Uh-oh, it looks like your Internet Explorer is out of date.
For a better shopping experience, please upgrade now.
Distant planets, galaxies, alien races--the universe is vast and filled with an almost unimaginable range of possibilities. But imagine it we can. Here are more than twenty stories from the most inventive writers in the field, including:
Poul Anderson * Stephen Baxter * Greg Bear * Gregory Benford * Arthur C. Clarke * Hal Clement * Greg Egan * H. B. Fyfe * R. A. Lafferty * Geoffrey A. Landis * Ursula K. Le Guin * Jack McDevitt * Larry Niven * G. David Nordley * Edgar Pangborn * Kim Stanley Robinson * James H. Schmitz * Cordwainer Smith * Michael Swanwick * James Tiptree, Jr. * John Varley * Vernor Vinge
These are the stories of discovering those possibilities-the stories of the explorers and pioneers who push the envelope further out--exciting tales of alien landscapes and adventures on far distant shores that are the heart and soul of science fiction.
About the Author
Gardner Dozois edits the Year's Best Science Fiction anthologies and Asimov's SF magazine from his home in Philadelphia, Pennsylvania. He has won the Hugo Award for Best Editor ten times.
Gardner Dozois, one of the most acclaimed editors in science-fiction, has won the Hugo Award for Best Editor 15 times. He was the editor of Asimov’s Science Fiction Magazine for 20 years. He is the editor of the Year’s Best Science Fiction anthologies and co-editor of the Warrior anthologies, Songs of the Dying Earth, and many others. As a writer, Dozois twice won the Nebula Award for best short story. He lives in Philadelphia, Pennsylvania.
Read an Excerpt
SF Adventures to Far Horizons
By Gardner Dozois
St. Martin's PressCopyright © 2000 Gardner Dozois
All rights reserved.
ARTHUR C. CLARKE
Arthur C. Clarke is perhaps the most famous modern science-fiction writer in the world, seriously rivaled for that title only by the late Isaac Asimov and Robert A. Heinlein. Clarke is probably most widely known for his work on Stanley Kubrick's film 2001: A Space Odyssey but is also renowned as a novelist, short-story writer, and a writer of nonfiction, usually on technological subjects such as spaceflight. He has won three Nebula Awards, three Hugo Awards, the British Science Fiction Award, the John W. Campbell Memorial Award, and a Grandmaster Nebula for Life Achievement. His best-known books include the novels Childhood's End, The City and the Stars, The Deep Range, Rendezvous with Rama, A Fall of Moondust, 2001: A Space Odyssey, 2010: Odyssey Two, 2061: Odyssey Three, Songs of Distant Earth, and The Fountains of Paradise and the collections The Nine Billion Names of God, Tales of Ten Worlds, and The Sentinel. He has also written many nonfiction books on scientific topics, the best-known of which are probably Profiles of the Future and The Wind from the Sun, and is generally considered to be the man who first came up with the idea of the communications satellite. His most recent books are the novel 3001: The Final Odyssey and the nonfiction collection Greetings, Carbon-Based Bipeds: Collected Works 1944-1998. Born in Somerset, England, Clarke now lives in Sri Lanka and was recently knighted
Clarke may well have written more, and more memorably, about the theme of exploration, particularly space exploration, than any other science-fiction writer, dealing with it with one degree or another of centralness in novels and stories such as Rendezvous with Rama, "A Meeting with Medusa" (to be found elsewhere in this anthology), "Before Eden, " The Sands of Mars, The City and the Stars, "Rescue Party," "Summertime on Icarus," "Out of the Sun," Songs of Distant Earth, "The Star," "Transit of Earth," and all of the Odyssey novels,as well as in scores of other stories and in dozens of nonfiction articles.
He's seldom handled the theme better, though, than in the classic story that follows, the inspiration for the later movie 2001: A Space Odyssey,which I think actually works better than the film in some ways—a near-perfect miniature that captures the odd blend of minutely detailed scientific accuracy and sweeping Stapeldonian mysticism that is the essence of Clark's work and a story still capable of delivering in its last few lines that shiver of mingled fear and wonder that is one of the hallmarks of science fiction at its best.
