Table of Contents
Contents
List of figures
Notes on contributors
Acknowledgements
Notes on translation and names
Introduction
Part I Constructing the Idea of East Asian Art
1 Shimao Arata, Reconsidering the History of East Asian Painting from China (chūgoku kaiga) and Chinese-style painting (kara-e) in Japan
2 Itakura Masaaki, The Imperial Treasures of the Shōsōin and the Collections of the Tang Emperors
3 Satō Dōshin, Overcoming Modernity: Toward a Concept of ‘East Asian Art History’
Part II New Ways of Looking at Others
4 Miura Atsushi, The Triangle of Modern Japanese Yōga: Paris, Tokyo, and East Asia
5 Min-jong Shin, 'Marginal Man' Pai Un-soung (1900–1978): His European Experience, His Views, and His Art
6 Eriko Tomizawa-Kay, Reinventing Localism, Tradition, and Identity: The Role of Modern Okinawan Painting (1930s–1960s)
7 Kitazawa Noriaki, The Evolution and Modernization of the Sculpture Genre in East Asia According to the Japanese Example
8 Adachi Gen, War and Pornography in East Asia
Part III Translation of Art within East Asia
9 Aida Wong, Chinese Seal Carving in Modern Japan: Qian Shoutie's Relationship with Hashimoto Kansetsu
10 Tamaki Maeda, 'National Painting' Unbound: Modernizing Ink Painting in the Sino-Japanese Art World
11 Junia Roh, Korean Lacquerwork Craftsmen Who Went to Japan: Change and Innovation in Korean Lacquerwork During the Colonial Period
12 Liu Yu-jen, The Concept of Art in the Meishu Congshu: From Foreign Loan to National Tradition
Glossary
Index