A Penguin Threads edition of Austen's most beloved novel
With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work, this Penguin Threads edition includes cover art by Jillian Tamaki and deluxe french flaps. Commissioned by award-winning Penguin art director Paul Buckley, the Penguin Threads series debuts with cover art by Jillian Tamaki for three gift-worthy Penguin Classics. Sketched out in a traditional illustrative manner, then hand stitched using needle and thread, the final covers are sculpt embossed for a tactile, textured, and beautiful book design that will appeal to the Etsy(tm)-loving world of handmade crafts.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
About the Author
Jane Austen (1775-1817) was the seventh child of a parish rector. She died unmarried, leaving behind an immortal body of work.
Jillian Tamaki is an illustrator and comic artist and teaches at the School of Visual Arts. She is the author of Gilded Lilies and Indoor Voice and the graphic novel Skim, a New York Times Best Book of the Year. Her drawings have appeared in The New York Times, O, The Oprah Magazine, The New Yorker, and Esquire.
Date of Birth:December 16, 1775
Date of Death:July 18, 1817
Place of Birth:Village of Steventon in Hampshire, England
Place of Death:Winchester, Hampshire, England
Education:Taught at home by her father
Read an Excerpt
By Jane Austen
VintageCopyright © 2007 Jane Austen
All right reserved.
EMMA WOODHOUSE, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.
She was the youngest of the two daughters of a most affectionate, indulgent father; and had, in consequence of her sister's marriage, been mistress of his house from a very early period. Her mother had died too long ago for her to have more than an indistinct remembrance of her caresses; and her place had been supplied by an excellent woman as governess, who had fallen little short of a mother in affection.
Sixteen years had Miss Taylor been in Mr. Woodhouse's family, less as a governess than a friend, very fond of both daughters, but particularly of Emma. Between them it was more the intimacy of sisters. Even before Miss Taylor had ceased to hold the nominal office of governess, the mildness of her temper had hardly allowed her to impose any restraint; and the shadow of authority being now long passed away, they had been living together as friend and friend very mutually attached, and Emma doing just what she liked; highly esteeming Miss Taylor's judgment, but directed chiefly by her own.
The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself: these were thedisadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.
Sorrow came-a gentle sorrow-but not at all in the shape of any disagreeable consciousness. Miss Taylor married. It was Miss Taylor's loss which first brought grief. It was on the wedding day of this beloved friend that Emma first sat in mournful thought of any continuance. The wedding over, and the bride people gone, her father and herself were left to dine together, with no prospect of a third to cheer a long evening. Her father composed himself to sleep after dinner, as usual, and she had then only to sit and think of what she had lost.
The event had every promise of happiness for her friend. Mr. Weston was a man of unexceptionable character, easy fortune, suitable age, and pleasant manners; and there was some satisfaction in considering with what self-denying, generous friendship she had always wished and promoted the match; but it was a black morning's work for her. The want of Miss Taylor would be felt every hour of every day. She recalled her past kindness-the kindness, the affection of sixteen years-how she had taught and how she had played with her from five years old-how she had devoted all her powers to attach and amuse her in health-and how nursed her through the various illnesses of childhood. A large debt of gratitude was owing here; but the intercourse of the last seven years, the equal footing and perfect unreserve which had soon followed Isabella's marriage, on their being left to each other, was yet a dearer, tenderer recollection. She had been a friend and companion such as few possessed; intelligent, well-informed, useful, gentle, knowing all the ways of the family, interested in all its concerns, and peculiarly interested in herself, in every pleasure, every scheme of hers; one to whom she could speak every thought as it arose, and who had such an affection for her as could never find fault.
How was she to bear the change? It was true that her friend was going only half a mile from them; but Emma was aware that great must be the difference between a Mrs. Weston, only half a mile from them, and a Miss Taylor in the house; and with all her advantages, natural and domestic, she was now in great danger of suffering from intellectual solitude. She dearly loved her father, but he was no companion for her. He could not meet her in conversation, rational or playful.
The evil of the actual disparity in their ages (and Mr. Woodhouse had not married early) was much increased by his constitution and habits; for having been a valetudinarian all his life, without activity of mind or body, he was a much older man in ways than in years; and though everywhere beloved for the friendliness of his heart and his amiable temper, his talents could not have recommended him at any time.
