Every Dead Thing (Charlie Parker Series #1)

Every Dead Thing (Charlie Parker Series #1)

by John Connolly

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Product Details

ISBN-13: 9781416517252
Publisher: Atria Books
Publication date: 07/01/2000
Series: Charlie Parker Series , #1
Sold by: SIMON & SCHUSTER
Format: NOOK Book
Pages: 480
Sales rank: 9,015
File size: 5 MB

About the Author

John Connolly is the author of the Charlie Parker series of mystery novels, the supernatural collection Nocturnes, the Samuel Johnson Trilogy for younger readers, and (with Jennifer Ridyard) the Chronicles of the Invaders series. He lives in Dublin, Ireland. For more information, see his website at JohnConnollyBooks.com, or follow him on Twitter @JConnollyBooks.

Hometown:

Dublin, Ireland

Date of Birth:

May 31, 1968

Place of Birth:

Dublin, Ireland

Education:

B.A. in English, Trinity College Dublin, 1992; M.A. in Journalism, Dublin City University, 1993

Read an Excerpt

Chapter 1

The waitress was in her fifties, dressed in a tight black miniskirt, white blouse, and black high heels. Parts of her spilled out of every item of clothing she wore, making her look like she had swollen mysteriously sometime between dressing and arriving for work. She called me "darlin'" each time she filled my coffee cup. She didn't say anything else, which was fine by me.

I had been sitting at the window for over ninety minutes now, watching the brownstone across the street, and the waitress must have been wondering exactly how long I was planning to stay and if I was ever going to pay the check. Outside, the streets of Astoria buzzed with bargain hunters. I had even read the New York Times from start to finish without nodding off in between as I passed the time waiting for Fat Ollie Watts to emerge from hiding. My patience was wearing thin.

In moments of weakness, I sometimes considered ditching the New York Times on weekdays and limiting my purchase to the Sunday edition, when I could at least justify buying it on the grounds of bulk. The other option was to begin reading the Post, although then I'd have to start clipping coupons and walking to the store in my bedroom slippers.

Maybe in reacting so badly to the Times that morning I was simply killing the messenger. It had been announced that Hansel McGee, a state Supreme Court judge and, according to some, one of the worst judges in New York, was retiring in December and might be nominated to the board of the city's Health and Hospitals Corporation.

Even seeing McGee's name in print made me ill. In the 1980s, he had presided over the case of a woman who had been raped when she was nine years old by a fifty-four-year-old man named James Johnson, an attendant in Pelham Bay Park who had convictions for robbery, assault, and rape.

McGee overturned a jury award to the woman of $3.5 million with the following words: "An innocent child was heinously raped for no reason at all; yet that is one of the risks of living in a modern society." At the time, his judgment had seemed callous and an absurd justification for overturning the ruling. Now, seeing his name before me again after what had happened to my family, his views seemed so much more abhorrent, a symptom of the collapse of goodness in the face of evil.

Erasing McGee from my mind, I folded the newspaper neatly, tapped a number on my cell phone, and turned my eyes to an upper window of the slightly run-down apartment building opposite. The phone was picked up after three rings and a woman's voice whispered a cautious hello. It had the sound of cigarettes and booze to it, like a bar door scraping across a dusty floor.

"Tell your fat asshole boyfriend that I'm on my way to pick him up and he'd better not make me chase him," I told her. "I'm real tired and I don't plan on running around in this heat." Succinct, that was me. I hung up, left five dollars on the table, and stepped out onto the street to wait for Fat Ollie Watts to panic.

The city was in the middle of a hot, humid summer spell, which was due to end the following day with the arrival of thunderstorms and rain. Currently, it was hot enough to allow for T-shirts, chinos, and overpriced sunglasses, or, if you were unlucky enough to be holding down a responsible job, hot enough to make you sweat like a pig under your suit as soon as you left the a/c behind. There wasn't even a gust of wind to rearrange the heat.

Two days earlier, a solitary desk fan had struggled to make an impact on the sluggish warmth in the Brooklyn Heights office of Benny Low. Through an open window I could hear Arabic being spoken on Atlantic Avenue and I could smell the cooking scents coming from the Moroccan Star, half a block away. Benny was a minor-league bail bondsman who had banked on Fat Ollie staying put until his trial. The fact that he had misjudged Fat Ollie's faith in the justice system was one reason why Benny continued to remain a minor-league bondsman.

