Robin Ballantyne's life is finally coming together. After learning she was pregnant with twins and being abandoned by her irresponsible boyfriend, Adam, she's settling into life as a single mother. But one night, after putting the children to bed, she hears what she thinks is an argument outside. Then, suddenly, a body falls past her window. Running outside, she finds Paula Carmichael, a renowned activist, dead on the ground. Although Robin and Paula weren't acquainted, the police find Robin's name mentioned - frequently - in the dead woman's diary. Robin then learns that her ex-boyfriend had been making a documentary about Paula and may know more than he lets on. But before she can ask him, he's killed by a hit-and-run driver - who was driving Robin's car. Now a suspect herself, Robin must figure out who wanted both Robin and Adam dead before she loses her freedom, her children, and her life.
|Publisher:||Grand Central Publishing|
|Product dimensions:||5.00(w) x 8.00(h) x 0.76(d)|
|Age Range:||13 - 18 Years|
Read an Excerpt
Falling Off Air
By Catherine Sampson
Mysterious PressCopyright © 2004 Catherine Sampson
All right reserved.
Chapter OneTHE shouting starts at around seven in the evening. A hot day, an oppressive dusk, and my neighbors the length of the street fling their windows wide open in the vain hope of admitting a breeze. The air smells singed. At first the voices are no more than a whisper. I have gone to the front of the house to put out the rubbish and, this being prime soap time, I assume the noise is scripted and broadcast. One of the voices is male, one female, but this early in the argument restraint still keeps them low if urgent, and I cannot tell one word from another even if I wanted to.
Within half an hour, shrieks of indignation and hoots of ridicule are bouncing off our terraced, slate-clad walls, then back onto the curlicued red-brick mansions opposite. The voices seem to be amplified in the still air, and accusation and counteraccusation flow in through the open windows undistorted and devastating. By this point I am kneeling on the floor wrestling the twins into their pajamas but I am soon distracted by the yelling. I sit back on my heels to listen, letting go of Hannah, who crawls off cheerfully, believing herself for once victorious in the nightly struggle to go to bed naked. I am tempted to go to the window to get a better sense of where the voices are coming from, but they have enough problems without me sticking my nose in.
"Of course you don't understand, you selfish bastard," a woman screams, "you won't let me ..." Here her voice continues, something about spending money, but a man's voice is overlaid, calling the woman a bitch repeatedly until she falls silent. Unchallenged now by her, he gains in volume. "You're a lying, blood-sucking whore," he yells, his voice breaking with emotion, muttering something that I cannot hear, then roaring, "What the fuck's been going on in my house?"
"Your house? Your ..." She-whoever she is-comes back at him enraged, but then a third voice intervenes, the light, anxious tones of a child, and there is no more screaming.
I grimace, my mind's eye in someone else's sitting room, windows open, a frightened girl or boy summoning the courage to say something, anything, to shut his parents up. The argument is ugly even at a distance. The red cloud of rage lifts, of course, apologies can be made, accusations retracted. In this case, however, it is difficult to see how life can continue as normal, unless calling your wife a lying whore is normal.
My neighbors, both sides of the street, are a modest lot. They don't yell in public, they don't venture into the street naked, and God forbid they'd smile a hello to a stranger, but weather like this strips everyone down. We have been promised rain, but instead it just gets hotter and hotter, the air heavier and heavier for three days in a row. When the rain comes, it will empty the heavens.
I was depositing William in his crib as the first clap of thunder broke above us and the rain descended like a waterfall, drumming suddenly against the window like someone trying to get in. I wondered whether our house was waterproof. It seemed unlikely that such a flimsy structure could be anything more than splashproof. It is perhaps overstating it even to call it a house. The real estate agent talked about "council house chic." God knows how long it took him to dream that one up. It's like a little flat turned vertical, standing upright on its own patch of earth, its walls barely solid enough to hold it up. There are two feet of paved ground in front with a low concrete wall that has no function except to serve as our boundary, and a tiny garden at the back fenced with flimsy wood and chicken wire. Inside, mostly by virtue of its size, the house is cozy. I've had no time to do much to it, so it remains much as it was when I bought it, complete with garish paintwork and stained carpets. The best and warmest thing about it is an open fireplace. The agency advertised it as a "period feature," and it is indeed a Victorian fireplace. Of course when the house was built forty years ago that particular Victoria was long gone.
