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Excalibur (Warlord Chronicles Series #3)

Excalibur (Warlord Chronicles Series #3)

4.7 39
by Bernard Cornwell, Tim Pigott-Smith (Read by)

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In The Winter King and Enemy of God, Bernard Cornwell took the beloved legend of Arthur and the Knights of the Round Table and made it fresh and new for our time. Now, in this riveting final installment of his extraordinary trilogy, Mr. Cornwell relates how King Arthur and his warriors battle their Saxon enemies, allied with Lancelot, for the throne


In The Winter King and Enemy of God, Bernard Cornwell took the beloved legend of Arthur and the Knights of the Round Table and made it fresh and new for our time. Now, in this riveting final installment of his extraordinary trilogy, Mr. Cornwell relates how King Arthur and his warriors battle their Saxon enemies, allied with Lancelot, for the throne of all Britain.

Excalibur is a monumental story of love and war. Betrayed by his true love, Guinevere, Arthur must face his enemies — who were once his friends — in final, mortal combat. He must also face his most daunting challenge of all. Merlin has made a terrible pact with Mordred, Arthur's sworn enemy, to summon the gods and the power the gods possess. Arthur's success at stopping them, even his survival, is anything but certain. But winning when all seems lost is what makes Arthur a hero.

Stunningly written and peopled with the familiar characters of legend — and brilliantly narrated by Tim Pigott-Smith — Excalibur is a fitting and immensely powerful conclusion to one of the greatest-ever retellings of the Arthurian saga.

Editorial Reviews

Publishers Weekly - Publisher's Weekly
Readers of Mallory and other sources of Arthurian lore may be struck by their conflation of bloody savagery and Christian pieties. In his new Arthurian novel, Cornwell (The Winter King) dramatizes the confrontation of Christianity--here depicted as the political tool of self-righteous brutes, opportunists and hypocrites--with the old religion of the Druids. Chief among the Druids are Merlin and his nemesis, Nimue, who cast spells and preside over rituals of fire and human sacrifice in order to bring about a return of the old gods, saving Britain from the Saxons. Priestess Nimue wants to sacrifice Arthur's son Gwydre to this end, but Merlin resists, as do Arthur and his warrior friend Derfel: for this they suffer terribly. The tale is told by Derfel, now an old monk in the service of an illiterate and sadistic bishop who would punish Derfel if he knew what he were writing. This frame works well to flavor and deepen the whole. The book is a military tale--alliances, strategies, battles, betrayals--and is stirringly told as Arthur routs the treacherous Lancelot and his Saxon backers. It is also the tale of the reconciliation of Arthur, honest to a fault and tortured by his wife's betrayal, with Guinevere, extraordinary in her bravery, wisdom and forthrightness. Equally central is Derfel's devotion to his mate, Ceinwyn, for whose life he sacrifices his shield hand, averting Nimue's curse. The action is gripping and skillfully paced, cadenced by passages in which the characters reveal themselves in conversation and thought, convincingly evoking the spirit of the time. Ways of ancient ritual, battle and daily life are laid out in surprising detail. One feels the element of fantasy only in the incredible integrity of Derfel and Arthur, men who sacrifice all for a vow--but our reluctance to believe may be only a sign of our times. (July)
Library Journal
In a compelling finale, historical novelist Cornwell concludes his three-part retelling of the Arthurian legend (The Winter King, LJ 5/15/96; Enemy of God, LJ 7/97). Despite the rather misleading idealized jacket cover, Excalibur portrays not romantic Camelot but a nasty, brutal fifth-century Britain in which heads and other body parts literally pile up. Indeed, this novel is even more graphic than its predecessors in its depictions of gore and violence. Although Arthur temporarily halts the invading Saxons at the battle of Mynydd Baddon (during which Lancelot meets a coward's death and Guinevere is reconciled with her husband), his dream of a unified Celtic kingdom is doomed. Thwarting him is the vicious Mordred who makes a pact with Nimue to bring back the old Druid gods and destroy the new Christian deity. Cornwell's attention to historical detail, his penchant for lively storytelling, and his vivid characters make this a good choice for all collections.--Wilda Williams, "Library Journal"
Kirkus Reviews
This completes Cornwell's well-received Warlord Chronicles, an Arthurian trilogy (The Winter King, 1996, and Enemy of God, 1997). And, yes, this is the same author who wrote the wonderfully entertaining Sharpe series of 18th-century military adventure. Here, a revisionist Cornwell moves away smartly from Malory's Morte d'Artur (not to mention John Boorman's magnificent film Excalibur), which is all Frenchified romance and not sixth-century British history, which itself is very sketchy. Cornwell's Guinevere has betrayed and left Arthur, while Lancelot too departs as both coward and traitor. In this last of the series, Arthur strives to unite Britain under one throne, while Merlin and Mordred bring down upon him the Druidic gods, who can be stopped only by Arthur's baptism into Christianity. Splendid, white-hot storytelling.