Her sister, though comparatively but little removed by matrimony, being settled in London, only sixteen miles off, was much beyond her daily reach; and many a long October and November evening must be struggled through at Hartfield, before Christmas brought the next visit from Isabella and her husband, and their little children, to fill the house, and give her pleasant society again.
Highbury, the large and populous village almost amounting to a town, to which Hartfield, in spite of its separate lawn, and shrubberies, and name, did really belong, afforded her no equals. The Woodhouses were first in consequence there. All looked up to them. She had many acquaintances in the place, for her father was universally civil, but not one among them who could be accepted in lieu of Miss Taylor for even half a day. It was a melancholy change; and Emma could not but sigh over it, and wish for impossible things, till her father awoke, and made it necessary to be cheerful. His spirits required support. He was a nervous man, easily depressed; fond of everybody that he was used to, and hating to part with them; hating change of every kind. Matrimony, as the origin of change, was always disagreeable; and he was by no means yet reconciled to his own daughter's marrying, nor could ever speak of her but with compassion, though it had been entirely a match of affection, when he was now obliged to part with Miss Taylor too; and from his habits of gentle selfishness, and of being never able to suppose that other people could feel differently from himself, he was very much disposed to think Miss Taylor had done as sad a thing for herself as for them, and would have been a great deal happier if she had spent all the rest of her life at Hartfield. Emma smiled and chatted as cheerfully as she could, to keep him from such thoughts; but when tea came, it was impossible for him not to say exactly as he had said at dinner:
"Poor Miss Taylor! I wish she were here again. What a pity it is that Mr. Weston ever thought of her!"
"I cannot agree with you, papa; you know I cannot. Mr. Weston is such a good-humoured, pleasant, excellent man, that he thoroughly deserves a good wife; and you would not have had Miss Taylor live with us for ever, and bear all my odd humours,1 when she might have a house of her own?"
"A house of her own! but where is the advantage of a house of her own? This is three times as large; and you have never any odd humours, my dear."
"How often we shall be going to see them, and they coming to see us! We shall be always meeting! We must begin; we must go and pay our wedding-visit very soon."
"My dear, how am I to get so far? Randalls is such a distance. I could not walk half so far."
"No, papa; nobody thought of your walking. We must go in the carriage, to be sure."
"The carriage! But James will not like to put the horses to for such a little way; and where are the poor horses to be while we are paying our visit?"
"They are to be put into Mr. Weston's stable, papa. You know we have settled all that already. We talked it all over with Mr. Weston last night. And as for James, you may be very sure he will always like going to Randalls, because of his daughter's being housemaid there. I only doubt whether he will ever take us anywhere else. That was your doing, papa. You got Hannah that good place. Nobody thought of Hannah till you mentioned her-James is so obliged to you!"
"I am very glad I did think of her. It was very lucky, for I would not have had poor James think himself slighted upon any account; and I am sure she will make a very good servant; she is a civil, pretty-spoken girl; I have a great opinion of her. Whenever I see her, she always curtseys and asks me how I do, in a very pretty manner; and when you have had her here to do needlework, I observe she always turns the lock of the door the right way and never bangs it. I am sure she will be an excellent servant; and it will be a great comfort to poor Miss Taylor to have somebody about her that she is used to see. Whenever James goes over to his daughter, you know, she will be hearing of us. He will be able to tell her how we all are."
Emma spared no exertions to maintain this happier flow of ideas, and hoped, by the help of backgammon, to get her father tolerably through the evening, and be attacked by no regrets but her own. The backgammon-table was placed; but a visitor immediately afterwards walked in and made it unnecessary.
Mr. Knightley, a sensible man about seven or eight-and-thirty, was not only a very old and intimate friend of the family, but particularly connected with it, as the elder brother of Isabella's husband. He lived about a mile from Highbury, was a frequent visitor, and always welcome, and at this time more welcome than usual, as coming directly from their mutual connections in London. He had returned to a late dinner after some days' absence, and now walked up to Hartfield to say that all were well in Brunswick Square. It was a happy circumstance, and animated Mr. Woodhouse for some time. Mr. Knightley had a cheerful manner, which always did him good; and his many inquiries after "poor Isabella" and her children were answered most satisfactorily. When this was over, Mr. Woodhouse gratefully observed:
"It is very kind of you, Mr. Knightley, to come out at this late hour to call upon us. I am afraid you must have had a shocking walk."