This is not the house I would have chosen. It is the house I could afford. A single income, double child-care bills, and zero windfall on the horizon all added up to the smallest mortgage I could find. Our house and its little string of neighbors are a gray British version of shanty-town shacks compared to the red-brick Victoriana that graces the opposite pavement. They have intruder alarms and leaded windows like jewels in their heavy wooden doors. I have a doorbell that plays "Greensleeves" off-key and a cracked window at the back where next door's eleven-year-old hit it with a tennis ball.
By eight o'clock I'd fed, bathed, and wrestled Hannah and William into their cribs, and plugged bottles of milk into their rosebud mouths. I felt as though I'd run a marathon. I wiped the sticky remains of the twins' teatime from my sleeves, poured myself a glass of merlot, and twitched the sitting-room curtain open, perching on the arm of the chair to watch the storm. My back was aching and I rolled my shoulders, feeling the crunch at the base of my neck, trying to ease the stress. The combined weight of the twins was now much the same as that of a baby elephant. Outside the ominously oppressive day had given way to an angry night. The trees and shrubs in the gardens opposite shuddered, and rain fell in great swathes through the orange darkness, tossed and twisted by the wind.
The family who lived opposite hadn't pulled their curtains shut yet, and I could see the cool blue of their high walls, the brass picture lights above framed prints. I frowned. Was it my imagination or could I hear voices again, straining over the storm. Surely everyone would have shut their windows. Unless, I thought, one was too distraught to notice a gale howling outside. A fork of lightning lit up the sky and then, just a moment later, a clap of thunder burst and shook my frail little house. Still, unlikely as it was, my ears caught at fractions of words, at shrieks and wails that seemed too human to belong to the storm. I gazed up the street, then down it, but the rain had driven everyone inside.
I am about to pull the curtains and shut out the weather when, at the margin of my vision, a woman falls out of the sky. I do not see how it began. All I see is that she falls, feet first but tipping forward, arms stretched out as if to break her fall, her clothes as chaotically twisted and tossed as the rain, and the weight of her body carrying her down through the currents of air straight to the earth like an anchor. For a moment my brain cannot register what my eyes quite clearly see, what my ears hear: a scream that tangles with the whine of the wind so that they become one miserable chord. The moment she hits the ground the sound becomes thin again, just the wind on its own once more. The weather and everything else of no consequence is fixed in my mind for good now because of that moment of violence; scar tissue forming around the memory.
I stood up in agitation, my heart pounding, eyes wide, staring at the heap in the pathway of the house on the other side of the road. What should I do? What could I do? Energy flooded to my muscles and I ran, flinging open my front door, damp air filling my lungs. I reached her, squatted down, had to force myself to look closely. Until that point some part of me believed that the wind and the rain must have played a trick on my ears and on my eyes, but it was as I feared. The broken heap was, or had been, a woman. She was wearing something flowing and loose that was now caught around limbs that had broken on impact, and long hair covered her head, her face turned into the ground. The rain was driving against the top of my own head, pouring down into my eyes and I had to peer, eyes half shut, down at her. It seemed to me that another, darker, liquid was seeping from under her head, but I couldn't be sure. I couldn't tell if she was breathing so I laid my fingertips lightly on her back to see whether I could sense a rise and fall. I could detect nothing.
I stretched my neck back, straining my eyes against the darkness and the elements. Where had she come from? On the third story a tiny wrought-iron balcony extended from the brickwork. I got to my feet, my hair hanging in wet ropes across my face. I could do nothing for her. If she was still alive she would drown if she stayed here. I was wasting time. She needed an ambulance. I took four paces to the front door and rapped on it, then kept my finger pressed on the doorbell. There was just one anonymous doorbell, which meant the house was not divided into flats, that it was occupied by one family or one person, perhaps the one person who lay shattered on the ground behind me. Yet even as the thought occurred to me I knew it was not the case, knew I'd seen other people letting themselves in at this door. A big well-dressed man, grungy teenagers, these were the images that came to mind. No one, however, came to the door.
