Embodied Encounters: New approaches to psychoanalysis and cinema

Embodied Encounters: New approaches to psychoanalysis and cinema

by Agnieszka Piotrowska

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Product Details

ISBN-13: 9781317636489
Publisher: Taylor & Francis
Publication date: 11/13/2014
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 236
File size: 3 MB

About the Author

Dr Agnieszka Piotrowska is an internationally recognized award-winning theorist and film maker, best known for her documentary Married to the Eiffel Tower. She is a Reader in Film Theory and Practice at the University of Bedfordshire, UK and is the author of Psychoanalysis and Ethics in Documentary Film (Routledge, 2014). She was awarded her PhD from Birkbeck College, University of London under the supervision of Stephen Frosh and Laura Mulvey.

Table of Contents

Acknowledgements. Contributors’ Biographical Information. Introduction By the Editor. Part 1 - The Desire, the Body and the Unconscious. Emma Wilson, On Catherine Breillat, the Body and the Unconscious. Agnieszka Piotrowska, On Nachtraglikheit, Broomfield and Aileen Wuornos Elizabeth Cowie, On Embodied Documentary and Jerzy Grotowski. Julie Sexeny, On Jessica Benjamin and Black Swan. John Izod and Joanna Dogalis, On Jung, and the Embodiment in Terence Malick. Part 2 - Psychoanalytical Theories and the Cinema. Luke Hockley, On Somatic Cinema. Stephen Frosh, On Dybbuk and Partial Objects. Carla Ambrosio Garcia, On Jayne Parker and material encounter with film. Agnieszka Piotrowska, On Zero Dark Thirty and Lacan. Ben Tyrer, On Black Swan and Feminine Jouissance. Michael Renov, On Documentary and Psychoanalysis. Part 3 Reflections and Destructions, Mirrors and Transgressions. Robert Burgoyne, On Destroying and Creating in Douglas Gordon Cory Arcangel. Vicky Lebeau, On Winnicott and Lacan in the Mirror Stage. Carol MacGillivray On Entering the Screen through the Diasynochronscope. Helena Bassil-Morozow, On loss in Andrei Tarkovsky. Naomi Segal, On First and Second Person in We need to talk about Kevin. Nicholas Muellner, On the Non-film in the Psychoanalyst’s Head.

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