"Not at all, sir. It is a beautiful moonlight night; and so mild that I must draw back from your great fire."
"But you must have found it very damp and dirty. I wish you may not catch cold."
"Dirty, sir! Look at my shoes. Not a speck on them."
"Well: that is quite surprising, for we have had a vast deal of rain here. It rained dreadfully hard for half an hour while we were at breakfast. I wanted them to put off the wedding."
"By the bye, I have not wished you joy. Being pretty well aware of what sort of joy you must both be feeling, I have been in no hurry with my congratulations; but I hope it all went off tolerably well. How did you all behave? Who cried most?"
"Ah! poor Miss Taylor! 'tis a sad business."
"Poor Mr. and Miss Woodhouse, if you please; but I cannot possibly say 'poor Miss Taylor.' I have a great regard for you and Emma; but when it comes to the question of dependence or independence! at any rate, it must be better to have only one to please than two."
"Especially when one of those two is such a fanciful, troublesome creature!" said Emma playfully. "That is what you have in your head, I know-and what you would certainly say if my father were not by."
"I believe it is very true, my dear, indeed," said Mr. Woodhouse, with a sigh. "I am afraid I am sometimes very fanciful and troublesome."
"My dearest papa! You do not think I could mean you, or suppose Mr. Knightley to mean you. What a horrible idea! Oh, no! I meant only myself. Mr. Knightley loves to find fault with me, you know-in a joke-it is all a joke. We always say what we like to one another."
Mr. Knightley, in fact, was one of the few people who could see faults in Emma Woodhouse, and the only one who ever told her of them; and though this was not particularly agreeable to Emma herself, she knew it would be so much less so to her father, that she would not have him really suspect such a circumstance as her not being thought perfect by everybody.
"Emma knows I never flatter her," said Mr. Knightley, "but I meant no reflection on anybody. Miss Taylor has been used to have two persons to please; she will now have but one. The chances are that she must be a gainer."
"Well," said Emma, willing to let it pass, "you want to hear about the wedding; and I shall be happy to tell you, for we all behaved charmingly. Everybody was punctual, everybody in their best looks: not a tear, and hardly a long face to be seen. Oh, no; we all felt that we were going to be only half a mile apart, and were sure of meeting every day."
"Dear Emma bears everything so well," said her father. "But, Mr. Knightley, she is really very sorry to lose poor Miss Taylor, and I am sure she will miss her more than she thinks for."
Emma turned away her head, divided between tears and smiles.
"It is impossible that Emma should not miss such a companion," said Mr. Knightley. "We should not like her so well as we do, sir, if we could suppose it: but she knows how much the marriage is to Miss Taylor's advantage; she knows how very acceptable it must be, at Miss Taylor's time of life, to be settled in a home of her own, and how important to her to be secure of a comfortable provision, and therefore cannot allow herself to feel so much pain as pleasure. Every friend of Miss Taylor must be glad to have her so happily married."
"And you have forgotten one matter of joy to me," said Emma, "and a very considerable one-that I made the match myself. I made the match, you know, four years ago; and to have it take place, and be proved in the right, when so many people said Mr. Weston would never marry again, may comfort me for anything."
Mr. Knightley shook his head at her. Her father fondly replied, "Ah! my dear, I wish you would not make matches and foretell things, for whatever you say always comes to pass. Pray do not make any more matches."
From the Paperback edition.
