Marid Audran has become everything he once despised. Not so long ago, he was a hustler in the Budayeen, an Arabian ghetto in a Balkanized future Earth. Back then, as often as not, he didn't have the money to buy himself a drink. But he had his independence.
Now Marid works for Friedlander Bey, "godfather" of the Budayeen, a man whose power stretches across a shattered, crumbling world. During the day, Marid is a policeman…and Bey's personal envoy to the police. His new position has brought him money and power which he would abandon in a moment if he could return to a life of neither owning nor being owned. Which, unfortunately, isn't one of his options.
It's also not an issue. For something dark is afoot. Something that is sending the city into chaos. Helping a child-mutilator to avoid arrest. Sending a killer to murder Marid's partner. Murdering prostitutes and savaging their remains. Signs point to the hand of Abu Adilthe one man in the city whose power rivals Friedlander Bey's. Whatever happens next, it's not going to be good news for Marid Audran…
|Publisher:||Tom Doherty Associates|
|Edition description:||First Edition|
|Product dimensions:||5.50(w) x 8.50(h) x 0.68(d)|
About the Author
A winner of the Hugo and Nebula Awards, GEORGE ALEC EFFINGER was the author of What Entropy Means to Me, Schrodinger's Kitten, and the "Marid Audrian" sequence that begins with When Gravity Fails. He died in 2002.
Read an Excerpt
A Fire in the Sun
By George Alec Effinger
OPEN ROAD INTEGRATED MEDIACopyright © 1989 George Alec Effinger
All rights reserved.
WE'D RIDDEN for many days out the coast highway toward Mauretania, the part of Algeria where I'd been born. In that time, even at its lethargic pace, the broken-down old bus had carried us from the city to some town forsaken by Allah before it even learned what its name was. Centuries come, centuries go: In the Arab world they arrive and depart loaded on the roofs of shuddering, rattling buses that are more trouble to keep in service than the long parades of camels used to be. I remembered what those bus rides were like from when I was a kid, sitting or standing in the aisle with fifty other boys and men and maybe another two dozen clinging up on the roof. The buses passed by my home then. I saw turbaned heads, heads wearing fezes or knit caps, heads in white or checked keffiyas. All men. That was something I planned to ask my father about, if I ever met him. "O my father," I would say, "tell me why everyone on the bus is a man. Where are their women?"
And I always imagined that my father—I pictured him tall and lean with a fierce dark beard, a hawk or an eagle of a man; he was, in my vision, Arab, although I had my mother's word that he had been a Frenchman—I saw my father gazing thoughtfully into the bright sunlight, framing a careful reply to his young son. "O Marîd, my sweet one," he would say—and his voice would be deep and husky, issuing from the back of his throat as if he never used his lips to speak, although my mother said he wasn't like that at all—"Marîd, the women will come later. The men will send for them later."
"Ah," I would say. My father could pierce all riddles. I could not pose a question that he did not have a proper answer for. He was wiser than our village shaykh, more knowledgeable than the man whose face filled the posters pasted on the wall we were pissing on. "Father," I would ask him, "why are we pissing on this man's face?"
"Because it is idolatrous to put his face on such a poster, and it is fit only for a filthy alley like this, and therefore the Prophet, may the blessing of Allah be on him and peace, tells us that what we are doing to these images is just and right."
"And Father?" I would always have one more question, and he'd always be blissfully patient. He would smile down at me, put one hand fondly behind my head. "Father? I have always wanted to ask you, what do you do when you are pissing and your bladder is so full it feels like it will explode before you can relieve it and while you are pissing, just then, the muezzin—"
Saied hit me hard in the left temple with the palm of his hand. "You sleeping out here?"
I looked up at him. There was glare everywhere. I couldn't remember where the hell we were. "Where the hell are we?" I asked him.
He snorted. "You're the one from the Maghreb, the great, wild west. You tell me."
"Have we got to Algeria yet?" I didn't think so.
"No, stupid. I've been sitting in that goddamn little coffeehouse for three hours charming the warts off this fat fool. His name is Hisham."
"Where are we?"
"Just crossed through Carthage. We're on the outskirts of Old Tunis now. So listen to me. What's the old guy's name?"
"Huh? I don't remember."
He hit me hard in the right temple with the palm of his other hand. I hadn't slept in two nights. I was a little confused. Anyway, he got the easy part of the job: Sitting around the bus stops, drinking mint tea with the local ringleaders and gossiping about the marauding Christians and the marauding Jews and the marauding heathen niggers and just in general being goddamn smooth; and I got the piss-soaked alleys and the flies. I couldn't remember why we divided this business up like that. After all, I was supposed to be in charge—it was my idea to find this woman, it was my trip, we were using my money. But Saied took the mint tea and the gossip, and I got—well, I don't have to go into that again.