The money being offered on Fat Ollie Watts was reasonable, and there were things living on the bottom of ponds that were smarter than most bail jumpers. There was a fifty-thousand-dollar bond on Fat Ollie, the result of a misunderstanding between Ollie and the forces of law and order over the precise ownership of a 1993 Chevy Beretta, a 1990 Mercedes 300 SE, and a number of well-appointed sport utility vehicles, all of which had come into Ollie's possession by illegal means.

Fat Ollie's day started to go downhill when an eagle-eyed patrolman familiar with Ollie's reputation as something less than a shining light in the darkness of a lawless world spotted the Chevy under a tarpaulin and called for a check on the plates. They were false and Ollie was raided, arrested, and questioned. He kept his mouth shut but packed a bag and headed for the hills as soon as he made bail, in an effort to avoid further questions about who had placed the cars in his care. That source was reputed to be Salvatore "Sonny" Ferrera, the son of a prominent capo. There had been rumors lately that relations between father and son had deteriorated in recent weeks, but nobody was saying why.

"Fuckin' goomba stuff," as Benny Low had put it that day in his office.

"Anything to do with Fat Ollie?"

"Fuck do I know? You want to call Ferrera and ask?"

I looked at Benny Low. He was completely bald and had been since his early twenties, as far as I knew. His glabrous skull glistened with tiny beads of perspiration. His cheeks were ruddy and flesh hung from his chin and jowls like melted wax. His tiny office, located above a halal store, smelled of sweat and mold. I wasn't even sure why I had said I would take the job. I had money -- insurance money, money from the sale of the house, money from what had once been a shared account, even some cash from my retirement fund -- and Benny Low's money wasn't going to make me any happier. Maybe Fat Ollie was just something to do.

Benny Low swallowed once, loudly. "What? Why are you lookin' at me like that?"

"You know me, Benny, don't you?"

"Fuck does that mean? Course I know you. You want a reference? What?" He laughed halfheartedly, spreading his pudgy hands wide as if in supplication. "What?" he said again. His voice faltered, and for the first time, he actually looked scared. I knew that people had been talking about me in the months since the deaths, talking about things I had done, things I might have done. The look in Benny Low's eyes told me that he had heard about them too and believed that they could be true.

Something about Fat Ollie's flight just didn't sit right. It wouldn't be the first time that Ollie had faced a judge on a stolen vehicles rap, although the suspected connection to the Ferreras had forced the bond up on this occasion. Ollie had a good lawyer to rely on; otherwise his only connection to the automobile industry would have come from making license plates on Rikers Island. There was no particular reason for Ollie to run, and no reason why he would risk his life by fingering Sonny over something like this.

"Nothing, Benny. It's nothing. You hear anything else, you tell me."

"Sure, sure," said Benny, relaxing again. "You'll be the first to know."

As I left his office, I heard him mutter under his breath. I couldn't be sure what he said but I knew what it sounded like. It sounded like Benny Low had just called me a killer like my father.

It had taken me most of the next day to locate Ollie's current squeeze through some judicious questioning, and another fifty minutes that morning to determine if Ollie was with her through the simple expedient of calling the local Thai food joints and asking them if they had made any deliveries to the address in the last week.

Ollie was a Thai food freak and, like most skips, stuck to his habits even while on the run. People don't change very much, which usually makes the dumb ones easy to find. They take out subscriptions to the same magazines, eat in the same places, drink the same beers, call the same women, sleep with the same men. After I threatened to call the health inspectors, an Oriental roach motel called the Bangkok Sun House confirmed deliveries to one Monica Mulrane at an address in Astoria, leading to coffee, the New York Times, and a phone call to wake Ollie up.

True to form and dim as a ten-watt bulb, Ollie opened the door of 2317 about four minutes after my call, stuck his head out, and then commenced an awkward, shambling run down the steps toward the sidewalk. He was an absurd figure, strands of hair slicked across his bald pate, the elasticated waistband of his tan pants stretched across a stomach of awesome size. Monica Mulrane must have loved him a whole lot to stay with him, because he didn't have money and he sure as hell didn't have looks. It was strange, but I kind of liked Fat Ollie Watts.

He had just set foot on the sidewalk when a jogger wearing a gray sweat suit with the hood pulled up appeared at the corner, ran up to Ollie, and pumped three shots into him from a silenced pistol. Ollie's white shirt was suddenly polka-dotted with red and he folded to the ground. The jogger, left-handed, stood over him and shot him once more in the head.