Excerpted from Emma by Jane Austen Copyright © 2007 by Jane Austen. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Table of Contents
|About the Series||v|
|About This Volume||vii|
|About the Text||xi|
|Part 1||Emma: The Complete Text in Cultural Context|
|Introduction: Biographical and Historical Contexts||3|
|The Complete Text||21|
|Contextual Documents and Illustrations||382|
|from Unfortunate Situation of Females, Fashionably Educated, and Left without a Fortune. (1787)||387|
|from Letter to His Son (1750)||389|
|from Essays on the Picturesque (1810)||390|
|from Our Domestic Policy. No I. (1829)||391|
|Opinions of Emma (Ca. 1816)||392|
|Crossed Letter from Jane Austen to Cassandra (June 20, 1808)||398|
|The Frolics of the Sphynx (1820)||399|
|Square Pianoforte (1805)||400|
|A Barouche Landau (1805)||401|
|A View of Box Hill, Surrey (1733)||401|
|The Lincolnshire Ox (1790)||402|
|Part 2||Emma: A Case Study in Contemporary Criticism|
|A Critical History of Emma||405|
|Gender Criticism and Emma||425|
|What Is Gender Criticism?||425|
|Gender Criticism: A Selected Bibliography||437|
|A Gender Studies Perspective: Claudia L. Johnson, "Not at all what a man should be!": Remaking English Manhood in Emma||441|
|Marxist Criticism and Emma||456|
|What Is Marxist Criticism?||456|
|Marxist Criticism: A Selected Bibliography||470|
|A Marxist Perspective: Beth Fowkes Tobin, Aiding Impoverished Gentlewomen: Power and Class in Emma||473|
|Cultural Criticism and Emma||488|
|What Is Cultural Criticism?||488|
|Cultural Criticism: A Selected Bibliography||503|
|A Cultural Perspective: Paul Delany, "A Sort of Notch in the Donwell Estate": Intersections of Status and Class in Emma||508|
|The New Historicism and Emma||524|
|What Is the New Historicism?||524|
|The New Historicism: A Selected Bibliography||538|
|A New Historicist Perspective: Casey Finch and Peter Bowen, "The Tittle-Tattle of Highbury": Gossip and the Free Indirect Style in Emma||543|
|Feminist Criticism and Emma||559|
|What Is Feminist Criticism?||559|
|Feminist Criticism: A Selected Bibliography||569|
|A Feminist Perspective: Devoney Looser, "The Duty of Woman by Woman": Reforming Feminism in Emma||577|
|Combining Perspectives on Emma||594|
|Combining Perspectives: Marilyn Butler, Introduction to Emma||597|
|Glossary of Critical and Theoretical Terms||615|
|About the Contributors||635|
What People are Saying About This
"To me, as an American critic, Emma seems the most Englilsh of English novels....It is Austin's masterpiece, the largest triumph of her vigorous art."
Reading Group Guide
1. Describe the class and rank of various characters in the village of Highbury. Compare the positions of Mr. Weston, Mr. Elton, Miss Taylor, Harriet, and Emma with others in Highbury. How do matters of class affect the interaction of these characters, and would you describe class as being rigid or flexible as it is depicted by Jane Austen? To what extent can class be said to be of central importance to the development of the novel, since it is one of the most important considerations in marriage? Does class seem to be treated differently by those in Highbury than it does by outsiders, for example Frank Churchill and Mrs. Elton? Do you think it is significant that no woman in Highbury is of Emma's age and rank?
2. How does the relationship between Mr. Knightley and Emma change throughout the course of the novel? Although Austen does not directly tell us what their relationship was like during Emma's childhood, their long and intimate friendship is established at the novel's opening. In light of their occasional quarrels and Knightley's criticisms of Emma, for example, the criticism he made on Box Hill, how does Mr. Knightley feel about Emma? Do Mr. Knightley's feelings change as the novel progresses? If they do, what incidents account for the changes in his feelings?
3. Does Emma act as a good friend to Harriet Smith? Are Emma's concerns for Harriet's education and refinement born of an honest desire to help, or is it something less altruistic? Are Mr. Knightley's criticisms of Emma's interference with Mr. Martin's marriage proposal justified? Does Harriet ultimately benefit from Emma's friendship or her attempts to help her?
4. While matchmaking isthe central device in Emma, both for the plot and as a backdrop to develop characters, not all of the matches made in the novel are good. Compare the matches made between Mr. Weston and Miss Taylor, Emma and Mr. Knightley, Harriet and Mr. Martin, Jane Fairfax and Frank Churchill, and Mr. Elton and Mrs. Elton. Which are good matches and which are bad? What character traits in the couples make them suited or unsuited for each other? Why are the mismatches so important to the story?
5. In the final analysis, is Emma a sympathetic character? Does she seem to have good intentions only marred by a slight desire to interfere with other people's lives, or is she thoughtless and unconcerned with the effects she has on others? In your estimation, is Emma ultimately moral or immoral? What specific incidents in the novel lead you to that conclusion?
