Fauré: Cello Sonatas; Scilienne; Elégie; Pavane; Papillon

Fauré: Cello Sonatas; Scilienne; Elégie; Pavane; Papillon

by Ina-Esther Joost Ben-Sasson


$9.49 $9.99 Save 5% Current price is $9.49, Original price is $9.99. You Save 5%.
Choose Expedited Shipping at checkout for guaranteed delivery by Monday, November 18

Product Details

Release Date: 02/23/2010
Label: Naxos
UPC: 0747313054572
catalogNumber: 8570545
Rank: 76833


  1. Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50
  2. Sonata for cello & piano No. 1 in D minor, Op. 109
  3. Sérénade, for cello & piano in B minor, Op. 98
  4. Papillon, for cello & piano, Op. 77
  5. Berceuse, for violin & piano (or orchestra) in D Major, Op. 16
  6. Romance for cello & piano, Op. 69
  7. Élégie for cello & piano or orchestra in C minor, Op. 24
  8. Après un rêve ("Dans un sommeil"), song for voice & piano, Op. 7/1
  9. Sonata for cello & piano No. 2 in G minor, Op. 117
  10. Sicilienne, for cello & piano, Op. 78

Album Credits

Customer Reviews

Most Helpful Customer Reviews

See All Customer Reviews

Fauré: Cello Sonatas; Scilienne; Elégie; Pavane; Papillon 4 out of 5 based on 0 ratings. 1 reviews.
Anonymous More than 1 year ago
Ben-Sasson and Sternfield take a no-nonsense approach and pretty much play these pieces by the book, whereas the previous release with Maria Kliegel and Nina Tichman had a slightly more adventurous flare. In this latest release, Ben-Sasson's cello is reserved and subdued, while Sternfield mainly plays the support role. It's not quite academic, yet it gives the whole album a more serious feel overall. This is not a bad thing, quite the contrary, because it complements the previous album and its relative looseness. For me personally, having the two different performances to compare shows the depth of interpretations that can be made. That having been said, this particular album would be a great introduction to Fauré because of this steady, hands-on approach. It captures the essence of the music without straying too far, allowing the listener to branch out from there. Add to the fact that this is a complete rendering of his output for cello, and you have a fantastic starter for the rest of his chamber music.