The next time you see the full Moon high in the south, look carefully at its right-hand edge and let your eye travel upward along the curve of the disk. Round about two o'clock you will notice a small, dark oval: anyone with normal eyesight can find it quite easily. It is the great walled plain, one of the finest on the Moon, known as the Mare Crisium—the Sea of Crises. Three hundred miles in diameter, and almost completely surrounded by a ring of magnificent mountains, it had never been explored until we entered it in the late summer of 1996.
Our expedition was a large one. We had two heavy freighters which had flown our supplies and equipment from the main lunar base in the Mare Serenitatis, five hundred miles away. There were also three small rockets which were intended for short-range transport over regions which our surface vehicles couldn't cross. Luckily, most of the Mare Crisium is very flat. There are none of the great crevasses so common and so dangerous elsewhere, and very few craters or mountains of any size. As far as we could tell, our powerful caterpillar tractors would have no difficulty in taking us wherever we wished to go.
I was geologist—or selenologist, if you want to be pedantic—in charge of the group exploring the southern region of the Mare. We had crossed a hundred miles of it in a week, skirting the foothills of the mountains along the shore of what was once the ancient sea, some thousand million years before. When life was beginning on Earth, it was already dying here. The waters were retreating down the flanks of those stupendous cliffs, retreating into the empty heart of the Moon. Over the land which we were crossing, the tideless ocean had once been half a mile deep, and now the only trace of moisture was the hoarfrost one could sometimes find in caves which the searing sunlight never penetrated.
We had begun our journey early in the slow lunar dawn, and still had almost a week of Earth time before nightfall. Half a dozen times a day we would leave our vehicle and go outside in the space suits to hunt for interesting minerals, or to place markers for the guidance of future travelers. It was an uneventful routine. There is nothing hazardous or even particularly exciting about lunar exploration. We could live comfortably for a month in our pressurized tractors, and if we ran into trouble we could always radio for help and sit tight until one of the spaceships came to our rescue.
I said just now that there was nothing exciting about lunar exploration, but of course that isn't true. One could never grow tired of those incredible mountains, so much more rugged than the gentle hills of Earth. We never knew, as we rounded the capes and promontories of that vanished sea, what new splendors would be revealed to us. The whole southern curve of the Mare Crisium is a vast delta where a score of rivers once found their way into the ocean, fed perhaps by the torrential rains that must have lashed the mountains in the brief volcanic age when the Moon was young. Each of these ancient valleys was an invitation, challenging us to climb into the unknown uplands beyond. But we had a hundred miles still to cover, and could only look longingly at the heights which others must scale.
We kept Earth time aboard the tractor, and precisely at 2200 hours the final radio message would be sent out to Base and we would close down for the day. Outside, the rocks would still be burning beneath the almost vertical sun, but to us it was night until we awoke again eight hours later. Then one of us would prepare breakfast, there would be a great buzzing of electric razors, and someone would switch on the shortwave radio from Earth. Indeed, when the smell of frying sausages began to fill the cabin, it was sometimes hard to believe that we were not back on our own world—everything was so normal and homely, apart from the feeling of decreased weight and the unnatural slowness with which objects fell.
It was my turn to prepare breakfast in the corner of the main cabin that served as a galley. I can remember that moment quite vividly after all these years, for the radio had just played one of my favorite melodies, the old Welsh air "David of the White Rock." Our driver was already outside in his space suit, inspecting our caterpillar treads. My assistant, Louis Garnett, was up forward in the control position, making some belated entries in yesterday's log.
As I stood by the frying pan waiting, like any terrestrial housewife, for the sausages to brown, I let my gaze wander idly over the mountain walls which covered the whole of the southern horizon, marching out of sight to east and west below the curve of the Moon. They seemed only a mile or two from the tractor, but I knew that the nearest was twenty miles away. On the Moon, of course, there is no loss of detail with distance—none of that almost imperceptible haziness which softens and sometimes transfigures all far-off things on Earth.
Those mountains were ten thousand feet high, and they climbed steeply out of the plain as if ages ago some subterranean eruption had smashed them skyward through the molten crust. The base of even the nearest was hidden from sight by the steeply curving surface of the plain, for the Moon is a very little world, and from where I was standing the horizon was only two miles away.