Most Helpful Customer Reviews
I'm deleting from my nook and re-purchasing the B&N Classics edition. This one has tons and tons of mistakes. Boooo!!!
I could not finish reading the book so many mistakes!!!! GET ANOTHER VERSION!!!!! For instance, instead of s in house there was A making houae instead of house!!! GET ANOTHER VERSION
Really hard to read random symbols and spaces fill this book, it really disappointed me :(
Do not download!
So many misprints! Whats the point of a free book if you cant read it.
Only first volume with many misprints
Slow at first but in the middle it gets good. Emma is such a funny character. And mr knightley is charming.
The text of this free book is decent-definitely better than a lot of other free nook books! A few missing words and random symbols for letters, but I could usually make it out. I'd read it before though. The book itself is excellent. The copy is alright
Loved it! :)
This book has a ton of romance but this edition is not good just on one page there are a ton of mistakes for instance it says sxteen instead of sixteen and another word I can't even tell what it is but I love Jane Austen
Another masterpiece by Harvard University Press!! If you love Jane Austen's works, you're going to LOVE this as well! The story is wonderful all in itself, but the addition of the notations & illustrations along the margins gives the reader more detail & understanding of the times when this was written. I have thoroughly enjoyed this book, as I knew I would - I also own the previous two annotated editions done by HPU in this format, Pride & Prejudice and Persuasion. Can't wait for the rest of them to done so that I can add them to my collection!!
Couldn't finish. Chick book, writing not great.
The marriage game again, but done in a more playful style. I liked the way the story was structured - you could see what was going to happen, but it was fun watching it unfold.
Though it was a must-read during my English literature class, I would read it over and over again because each character reminds me of someone I know!
I'm kind of torn on this one. On one hand, I found huge chunks of this book dry, I think largely caused by its formality between the characters. Not necessarily a fault, by any means, I just found the exchanges tedious. On the other hand, I was reacting strongly to Emma and many other characters the whole time; an initial strong dislike of Emma and pity for Harriet, always strongly agreeing with Mr. Knightley in my head, ect. The characters (and my need to finish any book I start) are what kept me turning pages, and I'm glad I stuck with it because I found the third 'book' delightfully twisty and unexpected. Much to my surprise I found myself hurt, on Emma's behalf, to find that Jane had been snubbing her, and hoping she would end up with Mr. So and so, as well as fearful for poor Harriet's heart breaking once again.I feel like I would read the second half of this book over and over, but I just can not imagine myself attempting the whole length of it cover to cover, so I can really only rate it as a three (or maybe a four...).
I've had this on my "to read" list for quite a while, but funnily enough decided to read it now in preparation for the release of the final Harry Potter book. There's been so much talk about how much this book influenced Rowling, I thought it would be good to read it now. I started it hoping for some insight to what JKR might do in the final book, but once I got reading, Rowling and the young wizard both left my mind. (So, I can't say that it opened up any new speculations for that series)."Emma" started off a bit slow, but once it got going, I found it quite a page-turner. Emma, even though she is still very young, is basically the head of her household, as her father is a fretful, ineffectual man who allows others to "handle" him easily. Fortunately, Emma is basically a good-hearted young woman who makes (mostly) good decisions, and (usually) behaves properly, and always with great consideration for her father. At the outset of the book, we learn that she thinks herself an excellent matchmaker and decides that she is going to help her newly cultivated friend, Harriet, find the perfect husband. Emma herself, however, intends never to marry and ruin what seems to her an already perfect life. Throughout the book, she pokes her nose into situations that would perhaps better be left alone, and behaves in ways which are destined to be misinterpreted by others (although she's unaware of this at the time). All this, of course, leads to what are supposed to be some interesting twists and turns in the plot.