to ensure that the younger man responded in a manner proper to the speech of his elders and betters. When the young man failed to react adequately to his self-effacing superiority, the lawyer ceased to use the plural when addressing the two men.
'As I was saying, Commissario,' Ruggieri went on, 'it was a friend's birthday party: we've known one another since we were at school.'
'Did you know many people there?' Brunetti asked.
'Practically all of them: most of us have been friends since we were children.'
'And the girl?' Brunetti asked with faint confusion.
'She must have come with one of the invited guests. There's no other way she could have got in.' Then, to show Brunetti how he and his friends safeguarded their privacy, he added, 'One of us always keeps an eye on the door to see who comes, just in case.'
'Indeed,' Brunetti said with a nod of agreement, and in response to Ruggieri's glance, added, 'That's always best.' He reached forward to push the upright microphone a bit closer to Ruggieri.
'Do you have any idea whom she might have come with, if I might ask?'
It took Ruggieri a moment to answer. 'No. I didn't see her talking to anyone I know.'
'How was it that you started to talk to her?' Brunetti asked.
'Oh, you know how it is,' Ruggieri said. 'Lots of people dancing or standing around. One minute I was alone, watching the dancers, and the next thing I knew, she was standing beside me and asking me my name.'
'Did you know her?' Brunetti asked, in his best old-fashioned, slightly puzzled voice.
'No,' Ruggieri said emphatically. Then he added, 'And she used "tu" when she spoke to me.'
Brunetti shook his head in apparent disapproval, then asked, 'What did you talk about?'
'She said she didn't know many people and didn't know how to get a drink.' Ruggieri said. When Brunetti made no comment, he went on, 'So I had to ask her if I could bring her one. After all, what else is a gentleman to do?' Brunetti remained silent, and Ruggieri said hurriedly, 'It didn't seem polite to ask her how it was she didn't know people there. But it did cross my mind.'
'Of course,' Brunetti agreed, quite as though it were a situation in which he often found himself. He put an attentive look on his face and waited.
'She wanted a vodka and orange juice, and I asked her if she were old enough to have one.'
Brunetti conjured a smile. 'And she said?' he asked.
'That she was eighteen, and if I didn't believe her, she'd find someone else who would.'
Imitating a look he had often seen on the face of his mother's aunt Anna, Brunetti brought his lips together in a tiny moue of disapproval. Beside him, Pucetti shifted in his seat.
'Not a very polite answer,' Brunetti said primly.
Ruggieri ran a hand through his dark hair and gave a weary shrug. 'It's what we get from them today, I'm afraid. Just because they're old enough to vote and drink doesn't mean they know how to behave.'
Brunetti found it interesting that Ruggieri again remarked on her age.
'Avvocato,' Brunetti began with every sign of reluctance, 'the reason I asked you to come in and talk with us is that you've been said to have given her some pills.'
'I beg your pardon?' Ruggieri said, sounding puzzled. Then he gave an easy smile meant to include Brunetti and added, 'I've been said to have done many things.'
Smiling nervously in return, Brunetti went on, 'The girl – I'm sure you've read – was taken to the hospital. The Carabinieri questioned a number of people and were told you'd been speaking to a girl wearing a green dress.'
'Who were they?' Ruggieri's voice was sharp.
Brunetti held up both hands in a gesture bespeaking weakness. 'I'm afraid I'm not at liberty to tell you, Avvocato.'
'So people are free to lie about me and I can't even defend myself against them?'
'I'm sure there will be a time for that, Signore,' Brunetti said, leaving it to the lawyer to work out when that might be.
Ignoring Brunetti's answer, Ruggieri asked, 'What else did they say?'
Brunetti shifted in his chair and crossed his legs. 'I'm not at liberty to say that, either, Signore.'
Ruggieri looked away and studied the wall, as though there might be some other person hiding behind it. 'I hope they said something about the girl.'
'What about her?'
'The way she was all over me,' Ruggieri said angrily, the first strong emotion he'd shown since they entered the room.
