Empire (Orson Scott Card's Empire Series #1)

Empire (Orson Scott Card's Empire Series #1)

by Orson Scott Card

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Product Details

ISBN-13: 9780765355225
Publisher: Tom Doherty Associates
Publication date: 11/27/2007
Series: Orson Scott Card's Empire Series , #1
Edition description: Reprint
Pages: 368
Sales rank: 552,764
Product dimensions: 4.07(w) x 6.84(h) x 1.04(d)

About the Author

Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead. Ender's Game and Speaker for the Dead both won Hugo and Nebula Awards, making Card the only author to win these two top prizes in consecutive years. There are seven other novels to date in The Ender Universe series. Card has also written fantasy: The Tales of Alvin Maker is a series of fantasy novels set in frontier America; his most recent novel, The Lost Gate, is a contemporary magical fantasy. Card has written many other stand-alone sf and fantasy novels, as well as movie tie-ins and games, and publishes an internet-based science fiction and fantasy magazine, Orson Scott Card's Intergalactic Medicine Show. Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, Card directs plays and teaches writing and literature at Southern Virginia University. He lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, and youngest daughter, Zina Margaret.


Greensboro, North Carolina

Date of Birth:

August 24, 1951

Place of Birth:

Richland, Washington


B.A. in theater, Brigham Young University, 1975; M.A. in English, University of Utah, 1981

Read an Excerpt

EMPIRE (Chapter 1)


Treason only matters when it is committed by trusted men.

The Team of four Americans had been in the village for three months. Their mission was to build trust until they could acquire accurate information about the activities of a nearby warlord believed to be harboring some operatives of Al Qaeda.

All four soldiers were highly trained for their Special Ops assignment. Which meant that they understood a great deal about local agriculture and husbandry, trade, food storage, and other issues on which the survival and prosperity of the village depended. They had arrived with rudimentary skills in the pertinent languages, but now they were reasonably fluent in the language of the village.

The village girls were beginning to find occasions to walk near whatever project the American soldiers were working on. But the soldiers ignored them, and by now the parents of these girls knew they were safe enough—though that didn't stop them from rebuking the girls for their immodesty with men who were, after all, unbelievers and foreigners and dangerous men.

For these American soldiers had also been trained to kill—silently or noisily, close at hand or from a distance, individually or in groups, with weapons or without.

They had killed no one in front of these villagers, and in fact they had killed no one, ever, anywhere. Yet there was something about them, their alertness, the way they moved, that gave warning, the way a tiger gives warning simply by the fluidity of its movement and the alertness of its eyes.

There came a day that one of the villagers, a young man who had been away for a week, came home, and within a few minutes had told his news to the elder who, for lack of anyone better, was regarded by the villagers as the wisest counselor. He, in turn, brought the young man to the Americans.

The terrorists, he said, were building up a cache of weapons away to the southwest. The local warlord had not given his consent—in fact, he disapproved, but would not dare to intervene. "He would be as happy as anyone to be rid of these men. They frighten him as much as they frighten everyone else."

The young man was also, obviously, afraid.

The Americans got directions from him and strode out of the camp, following one of the trails the shepherds used.

When they were behind the first hill—though this "hill" in most other places would have been called a mountain—they stopped.

"It's a trap, of course," said one of the Americans.

"Yes," said the leader, a young captain named Reuben Malich. "But will they spring it when we reach the place where his directions would send us? Or when we return?"

In other words, as they all understood: Was the village part of the conspiracy or not? If it was, then the trap would be sprung far away.

But if the villagers had not betrayed them (except for the one young man), then in all likelihood the village was in as much danger as the Americans.

Captain Malich briefly discussed the possibilities with his team, so that by the time he gave his orders, they were all in complete agreement.

A few minutes later, using routes they had planned on the first day, before they ever entered the village, they crested the hill at four separate vantage points and spotted the armed men who had just entered the village and were taking up many of the positions surrounding it that the Americans had guessed they would use.

The Americans' plan, in the event of such an ambush, was to approach these positions with stealth and kill the enemy one by one, silently.

But now Captain Malich saw a scene playing out in the center of the village that he could not bear. For the old man had been brought out into the middle of the sunbaked dirt of the square, and a man with a sword was preparing to behead him.