I lifted my eyes toward the peaks which no man had ever climbed, the peaks which, before the coming of terrestrial life, had watched the retreating oceans sink sullenly into their graves, taking with them the hope and the morning promise of a world. The sunlight was beating against those ramparts with a glare that hurt the eyes, yet only a little way above them the stars were shining steadily in a sky blacker than a winter midnight on Earth.
I was turning away when my eye caught a metallic glitter high on the ridge of a great promontory thrusting out into the sea thirty miles to the west. It was a dimensionless point of light, as if a star had been clawed from the sky by one of those cruel peaks, and I imagined that some smooth rock surface was catching the sunlight and heliographing it straight into mv eves. Such things were not uncommon. When the Moon is in her second quarter, observers on Earth can sometimes see the great ranges in the Oceanus Procellarum burning with a blue-white iridescence as the sunlight flashes from their slopes and leaps again from world to world. But I was curious to know what kind of rock could be shining so brightly up there, and I climbed into the observation turret and swung our four-inch telescope round to the west.
I could see just enough to tantalize me. Clear and sharp in the field of vision, the mountain peaks seemed only half a mile away, but whatever was catching the sunlight was still too small to be resolved. Yet it seemed to have an elusive symmetry, and the summit upon which it rested was curiously flat. I stared for a long time at that glittering enigma, straining my eyes into space, until presently a smell of burning from the galley told me that our breakfast sausages had made their quarter-million-mile journey in vain.
All that morning we argued our way across the Mare Crisium while the western mountains reared higher in the sky. Even when we were out prospecting in the space suits, the discussion would continue over the radio. It was absolutely certain, my companions argued, that there had never been any form of intelligent life on the Moon. The only living things that had ever existed there were a few primitive plants and their slightly less degenerate ancestors. I knew that as well as anyone, but there are times when a scientist must not be afraid to make a fool of himself.
"Listen," I said at last, "I'm going up there, if only for my own peace of mind. That mountain's less than twelve thousand feet high—that's only two thousand under Earth gravity—and I can make the trip in twenty hours at the outside. I've always wanted to go up into those hills, anyway, and this gives me an excellent excuse."
"If you don't break your neck," said Garnett, "you'll be the laughingstock of the expedition when we get back to Base. That mountain will probably be called Wilson's Folly from now on."
"I won't break my neck," I said firmly. "Who was the first man to climb Pico and Helicon?"
"But weren't you rather younger in those days?" asked Louis gently.
"That," I said with great dignity, "is as good a reason as any for going."
We went to bed early that night, after driving the tractor to within half a mile of the promontory. Garnett was coming with me in the morning; he was a good climber, and had often been with me on such exploits before. Our driver was only too glad to be left in charge of the machine.
At first sight, those cliffs seemed completely unscalable, but to anyone with a good head for heights, climbing is easy on a world where all weights are only a sixth of their normal value. The real danger in lunar mountaineering lies in overconfidence; a six-hundred-foot drop on the Moon can kill you just as thoroughly as a hundred-foot fall on Earth.
We made our first halt on a wide ledge about four thousand feet above the plain. Climbing had not been very difficult, but my limbs were stiff with the unaccustomed effort, and I was glad of the rest. We could still see the tractor as a tiny metal insect far down at the foot of the cliff, and we reported our progress to the driver before starting on the next ascent.
Inside our suits it was comfortably cool, for the refrigeration units were fighting the fierce sun and carrying away the body heat of our exertions. We seldom spoke to each other, except to pass climbing instructions and to discuss our best plan of ascent. I do not know what Garnett was thinking, probably that this was the craziest goose chase he had ever embarked upon. I more than half agreed with him, but the joy of climbing, the knowledge that no man had ever gone this way before and the exhilaration of the steadily widening landscape gave me all the reward I needed.
I don't think I was particularly excited when I saw in front of us the wall of rock I had first inspected through the telescope from thirty miles away. It would level off about fifty feet above our heads, and there on the plateau would be the thing that had lured me over these barren wastes. It was, almost certainly, nothing more than a boulder splintered ages ago by a falling meteor, and with its cleavage planes still fresh and bright in this incorruptible, unchanging silence.