We waited the appropriate amount of time. The sun was disappearing behind a western wall; it was almost time for the sunset call to prayer. I stared at Saied, who was now dozing. Good, I thought, now I get to hit him in the head. I had just gotten up and taken one little step, when he looked up at me. "It's time, I guess," he said, yawning. I nodded, didn't have anything to add. So I sat back down, and Saied the Half-Hajj went into his act.
Saied is a natural-born liar, and it's a pleasure to watch him hustle. He had the personality module he liked best plugged into his brain—his heavy-duty, steel-belted, mean mother of a tough-guy moddy. Nobody messed with the Half-Hajj when he was chipping that one in.
Back home in the city, Saied thought it was beneath him to earn money. He liked to sit in the cafes with me and Mahmoud and Jacques, all day and all evening. His little chicken, the American boy everybody called Abdul-Hassan, went out with older men and brought home the rent money. Saied liked to sneer a lot and wear his gallebeya cinched with a wide black leather belt, which was decorated with shiny chrome-steel strips and studs. The Half-Hajj was always careful of his appearance.
What he was doing in this vermin-infested roadside slum was what he called fun. I waited a few minutes and followed him around the corner and into the coffeehouse. I shuffled in, unkempt, filthy, and took a chair in a shadowy corner. The proprietor glanced at me, frowned, and turned back to Saied. Nobody ever paid any attention to me. Saied was finishing the tail end of a joke I'd heard him tell a dozen times since we'd left the city. When he came to the payoff, the shopkeeper and the four other men at the long counter burst into laughter. They liked Saied. He could make people like him whenever he wanted. That talent was programmed into an add-on chip snapped into his bad-ass moddy. With the right moddy and the right daddy chips, it didn't matter where you'd been born or how you'd been raised. You could fit in with any sort of people, you could speak any language, you could handle yourself in any situation. The information was fed directly into your short- term memory. You could literally become another person, Ramses II or Buck Rogers in the 25th century, until you popped the moddy and daddies out.
Saied was being rough and dangerous, but he was also being charming, if you can imagine that combination. I watched the shop owner reach and grab the teapot. He poured some into the Half-Hajj's glass, slopping some more on the wooden counter. Nobody moved to mop it up. Saied raised the glass to drink, then slammed it down again. "Yaa salaam!" he roared. He leaped up.
"What is it, O my friend?" asked Hisham, the proprietor.
"My ring!" Saied shouted. He was wearing a large gold ring, and he'd been waving it under the old man's nose for two solid hours. It had had a big, round diamond in its center.
"What's the matter with your ring?"
"Look for yourself! The stone—my diamond—it's gone!"
Hisham caught Saied's flapping arm and saw that, indeed, the diamond was now missing. "Must have fallen out," the old man said, with the sort of folk wisdom you find only in these petrified provincial villages.
"Yes, fallen out," said Saied, not calmed in the least. "But where?"
"Do you see it?"
Saied made a great show of searching the floor around his stool. "No, I'm sure it's not here," he said at last.
"Then it must be out in the alley. You must've lost it the last time you went out to piss."
Saied slammed the bar with his heavy fist. "And now it's getting dark, and I must catch the bus."
"You still have time to search," said Hisham. He didn't sound very confident.
The Half-Hajj laughed without humor. "A stone like that, worth four thousand Tunisian dinars, looks like a tiny pebble among a million others. In the twilight I'd never find it. What am I to do?"
The old man chewed his lip and thought for a moment. "You're determined to leave on the bus, when it passes through?" he asked.
"I must, O my brother. I have urgent business."
"I'll help you if I can. Perhaps I can find the stone for you. You must leave your name and address with me; then if I find the diamond, I'll send it to you."
"May the blessings of Allah be on you and on your family!" said Saied. "I have little hope that you'll succeed, but it comforts me to know you will do your best for me. I'm in your debt. We must determine a suitable reward for you."
Hisham looked at Saied with narrowed eyes. "I ask no reward," he said slowly.
"No, of course not, but I insist on offering you one."
"No reward is necessary. I consider it my duty to help you, as a Muslim brother."
"Still," Saied went on, "should you find the wretched stone, I'll give you a thousand Tunisian dinars for the sustenance of your children and the ease of your aged parents."
"Let it be as you wish," said Hisham with a small bow.
"Here," said my friend, "let me write my address for you." While Saied was scribbling his name on a scrap of paper, I heard the rumbling of the bus as it lurched to a stop outside the building.
