Ireland is a nation that holds fast to its history and heritage, and nowhere is that more true than in its folktales and legends. From the great Celtic myths featuring the bard Taliesin, the terrible Morrigan, the heroic Cuchulain, or the noble and cunning Sidhe to strange and mysterious tales of today, the stories and traditions of the Emerald Isle hold a strong attraction for many. Stories are told in cottage hearths from Galway to Dublin, and from the windblown rocky Cliffs of Mohr to the seaside villages where fishing boats still roam the oceans. Tall tales and town stories are as much a way of life as a pint and good conversation at the local pub.
Emerald Magic brings together today's best fantasy authors to explore the myths of the Irish, telling their own versions of these ancient tales of luck, love, and honor, or drawing upon centuries of Irish myths and folktales and updating them into brand-new stories. Edited and with an introduction by bestselling author Father Andrew M. Greeley, Emerald Magic contains fourteen wonderful stories of legend and lore, including:
"A Woman Is a Fast Moving Picnic" by Ray Bradbury. A group of pub regulars set out to discover the truth behind a local song and answer that age-old question: Just how fast does a person sink in a bog?
"The Isle of Women" by Jacqueline Carey. In an age long ago, a warrior sailing for vengeance happens upon an island ruled by a woman like no other. But if he is to continue his quest, he must choose between her and his duty.
"Speir-Bhan" by Tanith Lee. A woman who finds and reads her grandfather's diary unleashes the specter of an old debt that, even in today's modern age, must be paid--one way or the other.
"A Drop of Something Special in the Blood" by Fred Saberhagen. In the late eighteenth century, an Irish author encounters a being that he will turn into his greatest literary creation.
"The Cat with No Name" by Morgan Llywelyn. A lonely girl neglected by her parents finds an unexpected friend in the alley behind her home--one that may be more than it first seems.
"The Butter-Spirit's Tithe" by Charles de Lint. Even in twenty-first-century America, it is still not wise to anger the spirits of the world, as a young musician discovers when a butter-spirit who had cursed him nine years earlier comes to claim his soul.
"Land of Heart's Desire" by Elizabeth Haydon. A young man discovers the magical truth about his parents' marriage, and sets a chain of events in motion that will force him to choose between the life he has always known--and another life he could have.
"The Swan Pilot" by L. E. Modesitt, Jr. In the far future, spaceship pilots travel through interdimensional portals from planet to planet--and the only thing more important than knowing how to fly is knowing how to handle the strange hallucinations that appear during the journey.
Filled with the spirit and magic of the stories of Ireland, Emerald Magic is a collection of fantasy stories that will delight and captivate from the first page to the last.
|Publisher:||Tom Doherty Associates|
|Edition description:||First Edition|
|Product dimensions:||6.36(w) x 9.58(h) x 1.31(d)|
About the Author
A native of Chicago, Reverend Andrew M. Greeley, is a priest, distinguished sociologist and bestselling author. He is professor of social sciences at the University of Chicago and the University of Arizona, as well as Research Associate at the National Opinion Research Center at the University of Chicago. His current sociological research focuses on current issues facing the Catholic Church-including celibacy of priests, ordination of women, religious imagination, and sexual behavior of Catholics.
Father Greeley received the S.T.L. in 1954 from St. Mary of Lake Seminary. His graduate work was done at the University of Chicago, where he received the M.A. Degree in 1961 and the Ph.D. in 1962.
Father Greeley has written scores of books and hundreds of popular and scholarly articles on a variety of issues in sociology, education and religion. His column on political, church and social issues is carried by the carried by the Chicago Sun Times and many other newspapers. He stimulates discussion of neglected issues and often anticipates sociological trends. He is the author of more than thirty bestselling novels and an autobiography, Furthermore!: Confessions of a Parish Priest.
Read an Excerpt
Emerald MagicGREAT TALES of IRISH FANTASY
TORCopyright © 2004 Andrew M. Greeley Enterprises, Ltd., and Tekno Books
All right reserved.
