Frame 232
The time had come, she decided, to rid herself of this burden, to take the steps necessary to put the matter to rest once and for all. And the first step, she knew—against every instinct and desire—was to watch that film.

During the reading of her mother’s will, Sheila Baker discovers that she has inherited everything her parents ever possessed, including their secrets. A mysterious safe-deposit box key leads her to the answers to one of history’s greatest conspiracies: Who killed John F. Kennedy? Not only does she have the missing film, revealing her mother as the infamous babushka lady, but she has proof that there was more than one shooter.

On the run from people who would stop at nothing to keep secrets buried, Sheila turns to billionaire sleuth Jason Hammond for help. Having lost his own family in a tragic plane crash, Jason knows a thing or two about running from the past. With a target on their backs and time running out, can Jason finally uncover the truth behind the crime that shook a generation—or will he and Sheila become its final victims?
1113897001
Frame 232
The time had come, she decided, to rid herself of this burden, to take the steps necessary to put the matter to rest once and for all. And the first step, she knew—against every instinct and desire—was to watch that film.

During the reading of her mother’s will, Sheila Baker discovers that she has inherited everything her parents ever possessed, including their secrets. A mysterious safe-deposit box key leads her to the answers to one of history’s greatest conspiracies: Who killed John F. Kennedy? Not only does she have the missing film, revealing her mother as the infamous babushka lady, but she has proof that there was more than one shooter.

On the run from people who would stop at nothing to keep secrets buried, Sheila turns to billionaire sleuth Jason Hammond for help. Having lost his own family in a tragic plane crash, Jason knows a thing or two about running from the past. With a target on their backs and time running out, can Jason finally uncover the truth behind the crime that shook a generation—or will he and Sheila become its final victims?
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Frame 232

Frame 232

by Wil Mara
Frame 232

Frame 232

by Wil Mara

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Overview

The time had come, she decided, to rid herself of this burden, to take the steps necessary to put the matter to rest once and for all. And the first step, she knew—against every instinct and desire—was to watch that film.

During the reading of her mother’s will, Sheila Baker discovers that she has inherited everything her parents ever possessed, including their secrets. A mysterious safe-deposit box key leads her to the answers to one of history’s greatest conspiracies: Who killed John F. Kennedy? Not only does she have the missing film, revealing her mother as the infamous babushka lady, but she has proof that there was more than one shooter.

On the run from people who would stop at nothing to keep secrets buried, Sheila turns to billionaire sleuth Jason Hammond for help. Having lost his own family in a tragic plane crash, Jason knows a thing or two about running from the past. With a target on their backs and time running out, can Jason finally uncover the truth behind the crime that shook a generation—or will he and Sheila become its final victims?

Product Details

ISBN-13: 9781414386034
Publisher: Tyndale House Publishers
Publication date: 06/21/2013
Sold by: Barnes & Noble
Format: eBook
Pages: 448
File size: 2 MB

Read an Excerpt

FRAME 232


By WIL MARA

Tyndale House Publishers, Inc.

Copyright © 2013 Wil Mara
All rights reserved.
ISBN: 978-1-4143-8176-3


Excerpt

CHAPTER 1

PARKLAND HOSPITAL PRESENT DAY


IT WAS NOTHING but a waiting game now, a cruel and macabre waiting game.

Sheila Baker watched her mother's face, framed within the hospital pillow. The eyes, reduced to sunken orbs covered by parchment skin, had been closed for a while now. Her nose and mouth were trapped inside the oxygen mask, clear plastic with pale-green straps. Her breathing was erratic, as it had been for the last two days. A drip bag hung nearby, filled with fluid that streamed into her ravaged body, and a mile of gauze ran around her wrist to hold the needle in place. The room was kept immaculately clean by the hospital staff, the sheets changed daily. Yet the reek of death hung heavy in the air. The clinical-looking clock on the wall held no relevance; time was measured in here by the rhythmic hiss of the respirator. For Margaret Baker, who had turned seventy-eight nine weeks earlier, this room was her universe now, her gateway from this world into the next.

