Every Form of Ruin: Poems
A rebuttal to Aeschylus’s Oresteia, Every Form of Ruin posits the Erinyes’ fury as righteous, understanding Clytemnestra’s rageful response to loss, and refusing Iphigenia’s relegation to a footnoted sacrifice. A fierce and darkly funny examination of anger, these lyrical poems push back against silencing by playing witness to a world where the experiences of women, nonbinary, and femme-identifying people are too often ignored, their responses dismissed as hysterical. These poems are also investigations into the loneliness of midlife; the search for one’s own self when that self has given its life to service. Every Form of Ruin counters our culture’s erasure of women and resists the categorizations of maiden, mother, crone by blurring those distinctions through the creation of voices that are moved by rage and resistance.


BLACK THUMB

The dogwood was threatening
to swallow the back garden’s light,

so I borrowed a chainsaw and gas.
Its last berries a memory of red, the fruit

bitter, tiny angry mangos in the mouth
of its killer. Nights my son chooses his father

to read him into silence, I practice not loving
anything. Less like learning than remembering.

As a child, I studied how to be a child.
I was given a doll to care for

but could never remember its name.
I left her face down everywhere.
1142153207
Every Form of Ruin: Poems
A rebuttal to Aeschylus’s Oresteia, Every Form of Ruin posits the Erinyes’ fury as righteous, understanding Clytemnestra’s rageful response to loss, and refusing Iphigenia’s relegation to a footnoted sacrifice. A fierce and darkly funny examination of anger, these lyrical poems push back against silencing by playing witness to a world where the experiences of women, nonbinary, and femme-identifying people are too often ignored, their responses dismissed as hysterical. These poems are also investigations into the loneliness of midlife; the search for one’s own self when that self has given its life to service. Every Form of Ruin counters our culture’s erasure of women and resists the categorizations of maiden, mother, crone by blurring those distinctions through the creation of voices that are moved by rage and resistance.


BLACK THUMB

The dogwood was threatening
to swallow the back garden’s light,

so I borrowed a chainsaw and gas.
Its last berries a memory of red, the fruit

bitter, tiny angry mangos in the mouth
of its killer. Nights my son chooses his father

to read him into silence, I practice not loving
anything. Less like learning than remembering.

As a child, I studied how to be a child.
I was given a doll to care for

but could never remember its name.
I left her face down everywhere.
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Every Form of Ruin: Poems

Every Form of Ruin: Poems

by Erin Adair-Hodges
Every Form of Ruin: Poems

Every Form of Ruin: Poems

by Erin Adair-Hodges

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Overview

A rebuttal to Aeschylus’s Oresteia, Every Form of Ruin posits the Erinyes’ fury as righteous, understanding Clytemnestra’s rageful response to loss, and refusing Iphigenia’s relegation to a footnoted sacrifice. A fierce and darkly funny examination of anger, these lyrical poems push back against silencing by playing witness to a world where the experiences of women, nonbinary, and femme-identifying people are too often ignored, their responses dismissed as hysterical. These poems are also investigations into the loneliness of midlife; the search for one’s own self when that self has given its life to service. Every Form of Ruin counters our culture’s erasure of women and resists the categorizations of maiden, mother, crone by blurring those distinctions through the creation of voices that are moved by rage and resistance.


BLACK THUMB

The dogwood was threatening
to swallow the back garden’s light,

so I borrowed a chainsaw and gas.
Its last berries a memory of red, the fruit

bitter, tiny angry mangos in the mouth
of its killer. Nights my son chooses his father

to read him into silence, I practice not loving
anything. Less like learning than remembering.

As a child, I studied how to be a child.
I was given a doll to care for

but could never remember its name.
I left her face down everywhere.

Product Details

ISBN-13: 9780822988915
Publisher: University of Pittsburgh Press
Publication date: 02/14/2023
Series: Pitt Poetry Series
Sold by: Barnes & Noble
Format: eBook
Pages: 120
File size: 805 KB

About the Author

Erin Adair-Hodges is the author of Let’s All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri, and works as a fiction acquisitions editor.

Read an Excerpt

BLACK THUMB 

The dogwood was threatening 

to swallow the back garden’s light, 


so I borrowed a chainsaw and gas.  

Its last berries a memory of red, the fruit 

 

bitter, tiny angry mangos in the mouth 

of its killer. Nights my son chooses his father  

 

to read him into silence, I practice not loving 

anything. Less like learning than remembering. 

 

As a child, I studied how to be a child. 

I was given a doll to care for  

 

but could never remember its name. 

I left her face down everywhere. 

 

Table of Contents

Contents I. Black Thumb Jane Calls to Clytemnestra Mostly Married, Alone at Night Variations On After Ever When I Say Jesus Was My Boyfriend Long Song as Iphigenia in a Teen Movie Asked to Prom as Part of a Prank Juvenilia Self-Portrait as Erinyes’ Dating Profile Song in the Key of Men Who Try to Fuck Me Then Say They Love Me as a Friend New Grammar Wherein I Attempt to Write about Something Different Than Women’s Anger after an Editor Calls My Work Brilliant but “Single-Minded” Song in the Key of Negged Extinction Cassandra at the Title IX Hearing Haunted II. Unmappable The End of September Faithless Midlife / Midwest Civilization The Lurk Love Song as Parking Lot in Which Boys from My High School Do Donuts Antiquity Abecedarian I Have Cried Off All My Makeup My Best Friend’s Abuser Takes Her to Court Self-Portrait as Portrait of the Erinyes Pursuing Orestes Epigrams Upon the Health-Giving Qualities of Mirth My New Boss Has Been Thinking a Lot about Time III. Lunacy Manzano | Corazón | Un Puño de Tierra Baba Yaga Bought the House Already Like That or I Thought This Would Be Different Host Hechizos Para la Bruja Solitaria Sad Cartography Postcard with Photo of Samuel Beckett, Sent by a Friend Milk Sickness 1980s Business Ladies On a Hike up Prospect Rock with Three Women Sixteen Years My Junior Squad Jesus Christ Is Looking for Me in Vermont Neighbors Panic Attack at Applebee’s Self-Portrait as Alone with Thoughts Cleo Bosque Nocturne Self-Portrait as Arithmetic in a Haunted Forest Lake Eumenides Notes Acknowledgments
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