'Well, someone did say that her behaviour was, er, forward,' Brunetti answered, letting the word stumble out.
'That's putting it mildly,' Ruggieri said and sat up straighter in his chair. 'She was leaning against me. That was after I brought her the drink. Then she started to move to the music, against my leg. She put the glass – it was chilled from the ice – between her breasts. They were almost hanging out of her dress.' Ruggieri sounded indignant at the shamelessness of youth.
'I see, I see,' Brunetti said. He was conscious of the tension mounting in Pucetti beside him. The junior officer had recently questioned a young man accused of violence against his girlfriend and had produced a report that was professionally neutral.
'Did she say anything to you, Signore?'
Ruggieri considered this, started to speak, stopped, then went on. 'She told me she was hot because of me.' He paused to let the other men understand fully. 'Then she asked if there was some place we could go, just the two of us.'
'Good heavens,' said an astonished Brunetti. 'What did you tell her?'
'I wasn't interested. That's what I told her. I don't like it when it's that easy to get.' Seeing Brunetti's nod of agreement, the lawyer went on, 'And no matter what these people told you, I don't know anything about any pills.'
'Was the girl you talked to wearing a green dress?' Brunetti asked.
Eventually, the lawyer gave a boyish smile and answered, 'She might have been. I was looking at her tits, not the dress.'
Brunetti felt Pucetti's reaction. To cover the young man's slow intake of breath, he slapped his hand to his mouth and failed to stifle his appreciative chuckle.
Ruggieri smiled broadly and, perhaps encouraged by it, said, 'I suppose I could have taken her somewhere and done her, but it was hardly worth the effort. Nice tits, but she was a stupid cow.'
Brunetti and Pucetti had learned an hour before the interview that the girl had died in the hospital earlier that morning. The immediate cause of death was an asthma attack; the presence in her blood of Ecstasy provided another. Beside him, Brunetti heard the rough grind of the feet of Pucetti's chair against the cement floor of the interrogation room. From the corner of his left eye, he saw Pucetti's legs pull back as the young man got ready to stand.
Fear of what would happen gripped Brunetti's heart, and his left arm shot up as a low grunt escaped him. This changed to a sharp whining sound that rose up the scale as if forced out by pain. Brunetti lunged crookedly to his feet, gasping for breath while pumping out the tortured whine.
The two other men froze in shock and stared at him. Brunetti pivoted to his left, propelled by a force that shifted his entire body. Arm still raised above his head, he collapsed towards Pucetti, his arm crashing down on Pucetti's shoulder as the young officer rose from his chair.
Self-protection, perhaps, forced Brunetti's hand to grab at Pucetti's collar and yank the younger man towards him. Pucetti automatically braced his left palm flat on the table, arm straight, elbow locked, and took Brunetti's weight as it fell across him. He turned and wrapped his right arm around the Commissario's chest, steadied him, and started to lower him to the floor, fighting down his panic.
Pucetti shouted to Ruggieri, 'Go and get help!' From his place above Brunetti, feeling for his heartbeat, Pucetti saw the other man's legs and feet under the table: they did not move.
'But there's nothing —' Ruggieri started to say, but Pucetti cut him off and screamed again, 'Get help!' The legs moved; the door opened and closed.
Pucetti leaned down over his superior, who lay on his back, eyes closed, breathing normally. 'Commissario, Commissario, can you hear me? What's wrong? What happened?'
Brunetti's eyes snapped open and he looked into Pucetti's.
'Are you all right, Commissario?' Pucetti asked, struggling for calm.
In an entirely normal voice, as if making a point about proper procedure, Brunetti asked, 'Do you know what would have happened to your career if you'd attacked him?'CHAPTER 2
Pucetti pulled himself back from the supine man. 'What do you mean?' he asked.
'You were about to grab him, weren't you?' Brunetti demanded, making no attempt to temper his reproach.
