ISBN-10:
0393912558
ISBN-13:
9780393912555
Pub. Date:
02/01/2013
Publisher:
Norton, W. W. & Company, Inc.
The Enjoyment of Music / Edition 2

The Enjoyment of Music / Edition 2

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Overview

The Enjoyment of Music / Edition 2

Thoroughly revised with new co-author Andrew Dell’Antonio, The Enjoyment of Music: Essential Listening Edition offers instructors the flexibility to teach their course thematically or historically, and helps students acquire a lifelong interest in music. And with Total Access, all the music and media resources students need are automatically included with every new copy of the text.

Product Details

ISBN-13: 9780393912555
Publisher: Norton, W. W. & Company, Inc.
Publication date: 02/01/2013
Edition description: Second Essential Listening Edition
Pages: 456
Sales rank: 707,997
Product dimensions: 7.90(w) x 9.90(h) x 0.60(d)

About the Author

Kristine Forney is Professor of Music at California State University, Long Beach, where she regularly teaches music appreciation and music history to undergraduate students. Her understanding of today’s students and her highly regarded teaching abilities make her the ideal author for this appreciation-level textbook. She is also a respected scholar who has written extensively on music of the Renaissance, and is a contributor to the New Grove Dictionary of Music and Musicians.

Andrew Dell'Antonio is University Distinguished Professor of Music at the University of Texas at Austin. Winner of the University of Texas Regents' Outstanding Teaching Award, he teaches courses in musical historiography, feminist/queer theory, and cultural studies. Dell'Antonio is a specialist in musical repertories of early modern Europe, and his recent work investigates topics as diverse as postmodern modes of hearing and changing listening practices in the early Italian Baroque.

The late Joseph Machlis was professor of music at Queens College of the City University of New York. Among his many publications are Introduction to Contemporary Music (Norton) and singing translations for many operas.

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