From the Publisher

“Medieval times burst to life in Cornwell's canny retelling of the King Arthur myth.” —People

“The action is gripping and skillfully paced, cadenced by passages in which the characters reveal themselves in conversation and thought, convincingly evoking the spirit of the time.” —Publishers Weekly on Excalibur (starred review)

“The best Arthurian since Gillian Bradshaw, if not Mary Stewart herself.” —The Magazine of Fantasy and Science Fiction on Enemy of God

“The strength of the tale lies in the way Cornwellflesh-and-blood tells it through the creation of fesh-and-blood players who make a historical period come magically alive.” —The Washington Post on The Winter King

Product Details

Macmillan Audio
Publication date:
Warlord Chronicles Series , #3
Edition description:
Product dimensions:
4.40(w) x 7.10(h) x 1.12(d)

Read an Excerpt


A Novel of Arthur

By Bernard Cornwell

St. Martin's Press

Copyright © 1997 Bernard Cornwell
All rights reserved.
ISBN: 978-1-250-01737-6


Part One

The Fires of Mai Dun

Women, how they do haunt this tale.

When I began writing Arthur's story I thought it would be a tale of men; a chronicle of swords and spears, of battles won and frontiers made, of ruined treaties and broken kings, for is that not how history itself is told? When we recite the genealogy of our kings we do not name their mothers and grandmothers, but say Mordred ap Mordred ap Uther ap Kustennin ap Kynnar and so on all the way back to the great Beli Mawr who is the father of us all. History is a story told by men and of men's making, but in this tale of Arthur, like the glimmer of salmon in peat-dark water, the women do shine.

Men do make history, and I cannot deny that it was men who brought Britain low. There were hundreds of us, and all of us were armed in leather and iron, and hung with shield and sword and spear, and we thought Britain lay at our command for we were warriors, but it took both a man and a woman to bring Britain low, and of the two it was the woman who did the greater damage. She made one curse and an army died, and this is her tale now for she was Arthur's enemy.

'Who?' Igraine will demand when she reads this.

Igraine is my Queen. She is pregnant, a thing that gives us all great joy. Her husband is King Brochvael of Powys, and I now live under his protection in the small monastery of Dinnewrac where I write Arthur's story. I write at the command of Queen Igraine, who is too young to have known the Emperor. That is what we called Arthur, the Emperor, Amherawdr in the British tongue, though Arthur himself rarely used the title. I write in the Saxon tongue, for I am a Saxon, and because Bishop Sansum, the saint who rules our small community at Dinnewrac, would never allow me to write Arthur's tale. Sansum hates Arthur, reviles his memory and calls him traitor, and so Igraine and I have told the saint that I am writing a gospel of our Lord Jesus Christ in the Saxon tongue and, because Sansum neither speaks Saxon nor can read any language, the deception has seen the tale safe this far.

The tale grows darker now and harder to tell. Sometimes, when I think of my beloved Arthur, I see his noontime as a sun-bright day, yet how quickly the clouds came! Later, as we shall see, the clouds parted and the sun mellowed his landscape once more, but then came the night and we have not seen the sun since.

It was Guinevere who darkened the noonday sun. It happened during the rebellion when Lancelot, whom Arthur had thought a friend, tried to usurp the throne of Dumnonia. He was helped in this by the Christians who had been deceived by their leaders, Bishop Sansum among them, into believing that it was their holy duty to scour the country of pagans and so prepare the island of Britain for the second coming of the Lord Jesus Christ in the year 500. Lancelot was also helped by the Saxon King Cerdic who launched a terrifying attack along the valley of the Thames in an attempt to divide Britain. If the Saxons had reached the Severn Sea then the British kingdoms of the north would have been cut off from those of the south, yet, by the grace of the Gods, we defeated not only Lancelot and his Christian rabble, but Cerdic also. But in the defeat Arthur discovered Guinevere's treachery. He found her naked in another man's arms, and it was as though the sun had vanished from his sky.