There were no handholds on the rock face, and we had to use a grapnel. My tired arms seemed to gain new strength as I swung the threepronged metal anchor round my head and sent it sailing up toward the stars. The first time it broke loose and came falling slowly back when we pulled the rope. On the third attempt, the prongs gripped firmly and our combined weights could not shift it.
Garnett looked at me anxiously. I could tell that he wanted to go first, but I smiled back at him through the glass of my helmet and shook my head. Slowly, taking my time, I began the final ascent.
Even with my space suit, I weighed only forty pounds here, so I pulled myself up hand over hand without bothering to use my feet. At the rim I paused and waved to my companion; then I scrambled over the edge and stood upright, staring ahead of me.
You must understand that until this very moment I had been almost completely convinced that there could be nothing strange or unusual for me to find here. Almost, but not quite; it was that haunting doubt that had driven me forward. Well, it was a doubt no longer, but the haunting had scarcely begun.
I was standing on a plateau perhaps a hundred feet across. It had once been smooth—too smooth to be natural—but falling meteors had pitted and scored its surface through immeasurable eons. It had been leveled to support a glittering, roughly pyramidal structure, twice as high as a man, that was set in the rock like a gigantic many-faceted jewel.
Probably no emotion at all filled my mind in those first few seconds. Then I felt a great lifting of my heart, and a strange, inexpressible joy. For I loved the Moon, and now I knew that the creeping moss of Aristarchus and Eratosthenes was not the only life she had brought forth in her youth. The old, discredited dream of the first explorers was true. There had, after all, been a lunar civilization—and I was the first to find it. That I had come perhaps a hundred million years too late did not distress me; it was enough to have come at all.
My mind was beginning to function normally, to analyze and to ask questions. Was this a building, a shrine—or something for which my language had no name? If a building, then why was it erected in so uniquely inaccessible a spot? I wondered if it might be a temple, and I could picture the adepts of some strange priesthood calling on their gods to preserve them as the life of the Moon ebbed with the dying oceans, and calling on their gods in vain.
I took a dozen steps forward to examine the thing more closely, but some sense of caution kept me from going too near. I knew a little of archaeology, and tried to guess the cultural level of the civilization that must have smoothed this mountain and raised the glittering mirror surfaces that still dazzled my eyes.
The Egyptians could have done it, I thought, if their workmen had possessed whatever strange materials these far more ancient architects had used. Because of the thing's smallness, it did not occur to me that I might be looking at the handiwork of a race more advanced than my own. The idea that the Moon had possessed intelligence at all was still almost too tremendous to grasp, and my pride would not let me take the final, humiliating plunge.
And then I noticed something that set the scalp crawling at the back of my neck—something so trivial and so innocent that many would never have noticed it at all. I have said that the plateau was scarred by meteors; it was also coated inches deep with the cosmic dust that is always filtering down upon the surface of any world where there are no winds to disturb it. Yet the dust and the meteor scratches ended quite abruptly in a wide circle enclosing the little pyramid, as though an invisible wall was protecting it from the ravages of time and the slow but ceaseless bombardment from space.
Excerpted from Explorers by Gardner Dozois. Copyright © 2000 Gardner Dozois. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
The Red Hills of Summer,
The Longest Voyage,
Becalmed in Hell,
Nine Hundred Grandmothers,
The Keys to December,
Vaster than Empires and More Slow,
A Meeting with Medusa,
1. A DAY TO REMEMBER,
2. "BECAUSE IT'S THERE",
3. THE WORLD OF THE GODS,
4. THE VOICES OF THE DEEP,
5. THE WHEELS OF POSEIDON,
7. PRIME DIRECTIVE,
8. BETWEEN TWO WORLDS,
The Man Who Walked Home,
In the Hall of the Martian Kings,
Exploring Fossil Canyon,
Promises to Keep,
Crossing Chao Meng Fu,
A Dance to Strange Musica,
ALSO BY GARDNER DOZOIS,