Someone screamed and I saw a brunette, presumably the by now recently bereaved Monica Mulrane, pause at the door of her apartment block before she ran to the sidewalk to kneel beside Ollie, passing her hands over his bald, bloodied head and crying. The jogger was already backing off, bouncing on the balls of his feet like a fighter waiting for the bell. Then he stopped, returned, and fired a single shot into the top of the woman's head. She folded over the body of Ollie Watts, her back shielding his head. Bystanders were already running for cover behind cars, into stores, and the cars on the street ground to a halt.

I was almost across the street, my Smith & Wesson in my hand, when the jogger ran. He kept his head down and moved fast, the gun still held in his left hand. Even though he wore black gloves, he hadn't dropped the gun at the scene. Either the gun was distinctive or the shooter was dumb. I was banking on the second option.

I was gaining on him when a black Chevy Caprice with tinted windows screeched out from a side street and stood waiting for him. If I didn't shoot, he was going to get away. If I did shoot, there would be hell to pay with the cops. I made my choice. He had almost reached the Chevy when I squeezed off two shots, one hitting the door of the car and the second tearing a bloody hole in the right arm of the jogger's top. He spun, firing two wild shots in my direction as he did so, and I could see his eyes were wide and ultrabright. The killer was wired.

As he turned toward the Chevy it sped away, the driver spooked by my shots, leaving Fat Ollie's killer stranded. He fired off another shot, which shattered the window of the car to my left. I could hear people screaming and, in the distance, the wail of approaching sirens.

The jogger sprinted toward an alley, glancing over his shoulder at the sound of my shoes hammering on the road behind him. As I made the corner a bullet whined off the wall above me, peppering me with pieces of concrete. I looked up to see the jogger moving beyond the midpoint of the alley, staying close to the wall. If he got around the corner at the end, I would lose him in the crowds.

The gap at the end of the alley was, briefly, clear of people. I decided to risk the shot. The sun was behind me as I straightened, firing twice in quick succession. I was vaguely aware of people at either side of me scattering like pigeons from a stone as the jogger's right shoulder arched back with the impact of one of my shots. I shouted at him to drop the piece but he turned awkwardly, his left hand bringing the gun up. Slightly off balance, I fired two more shots from around twenty feet. His left knee exploded as one of the hollow points connected, and he collapsed against the wall of the alley, his pistol skidding harmlessly away toward some trash cans and black bags.

As I closed on him I could see he was ashen faced, his mouth twisted in pain and his left hand gripping the air around his shattered knee without actually touching the wound. Yet his eyes were still bright and I thought I heard him giggle as he pushed himself from the wall and tried to hop away on his good leg. I was maybe fifteen feet from him when his giggles were drowned by the sound of brakes squealing in front of him. I looked up to see the black Chevy blocking the end of the alley, the window on its passenger side down, and then the darkness within was broken by a single muzzle flash.

Fat Ollie's killer bucked and fell forward on the ground. He spasmed once and I could see a red stain spreading across the back of his top. There was a second shot, the back of his head blew a geyser of blood in the air and his face banged once on the filthy concrete of the alley. I was already making for the cover of the trash cans when a bullet whacked into the brickwork above my head, showering me with dust and literally boring a hole through the wall. Then the window of the Chevy roiled up and the car shot off to the east.

I ran to where the jogger lay. Blood flowed from the wounds in his body, creating a dark red shadow on the ground. The sirens were close now and I could see onlookers gathered in the sunlight, watching me as I stood over the body.

The patrol car pulled up minutes later. I already had my hands in the air and my gun on the ground before me, my permit beside it. Fat Ollie's killer was lying at my feet, blood now pooled around his head and linked to the red tide that was congealing slowly in the alley's central gutter. One patrolman kept me covered while his partner patted me down, with more force than was strictly necessary, against the wall. The cop patting me down was young, perhaps no more than twenty-three or twenty-four, and cocky as hell.

"Shit, we got Wyatt Earp here, Sam," he said. "Shootin' it out like it was High Noon."

"Wyatt Earp wasn't in High Noon," I corrected him, as his partner checked my ID. The cop punched me hard in the kidneys in response and I fell to my knees. I heard more sirens nearby, including the tell-tale whine of an ambulance.

"You're a funny guy, hotshot," said the young cop. "Why'd you shoot him?"

"You weren't around," I replied, my teeth gritted in pain. "If you'd been here I'd have shot you instead."

He was just about to cuff me when a voice I recognized said: "Put it away, Harley." I looked over my shoulder at his partner, Sam Rees. I recognized him from my days on the force and he recognized me. I don't think he liked what he saw.