* * * BY DIANE DUANE
I met the for the first and last time in the conveyor-sushi bar behind Brown Thomas. It was the "holy hour," between three and four, when the chefs go upstairs for their own lunch, and everything goes quiet, and the brushed stainless-steel conveyor gets barer and barer. The leprechaun had been smart and ordered his yasai-kakiage just before three. He sat there now eating it with a morose expression, drinking sake and looking out the picture windows facing on Clarendon Street at the pale daylight that slid down between the high buildings on either side. While I'd seen any number of leprechauns in the street since I moved here-our family always had the Sight-I'd never found myself so close to one. I would have loved to talk to him, but just because you can see the Old People is no automatic guarantee of intimacy: they're jealous of their privacy, and can be more than just rude if they felt you were intruding. I weighed a number of possible opening lines, discarded them all, and finally said, "Can I borrow your soy sauce? I've run out." He handed me the little square pitcher in front of his place setting and picked up another piece of yasai-kakiage. I poured shoyu into the little saucer they give you, mixed some green wasabi horseradish with it, and dunked in a piece of tuna sashimi. "You're not supposed to do that," he said. "Sorry?" "Mix them like that." He gestured with his chin at the wasabi. "You're supposed to just take it separately."
I nodded. "I'm a philistine," I said. "So are we all these days," the leprechaun said, and looked even more morose. He signaled the obi-clad waitress, as she passed, for another sake. "Precious little culture left in this town anymore. Nothing but money, and people scrabbling for it." It would hardly have been the first time I'd heard that sentiment coming from a Dubliner, but it hadn't occurred to me that one of the Old People thought the same way. I'd have thought they were above such things. "Do you work in town?" I said.
He nodded. The waitress came back, swapped him a full flask of sake for his empty one, left again.
"Shoes?" I said. He laughed, a brief bitter crack of a sound. "Have you ever tried to cobble a Nike?" he said. I shook my head. It wasn't something I'd had to try lately, though I'd had enough job worries of my own. The Dublin journalistic grind is not a simple one to navigate. I had gone from features editor to subfeatures editor at one of the CityWatch magazines, always being hurled from scandal to scandal-they would keep publishing badly concealed ads for the less discreet of the massage parlors and lap-dancing joints over by Leeson Street. "That line of work's all done now," he said. "Planned obsolescence ... it runs straight to the heart of things. People don't want shoes that last years. They want shoes that maybe last a year. My folk, we couldn't do that. Against our religion." I didn't say anything, not knowing if it would be wise. I did some interviewing for the magazine I worked for, and had learned to appreciate the sound of a subject that the speaker didn't want you to follow up on.
"It's the death of craftsmanship," the leprechaun said. "Nike and all the other big conglomerates, they'd sooner have slave labor in Malaysia than honest supernatural assistance from a first-world country with good tax breaks ..." He drank some sake. "No, we're all in information technology now, or high-end manufacturing, computers and so on. It's the only place left for skilled handworkers to go. My clan was all out in Galway once: they're all in Fingal now, for the work. Damn made-up county, nothing real about it but freeways and housing developments. Name me a single hero-feat that was ever done in Fingal!" "I got from Independent Pizza to the airport once in less than half an hour," I said: and it was all I could think of. It didn't count, and we both knew it. All the same, he laughed. It broke the ice. We were there for a few hours at least, chatting. The belt started up again while we talked, and some more people drifted in; and still we talked while the light outside faded through twilight to sodium-vapor streetlight after sunset. The leprechaun turned out not to be one of those more-culchie-than-thou types, all peat and poitin, but an urbanite-clued-in and streetwise, but also well-read. He knew where the hot clubs were, but he could also quote Schopenhauer as readily as he could Seamus Heaney; and as for culture, he told me several things about Luciano Pavarotti's last visit to Dublin that made me blink. He was, in short, yet another of that classic type, the genuine Dublin character. When you live here, it's hard to go more than a few days before meeting one. But you don't routinely meet "Dublin characters" who saw the Vikings land. I ordered more sake, and paused. Slipping into a seat around the corner of the sushi bar from us was someone at first sight more faerie-tale-looking than the leprechaun: a baby teen, maybe thirteen if that, in red velvet hooded sweatshirt and fake wolf-claw wristlet. Little Red Riding Hood squirmed her blue-jeaned, tanga-briefed self in the seat as she began picking at some flied tofu. The leprechaun glanced at her, glanced back at me again, the look extremely ironic. By contrast, he was conservatism itself, just a short guy with hair you'd mistake for sixties length, in tweeds and extremely well made shoes. "She'd have been a nice morsel for one of the Greys in my day," he said under his breath, and laughed again, not entirely a pleasant sound. "Before the wolfhounds did for them, and 'turncoat' men ran with the wolf packs, getting off on the beast-mind and the blood feast ... Just look at all that puppy fat." His grin was feral. "But I shouldn't complain. She pays my salary. I bet her daddy and mammy buy her a new computer every year." He scowled. "Do you really miss the shoes that much?" I said. It was a mistake. His eyes blazed as he took a plate of the spiced soba noodles, another of the green plates, the least expensive sushi. He didn't have a single blue or gold or silver plate in his "used" stack. "Don't get me started," he said. "Nike, Adidas, whoever: we would have worked with them. We would have worked with them! Work is what we live for; good work, well-done, they could have had a labor force like the world never saw. We could have shod the planet." The leprechaun chewed. "But no," he said. "A decent wage was too much for them. Why should we pay you minimum wage, they say, when we can get the work for almost nothing from these poor starving mortals over in Indonesia or wherever, who're grateful for a penny a day? And so they gave us their back." He poured himself more sake, drank. "We were to be here for you, from the beginning of things," he said more softly; "we were to help you have the things you needed when you couldn't have them otherwise. But your people have made us redundant. Spiritually redundant as well as fiscally. So now, as we can't earn, neither can we spend. 