Farmer Boy (Little House Series: Classic Stories #2)
The second book in the treasured Little House series, Farmer Boy is Laura Ingalls Wilder’s beloved story of how her husband, Almanzo, grew up as a farmer boy far from the little house where Laura lived. This edition features the classic black-and-white artwork from Garth Williams. 

The nine Little House books have been cherished by generations of readers as both a unique glimpse into America’s frontier history and as heartwarming, unforgettable stories. The Little House series has captivated millions of readers with its depiction of life on the American frontier.

While Laura Ingalls grows up on the prairie, Almanzo Wilder is living on a big farm in New York State. Here Almanzo and his brother and sisters help with the summer planting and fall harvest. In winter there is wood to be chopped and great slabs of ice to be cut from the river and stored. Time for fun comes when the jolly tin peddler visits, or best of all, when the fair comes to town.

Almanzo wishes for just one thing—his very own horse—and he must prove that he is ready for such a big responsibility.

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Farmer Boy (Little House Series: Classic Stories #2)
The second book in the treasured Little House series, Farmer Boy is Laura Ingalls Wilder’s beloved story of how her husband, Almanzo, grew up as a farmer boy far from the little house where Laura lived. This edition features the classic black-and-white artwork from Garth Williams. 

The nine Little House books have been cherished by generations of readers as both a unique glimpse into America’s frontier history and as heartwarming, unforgettable stories. The Little House series has captivated millions of readers with its depiction of life on the American frontier.

While Laura Ingalls grows up on the prairie, Almanzo Wilder is living on a big farm in New York State. Here Almanzo and his brother and sisters help with the summer planting and fall harvest. In winter there is wood to be chopped and great slabs of ice to be cut from the river and stored. Time for fun comes when the jolly tin peddler visits, or best of all, when the fair comes to town.

Almanzo wishes for just one thing—his very own horse—and he must prove that he is ready for such a big responsibility.

9.99 In Stock
Farmer Boy (Little House Series: Classic Stories #2)

Farmer Boy (Little House Series: Classic Stories #2)

Farmer Boy (Little House Series: Classic Stories #2)

Farmer Boy (Little House Series: Classic Stories #2)

Paperback(Older Edition)

$9.99 
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Overview

The second book in the treasured Little House series, Farmer Boy is Laura Ingalls Wilder’s beloved story of how her husband, Almanzo, grew up as a farmer boy far from the little house where Laura lived. This edition features the classic black-and-white artwork from Garth Williams. 

The nine Little House books have been cherished by generations of readers as both a unique glimpse into America’s frontier history and as heartwarming, unforgettable stories. The Little House series has captivated millions of readers with its depiction of life on the American frontier.

While Laura Ingalls grows up on the prairie, Almanzo Wilder is living on a big farm in New York State. Here Almanzo and his brother and sisters help with the summer planting and fall harvest. In winter there is wood to be chopped and great slabs of ice to be cut from the river and stored. Time for fun comes when the jolly tin peddler visits, or best of all, when the fair comes to town.

Almanzo wishes for just one thing—his very own horse—and he must prove that he is ready for such a big responsibility.


Product Details

ISBN-13: 9780064400039
Publisher: HarperCollins
Publication date: 04/08/2008
Series: Little House , #2
Edition description: Older Edition
Pages: 384
Sales rank: 24,539
Product dimensions: 5.12(w) x 7.62(h) x (d)
Age Range: 8 - 12 Years

About the Author

About The Author
Laura Ingalls Wilder (1867–1957) was born in a log cabin in the Wisconsin woods. With her family, she pioneered throughout America’s heartland during the 1870s and 1880s, finally settling in Dakota Territory. She married Almanzo Wilder in 1885; their only daughter, Rose, was born the following year. The Wilders moved to Rocky Ridge Farm at Mansfield, Missouri, in 1894, where they established a permanent home. After years of farming, Laura wrote the first of her beloved Little House books in 1932. The nine Little House books are international classics. Her writings live on into the twenty-first century as America’s quintessential pioneer story.


Garth Williams is the renowned illustrator of almost one hundred books for children, including the beloved Stuart Little by E. B. White, Bedtime for Frances by Russell Hoban, and the Little House series by Laura Ingalls Wilder.

He was born in 1912 in New York City but raised in England. He founded an art school near London and served with the British Red Cross Civilian Defense during World War II. Williams worked as a portrait sculptor, art director, and magazine artist before doing his first book Stuart Little, thus beginning a long and lustrous career illustrating some of the best known children's books.

In addition to illustrating works by White and Wilder, he also illustrated George Selden’s The Cricket in Times Square and its sequels (Farrar Straus Giroux). He created the character and pictures for the first book in the Frances series by Russell Hoban (HarperCollins) and the first books in the Miss Bianca series by Margery Sharp (Little, Brown). He collaborated with Margaret Wise Brown on her Little Golden Books titles Home for a Bunny and Little Fur Family, among others, and with Jack Prelutsky on two poetry collections published by Greenwillow: Ride a Purple Pelican and Beneath a Blue Umbrella. He also wrote and illustrated seven books on his own, including Baby Farm Animals (Little Golden Books) and The Rabbits’ Wedding (HarperCollins).