"He used to be a cop. Leave him be."

And then the three of us waited in silence until the others joined us.

Two more blue-and-whites arrived before a mud brown Nova dumped a figure in plain clothes on the curb. I looked up to see Walter Cole walking toward me. I hadn't seen him in almost six months, not since his promotion to lieutenant. He was wearing a long brown leather coat, incongruous in the heat. "Ollie Watts?" he said, indicating the shooter with an inclination of his head. I nodded.

He left me alone for a time as he spoke with uniformed cops and detectives from the local precinct. I noticed that he was sweating heavily in his coat.

"You can come in my car," he said when he eventually returned, eyeing the cop called Harley with ill-concealed distaste. He motioned some more detectives toward him and made some final comments in quiet, measured tones before waving me toward the Nova.

"Nice coat," I said appreciatively as we walked to his car. "How many girls you got in your stable?"

Walter's eyes glinted briefly. "Lee gave me this coat for my birthday. Why do you think I'm wearing it in this goddamned heat? You fire any shots?"

"A couple."

"You do know that there are laws against discharging firearms in public places, don't you?"

"I know that but I'm not sure about the guy dead on the ground back there. I'm not sure that the guy who shot him knows either. Maybe you could try a poster campaign."

"Very funny. Now get in the car."

I did as he said and we pulled away from the curb, the onlookers gaping curiously at us as we headed off through the crowded streets.