Captain Malich did the calculations in his head. Protect your own force—that was a prime concern. But if it were the only priority, or the highest priority, nations would keep their armies at home and never commit them to battle at all.

The higher priority here was the mission. If the village sustained any casualties, they would not care that the Americans saved them from even more. They would only grieve that the Americans had ever come at all, bringing such tragedy with them. They would beg the Americans to leave, and hate them if they did not go.

Here were the terrorists, proving that they were, as suspected, operating in the area. This village had been a good choice. Which meant that it would be a terrible waste to lose the trust that had been built up.

Captain Malich took his own weapon and, adjusting wind and distance, took careful aim and killed the swordsman with a single shot.

The other three Americans understood immediately the change of plans. They took aim at the enemies who would be able to take cover most easily, and killed them. Then they settled down to shooting the others one by one.

Of course, the enemy were firing back. Captain Malich himself was hit, but his body armor easily dealt with a weapon fired at such long range. And as the enemy fire slackened, Malich counted the enemy dead and compared it to the number he had seen in the village, moving from building to building. He gave the hand signal that told the rest of his team that he was going in, and they shot at anyone who seemed to be getting into position to kill him as he descended the slope.

In only a few minutes, he was among the small buildings of the village. These walls would not stop bullets, and there were people cowering inside. So he did not expect to do a lot of shooting. This would be knife work.

He was good at knife work. He hadn't known until now how easy it was to kill another man. The adrenalin coursing through him pushed aside the part of his mind that might be bothered by the killing. All he thought of at this moment was what he needed to do, and what the enemy might do to stop him, and the knife merely released the tension for a moment, until he started looking for the next target.

By now his men were also in the village, doing their own variations on the same work. One of the soldiers encountered a terrorist who was holding a child as a hostage. There was no thought of negotiation. The American took aim instantly, fired, and the terrorist dropped dead with a bullet through his eye.

At the end, the sole surviving terrorist panicked. He ran to the center of the square, where many of the villagers were still cowering, and leveled his automatic weapon to mow them down.

The old man still had one last spring in his ancient legs, and he threw himself onto the automatic weapon as it went off.

Captain Malich was nearest to the terrorist and shot him dead. But the old man had taken a mortal wound. By the time Malich got to him, the old man gave one last shudder and died in a puddle of the blood that had poured from his abdomen where the two bullets tore him open.

Reuben Malich knelt over the body and cried out in the keening wail of deep grief, the anguish of a soul on fire. He tore open the shirt of his uniform and struck himself repeatedly on the chest. This was not part of his training. He had never seen anyone do such a thing, in any culture. Striking himself looked to his fellow soldiers like a kind of madness. But the surviving villagers joined him in grief, or watched him in awe.

Within moments he was back on the job, interrogating the abject young betrayer while the other soldiers explained to the villagers that this boy was not the enemy, just a frightened kid who had been coerced and lied to by the terrorists and did not deserve to be killed.

Six hours later, the terrorist base camp was pounded by American bombs; by noon the next day, it had been scoured to the last cave by American soldiers flown in by chopper.

Then they were all pulled out. The operation was a success. The Americans reported that they had suffered no casualties.

"From what one of your men told us," said the colonel, "we wonder if you might have made your decision to put your own men at risk by firing immediately, based on emotional involvement with the villagers."

"That's how I meant it to appear to the villagers," said Captain Malich. "If we allowed the village to take casualties before we were on the scene, I believe we would have lost their trust."

"And when you grieved over the body of the village headman?"

"Sir, I had to show him honor in a way they would understand, so that his heroic death became an asset to us instead of a liability."

"It was all acting?"

"None of it was acting," said Captain Malich. "All I did was permit it to be seen."

The colonel turned to the clerk. "All right, shut off the tape." Then, to Malich: "Good work, Major. You're on your way to New Jersey."

Which is how Reuben Malich learned he was a captain no more. As for New Jersey, he had no idea what he would do there, but at least he already spoke the language, and fewer people would be trying to kill him.

EMPIRE. Copyright 2006 by Orson Scott Card.

