Stefan Al
Jeffrey Lieber offers a dazzling account of mid-century modernism as a confluence of Cold War imperialism, corporate 'glass boxes,' lifestyle magazines, sword-and-sandal movies, and intellectuals' anxieties about a 'crisis' in culture.
Timothy Brittain-Catlin
Some monuments of mid-century corporate architecture have baffled critics, historians, and occasionally even their own architects. Lieber weaves theories of glamour, failure, 'uselessness,' and camp to uncover surprising hidden meanings.
Endorsement
Jeffrey Lieber offers a dazzling account of mid-century modernism as a confluence of Cold War imperialism, corporate 'glass boxes,' lifestyle magazines, sword-and-sandal movies, and intellectuals' anxieties about a 'crisis' in culture.
Stefan Al, architect and urban designer; Associate Professor of Urban Design at the University of Pennsylvania; author of
The Strip: Las Vegas and the Architecture of the American Dream
From the Publisher
Some monuments of mid-century corporate architecture have baffled critics, historians, and occasionally even their own architects. Lieber weaves theories of glamour, failure, 'uselessness,' and camp to uncover surprising hidden meanings.
Timothy Brittain-Catlin, University of Kent; author of
Bleak HousesJeffrey Lieber offers a dazzling account of mid-century modernism as a confluence of Cold War imperialism, corporate 'glass boxes,' lifestyle magazines, sword-and-sandal movies, and intellectuals' anxieties about a 'crisis' in culture.
Stefan Al, architect and urban designer; Associate Professor of Urban Design at the University of Pennsylvania; author of
The Strip: Las Vegas and the Architecture of the American Dream