"May Allah grant you a good journey," said the old man.
"And may He grant you prosperity and peace," said Saied, as he hurried out to the bus.
I waited about three minutes. Now it was my turn. I stood up and staggered a couple of steps. I had a lot of trouble walking in a straight line. I could see the shopkeeper glaring at me in disgust. "The hell do you want, you filthy beggar?" he said.
"Some water," I said.
"Water! Buy something or get out!"
"Once a man asked the Messenger of God, may Allah's blessings be on him, what was the noblest thing a man may do. The reply was 'To give water to he who thirsts.' I ask this of you."
"Ask the Prophet. I'm busy."
I nodded. I didn't expect to get anything free to drink out of this crud. I leaned against his counter and stared at a wall. I couldn't seem to make the place stand still.
"Now what do you want? I told you to go away."
"Trying to remember," I said peevishly. "I had something to tell you. Ah, yes, I know." I reached into a pocket of my jeans and brought out a glittering round stone. "Is this what that man was looking for? I found this out there. Is this—?"
The old man tried to snatch it out of my hand. "Where'd you get that? The alley, right? My alley. Then it's mine."
"No, I found it. It's—"
"He said he wanted me to look for it." The shopkeeper was already gazing into the distance, spending the reward money. "He said he'd pay you money for it."
"That's right. Listen, I've got his address. Stone's no good to you without the address."
I thought about that for a second or two. "Yes, O Shaykh."
"And the address is no good to me without the stone. So here's my offer: I'll give you two hundred dinars for it."
"Two hundred? But he said—"
"He said he'd give me a thousand. Me, you drunken fool. It's worthless to you. Take the two hundred. When was the last time you had two hundred dinars to spend?"
"A long time."
"I'll bet. So?"
"Let me have the money first."
"Let me have the stone."
The old man growled something and turned away. He brought a rusty coffee can up from under the counter. There was a thick wad of money in it, and he fished out two hundred dinars in old, worn bills. "Here you are, and damn your mother for a whore."
I took the money and stuffed it into my pocket. Then I gave the stone to Hisham. "If you hurry," I said, slurring my words despite the fact that I hadn't had a drink or any drugs all day, "you'll catch up with him. The bus hasn't left yet."
The man grinned at me. "Let me give you a lesson in shrewd business. The esteemed gentleman offered me a thousand dinars for a four-thousand dinar stone. Should I take the reward, or sell the stone for its full value?"
"Selling the stone will bring trouble," I said.
"Let me worry about that. Now you go to hell. I don't ever want to see you around here again."
He needn't worry about that. As I left the decrepit coffeehouse, I popped out the moddy I was wearing. I don't know where the Half-Hajj had gotten it; it had a Malaccan label on it, but I didn't think it was an over-the-counter piece of hardware. It was a dumbing-down moddy; when I chipped it in, it ate about half of my intellect and left me shambling, stupid, and just barely able to carry out my half of the plan. With it out, the world suddenly poured back into my consciousness, and it was like waking from a bleary, drugged sleep. I was always angry for half an hour after I popped that moddy. I hated myself for agreeing to wear it, I hated Saied for conning me into doing it. He wouldn't wear it, not the Half-Hajj and his precious self-image. So I wore it, even though I'm gifted with twice the intracranial modifications as anybody else around, enough daddy capacity to make me the most talented son of a bitch in creation. And still Saied persuaded me to damp myself out to the point of near vegetability.
On the bus, I sat next to him, but I didn't want to talk to him or listen to him gloat.
"What'd we get for that chunk of glass?" he wanted to know. He'd already replaced the real diamond in his ring.
I just handed the money to him. It was his game, it was his score. I couldn't have cared less. I don't even know why I went along with him, except that he'd said he wouldn't come to Algeria with me unless I did.
He counted the bills. "Two hundred? That's all? We got more the last two times. Oh well, what the hell—that's two hundred dinars more we can blow in Algiers. 'Come with me to the Kasbah.' Little do those gazelle-eyed boys know what's stealing toward them even now, through the lemon-scented night."
"This stinking bus, that's what, Saied."
He looked at me with wide eyes, then laughed. "You got no romance in you, Marîd," he said. "Ever since you had your brain wired, you been no fun at all."
"How about that." I didn't want to talk anymore. I pretended that I was going to sleep. I just closed my eyes and listened to the bus thumping and thudding over the broken pavement, with the unending arguments and laughter of the other passengers all around me. It was crowded and hot on that reeking bus, but it was carrying me hour by hour nearer to the solution of my own mystery. I had come to a point in my life where I needed to find out who I really was.