She had smoked for years, a habit she'd first picked up in the 1950s, when smoking was considered safe and fashionable and people puffed away in airplanes, offices, restaurants, and elevators. The idea that you could die from it was as distant as the notion of committing gradual suicide from the sustained consumption of fried foods, the use of dirty needles, or living down the street from certain types of power plants. By the time academics started publishing their studies proving otherwise, she was hooked. When she finally mustered the willpower to break free of its grip, the cancer had already set up shop. Doctors were summoned, friends rallied round, and a spirit of cautious hopefulness arose. But lung cancer was almost always a nonrefundable ticket to the grave, and the light of optimism first dimmed and then flickered out. Margaret had accepted the truth and, with characteristic courage, focused not on fighting a losing battle but rather on making the final stage of her journey as uncomplicated as possible.

She'd been a patient at Parkland twenty-six times over the last three years. The first few visits were overnight stays for observation and an endless litany of tests. Then they became longer—two days, four, six ... Names and faces of the hospital staff became familiar. The need to stop at the information desk faded. One of the nurses in the oncology section, it turned out, had been a year behind Sheila in high school. People from the past came to visit in a depressing revival of This Is Your Life—the owner of the pharmacy in downtown Addison, several church friends, a former coworker, a few others. But no relatives. Sheila was Margaret's only child, and her husband had passed away in '98.

Sheila was pleased they finally moved her mother to a private room. She'd had roommates in the last three, all in worse shape. Each one was an elderly woman, and they were all deceased now. The first had been clearheaded for a few weeks, the other two in various states of delirium. Sheila was haunted by one in particular, who stared maniacally at the ceiling and produced an endless stream of glossolalia. It wasn't her deteriorated mental state that affected Sheila so deeply but rather the fact that no one came to see her. There were no balloons, no flowers, no cards. A forgotten soul in a world of billions. Someone from the local church had left a prayer card—but then her mom received one too. So did every other patient, most likely. Then one day Sheila came in and found the bed empty, made up with fresh sheets. One of the nurses said the woman had died the night before. With no one there to hold her hand, no doubt, Sheila thought with a touch of anger.

She stroked her mother's white hair, kissed her on the cheek, then sat in one of the ridiculously uncomfortable guest chairs and opened a cooking magazine she'd spotted in the lobby. No sooner had she found a recipe for sesame apricot chicken than her cell phone vibrated. Removing it from the holster, she found the following text message on the screen:

Sheila,

The guys are here with the new arc trainer and they're setting it up. Is there anything else I need to do?

Vi7cki


Sheila rose from the chair and walked into the hallway before dialing. The call was answered on the second ring.

"That was quick," Vicki said.

"I'm here at the hospital and it's pretty quiet right now."

"Oh, I didn't know. I'm sorry."

"No, that's fine. I asked you to let me know when they got there."

"Do I need to tell them anything?"

"Are they actually working? Sometimes Eric's guys need the whip cracked over their heads."

"No, they're doing it." Vicki laughed. "I think they're afraid of you."

"That can be useful sometimes."

"I don't know.... You're the best boss I've ever had; that's for sure."

"Vying for a raise again?"

"No, really. I—"

"I'm just kidding. How are things going otherwise?"

"Okay."

"Busy?"

"No more than usual, but no less, either."

"Any new recruits?"

"Yes!" she said. "I signed up four new people this morning. Four."

"That's excellent, Vick. Terrific work."

"And I re-upped two others."

"Re-upping is just as good. As long as they come to my gyms, I don't care how or why."

"We're the best."

"Better believe it."

"Oh, and that guy stopped in again, too...."

"What guy?"

"That Doug guy."

Sheila rolled her eyes. "Did you tell him I was out of town?"

"Yeah. I don't know if he believed me, but he said he'd be back."

"Lucky me."

"He's creepy."