'I don't really understand,' Igraine said to me one day in late summer.

'What, dear Lady, do you not understand?' I asked.

'Arthur loved Guinevere, yes?'

'He did.'

'So why could he not forgive her? I forgave Brochvael over Nwylle.' Nwylle had been Brochvael's lover, but she had contracted a disease of the skin which had disfigured her beauty. I suspect, but have never asked, that Igraine used a charm to bring the disease to her rival. My Queen might call herself a Christian, but Christianity is not a religion that offers the solace of revenge to its adherents. For that you must go to the old women who know which herbs to pluck and what charms to say under a waning moon.

'You forgave Brochvael,' I agreed, 'but would Brochvael have forgiven you?'

She shuddered. 'Of course not! He'd have burned me alive, but that's the law.'

'Arthur could have burned Guinevere,' I said, 'and there were plenty of men who advised him to do just that, but he did love her, he loved her passionately, and that was why he could neither kill her nor forgive her. Not at first, anyway.'

'Then he was a fool!' Igraine said. She is very young and has the glorious certainty of the young.

'He was very proud,' I said, and maybe that did make Arthur a fool, but so it did the rest of us. I paused, thinking. 'He wanted many things,' I went on, 'he wanted a free Britain and the Saxons defeated, but in his soul he wanted Guinevere's constant reassurance that he was a good man. And when she slept with Lancelot it proved to Arthur that he was the lesser man. It wasn't true, of course, but it hurt him. How it hurt. I have never seen a man so hurt. She tore his heart.'

'So he imprisoned her?' Igraine asked me.

'He imprisoned her,' I said, and remembered how I had been forced to take Guinevere to the shrine of the Holy Thorn at Ynys Wydryn where Arthur's sister, Morgan, became her jailer. There was never any affection between Guinevere and Morgan. One was a pagan, the other a Christian, and the day I locked Guinevere into the shrine's compound was one of the few times I ever saw her weep. 'She will stay there,' Arthur told me, 'till the day she dies.'

'Men are fools,' Igraine declared, then gave me a sidelong glance. 'Were you ever unfaithful to Ceinwyn?'

'No,' I answered truthfully.

'Did you ever want to be?'

'Oh, yes. Lust does not vanish with happiness, Lady. Besides, what merit is there in fidelity if it is never tested?'

'You think there is merit in fidelity?' she asked, and I wondered which young, handsome warrior in her husband's caer had taken her eye. Her pregnancy would prevent any nonsense for the moment, but I feared what might happen after. Maybe nothing.

I smiled. 'We want fidelity in our lovers, Lady, so is it not obvious that they want it in us? Fidelity is a gift we offer to those we love. Arthur gave it to Guinevere, but she could not return it. She wanted something different.'

'Which was?'

'Glory, and he was ever averse to glory. He achieved it, but he would not revel in it. She wanted an escort of a thousand horsemen, bright banners to fly above her and the whole island of Britain prostrate beneath her. And all he ever wanted was justice and good harvests.'

'And a free Britain and the Saxons defeated,' Igraine reminded me drily.

'Those too,' I acknowledged, 'and he wanted one other thing. He wanted that thing more than all the others.' I smiled, remembering, and then thought that perhaps of all Arthur's ambitions, this last was the one he found most difficult to achieve and the one that the few of us who were his friends never truly believed he wanted.

'Go on,' Igraine said, suspecting that I was falling into a doze.

'He just wanted a piece of land,' I said, 'a hall, some cattle, a smithy of his own. He wanted to be ordinary. He wanted other men to look after Britain while he sought happiness.'

'And he never found it?' Igraine asked.

'He found it,' I assured her, but not in that summer after Lancelot's rebellion. It was a summer of blood, a season of retribution, a time when Arthur hammered Dumnonia into a surly submission.