Pucetti was silent, his eyes still on the perfectly relaxed Brunetti. He struggled for speech, but it took him some time to achieve it. 'The girl's dead, and he's talking like that,' he finally sputtered. 'He can't do that. It's not decent. Someone should slap his mouth shut.'
'Not you, Pucetti,' Brunetti said sharply, propping himself up on his elbow. 'It's not your job to teach him manners. It's to treat him with respect because he's a citizen and he hasn't been formally accused of any crime.' Brunetti thought for a moment and corrected himself. 'Or even if he'd been accused of a crime.' Pucetti's face was rigid. Brunetti didn't know if it was from resentment or embarrassment and didn't care. 'Do you understand that, Pucetti?'
'Sì, Signore,' the younger man said and pushed himself to his feet.
'Not so fast,' Brunetti stopped him; he'd heard the sound of approaching voices. Seeing Pucetti's confusion, he added, 'You heard what he said when he was leaving, didn't you, that there was nothing wrong with me.'
'No, sir,' Pucetti answered.
'It's what he started to say before you shouted at him again.' The voices grew nearer. 'Get back down here and put your palms on my chest and give me CPR, for God's sake.'
Blank-faced and looking lost, Pucetti did what he was ordered and knelt beside Brunetti, who lay back down and closed his eyes. Pucetti put one palm on Brunetti's chest, his other palm on top of it, and started to press, counting out the seconds in a low voice.
'He's in there,' Ruggieri said from the corridor.
Brunetti opened his eyes to slits and saw two pairs of uniformed legs come through the door, followed closely by the dark grey slacks of Ruggieri's suit. 'What's going on?' came the voice of Lieutenant Scarpa.
Pucetti suspended his counting, but not the rhythmic pressure, and answered, 'I think it's his heart, Lieutenant,' then went back to counting out the seconds.
'An ambulance is coming,' Scarpa said. Brunetti saw the other uniformed legs turn to the side, and Scarpa said, 'Go down and wait for it. Bring them up here.' The legs turned and left the room.
'What happened?' Scarpa asked.
'I thought he was going to attack me,' Ruggieri began, 'but then he stood up and fell against him.' Brunetti realized this confusion of pronouns was unlikely to make any sense to the Lieutenant, so he closed his eyes and started to pant softly in rhythm with the pressure of Pucetti's hands.
Brunetti heard footsteps move to the end of the table and then approach. 'Has he had heart trouble before?' the Lieutenant asked.
'I don't know, Lieutenant. Vianello might.'
After a long silence, Scarpa said, 'You want me to take over?' Brunetti was glad his eyes were closed. He kept on panting.
'No, sir. I've got the rhythm going.'
The approaching two-beat of the ambulance's siren slipped into Brunetti's consciousness. Good Lord, what had he done? He'd hoped to create a momentary distraction to stop Pucetti from attacking the man, but things had got out of control entirely, and now he was on the floor with Pucetti feigning CPR and Lieutenant Scarpa offering to help.
Would they try to find Vianello? Or call Paola? She'd been asleep when he left that morning, so they hadn't spoken.
He hadn't considered the consequences of his behaviour, had done the first thing he thought would save Pucetti. He could have blamed it on not having slept last night, or having slept too much, because of what he'd eaten or not eaten. Too much coffee, no coffee. But he'd gone too far by falling against Pucetti. And here they were, and here was the ambulance crew.
Footsteps, noise, Pucetti gone, different hands, mask over his nose and mouth, hands under his ankles and shoulders, stretcher, ambulance, siren, the calming up and down of motion on the water, slow slide into the dock, bumbling about, transfer to a harder surface, the sound of wheels on marble floors as he was rolled through the hospital. He peeked through slitted eyes and saw the automatic doors and huge red cross of Pronto Soccorso.
Inside, he was wheeled quickly past Reception and parked alongside the wall of a corridor. After some time, he heard footsteps approach. Someone slipped a pillow under his head while another person put something around his wrist, a blanket was placed over him and pulled to his waist, and then the footsteps moved away.
