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Film Theory
     

Film Theory

by Robert Lapsley, Michael Westlake
 

Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis.

In this book, the authors chart

Overview


Film theory: an introduction offers a highly readable account of film theory and is an indispensable resource for students. The discussion ranges from the late 1960s to the present, a period in which a number of conceptual strands, notably politics, semiotics and psychoanalysis were woven together in an ambitious synthesis.

In this book, the authors chart the construction of this synthesis and its subsequent fragmentation, and clearly explain the various intellectual currents which have contributed to it. Divided into two parts, the first covers the conceptual background of film theory, dealing with historical materialism, semiotics and psychoanalysis, whilst in the second the authors concentrate on particular topics such as authorship, narrative, realism, the avant-garde and postmodernism.

For this new edition, the authors have added a new foreword, a fully updated and expanded bibliography, and a 60-page Retrospect outlining developments within film theory since the book's original publication in 1988. This Retrospect identifies a number of broad readings of Theory, each with a different perspective on the main content of the book. As such, it provides a new and original mapping of the 'post-theory' moment in this complex and often fractured terrain.

Accessible and authoritative, this book is essential reading for students of film theory, or indeed anyone seeking a deeper understanding of modern cinema.

Product Details

ISBN-13:
9780719018893
Publisher:
Manchester University Press
Publication date:
07/28/1988
Series:
Images of Culture Series
Pages:
272

Related Subjects

Meet the Author

Robert Lapsley teaches film studies and critical theory at The University of Manchester

Michael Westlake is a novelist, translator and scriptwriter. His novels include 'The Triumph of Love' and Other Paintings, 51 Soko and Imaginary Women

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