Lancelot had fled southwards to his land of the Belgae. Arthur would dearly have loved to pursue him, but Cerdic's Saxon invaders were now the greater danger. They had advanced as far as Corinium by the rebellion's end, and might even have captured that city had the Gods not sent a plague to ravage their army. Men's bowels voided unstoppably, they vomited blood, they were weakened until they could not stand, and it was when the plague was at its worst that Arthur's forces struck them. Cerdic tried to rally his men, but the Saxons believed their Gods had deserted them and so they fled. 'But they'll be back,' Arthur told me when we stood among the bloody remnants of Cerdic's defeated rearguard. 'Next spring,' he said, 'they will be back.' He cleaned Excalibur's blade on his blood-stained cloak and slid her into the scabbard. He had grown a beard and it was grey. It made him look older, much older, while the pain of Guinevere's betrayal had made his long face gaunt, so that men who had never met Arthur until that summer found his appearance fearsome and he did nothing to soften that impression. He had ever been a patient man, but now his anger lay very close to the skin and it could erupt at the smallest provocation.

It was a summer of blood, a season of retribution, and Guinevere's fate was to be locked away in Morgan's shrine. Arthur had condemned his wife to a living grave and his guards were ordered to keep her there for ever. Guinevere, a Princess of the Henis-Wyren, was gone from the world.

'Don't be absurd, Derfel,' Merlin snapped at me a week later, 'she'll be out of there in two years! One, probably. If Arthur wanted her gone from his life he'd have put her to the flames, which is what he should have done. There's nothing like a good burning for improving a woman's behaviour, but it's no use telling Arthur that. The halfwit's in love with her! And he is a halfwit. Think about it! Lancelot alive, Mordred alive, Cerdic alive and Guinevere alive! If a soul wants to live for ever in this world it seems like a very good idea to become an enemy of Arthur. I am as well as can be expected, thank you for asking.'

'I did ask you earlier,' I said patiently, 'and you ignored me.'

'It's my hearing, Derfel. Quite gone.' He banged an ear. 'Deaf as a bucket. It's age, Derfel, sheer old age. I decay visibly.'

He did nothing of the sort. He looked better now than he had for a long time and his hearing, I am sure, was as acute as his sight – and that, despite his eighty or more years, was still as sharp as a hawk's. Merlin did not decay but seemed to have a new energy, one brought to him by the Treasures of Britain. Those thirteen Treasures were old, old as Britain, and for centuries they had been lost, but Merlin had at last succeeded in finding them. The power of the Treasures was to summon the ancient Gods back to Britain, a power that had never been tested, but now, in the year of Dumnonia's turmoil, Merlin would use them to work a great magic.

I had sought Merlin on the day I took Guinevere to Ynys Wydryn. It was a day of hard rain and I had climbed the Tor, half expecting to find Merlin on its summit, but discovered the hilltop empty and sad. Merlin had once possessed a great hall on the Tor with a dream tower attached to it, but the hall had been burned. I had stood amidst the Tor's ruin and felt a great desolation. Arthur, my friend, was hurt. Ceinwyn, my woman, was far away in Powys. Morwenna and Seren my two daughters, were with Ceinwyn, while Dian, my youngest, was in the Otherworld, despatched there by one of Lancelot's swords. My friends were dead, or else far away. The Saxons were making ready to fight us in the new year, my house was ashes and my life seemed bleak. Maybe it was Guinevere's sadness that had infected me, but that morning, on Ynys Wydryn's rain-washed hill, I felt more alone than I had ever felt in all my life and so I knelt in the hall's muddy ashes and prayed to Bel. I begged the God to save us and, like a child, I begged Bel for a sign that the Gods did care about us.

That sign came a week later. Arthur had ridden eastwards to harry the Saxon frontier, but I had stayed at Caer Cadarn waiting for Ceinwyn and my daughters to come home. Some time in that week Merlin and his companion, Nimue, went to the great empty palace at nearby Lindinis. I had once lived there, guarding our King, Mordred, but when Mordred had come of age the palace had been given to Bishop Sansum as a monastery. Sansum's monks had been evicted now, chased by vengeful spearmen from the great Roman halls so that the big palace stood empty.