***The rest of this review contains MAJOR SPOILERS including what happens at the end of the book***Austen's books are always a look into a world that is different from my own, and yet some things never change. She drew many wonderful characters in this book, although I did find a few of them to be off-puttingly obnoxious. Not more obnoxious, perhaps, than characters in some of her other books, but they seemed to have a lot more page-time (and dialogue in particular) than I remember being the case in other of Austen's books. Of course, Mrs. Elton was utterly loathesome, and in need of a major smackdown. I also quickly tired of Mr. Woodhouse. Sweet man though he was said to be, his constant worrying was very tiresome, and I could have done without quite so much of it. While these characters annoyed me, it wasn't because they were unbelievable; on the contrary, I've known people like both of them. I just don't have as much patience with either sort as Emma did. I found that with this book, also perhaps more than in others by Austen, I had to consciously "turn off" some of my modern sensibility while reading. Class and wealth and everyone knowing their proper place (and staying in it) is always a theme, and one that was relevant to the time and place in which these books were written, but somehow in this book I found it more oppressive than usual. Emma and those around her are very concerned with maintaining the status-quo in regards to their relationships, and in the course of the story, Austen plays with this quite a bit. As Emma wonders just how much her friend Harriet's low birth might be outweighed by her wonderful personal qualities, we're led to wonder as well, which sets up most of the tension for the whole story. It turns out, though, that "playing" with this is all Austen does; she proves herself to be conservative, and none of her characters rock the boat by marrying outside of their class.I will say, in relation to the above comments, that one of the things that puzzled me about this book was that it's considered a masterpiece of narrative misdirection, and is said to end with a monumental twist. Narrative misdirection, perhaps, but it was one that never really sucked me in. It was obvious Emma was convincing herself of things that were not true. Mr. Elton was clearly was courting Emma, not Harriet, and for Emma to be blind to that made me stop trusting her judgement, so later in the story I didn't buy into any misdirection.
Jane Austen wrote about everyday life among the lower English gentry of the early 19th Century. Thus, the book's characters are concerned about social class in ways that seem a bit strange to a 21st Century American reader. A modern reader is likely to find that the book consists of much 19th Century dialog about trifles. It is that, but Austen's skill as a writer is apparent in the way she portrays character traits and personalities through their spoken words. It seems as though half the words in the book are contained within quotation marks. But at truly climatic moments the story's narration slips inside the minds of the story's characters to describe their feelings.Emma, in the book, is preoccupied with social class and match making while at the same time claiming no interest in marriage for herself. The story shows Emma's busy-body approach failing to achieve her desired goals in most cases. Her self perceived ability to understand the feelings of others is repeatedly found to be leading her to incorrect conclusions. But never fear, this is 19th Century writing so things will be OK in the end.Some reviewers note that the book shows how women of that era were dependent on men for their security. That may be true, but this is a story about English gentry who have a quite pleasant life. (The servants hover in the background and are given about as much attention as we give to our kitchen appliances.) The women in this story may not be liberated in the modern feminist sense, but they appear comfortable with their environment. The historical context within which Jane Austen wrote is what makes her books interesting to me. She predates the Bronte sisters, George Eliot and Mary Shelley. So I guess that makes Jane Austen the mother of the English novel. Jane Austen also predates Dickens and Hardy. Unfortunately, her being female had little impact on her contemporaries because all her novels were published anonymously during her lifetime. Jane Austen was a natural born writer starting at a young age. However, it can be argued that her books may never have been published had her family not been experiencing financial difficulties. (I need to acknowledge here that Ann Radcliffe was a published female author prior to Jane Austen. So it may be a bit too generous to call Jane Austen the mother of the English novel.)
Sigh I've read Emma, Sense & Sensibility and Pride & Prejudice, and loved them all. I need to read the rest but Austen has already secured her place as one of my favourite authors.
Took me about a year to finish reading it due to other more easy reading books. But towards 2/3 of the book, I was hooked proper. I laughed at every other delightful sentence that graced its pages. How marvellous it must be not read to books written in terse, choppy sentences that are lining up our bookshelves these days. This is the first Jane Austen novel I've finished reading and I'm starting on my next. Hopefully, it'll take less than a year to complete reading the second one.