The noise of the rain, like waves slamming against a shoreline, meant I could not hear whether there was movement inside the house. I took a step back. There was only one light on as far as I could see, and that was in the third-floor room with the balcony. I stepped back farther, and I could see now that there were French windows opening out and that drapes of some light fabric had been lifted by the wind and were blowing into the night. I banged on the door again, shouted, then gave up. I turned back toward my house, making for the nearest telephone, then stopped dead in my tracks. My front door had blown shut. Hannah and William were inside. My hands went to my head, clutching great handfuls of sopping hair.
"Shit, shit, shit," I heard myself shout.
I had left them safe in bed, of course, but at that moment, in the face of sudden death, neither fire nor earthquake seemed impossible or even unlikely. I vaulted the brick wall between the house with the pale blue walls and its neighbor. I hammered on the door with one hand while I pressed the bell with the other. For a moment I thought I heard footsteps, but then nothing. No one. I could have sworn someone was on the other side of the door.
"Please open the door," I shouted. "I need your help."
"It's an emergency," I yelled.
I gave up, climbed over the fence into the next pathway, pounded on that door with the same results, gave up, clambered over a low hedge, tried again. There were three bells here, three flats. I pressed all three with my palm, kept pressing and thumping at the door, my fist numb. All of a sudden the door opened and a young man peered out, outraged at my invasion. We had passed each other in the street many times but never so much as nodded hello. Tall and athletic, with cropped hair, he was dressed in a short raincoat, carrying an umbrella, dry as a bone, getting ready to venture out and get soaked.
"For Christ's sake, what-?" He took in my bedraggled state, my crazed eyes, and I saw him want to close the door in my face. But he didn't. Anyway I wasn't going to let him. I was half inside already.
"Your phone," I gasped, dripping all over his threshold. "I have to phone for an ambulance."
He let me shove past him and stood awkwardly, hands pushed angrily into his pockets, while I grabbed the phone on the hall table and dialed 999. All the time I spoke to emergency services, telling them about the woman who had fallen, and about my house locked with my children inside, I was looking at him, needing him to understand too and to help me. He had the sense to keep quiet, anyway, while I spoke. The anger lifted from his face as he listened, and the expression was replaced by one of shock. By the time I'd given my address, he was heading out into the rain, leaving me alone in his hallway.
I hung up, then looked around. How long would it take them to get here? I couldn't wait. There was nothing but the hall table, a spindly antique affair about a foot square, no room for anything but the telephone, which I tipped onto the floor. I lifted the table, liking the look of its long legs, and I ran back across the road with my loot. The man had stopped by the woman, bending over her. I didn't stop to see what he was doing. I stepped over my front wall and swung the table at the window, holding it by its legs, leaving the wooden edge of the tabletop to do its demolition work and turning my face away as the glass shattered. I bashed around a bit more to get rid of the shards of glass, then dropped what was left of the table. It was more delicate than I'd thought, and it hadn't fared well. I pulled off my sweater and wrapped it around my hands for protection, then pulled myself carefully over the sill and into my sitting room. I pounded up the stairs and into the tiny room that was the twins' bedroom. Inside all was quiet, two cotton-suited bottoms stuck in the air, faces half-hidden in the mattress, lips working, dreaming of sucking.
I stood there for a minute just looking down at them, catching my breath. So peaceful. I had an overwhelming desire to stay here and stand guard over them. Outside I heard sirens approaching. I turned and left the room. I ran back down the stairs, grabbed my keys from the kitchen table and, just to make double sure, wedged open my front door with a copy of the Guardian.
The street was full of flashing blue lights. Not only that: This street, abandoned as a ghost town when I had needed help, when I had shouted and yelled for help, was now as populated as a rush-hour station. Faces peered from windows and from behind half-open front doors. The more adventurous had grabbed some sort of protective clothing and made their way into the street, where they stood in ones and twos, not really knowing how to talk to each other, not wanting to be involved, curious nevertheless and therefore conversing. How to form a community, I thought. Kill one of them.
Suddenly the door of the house from which the woman had fallen burst open. A slight figure raced from it and before anyone could move, hurled itself on the woman's body. An animal cry rose into the night sky and my blood ran cold. The small figure, scarcely more than a child, was hugging the limp flesh, burying his face in her wet hair, for all the world as though he was trying to breathe life back into her. Then the police and paramedics closed in, forcing the boy away, protecting what could no longer be protected. He tried to fight them off, pint-sized fists pummeling the living bodies that dragged him tenderly from the dead. The rain hissed down, drowning his shrieks and drenching us all.