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Empire 3.6 out of 5 based on 0 ratings. 119 reviews.
harstan More than 1 year ago
The two extremes in the USA have reached a point of hatred that threatens the fiber of the country. Neither extremist group wants to compromise because they believe that makes them seem weak. The vast center prefers harmony, but they are considered expendable pawns by the right and the left who each assume the mantle of righteousness. In this divisive world of hate, the final blows occur almost simultaneously. Terrorists kill the president, the vice president, the secretary of defense, and other VIPs leaving a chaotic nation without leaders. The right blames the left for being soft on Al Qaeda the Left blames the Right for failing to protect the infrastructure.------------- Major Reuben Malich was near White House when the rocket attack killed POTUS, and the Defense Secretary. Initially considered a hero for saving lives, soon Rube is accused of carrying out the assassination. With his new assistant Captain ¿Cole¿ Coleman and a few other trusted aides, Rube investigates and soon believes the recent assassinations is the first stage in a coup to turn America into a world dominating empire to outlast the five centuries of Rome. The 'Progressive Restoration' has begun as the second American Civil War has exploded into open hostilities.----------------- Extrapolating from the hatred that has divided the country, Orson Scott Card provides a cautionary futuristic science fiction thriller. The war seems a plausible outcome though the recent election controlled by the middle brings new hope that maybe we can get along. Readers will appreciate this powerful military thriller yet extremists on both sides will condemn Mr. Card for failing to take their opinion while missing the whole point of this strong thriller that either extreme could destroy the values of this country with their no compromise idealism.--------- Harriet Klausner
FlaRobb More than 1 year ago
The book was a very fun read but left, in my opinon, one big hole at the end. The question of who killed the president and how was not fully explained. However, it does provide a very good look into a possible future. Lastly the cover art and words do imply a much wider war front that is seen in the book.
Anonymous More than 1 year ago
i'm a long time card fan and have read almost all of his books and empire was as good as many of them. however, it wasn't on the level of ender's game, speaker for the dead, seventh son, or ender's shadow. but you can't write a new york time's bestseller every time. having said that, i think that empire was a book worth reading. it is heavily drenched in american politics of a few years ago, but the real story is driven by fair-minded characters. people have complained that card was too biased in this novel but i didn't get that impression at all. and if it feels too much like a video game it's because card was writing a novelization of a video game with the same name.
Anonymous More than 1 year ago
Quite aread. Full of parallels to current politial situations. Exciting and every bit as gripping as his Ender novels. Card never disappoints.
Anonymous More than 1 year ago
So i reccomend getting the book, it amazingly depicts scenes settings and plots that just run rampant in your mind, BUT most people will not mention it is a sequal to enders game. John paul (j.p.) is the name of the wiggins father. Anotherbut though, four stars because i feel it is a thinly veiled attack on the left wing side of a political standpoint. Also lots of untied knots at the end.
Anonymous More than 1 year ago
For a kid like me who doesn't care about politics it a great book
Godswork More than 1 year ago
Yes it's a book about a very possible future, one that many great nations time and again have represented. Days of chaos followed by a sturdy rule that would extend the life of the nation for a few more centuries. Why can't such a thing happen in the united states as well? Read the book and you will not regret it.
Anonymous More than 1 year ago
First book I have read by this author, and to my surprise it has become one of my favorite books. I have now ventured into the second of this duet series and hope it will be just as good.
iWrite16 More than 1 year ago
Being a fan of Orson Scott Card's, my expectations for this book were very high. Once again, Card has far surpassed my expectations! I would love to write a twenty page review complimenting Card's masterpiece, but I don't want to give anything away. Instead, I will just say this : READ IT. =)
Stapler More than 1 year ago
Another outstanding and creative read by Card! Let's hope his fiction remains fiction and not prophecy.
Guest More than 1 year ago
There is indeed right-wing slant in the novel, and this title, as Card's first thriller it cannot compete with the classic ones like Tom Clancy/Michael Critchton. But it is still an interesting novel with good imagination. Go read it.
Guest More than 1 year ago
