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|Publisher:||Columbia University Press|
|Series:||Columbia Themes in Philosophy, Social Criticism, and the Arts|
|Product dimensions:||6.00(w) x 8.90(h) x 0.30(d)|
|Age Range:||18 Years|
About the Author
Table of ContentsAcknowledgments
Introduction: On Loss
1 Revolutionary Praxis and Its Melancholic Impasses
1. On Suffrage Militancy and Modernism: Femininity and Revolt
3. Woolf's Aesthetics of Potentiality
2 Female Bodies
Introduction: Rethinking the Form/Matter Divide in Feminist Politics and Aesthetics
4. Abstract Commodity Form and Bare Life
5. Damaged Materialities in Political Struggles and Aesthetic Innovations
3 Toward a Feminine Aesthetics of Renaissance
6. The Enigma of Nella Larsen: Letters
What People are Saying About This
An impressive display of erudition and incisive analysis. An absolutely original and brilliantly conceived book.
Feminist Aesthetics and the Politics of Modernism is a brilliant, unique, and original work. Ewa Ziarek's sensitive and critical analysis of the 'multiple possibilities of what literature and femininity might mean and might become' asks us to rethink the ways in which the relations between aesthetics and politics, race and critical theory, feminism and modernism have been commonly understood. This vital and valuable book demonstrates how from literature written by white and black women new forms of knowledge, transformation, and aesthetic possibility can emerge, and new kinds of political and psychic sensibility.
Feminist Aesthetics and the Politics of Modernism reminds us that modernism provided the context for an unprecedented engagement by black and women writers. But Ewa Ziarek's elegant readings of Nella Larson and Virginia Woolf form just a part of her complex and groundbreaking case for a new means of integrating aesthetic and political theory. From Adorno to Arendt and Agamben, she reconfigures the theorists available to analyze the right to revolt and its relation to aesthetic production. Through her innovative approach, Adorno and Agamben undergo not commentary nor critique but a compelling and surprising transformationas when they become resources for revisiting the hunger strikers of radical British suffrage feminism. Reconfigured, they are resources allowing us to think revolt and resistance with bare life; race and gender with the social conditions of the heteronomy of art. Ziarek is a virtuoso voice amongst the continental theorists contributing to the new directions in aesthetics.
In an impressive display of erudition and incisive analysis Feminist Aesthetics and the Politics of Modernism makes a theoretically innovative intervention into the field of gender, race, aesthetics, and politics. An absolutely original and brilliantly conceived book.
Professor Tina Chanter, Philosophy, DePaul University