Enacting History is a collection of new essays exploring the world of historical performances. The volume focuses on performances outside the traditional sphere of theatre, among them living history museums, battle reenactments, pageants, renaissance festivals, and adventure-tourism destinations. This volume argues that the recent surge in such performances have raised significant questions about the need for, interest in, and value of such nontraditional theater. Many of these performances claim a greater or lesser degree of historical "accuracy" or "authenticity," and the authors tease out the representational and historiographic issues related to these arguments. How, for instance, are issues of race, ethnicity, and gender dealt with at museums that purport to be accurate windows into the past? How are politics and labor issues handled in local- or state-funded institutions that rely on volunteer performers? How do tourists' expectations shape the choices made by would-be purveyors of the past? Where do matters of taste or censorship enter in when reconciling the archival evidence with a family-friendly mission?
Essays in the collection address, among other subjects, reenactments of period cookery and cuisine at a Maryland renaissance festival; the roles of women as represented at Minnesota's premiere living history museum, Historic Fort Snelling; and the Lewis and Clark bicentennial play as cultural commemoration.
The editors argue that historical performances like these-regardless of their truth-telling claims-are an important means to communicate, document, and even shape history, and allow for a level of participation and accessibility that is unique to performance. Enacting History is an entertaining and informative account of the public's fascination with acting out and watching history and of the diverse methods of fulfilling this need.
|Publisher:||University of Alabama Press|
|Product dimensions:||6.00(w) x 8.90(h) x 0.80(d)|
Table of Contents
List of Illustrations vii
Introduction Scott Magelssen 1
Present Enacting Past: The Functions of Battle Reenacting in Historical Representation Leigh Clemons 10
"This Is the Place": Performance and the Production of Space in Mormon Cultural Memory Lindsay Adamson Livingston 22
Men with Their Muskets and Me in My Bare Feet: Performing History and Policing Gender at Historic Fort Snelling Living History Museum Amy M. Tyson 41
History, Archive, Memory, and Performance: The Lewis and Clark Bicentennial Play as Cultural Commemoration Richard L. Poole 66
Defining Museum Theater at Conner Prairie Aili McGill 88
Performing History as Memorialization: Thinking with … And Jesus Moonwalks the Mississippi and Brown University's Slavery and Justice Committee Patricia Ybarra 113
Is That Real? An Exploration of What Is Real in a Performance Based on History Catherine Hughes 134
Dinner: Impossible-"Medieval Mayhem" at the Maryland Renaissance Festival Kimberly Tony Korol-Evans 153
Tourist Performance in the Twenty-first Century Scott Magelssen 174
Ping Chong & Company's Undesirable Elements/Secret Histories in Oxford, Mississippi Rhona Justice-Mallay 203
List of Contributors 229