Brunetti lay still for minutes, eyes tightly closed until he remembered he had to think of a way to put an end to this. He couldn't jump up and pretend to be Lazarus, nor could he push the blanket aside and step down from the bed, saying he had to get back to work. He lay still and waited. He lapsed into something approaching sleep and was awakened by movement. He opened his eyes and saw that he was in a small examination room, a white-uniformed nurse lowering the sides of his rolling bed. Before he could ask her anything, she left the room.
Very shortly after this, a woman wearing a white jacket entered the room and approached his bedside without speaking. Their eyes met and she nodded. He noticed that she carried a plastic folder. She reached out her hand and touched his, turned it over, and felt for his pulse. She looked at her watch, made a note in the file, then peeled down his lower eyelid, still saying nothing. He stared ahead.
'Can you hear me?' she asked.
Brunetti thought it wiser to nod than to speak.
'Do you feel any pain?'
He looked up at the woman, saw her nametag, but the angle prevented him from reading it.
'A little,' he whispered.
She was about his age, dark-haired. Her skin was dry, her eyes weary and wary.
'My arm,' he said, having a vague memory that one sign of a heart attack was pain in one of the arms; the left, he thought.
The woman made a note. After a moment, she turned away from him and slipped the file into a clear plastic holder attached to the top rail of his bed.(Continues…)
Excerpted from "Earthly Remains"
Copyright © 2017 Donna Leon and Diogenes Verlag AG, Zurich.
Excerpted by permission of Grove Atlantic, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Most Helpful Customer Reviews
I loved this book along with her others
The perfect weekend in venice. The best of Donna Leon. PR Giffin
Wonderful character development and a good story.
Another great atmospheric read.....the depth of the characters is fully developed...
My least favorite of the Brunetti series. Slow-moving and ponderous
As usual another great book?
It took me a couple of chapters to get into the book but once I did, I couldn’t put it down.
“Do you think some of the things we do can never be forgiven?” In this, the 26th book in Donna Leon’s Commisario Brunetti series, Guido does something to stop another officer from doing something without thinking, the end of which allows him a chance to admit he’s tired of “fixing” things and he wants to run away.He accepts the offer to go stay at a villa owned by a relative of his wife’s, to have a good rest among his history books. Arriving at the villa, he makes friends with a former compatriot of his father, and, through him, learns to see bees in a different way while getting in some R+R. After a terrible storm, they find his friend, David’s, drown in the LaGuardia and Guido takes on the case of the death of his friend, not knowing the extent of the whole situation. In Commissaro Brunetti, Leo has developed an educated, intelligent character over the 25 prior books, and this one is no different. From a private situation, she reminds us of the idea that things, and people are strangely connected. This may be my first Donna Leon book, but I don’t believe it will be my last. 4/5
Commissario Guido Brunetti, in the midst of interrogating a suspect, suddenly collapses (intentionally, to prevent a colleague from committing a foolish act) by faking a heart attack. He is taken to the hospital, where no evidence of an attack is found, but just high blood pressure. While waiting for the results of tests, he concludes that he no longer enjoys his job, and after discussing it with his wife, and on the advice of the attending doctor, decides to go away from it all alone. His wife sets him up with a villa owned by a relative on an island in the lagoon, where he intends to rest, row and read. He rows with the caretaker, Davide Casati, whom he befriends. Incidentally, Casati and Brunetti’s father won regatta years before. All goes well until Casati is found drowned following a violent storm. Brunetti then undertakes to investigate the circumstances of Casati’s death to determine whether it was an accident or suicide, despite his self-imposed sabbatical. Along the way, the Commissario learns a lot about his friend, nature, and our failure to protect the environment, as well as the result of one’s actions during our lives. Recommended.
Earthly Remains is another page-turner from Donna Leon -- I had a difficult time putting this book down once I started it. Donna Leon's characters bring the story to life like few other authors manage to do.
I was a big let down. It seemed as if she didn't know how to finish the story