Sheila agreed, but she was also at a point in her life where she wasn't interested in a relationship with any man.

"Okay, let me get back to Mama."

"How's she doing?"

"Not that great. It's just a matter of time."

"How are you holding up?"

Sheila wasn't sure how to reply to this. She'd been through every emotion on the spectrum since the cancer had quietly entered their lives three years ago. Truth be told, she felt like a towel wrung of all moisture. It was torture to watch her mother suffer like this and to know the end of her life was mere days or even hours away. But there was still that hope, like a little flame that never burns out, for a miracle. of course it was ridiculous now, but that wouldn't stop her from tending it.

"I'm doing okay," she said, more to keep the silence from winding out than anything else. "As well as can be expected under the circumstances." A tear rolled down her cheek, and she wiped it away before anyone else in the hallway noticed.

"I wish there was something I could do."

"I know. I appreciate it."

"Is there anything you need? Anything I can send you?"

"No, I'm fine."

"Really? Honestly?"

"Honestly. Hey, she was the greatest mom I could've asked for. She and my dad were always there for me, gave me everything I needed, and let me find my own way when the time came. I couldn't have asked for much more. And they really loved each other, so she had a good life too."

"You were all very lucky."

"We certainly were. But let me go, okay? I want to stay by her side."

"Sure. And don't worry about anything here. I've got it all under control."

"Thanks, Vick."

Sheila ended the call and put the phone away. As she crept back into the room, she thought about how lucky she'd been to find Vicki, too. She had more than two dozen employees, and Victoria Miller was the best of them. No formal education beyond high school, yet she had more natural business sense than any of the arrogant MBA geniuses Sheila had interviewed. Vicki was hardworking, tough, and—best of all—trustworthy beyond all doubt. That was something they didn't stress much in postgrad courses, Sheila noticed.

She was just about to return to the magazine when her mother groaned and rolled her head back and forth. The oxygen mask didn't follow—the tube got caught under her arm. This caused the edge of the mask to press her nose down crookedly. Sheila hastened to fix it, and Margaret's eyes opened. They were red-rimmed and watery, like those of a child who'd been crying.

"Sweetheart," she said, her voice muted behind the clear plastic.

Sheila was stunned by the lucidity of her tone. They were medicating her heavily to chase off the pain. She slept most of the time, talked nonsense the rest. She usually confused the past with the present, referring to long-dead friends and family as if they were standing in the hallway. Every now and then she produced a coherent thought, but they were growing scarce.

Sheila leaned down and smiled. "Yes, Mama?"

Margaret lifted the arm with the gauzy wristband and, with surprising strength, took her hand. "I'm sorry," she said. This came out shaky and labored, but the eyes were suddenly bright again. The abruptness of the change was unsettling.

"For what?" There was still a faint trace of the Texas accent in Sheila's voice, in spite of not having lived here for almost twenty years.

Margaret's eyes closed again, and she sank back onto the pillow. This simple exchange had drained her, it seemed. Sheila thought she might fall back to sleep.

Then her mother took a deep breath and swallowed to clear her throat. Her eyes reopened. "For the burden. The burden of it."

Puzzled, Sheila studied her for a long moment. "What are you talking about?"

"This burden that I'm leaving you. I'm sorry, Sheila. I'm so sorry."

"Mama? What burden? What do you mean?"

"Just get rid of it. Get rid of it."

"What? Mama, I don't underst—"

"I'm sorry...."

The eyes closed slowly this time. Her breathing became deep and heavy.

Margaret Baker had just two more rational moments—one the next day in which she said that she loved her daughter more than anything in the world, and a second on her final day, when she asked Sheila what she thought God might have in store for her. When Sheila said she didn't know but was sure it would be wonderful, her mother managed a weak nod before slipping into unconsciousness. Her suffering came to an end less than two hours later.
(Continues...)


Excerpted from FRAME 232 by WIL MARA. Copyright © 2013 by Wil Mara. Excerpted by permission of Tyndale House Publishers, Inc..
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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