Later that night, when the body and the boy had both gone, a young woman, Detective Constable Mann, took my statement. She had stamina, and I fed her stamina on cups of tea.
Excerpted from Falling Off Air by Catherine Sampson Copyright © 2004 by Catherine Sampson . Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Table of Contents
Most Helpful Customer Reviews
A young single mother (Robin Ballantyne) witnesses a tragic death - and it hurls her into a sensational murder investigation. Then the father of her twins is run down and killed and Robin is the primary suspect. This is a British novel - and I was surprised that I liked it as well as I did - I don't usually care for European books.
Robin Ballantine, a single mother, is planning on returning to work after a long maternity leave. She has given birth to twins and her life for the last year has been totally wrapped up in them. As she looks out her window, she sees a neighbour fall to her death. Starting as a witness to this event, we slowly are shown the connections between the deceased and our heroine. Suddenly another death occurs, this one definitely murder and Robin as the number one suspect. Overwhelmed by the attention from both the media and police, she realizes the only way back to her own life is for these deaths to be solved. The book started slowly for me, but with the second death the pace picked up and became quite an engrossing story with some good plot twists. I found Robin Ballantine to be likeable and I was glad to see the book address the problem of ¿crime solving¿ and babysitting, along with career points and money issues, all of which I am sure a single mother would have to deal with. So all in all, a good read.
Liked the main character, trying to cope with returning to work after a year's maternity leave, dealing with being a single mom of twins, not enough money, not sure where to go next... and then thrust in a weird way into being the primary suspect in two murders. How she copes with life while figuring out whodunit makes for an interesting story. Started slow, I almost gave up on it, and a lot of the end happened while she -- the narrator -- was unconscious, which I found an abrupt and unappealing change of perspective. But in the end there was more I liked than didn't about the book.
From page 1 this book had me hooked.
London based TV news producer Robin Ballantyne takes maternity leave to raise her infant twins Hannah and William while the father of the children Adam Wills flees from the three females in his life. However, Robin quickly realizes how much she misses the news room when she watches her neighbor Labour Party MP and social arbiter to the nation Paula Carmichael fall to her death.---- Robin asks Maeve Tandy, Chief of the Current Affairs/Documentary Division for her old job back, but is offered a loser¿s position as ethics editor. Doing an end around, Robin attends a ritzy awards ceremony attended by broadcasting leaders including that ship deserting rat Adam. He demands visitation rights to see his daughters, but the next day is run over by Robin's BMW. The media goes frenzy with one of their own in the hot seat as they see her vehicle as the weapon, her meeting with the victim as the opportunity and her inheritance of his estate as the motive. No one cares that Adam was filming a documentary about Paula and sharing much more. Robin realizes her peers and the police have convicted her; she must prove otherwise.---- This engaging British amateur sleuth tale is kept fresh by the beleaguered heroine who finds her own community ready to devour her as a wounded piranha. Though two lovers and the media feeding turmoil are old hats, having an insider caught in the headlights provides newness as Robin struggles between motherhood, prime suspect, media hanging, and investigator. Fans will appreciate Robin FALLING OFF AIR as she tries to save herself from drowning in the media spotlighted fishbowl.---- Harriet Klausner
July 2, 2004 Meet Robin Ballantyne, 35-year-old mother of twins, television producer and murderess? Finally adjusting to being a single mother of one-year-old twins. Robin encounters social activist Paula Carmicheal dead outside her window, falling to her death from a second floor balcony. Without leaving a suicide note or evidence of foul play this is one for the coldcase files. Robin finds out that the woman she hardly knew, knew more about her and the twins William and Hannah than she knew of Paula. Why is Paula writing about Robin in her journals and why are the police connecting the wrong dots? Who killed the father of Hannah and William using Robin's car to frame her? The two deaths may be related more than the police realize. More importantly, Will Robin find out before it's too late? I love novels that give you more questions than answers in the middle, and reveals nothing until the very end. This nail biter will keep you guessing. Catherine Sampson is marvelous at keeping the attention of a busy reader. I hope to read more of this novelist work. Reviewed by Demetria Harris