Emma Woodhouse is a rich young lady living in a small community. She is practically the head of her household, independent and lively, and a little spoiled. She becomes friends with another young woman, Harriet, the illegitimate daughter of no one knows who, but Emma is certain that no gentleman farmer is good enough for Harriet. She is determined to make a better match for her friend. At the same time, the stepson of her old governess, Mrs. Weston, comes for a visit and starts to show Emma every attention. I always find it hardest to convey what I think and feel about books that are so beloved they have become old friends. Emma is one such book that I have read and reread it since I was a teenager. When I was younger, it was my favorite of the three (now four) Austen novels I had read. My relationship to the characters and the story has changed with time, however, and having shortly reread Pride and Prejudice (my current favorite, in case you were wondering), I couldn't help but compare the two in my mind's eye. Emma Woodhouse and Elizabeth Bennet are nearly the same age, but Emma seems to me much the younger of the two. Indeed, I think one of the reasons I loved Emma as a teenager was because I could related to her youth and naivete when it came to individuals and their relationships to one another. Elizabeth is in some ways much more a woman of the world, while Emma is a little insulated from such things as class. In fact, the treatment of class in Emma struck me more than ever before, as one distinction between characters that governs how much intimacy one can have with another, something that cannot be ignored in terms of Harriet Smith especially, but other characters as well. While still present in Pride and Prejudice, class distinctions are not quite the same hurdle, or at least not so clearly affecting the heroines in their choice of friends. But one of the greatest joys of rereading is rediscovering elements of an old favorite to which I had paid little attention. Though no longer my favorite Austen, Emma still evokes a great deal of affection from me, and I'm sure I will reread it again with pleasure.
I was perusing a library booksale when a book sporting a familiar title and author caught my eye. Only, the combination of the title and author perplexed me. I'm a big fan of Jane Austen's Emma, but had no idea that Charlotte Brontë wrote a book with the same title! Upon studying the back cover, I learned that this was one of those unfinished works completed by that coy nom de plume, "Another Lady." What the back cover didn't tell me, however, was that Brontë only wrote two rough chapters of Emma before she died. "Another Lady" ¿ whom Google has revealed to be one Constance Savery ¿ concocted the rest of the tale from the hints of those two chapters. I'm torn between admiration for the magnitude of such an undertaking and disappointment in the lackluster result.By all rights, I should have liked this book. It's a Gothic-y mystery with moors (well, a little), abductions, secrets, and coincidences worthy of a true 19th-century novel. But the plot is rather predictable... even I guessed what would happen, and that's never a good sign. The characters are fairly flat, and the whole thing just feels forced. I didn't hate the book, but I was glad that it was slim. I'd be done with it quickly.Like Daphne du Maurier's Rebecca, the story bears the name of its villainess, who overshadows everything with her malice despite having very little "screen time." But Emma is an infinitely weaker book. Emma is evil, sure, but why? How did she get that way? Rebecca's natural bent for evil is intensified by Danvers' indulgent, worshipful upbringing. No such explanation is given for Emma's personality. Even that would be all right if Emma just had a believable motive for hating her stepmother, Mrs. Chalfont. Emma never meets Mrs. Chalfont at all ¿ in fact, she runs off with her brothers the day of the wedding and they move in with their grandparents so as to never meet their stepmother, out of apparent hatred. But why? It wasn't as if Emma was devoted to her father and was jealous of the new wife... It just doesn't make sense.There are other weak characterizations; Guy and Laurence Chalfont come to mind especially. Martina, whose parentage is the mystery of the tale, is rather too precious at times. I found Mr. Ellin too nice, too convenient to be really three-dimensional. Only Mrs. Chalfont, who (true to Brontë's style) narrates the story, is marginally more interesting and believable than the others. The chapters with Mrs. Chalfont observing Martina are very reminiscent of Lucy Snowe with Paulina in Villette.No doubt Emma suffers from being compared to Brontë's other works, but even without that comparison I don't think I would have liked it. I'm glad I read the book to know about it for myself, but I don't think I will ever reread. I would recommend this to Brontë completists only ¿ and maybe not even you, as this is much more Savery than Brontë.
This is one of Jane Austin's most fun books. Emma is one of Austin's typical Can't-see-the-nose-on-her-face heroine, and her misadventures are quite entertaining.
A wonderful book true reflections of Jane Austen's work. Loved it for the classiness of it but then Jane is one of my favorite authors. A story woven around the matchmaker's mind.
1190. Emma, by Jane Austen (20 Oct 1972) This is an enthralling book. It was the fifth work I read by Jane Austen, and everyone I found a most enjoyable read. (My comment made immediately after reading the book is mostly a summary of the story line.)
Smart, enjoyable read. Not much exuberant passion is displayed by Austen, but it lays beneath the words.