Orson Scott Card is most indefinitely the best storytelling author since Lewis, Bradbury and that rare breed of writer. He maintains the tremendous style of writing which I have come to deeply enjoy. He is the best modern Science Fiction/Fantasy author of today. This book is a pure continuation of his talents. For those that desire a magnificent work of writing in general, select this masterpiece, and for any of you Orson Scott Card fans like myself, get this book IMMEDIATELY!!!
Guest More than 1 year ago
Captain Coleman 'Cole' is assigned as the new aide for Major Reuben 'Rube' Malich. However, Rube never comes into the office and never calls. His secretary, DeeNee, says she cannot help him. According to DeeNee, who has no way to contact him, Rube seldom shows at the office except to pick up messages and leave again. No one knows what Rube does or where he goes. DeeNee assures Cole that Rube knows he has arrived, but all he can do is stand around and wait for what could very well be days or weeks. Within minutes of Cole finally meeting Rube, chaos comes storming in! The Vice President is killed in an 'accidental' car wreck. Only few minutes later, the President and the Secretary of Defense dies when a rocket hits the west wing of the White House, at the very section the two were in a meeting. Everyone is calling Rube and Cole 'heroes'. Had they not been there and acted immediately, it would have been much, much worse. But the two heroes know that Rube is being set up to take the fall. .............. Rube has his wife and kids move in with a relative in West Windsor, New Jersey. Before joining them, Rube and Cole must meet up with Rube's old buddies from Special Ops for some serious brainstorming. The men have not been in New Jersey with the family half a day before chaos comes stomping (literally) back in. This time it is fourteen-foot-tall, bulletproof, heavily armed globes on mechanical legs. The mechs, along with gunmen on individual hovercrafts, succeed in seizing New York City and establishing the 'Progressive Restoration'. They claim to be restoring the government to what it should have been and even invite other cities and states to join them. It looks as though a second American Civil War has erupted. One side has high tech weapons. The other side has militia footmen, Rube, and Cole. .................. ***** Author David Weber is diabolical in writing books with military tactical maneuvers. Author Tom Clancy is clever in writing books with espionage. But author Orson Scott Card is brilliant in a way that is difficult to define. Card loudly attacks your physical senses, while at the same time he silently infiltrates your mind and twists your very way of thinking. The most horrifying part is that as I read, I could detect no flaw in the strategies. It is all perfect...and very possible. I strongly recommend ordering pizza to be delivered and unplugging the phones before you even open the cover of this military/political thriller. Stellar! *****
lchead on LibraryThing 25 days ago
This book started out quite well...Scared the hell out of me in fact. One could see this exact thing happening in the not so distant future. The ending was a bit of a let down. A little to far fetched
librisissimo on LibraryThing 25 days ago
Capitalizing on current events. Points out problems of extreme fanaticism arising from partisanship in both US parties.
jchancel on LibraryThing 25 days ago
I would not say this is one of Orson Scott Card's best works. Although the book is fast paced and adventuresome I found the plot a little beyond belief. However, I believe the purpose of the book was not the plot itself, but to convey Card's fears of the threat apparent in the ever-increasing disparity between the two political parties in the United States. In this respect Card does a good job, but it caused the believability of the plot to suffer some. It's a good thriller and a quick read and will make you ponder the stability of a country divided into two hateful political camps.
endersreads on LibraryThing 25 days ago
Card takes us through a civil war that could indeed happen "now". I enjoyed his polotics and the part where one of the main character's ends up on the O'Reilly Factor. Despite all the fun in this book, there is a very important message Card gives us: THE LEFT AND RIGHT ARE INSANE! I don't know if Card would agree with me, but I believe it is because the insane elite have created a Left and Right to hold us polarized and in their Machiavellian grip. Control is the Goal. Should civil war happen, I believe it would not be between the Left and Right, as portrayed here; but between the Military Industrial Complex and the American People. I'm glad to report, as of today, our Republic is still standing, albeit weakly. Read this and then go watch Alex Jones' "End Game", "9/11 The Road to Tyranny", "Washington, You're Fired", "Loose Change Final Cut", and all the rest. Read Card's book, then Watch it! Watch it! Watch it! Watch it unfold!
robsack on LibraryThing 25 days ago
Card writing like Tom Clancy. Surprisingly satisfying. The occasional bits of Card style sort of surprised me into remembering that the book was written by Card and not someone else.As per his standards, the characters were very likable. Very fast pacing, and heavy on the politics.
scottwmcgregor on LibraryThing 25 days ago
Compelling novel with a very salient and topical storyline. Once again OSC demonstrates his sublime understanding of history and current events without force-feeding you his politics. The man can weave a damn good story.