'And who of late,' he said sadly into his sake, 'for cleanliness, finds sixpence in her shoe?'" "Bad times," I said, looking past the Mercedes and the BMWs and the ladies walking past the sushi bar toward the "signature" restaurants farther down the road, where you couldn't get out the door at the end of the night for less than three hundred Euro for just a couple of you and wine. "Bad times" the leprechaun said. "And it's hard to find a decent pint," I said. His eyes glittered, and I kept my smile to myself. Any Dubliner is glad to tell a stranger, or somebody with my Manhattan accent, where the best pint is. Sometimes they're even right. Sometimes it's even someplace I haven't already heard of. I don't drink the Black Stuff myself, especially since there's better stout to be found than Uncle Arthur's overchilled product in the Porter House brewpub in Parliament Street; but that's not the point. His eyes slid sideways to betray the great secret, whose betrayal is always joy. "You know South Great Georges Street?"
"Yeah." It was a few blocks away. "The Long Hall," he said. "Good place. The wizards drink there, too." "Really," I said. "That's where most of us go now." There was a silent capital on the "u" that I nodded at. "We go down there Tuesdays and Thursdays, in the back, for a pint. And the wakes," he said. His look went dark. "A lot of wakes lately ..." "Suicide?" I said softly. Irish males have had a fairly high suicide level of late, something no one understands with the economy booming the way it's been, and somehow I wouldn't have been surprised to find the trend had spread to the Old Ones. He shook his head. "Nothing like," the leprechaun said. "None of these people were suicidal. They had good jobs ... as good as jobs get for our people these days. Coding over at Lotus, hardware wrangling up at Gateway and Dell. They never seem to stop hiring up there in the Wasteland." It was a slang name for the jungle of industrial estates that had sprung up around Dublin Airport, and there seemed to be a new one every month, more and more land once full of Guinness-destined barley, or of sheep, now full of Europe-destined PCs and other assorted chippery. "But it's not the same," I said, because I knew what was coming. I'd heard it before. "No, it's not," the leprechaun said with force. "Once upon a time I didn't even know what the ISEQ was! When did our people ever have to worry about stocks and shares, and 'selling short'? But now we have to, because that's how you tell who's hiring, when you can't make a living making shoes anymore." He scowled again. "It's all gone to hell," he said. "It was better when we were poor." "Oh, surely not," I said. "You sound like those people in Russia, now, moaning about how they miss the good old days in the USSR." "Poor devils," the leprechaun said, "may God be kind to them, they don't know any better. But it's nothing like what we have to deal with. Once upon a time we gave thanks to God when the leader of our country stood up and announced to the world that we were self-sufficient in shoelaces. Who knew that it could go downhill from that, because of too much money? But people aren't like people used to be anymore. It's not that the money would spoil them ... we always knew that was going to happen, maybe. But it's how it's spoiled them. Look at it!" We looked out the window toward the brick façade that the back of Brown Thomas shared with the Marian shrine that also faced onto the street. You could look through one archway and see a painted life-sized knockoff version of the Pietá, the sculpted Lady raising a hand in a "what can you do?" gesture over her Son's sprawled body, her expression not of shock or grief but of resigned annoyance-"Never mind, he'll be right as rain in a few days ..."-and through another doorway, a few doors down, you could see Mammon in its tawdry glory, all the Bally and Gucci and the many other choicer fruits of world consumerism laid out for the delectation of the passersby. The Pietá was not entirely without Her visitors, but plainly Brown Thomas was getting more trade. Closer to us, the street was full of cars; fuller of cars than it should have been, strictly speaking. There was a superfluity of Mercs and Beemers, and the occasional Lexus, all double-parked outside the restaurant, next to the entrance to the Brown Thomas parking structure. The cold fact of the Garda Pick-It-Up-And-Take-It-Away fleet working its way around the city had plainly not particularly affected these people. They could soak up the tickets and the impound fees and never even notice. "In God's name, what's happened to us?" the leprechaun said. "What's happened to us that we don't care what happens to other people anymore? Look at it out there: it's nothing much right now, but this street's a bottleneck; in twenty minutes the whole of center city will be gridlocked. And it's worse elsewhere. The rents are through the roof. It's a good thing I can just vanish into one of the 'hills' in Phoenix Park at night. Otherwise, I'd be in a bedsit twenty miles south, in Bray, or somewhere worse-Meath or Westmeath or Cavan or whatever, with a two-hour commute in and back, in a minivan loaded over capacity. And probably with clurachaun as well. Have you ever been stuck in a minivan for two hours between Virginia and the North Circular Road with a bunch of overstressed clurachaun trying to do ... you know ... what clurachaun do??"