Copyright © 1999 by John Connolly

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Every Dead Thing (Charlie Parker Series #1) 3.8 out of 5 based on 0 ratings. 144 reviews.
Guest More than 1 year ago
It has been a long time since I've read a book that made me smile, shake my head at the end, and go hmm hmm hmm! Every Dead Thing made me do just that. This was the first book I'd read by Mr. Connolly. I picked the book up because of the title which just happened to catch my eye. It sounded interesting. Then, based on a comparison to Thomas Harris (another of my favorite authors) by (I believe) Stephen King, I bought Every Dead Thing. I was not disapppointed! I immediately bought the other books of Mr. Connolly's with the Charlie Parker character. Charlie reminds me of the Lucas Davenport character in another author's books and although they are alike in some instances, they are totally different in others. I loved Every Dead Thing and wanted to rush to the end of the book to see what was going to happen, but there was too much good stuff going on before getting there. I could not believe the end!! It was a blast!! Mr. Connolly, I'm a fan!
Guest More than 1 year ago
What a pleasure to discover the Charlie Parker series. Mr. Connolly's writing comes from a depth of soul and insight that I have rarely found. These books stay with the reader due to the multi layers in the stories. Among the best of the genre.
Guest More than 1 year ago
This book is truly awesome. The characters are believable and stick with you long after you finish the book. Give yourself plenty of time to read once you pick it up (you will not put it down), and do not read it right before you want to go to bed.
Anonymous More than 1 year ago
I enjoyed the book which actually had two stories in one. You're pulled in trying to figure out who killed his family, then suddenly there is another mystery to solve. This book wason the 2.99 and under list and it was well worth the money! I will continue to read the Charlie Parker series.
CntryTwnger More than 1 year ago
This is a well written mystery by one of the big names in the genre. John uses graphic description, great characters, and an engaging writing style to keep you turning the pages. Recommended!
Anonymous More than 1 year ago
Good story and characters. World class prose
Anonymous More than 1 year ago
Oh my goodness was this a good book. Your adrenaline starts surging from chapter one and doesn't stop until the very last page of this book You will never guess who the killer is. Connolly has a great way of twisting and turning plots. He is a master at Writing about evil people and the gruesome crimes they committ. I read two of his books in four days because I was  So pulled into the stories. Starting number three tonight! 
Anonymous More than 1 year ago
I was very disappointed with this book. I, too, found it difficult to read. It's as if the author had ADD. At times his prose is excellent, but he goes off on too many tangents that aren't related to the plot. The story itself is very gruesome and goes into explicit detail in describing child killings. Definitely not for me. I wouldn't recommend it.
tl1437 on LibraryThing 10 months ago
i really enjoyed this book, it was definately a bright beginning as a first novel and i love series' so im excited that the charlie parker saga continues and so far its all just as good if not better.Alot of this reminds of the P.I. books on Kenzi and Gennaro (probably why i like it so much)
markatread on LibraryThing 10 months ago
This is John Connolly's first novel and like many first novels there are some obvious flaws. But one thing you can't accuse Connolly of, is lack of ambition. He begins his first novel with a serial killer killing and cutting the faces off the main protagonist, Charllie "Bird" Parker's, wife and 3 year old child in their kitchen while the Parker is out getting drunk at a bar down the road. But Connolly does not just settle for one serial killer, Parker has to track down and solve an old murder case involving the Mafia and a second serial killer that escaped the police several years earlier. This takes the first half of the book and then somewhat clumsily leads to Parker getting information from a voodoo woman in Louisiana about the man that killed his wife and child. Connolly brings in several characters to help Parker and he confronts competing drug lords in lower Louisiana as well as possible ghosts and a metaphysical angle where the killer is trying to teach everyone, but especially Parker, the nature of death by using old, obscure anatomy text books from the 18th century to dissect the bodies of the people he is killing. Some of these elements John Connolly does better than others but it is the sheer number of elements that he has put in his first novel that is noteworthy. The solving of the first set of murders is relatively straight forward and is more satisfying as a mystery than the second part of the book. But it is the second part of the book that is personally important to Parker and so the first serial killer is in some ways distracting to the overall flow of the book. The interjection of the supernatural/ horror elements in the second part of the book slow down the plot and the metaphysical angle of why the serial killer is killing everyone is a little far fetched. But the second part of the book , even with its flaws, develops an energy and tension that is dark and compelling. Connolly has a lot of good things in his first novel, the problem in some ways is that he has just too many things in the novel (including numerous discriptions of what everyone is wearing).
extrajoker on LibraryThing 10 months ago
first line (of the prologue): "It is cold in the car, cold as the grave. I prefer to leave the a/c on full, to let the falling temperature keep me alert."first line (of the first chapter): "The waitress was in her fifties, dressed in a tight black miniskirt, white blouse, and black high heels. Parts of her spilled out of every item of clothing she wore, making her look like she had swollen mysteriously sometime between dressing and arriving for work."The mystery/crime/suspense genre isn't my normal cup of tea. Still, I really enjoyed the other Connolly books I've read -- The Book of Lost Things and especially Nocturnes -- so I thought I'd give his Charlie Parker series a go.It's very dark, though if I couldn't have guessed as much from the title, then I deserved the many moments of squick. Unlike some genre fiction, the writing in Connolly's books is (with the exception of that "cold as the grave" bit) really strong, so I may continue with the series...now and again...when I want to feel horrified.
mandolin82 on LibraryThing 10 months ago
The writing was good (although I had trouble keeping track of the characters). However it was over-the-top gory for no good reason. The writing was good enough that I wanted to read through to the end, but then I was sorry I spent the time putting such yuk in my brain. I really liked his Book of Lost Things, which is why I tried this.
Darrol on LibraryThing 10 months ago
A lot of themes. Almost 2 separate serial killer novels. Artistic dissection on drugged but conscious bodies.
amf0001 on LibraryThing 10 months ago
