Everything Will Be Alright in the End

Everything Will Be Alright in the End

by Weezer

CD

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Overview

Two songs into Everything Will Be Alright in the End, Rivers Cuomo sings "we belong in the rock world," a repudiation of the big beat experimentation of Raditude, a 2009 record that found Weezer working with such pop producers as Dr. Luke and Butch Walker. Weezer fans eager for Pinkerton, Pt. 2 are often quick to bristle at Cuomo's experimentations, so when the guitarist sings that they're "rockin' out like it's '94," he's not only not lying -- they went so far as to once again hire Ric Ocasek, the producer of the group's debut, to helm this ninth studio album -- but he's reassuring his audience that he's left all those pounding dance beats behind. The weird thing is, Weezer already shook off the ghost of Raditude via 2010's quickly released indie Hurley, so the emphasis on the group returning to rock feels a little odd, but Everything Will Be Alright in the End does trump its immediate predecessor by being bigger, bolder, slicker, and stickier than Hurley. Some of this is indeed due to the presence of Ocasek. His exacting production, anchored as much in pummeling arena rock as new wave pop, polishes and preserves Cuomo's quirks, but it's also true that Rivers has decided to indulge in his eccentricities once again. Take away the woolly mammoth-sized guitars and "Back to the Shack," with its overt references to "In the Garage," and Everything Will Be Alright in the End doesn't feel especially like early Weezer, not with the dexterous syncopation of "I've Had It Up to Here" providing a midpoint palate-cleanser and a neo-prog rock suite concluding the proceedings. By having the record follow these twisty detours, Cuomo provides a counterpoint to the classicist pop Weezer pursue elsewhere, but even such succinct, sculpted pop as "The British Are Coming," "Ain't Got Nobody," "Cleopatra," and "Go Away" (the latter a duet with Best Coast's Bethany Cosentino) never feels like a desperate scramble back home. Rather, a feeling of acceptance underpins Everything Will Be Alright in the End: there's a sense that Weezer made another record of massive, hooky rock not only because that's what the fans want but because they know it's what they do best.

Product Details

Release Date: 10/07/2014
Label: Republic
UPC: 0602537990726
catalogNumber: 002161902
Rank: 13831

Album Credits

Performance Credits

Weezer   Primary Artist
Brian Bell   Group Member
Patrick Wilson   Group Member
Rivers Cuomo   Group Member
Scott Shriner   Group Member
Daniel Brummel   Piano,Prophet Synthesizer
Jake Fogelnest   DJ
Patrick Stickles   Guitar
Bethany Cosentino   Vocals
Kyoko Cuomo   Choir, Chorus
Zach Puchtel   Choir, Chorus
Zach Kanner   Choir, Chorus
W.A.W. Parker   Choir, Chorus
Kelsey Worley   Choir, Chorus
Denise Bentulan   Fonts
Ariel Barber   Choir, Chorus

Technical Credits

Ric Ocasek   Producer
Rivers Cuomo   Composer
Samuel Bell   Engineer
Josh Alexander   Composer
Johannes Gamble   Paintings
Daniel Brummel   Composer
Ryen Slegr   Composer
Justin Hawkins   Composer
Jen Appel   Publicity
Shawn Everett   Engineer,Additional Production
Patrick Stickles   Composer
Bobb Bruno   Guitar Arrangements
Jacob Kasher   Composer
Chris McMahon   Cover Painting
Bethany Cosentino   Composer
Scott Kinsey   Art Direction
Simon Vozick-Levinson   Writer
Anna Mears   Publicity

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