Another unanswerable question, even if I had been. "It's tough," I said. "Hard all around." There wasn't a lot more out of him after that. All the same, I was sorry when he called the waiter over to get his plates tallied up. He looked up at me. "It's not what it was," he said, "and it's a crying shame." "We all say that about our own times," I said. "They've said it since ancient Greece." "But it's truer now than it ever was," said the leprechaun. "Look at the world we were in a hundred years ago. We had poverty, and starvation, and unemployment from here to there, and people being forced out of their homes by greedy landlords. But we still had each other; at least we had a kind word for each other when we passed in the road. Now we have immigrants on the street who're poorer than we ever were; and people getting fat and getting heart attacks from the crap ready-made food that's nine-tenths of what there is to eat these days; and work that kills your soul, but it's all you can get. And forget being forced out of anywhere to live, because you can't afford to get in in the first place. The only kind word you hear from anybody nowadays is when you take out your wallet ... and it's not meant. Things are so wrong." He eyed me. "But you'll say there are good things about it, too," he said. "You've been here longer than I have," I said. "Maybe I should keep my opinions to myself." "It was different once," the leprechaun said. "It was different when She ran things." And he stared into the last of his sake, and past it at the black granite of the sushi bar, and looked even more morose than he had before we'd started talking.
He tossed the rest of his sake back in one shot. "Good night to You," he said at last, slid off the cream-colored barstool, and went out into the night. So it was a shock, the next day, to find that he was dead.
Excerpted from Emerald Magic Copyright © 2004 by Andrew M. Greeley Enterprises, Ltd., and Tekno Books. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
|The Little People|
|The Hermit and the Sidhe||99|
|The Butter Spirit's Tithe||154|
|Peace in Heaven?||204|
|The Lady in Grey||219|
|A Drop of Something Special in the Blood||241|
|For the Blood Is the Life||259|
|Long the Clouds Are over Me Tonight||286|
|The Swan Pilot||309|
|The Isle of Women||323|
|The Cat with No Name||344|
Most Helpful Customer Reviews
Another book I'm clearing for my upcoming move. A lot of name writers doesn't really amount to much in this collection, in which the stories suffer from unimaginative plots (Elizabeth Haydon's "Long the Clouds are Over Me Tonight", "A Drop of Something Special in the Blood" by Fred Saberhagen), staid execution (Diane Duane's "Herself"), or the biggest curse of novel writers tasked to writing short stories: half-baked-ness (¿The Swan Pilot¿ by L.E. Modesitt, Jr.,"Speir-Bhan" by Tanith Lee). The execeptions are: "Banshee" by Ray Bradbury- a tight, chilling piece about a put-upon screenwriter which uses an unreliable narrator to blend the lines between supernatural and human darkness. "The Butter Spirit's Tithe" by Charles de Lint- an update of your usual fairy hex that brings New World charm and comteporary charm to an old plot.
Overall an engaging read about Irish fantasy that left me fascinated with Irish folklore and culture. I particularly enjoyed "Speir-Bhan" by Tanith Lee, "The Butter Spirit's Tithe" by Charles de Lint, "For the Blood Is the Life" by Peter Tremayne, and "The Isle of Women" by Jacqueline Carey.
FUN READ - great collection of stories!