GregStevens on LibraryThing 25 days ago
This is a bad book.I expected better of Card, to be honest. His work with the Ender books showed his sensitivity to the details of human interaction, his ability to address extremely complex social and philosophical issues, and a story-telling style that made even a "superhero" type of character seem relatable and vulnerable. This book, on the other hand, showed none of these things. The characters were all caricatured and shallow, what should have been an amazingly complex political scenario was flat and unbelievable, the storyline was formulaic and the ending was utterly unsurprising and unenlightening.The basic premise of the story is an interesting one, and I believe this novel could have been pulled off by a different author. Or by this author... under different circumstances.To write this story well, you have to really have a strong feeling for the complexity of both liberal and conservative ideologies. You have to understand different types of people who gravitate to both sides: both the good and the bad. You have to have a real feeling for what each side sees as being true and valuable about their own perspectives. Instead, this book contains cardboard military heros and crazed liberals taken straight from a Sean Hannity monologue. Orson Scott Card obviously listens to Fox News and Bill O'Reilly. But he just as obviously never listens to liberal or progressive television or radio. Or if he does, he doesn't understand it.I am both a science fiction junky and a political junky. I am exactly the type of person who would love to read this story, told correctly. But this book is not that story. That story would contain more about the complexity of the social movements and politics driving the revolution that is portrayed. That story would expose the reader to liberals and conservatives both who have internal conflict between their own ideologies and pragmatics of the world around them. That story would pull the reader in both directions, so that he would be able to see what conservatives see as good in themselves, and what liberals see as good in themselves.That story would not only be an interesting as a story, it would have the ability to open eyes.This story, on the other hand, comes across as a writing student executing an assignment. I don't mind that Card has an obvious personal political slant that comes through in the novel. What I mind is that he has no real feeling for the motivation that drives the ideologies that are in conflict in his world.
jarlalex on LibraryThing 25 days ago
Reads very much like a Tom Clancy book in terms of the pace and character development. The major distinction is that where Clancy tends to brush over anything political - which 15-20 years ago was possible - Card centres on politics, particularly the peripheral manifestations of it (newsmedia, stray zillionaires, etc.). All things considered, the thing that struck me most was another trait in common with [earlier] Clancy: It's not that much of a stretch.
HippieLunatic on LibraryThing 25 days ago
Card does better when he deals with the magical and fantastical, but it is still a good story. Card is able to create a story that is attainable and understandable, especially in today's political environment. The real issue is that the characters are a bit two-dimensional to me. There are the perfect soldiers who seem to have little backstory, but who run the line of right and left with no problem. It is too easy, too simplistic with the rest of the story going on behind the characters. There is no inner-conflict within the characters, nothing that makes them real to me.While I believe that there is promise in the story that is being built in the final pages, especially, I do wonder if there is enough promise for me to get past the first 30 pages of the next Empire saga. I want to know if Cole and his comrades are able to bring down the next big bad, but I don't know if I want to know it enough to make it through another 300 pages.Eh.
yesssman on LibraryThing 25 days ago
Not bad for a book written to go along with a video game. Very suspenseful and thought provoking, and more enjoyable than I usually find stories with as much political opinion as is found here.
GlennBell on LibraryThing 25 days ago
Interesting story. It has a lot of action and paints a possible scenario for an American civil war. I enjoy the author's intellect and thoughtful considerations of motives, political views, and possible actions of characters in the story. It might make an interesting movie.
nickdreamsong on LibraryThing 25 days ago
This novel is a quick, but timely read. Card presents a political scenario in which the culture wars that currently divide the United States erupt into Civil War. Although the writing is not as full and engaging as Ender's Game or Pastwatch, the presentation of political possibilites is right on the money. If you plan to read this one, read it now. I suspect that this novel will not age as well as some of his have. And be sure to read the author's afterword because Card's discussion about why he chose to write about the death of the republic is truly fascinating.