The bus stopped in the Barbary town of Annaba, and an old man with a grizzled gray beard came aboard selling apricot nectar. I got some for myself and some for the Half- Hajj. Apricots are the pride of Mauretania, and the juice was the first real sign that I was getting close to home. I closed my eyes and inhaled that delicate apricot aroma, then swallowed a mouthful of juice and savored the thick sweetness. Saied just gulped his down with a grunt and gave me a blunt "Thanks." The guy's got all the refinement of a dead bat.
The road angled south, away from the dark, invisible coast toward the city of Constantine. Although it was getting late, almost midnight, I told Saied that I wanted to get off the bus and grab some supper. I hadn't eaten anything since noon. Constantine is built on a high limestone bluff, the only ancient town in eastern Algeria to survive through centuries of foreign invasions. The only thing I cared about, though, was food. There is a local dish in Constantine called chorba beïda bel kefta, a meatball soup made with onions, pepper, chick-peas, almonds, and cinnamon. I hadn't tasted it in at least fifteen years, and I didn't care if it meant missing the bus and having to wait until tomorrow for another, I was going to have some. Saied thought I was crazy.
I had my soup, and it was wonderful. Saied just watched me wordlessly and sipped a glass of tea. We got back on the bus in time. I felt good now, comfortably full and warmed by a nostalgic glow. I took the window seat, hoping that I'd be able to see some familiar landscape as we passed through Jijel and Mansouria. Of course, it was as black as the inside of my pocket beyond the glass, and I saw nothing but the moon and the fiercely twinkling stars. Still, I pretended to myself that I could make out landmarks that meant I was drawing closer to Algiers, the city where I had spent a lot of my childhood.
Excerpted from A Fire in the Sun by George Alec Effinger. Copyright © 1989 George Alec Effinger. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
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Most Helpful Customer Reviews
Marid begins to grow into his own in the second novel of Effinger's Marid Audran trilogy, and we learn more about the greater world, Arab and otherwise. This novel was less dark: bad things still happen, but Marid also gets to kick some ass. The plot involves a series of unsolved murders, child slavery, and the political struggle between Freidlander Bey and another powerful lord for control not only of the Budayeen but much of the world.
I was in love with the first volume of this series, When Gravity Fails. Not so much with the second. It reads as if written to a plot outline. The prose gets you from A to B to C as the author hits his plot twists. The characters seem flat as compared to book 1. The plot moves along but goes nowhere and ends at no particular place. It is a fun read and I only paid used price. At full price I would probably have felt cheated. I realize that doing a series is hard work as each volume must both stand on its own and advance the larger enterprise. To me this rates as a failure at this. Pity. The concept of a cyber noir future Arabia was neat and the initial drawing of characters and setting intriguing. Still I did just order the third volume so I have not yet abandoned hope.
I read this book some time after i read the prequel when gravity fails. I almost forgot how wonderful the original was until i started reading this book. It breathed life back into the series for me and now im am starting to read the conclusion to the trilogy. If you are a fan of sci-fi yet you still want to find something out of the ordinary this is the book for you.
In the twenty-second century, private detective Marid Audran wonders if he gave up too much of his independence when he agreed to delete the adjective private from his occupation and work exclusively for two century old Budayeen kingpin Friedlander Bey. Marid lives much better as the pay is excellent compared to the scraps he earned before he became Bey¿s man, but he feels guilty, having sold out to the system, dropped all his former friends to become a ¿cop¿ with a Christian slave Kmuzu. --- Taking time off though still on call Marid travels to the Mauretania region of Algeria looking for his family especially information on his North American mother Angel Monroe. However that proves a big bust though he meets her so he quickly returns to Budayeen to investigate the gruesome cases of someone mutilating and murdering children and prostitutes. Having experience with a serial killer (see WHEN GRAVITY FAILS), he feels he can stop the culprit though clues lead to Bey¿s dangerous and powerful rival Abu Adil and an unwanted partner is fostered on him. --- This is an intriguing sequel that combines elements of an urban noir inside a futuristic science fiction. The story line is action-packed from the moment Marid returns to the Budayeen following his disappointment upon meeting his mom and never slows down until he confronts the killer, but unlike the first tale, WHEN GRAVITY FAILS, the investigation takes away from rather than enhances the twenty-second century ambience. Still this is a fine who-done-it starring an interesting protagonist whose conscience never lets him fully relish his rise in materialism at the cost of his freedom. --- Harriet Klausner
This is a classic fantasy triology. Effinger disappeared from the fantasy world in the early 1990's and has not reappeared. For those new to fantasy, or those who want to savor an ripe vintage, find these books. Its a pity they have not been re-released by a publisher.