I was recommended this, but the inital crime was too gruesome for me, and I couldn't get past the horror of it. I started it 2 or 3 seperate times but just never got into the flow it.
crazybatcow on LibraryThing 10 months ago
Finally, a character to replace Jack Reacher. Charlie kicks butt, does what needs doing and saves the day (well, sorta). Just what I was looking for.Would I have preferred less metaphysical/spiritual gibberish? sure... but I'll take it like it is because finally there's a protagonist who isn't a wimp, an active drunkard moaning about his drunken past, or a war vet scarred for life by having had to blow up someone at war. Sure, bad stuff has happened to Charlie but instead of having segments of the story devoted to him "overcoming" it a la Oprah style, he just gets on with it and does what needs to be done. If that involves pounding the stuffing outa some junkyard dropping, so be it.The drawback to this book is that it has two complete stories in it so you think you're just at the middle of the book but the story you've been following is suddenly resolved - then a whole new story starts up. Seriously, it's literally two complete stories in one book. Of course, the plot of the second story is begun at the start of the book, but... a lot of series books do that and just continue the protagonist's journey in the next book. It seems as though Connolly didn't realize when he wrote this that there would be a series in which he could resolve Charlie's issues. I guess this isn't a big drawback but... I like my stories to wrap up so I can get on to the next book, not restart in the middle.
ctmsrole on LibraryThing 10 months ago
Every Dead Thing is a very boring book to me. It might be that it could be above me.At the beginning of the book it was good at explaining, the murders and who the murdered are. Also how the first chapter started because of the the prologue. It started in that way like when your watching a a movie it says 10 hours earlier, that kind of way.Around page 25 it started to get really really boring. When it mentioned the part of the murder in the prologue it repeated it in the first chapter and it got boring.This book got so boring i wanted to put it down really bad so i did. I wouldn't recomend this book unless you like hard reads or this book won't be boring to you.
PirateJenny on LibraryThing More than 1 year ago
Recommended by a coworker, who was damn right. Charlie Parker (no relation) is a former detective whose wife and daughter are brutally tortured and murdered by a deviant Parker comes to call the Traveling Man. After some time away, he's come back to NY (now as a PI) on a case and is drawn into a missing person case that leads him to horrible crimes of years ago in the south. But the Traveling Man has not stopped during this interlude. In fact, it seems as if he's escalating. So Parker heads down to New Orleans on a lead. And the Traveling Man knows.
Anonymous More than 1 year ago
Good
Anonymous More than 1 year ago
Not good by any standard.
Myndia More than 1 year ago
Charlie Parker is a reformed alcoholic who left the NYPD for PI work when his wife and daughter were brutally murdered by a would-be serial killer. While pursuing other cases, he is always looking for connections to the killer who took his family. Little does he know, the killer is closer than he thinks. No doubt, John Connolly is a good storyteller. He manages to make Charlie’s less than moral choices feel justified given the potential outcome (the ends justify the means, etc.). And despite these highly questionable decisions, it’s hard not to like Charlie, to empathize with him, to support him in his cause. There was plenty of suspense and drama, quite a bit of grit, and since I’m a sucker for the supernatural/paranormal, I loved his openness to the idea that some people are extra “sensitive”. However. This should have been two separate books. To me, it read like two separate books. When the first part of the story ended, I thought somewhere along the way there would be some connection to the two stories that was SO strong, it would make sense to tie the mostly unrelated stories together. Yes, there was a connection. No, it didn’t warrant including the second story in the same book. Two great stories, mind you, but I felt like I was being tricked into reading a second in series. Had they been separated, there would have been room for a little more development in the first story, and a great cliffhanger at the end. Just sayin’. I also felt like the relationship building between Charlie and (sorry, no spoilers) was a little rough. Fortunately, I don’t usually read these types of books for the romance aspect, but that coupling becomes an important part of the story at the end, and I just wasn’t feelin’ it the way I would expect. Don’t even get me started on the sex scene… Certainly, I enjoyed this book and I’ll read more in the series. It’s a perfectly fine mystery/thriller, and I understand the paranormal aspect is brought more to the forefront later in the series (yay!), and I’m sure the series finds its groove along the way because it certainly has excellent ratings. At some point in the future, I’ll rejoin Charlie Parker. I just don’t know when. Note: I received this book from the publisher via NetGalley. I pride myself on writing fair and honest reviews.
Deb-Krenzer More than 1 year ago
Definitely the most gory and grotesque beginning to any book I have ever read. Do not start reading this while you are eating. I seriously thought it was going to be a DNF. There were a few moments when my eyes started to cross and my mind started to wander. Thankfully, those were very few. For the most part, I found this book to be very edge of my seat. The suspects for the "Traveling Man" were many and my finger pointed at a lot of them. Some of the time when I was reading the book, I was wondering, "how the heck does this tie in?". Then at the end when the author put in the red arrows and the blinking lights along with the sirens, I was like I would have never figured that out. The story took me from New York, up to the East Coast, to Virginia and down to the Big Easy. Charlie Parker provided many chuckles as well as his friends, Louis and Angel. So basically, the author added everything. Entertainment, mystery, suspense, gore, action scenes, scenery, high speed chases, the "don't go into the basement scenes", a few swampland scenes and some good ole Bayou voodoo. Not to mention the Cajun delicacies enjoyed by the characters. This was a great story and definitely held my interest. This was one serial killer you did not want to meet in a dark alley. Thanks to Atria Books for approving my request and to Net Galley for providing me with a free e-galley in exchange for an honest review.
Anonymous More than 1 year ago
The series is wonderful! And the begining is just as creepy and eerie as the other books! A great read!
Anonymous More than 1 year ago
"Every Dead Thing" is a dark, disturbing tale of inner demons and external monsters, spanning from the streets of NYC to the swamps of Louisiana. Parker is an engaging character on a quest for personal redemption as well as tracking a wicked killer who flays open his victims.
Anonymous More than 1 year ago
nookgeekCD More than 1 year ago
I found there were details in the book that were unnecessary making the plot drag.