It was the local people who told us that the Druid was in the palace. They told stories of apparitions, of wonderful signs and of Gods walking in the night, and so I rode down to the palace, but found no sign of Merlin there. Two or three hundred people were camped outside the palace gates and they excitedly repeated the tales of night-time visions and, hearing them, my heart sank. Dumnonia had just endured the frenzy of a Christian rebellion fuelled by just such crazed superstition, and now it seemed the pagans were about to match the Christian madness. I pushed open the palace gates, crossed the big courtyard and strode through Lindinis's empty halls. I called Merlin's name, but there was no answer. I found a warm hearth in one of the kitchens, and evidence of another room recently swept, but nothing lived there except rats and mice.

Yet all that day more folk gathered in Lindinis. They came from every part of Dumnonia and there was a pathetic hope on all their faces. They brought their crippled and their sick, and they waited patiently until the dusk when the palace gates were flung open and they could walk, limp, crawl or be carried into the palace's outer courtyard. I could have sworn no one had been inside the vast building, but someone had opened the gates and lit great torches that illuminated the courtyard's arcades.

I joined the throng crowding into the courtyard. I was accompanied by Issa, my second-in-command, and the two of us stood draped in our long dark cloaks beside the gate. I judged the crowd to be country folk. They were poorly clothed and had the dark, pinched faces of those who must struggle to make a hard living from the soil, yet those faces were full of hope in the flaring torchlight. Arthur would have hated it, for he always resented giving supernatural hope to suffering people, but how this crowd needed hope! Women held up sick babies or pushed crippled children to the front, and all listened eagerly to the miraculous tales of Merlin's apparitions. This was the third night of the marvels and by now so many people wanted to witness the miracles that not all could get into the courtyard. Some perched on the wall behind me and others crammed the gateway, but none encroached on the arcade that ran around three sides of the courtyard, for that pillared and sheltered walkway was protected by four spearmen who used their long weapons to keep the crowd at bay. The four warriors were Blackshields, Irish spearmen from Demetia, the kingdom of Oengus mac Airem, and I wondered what they were doing so far from home.

The last daylight drained from the sky and bats flickered over the torches as the crowd settled on the flagstones to stare expectantly towards the palace's main door that lay opposite the courtyard gate. From time to time a woman moaned aloud. Children cried and were hushed. The four spearmen crouched at the corners of the arcade.

We waited. It seemed to me that we waited for hours and my mind was wandering, thinking of Ceinwyn and of my dead daughter Dian, when suddenly there was a great clash of iron inside the palace as though someone had struck a cauldron with a spear. The crowd gasped and some of the women stood and swayed in the torchlight. They waved their hands in the air and called on the Gods, but no apparitions appeared and the big palace doors stayed closed. I touched the iron in Hywelbane's hilt, and the sword felt reassuring. The edge of hysteria in the crowd was unsettling, but not so unsettling as the very circumstance of the occasion, for I had never known Merlin to need an audience for his magic. Indeed he despised those Druids who gathered crowds. 'Any trickster can impress halfwits,' he liked to say, but here, tonight, it seemed as if he was the one who wanted to impress the halfwits. He had the crowd on edge, he had it moaning and swaying, and when the great metallic crack sounded again they rose to their feet and began shouting Merlin's name.

Then the palace doors swung open and the crowd slowly fell silent.

For a few heartbeats the doorway was nothing but a black space, then a young warrior in the full panoply of battle walked out of the darkness to stand on the top step of the arcade.

There was nothing magical about him, except that he was beautiful. There was no other word for him. In a world of twisted limbs, crippled legs, goitred necks, scarred faces and weary souls, this warrior was beautiful. He was tall, thin and golden-haired, and he had a serene face that could only be described as kind, even gentle. His eyes were a startling blue. He wore no helmet so that his hair, which was as long as a girl's, hung straight down past his shoulders. He had a gleaming white breastplate, white greaves, and a white scabbard. The wargear looked expensive, and I wondered who he was. I thought I knew most of the warriors of Britain – at least those who could afford armour like this young man's – but he was a stranger to me. He smiled at the crowd, then raised both his hands and motioned that they were to kneel.

Issa and I stayed standing. Maybe it was our warrior's arrogance, or perhaps we just wanted to see across the intervening heads.