Date of Birth:

February 7, 1867

Date of Death:

February 10, 1957

Place of Birth:

Pepin, Wisconsin

Place of Death:

Mansfield, Missouri

Read an Excerpt

School Days

It was January in northern New York State, sixty-seven years ago. Snow lay deep everywhere. It loaded the bare limbs of oaks and maples and beeches, it bent the green boughs of cedars and spruces down into the drifts. Billows of snow covered the fields and the stone fences.

Down a long road through the woods a little boy trudged to school, with his big brother Royal and his two sisters, Eliza Jane and Alice. Royal was thirteen years old, Eliza Jane was twelve, and Alice was ten. Almanzo was the youngest of all, and this was his first going-to-school, because he was not quite nine years old.

He had to walk fast to keep up with the others, and he had to carry the dinner-pail.

"Royal ought to carry it," he said. "He's bigger than I be."

Royal strode ahead, big and manly in boots, and Eliza Jane said:

"No, 'Manzo. It's your turn to carry it now, because you're the littlest."

Eliza Jane was bossy. She always knew what was best to do, and she made Almanzo, and Alice do it.

Almanzo hurried behind Royal, and Alice hurried behind Eliza Jane, in the deep paths made by bobsled runners. On each side the soft snow was piled high. The road went down a long slope, then it crossed a little bridge and went on for a mile through the frozen woods to the schoolhouse.

The cold nipped Almanzo's eyelids and numbed his nose, but inside his good woolen clothes he was warm. They were all made from the wool of his father's sheep. His underwear was creamy white, but Mother had dyed the wool for his outside clothes.

Butternut hulls had dyed the thread for his coat and his long trousers. Then Mother had woven it, andshe had soaked and shrunk the cloth into heavy, thick fullcloth. Not wind nor cold nor even a drenching rain could go through the good fullcloth that Mother made.

For Almanzo's waist she had dyed fine wool as red as a cherry, and she had woven a soft, thin cloth. It was light and warm and beautifully red.

Almanzo's long brown pants buttoned to his red waist with a row of bright brass buttons, all around his middle. The waist's collar buttoned snugly up to his chin, and so did his long coat of brown fullcloth. Mother had made his cap of the same brown fullcloth, with cozy ear-flaps that tied under his chin. And his red mittens were on a string that went up the sleeves of his coat and across the back of his neck. That was so he couldn't lose them.

He wore one pair of socks pulled snug over the legs of his underdrawers, and another pair outside the legs of his long brown pants, and he wore moccasins. They were exactly like the moccasins, that Indians wore.

Girls tied heavy veils over their faces when they went out in winter. But Almanzo was a boy, and his face was out in the frosty air. His cheeks were red as apples and his nose was redder than a cherry, and after he had walked a mile and a half he was glad to see the schoolhouse.

It stood lonely in the frozen woods, at the foot of Hardscrabble Hill. Smoke was rising from the chimney, and the teacher had shoveled a path through the snowdrifts to the door. Five big boys were scuffling in the deep snow by the path.

Almanzo was frightened when he saw them. Royal pretended not to be afraid, but he was. They were the big boys from Hardscrabble Settlement, and everybody was afraid of them.

They smashed little boys' sleds, for fun. They'd catch a little boy and swing him by his legs, then let him go headfirst into the deep snow.

Sometimes they made two little boys fight each other, though the little boys didn't want to fight and begged to be let off.

These big boys were sixteen or seventeen years old and they came to school only in the middle of the winter term. They came to thrash the teacher and break up the school. They boasted that no teacher could finish the winter term in that school, and no teacher ever had.

This year the teacher was a slim, pale young man. His name was Mr. Corse. He was gentle and patient, and never whipped little boys because they forgot how to spell a word. Almanzo felt sick inside when he thought how the big boys would beat Mr. Corse. Mr. Corse wasn't big enough to fight them.

There was a hush in the schoolhouse and you could hear the noise the big boys were making outside. The other pupils stood whispering together by the big stove in the middle of the room. Mr. Corse sat at his desk. One thin cheek rested on his slim hand and he was reading a book. He looked up and said pleasantly:

"Good morning."

Royal and Eliza Jane and Alice answered him politely, but Almanzo did not say anything. He stood by the desk, looking at Mr. Corse. Mr. Corse smiled at him and said:

"Do you know I'm going home with you tonight?" Almanzo was too troubled to answer. "Yes," Mr. Corse said. "It's your father's turn."

Every family in the district boarded the teacher for two weeks. He went from farm to farm till he had stayed two weeks at each one. Then he closed school for that term.

When he said this, Mr. Corse rapped on his desk with his ruler; it was time for school to begin. All the boys and girls went to their seats. The girls sat on the left side of the room and boys sat on the right side, with the big stove and wood-box in the middle between them. The big ones sat in the back, seats, the middle-sized ones in the middle seats, and the little ones in the front seats. All the seats were the same size. The big boys could hardly get their knees under their desks, and the little boys couldn't rest their feet on the floor.

Farmer Boy. Copyright © by Laura Wilder. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

Table of Contents

School Days1
Winter Evening13
Winter Night30
Surprise39
Birthday49
Filling the Ice-House65
Saturday Night75
Sunday84
Breaking the Calves95
The Turn of the Year109
Springtime120
Tin-Peddler133
The Strange Dog141
Sheep-Shearing154
Cold Snap163
Independence Day173
Summer-Time190
Keeping House203
Early Harvest228
Late Harvest240
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