Excerpted from Excalibur by Bernard Cornwell. Copyright © 1997 Bernard Cornwell. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

Bernard Cornwell is the author of numerous international bestsellers, including Wildtrack, Stormchild, Scoundrel, and Redcoat. He is also the writer of the hugely successful Richard Sharpe series, which has been adapted for television, and the Starbuck series, set during the American Civil War. He was born in London, brought up in Essex, and now lives in Cape Cod with his American wife.


Tim Pigott-Smith is a British classical stage and television actor. He's appeared on Broadway in Sherlock Holmes as well as opposite such British stars as Judi Dench, Helen Mirren, Geraldine James, and Patrick Stewart. He has appeared in a host of Shakespearean classics on television including Henry IV, Part I and Measure for Measure as well as in Winston Churchill: The Wilderness Years, Fame Is the Spur, and The Jewel in the Crown. His many film credits include Alice in Wonderland, Clash of the Titans, Bloody Sunday, and Martin Scorcese's Gangs of New York. An Earphones Award-winner and Audie finalist, Tim has narrated everything from Wilbur Smith's Triumph of the Sun and Blue Horizon to Fyodor Dostoyevsky's classic The Brothers Karamazov and Geoffrey Chaucer's The Canterbury Tales.

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Excalibur 4.7 out of 5 based on 0 ratings. 39 reviews.
dadwyer More than 1 year ago
Thoroughly enjoyed this book & the others in the series. My only complaint would be that the series is expensive. Each book is approximately 289 pgs & @ an average of $9.99 per nook book, that makes the complete story around $30 in a digital format. This is true of Bernard Cornwell's other historical as well.
JohnP51 More than 1 year ago
As mentioned, if your image of the Arthurian legend is the romantic one and you want to keep it that way, do not read this trilogy. However, Bernard Cornwell retells the legend in a way that it probably would have happened if it were true. He strips away the romance and fair maids waiting to be rescued by their knight in shining armor and gives us King Arthur as he would have been during the Dark Ages. Told from the veiwpoint of Derfel, a Saxon who was given to the Britons when he was a child and who grew up to be one of Arthur's trusted leaders. Here is Arthur, Guinevere, Lancelot, Galahad and Gawain, presented in a way like you've never seen before.
Guest More than 1 year ago
In the third and final episode of his Warlord Chronicles Cornwell wraps up all the loose ends, like what happened to Derfel¿s hand. He also returns to the more traditional telling to find his ending for the Arthur story. I found the ending of the Arthur portion of the tale very satisfying but was a little disappointed in the ending the Cornwell wrote for Derfel. In the end Derfel is a warrior again which is the way I am sure my friend would have wanted it but I really wanted Derfel to have one last glorious triumph to end his tale. I guess that would have been impossible as Derfel is the author of the story, life is inexorable. All in all a great ending to a wonderful and much more believable and satisfying retelling of the Arthurian legend. P.S. If you are looking for the Holy Grail, check out the ¿Archer¿s Tale¿ another great series by Cornwell.
Guest More than 1 year ago
I have read every book Bernard Cornwell has written and this series is my favorite. Since Arthur is a fictional character with very little known about the real him, if there was a him, Cornwell can weave a great story out of legend. I enjoyed this version because of the plausibility. I am not a big fan of romantic Arthurian legend simply because it all so historically wrong. This book is of course for entertainment, but hopefully it will peak your interest into the history of Britain that I love so much.
Anonymous 5 months ago
I think some of Cornwall a books go on too long in volumes. Kind of like a hit TV series goes on a couple if seasons too long. But this 3 volume set is just wonderful.
n-berd More than 1 year ago
Very enjoyable read. All of his books are excellent but I like this series the best. A different take on the normal Arthurian legends, more realistic.
Anonymous More than 1 year ago
Best Arthurian trilogy, Excalibur concludes the trilogy started with Winter King.
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First, this trilogy is just excellent, but if your are a king Arthur purist, you might not like it. What Bernard Cornwell does is research Arthur, in the old texts (This is obvious because of the notes at the end of each book). He then researches the life and battles of England at this time. He mixes this all together, with his slant on the legend and characters, and comes up with an excellent trilogy. While the books can be read individually, I highly recommend reading the whole trilogy starting with the Winter King. Bernard Cornwell is one of those authors who can transport you back in time. One other note, it is difficult to start the Winter King, the names are confusing and it is slow. But don't stop, because the reward is great.
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