Frantumaglia: A Writer's Journey by Elena Ferrante
Named one of The Guardian 's "Best Books of 2016"
From the author of My Brilliant Friend
This book invites readers into Elena Ferrante’s workshop. It offers a glimpse into the drawers of her writing desk, those drawers from which emerged her three early standalone novels and the four installments of My Brilliant Friend , known in English as the Neapolitan Quartet. Consisting of over 20 years of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing.
In these pages Ferrante answers many of her readers’ questions. She addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn’t good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work.
Elena Ferrante is the author of The Days of Abandonment (Europa, 2005), Troubling Love (Europa, 2006), The Lost Daughter (Europa, 2008) and the Neapolitan Quartet (Europa 2012-2015). She is also the author of a children’s picture book illustrated by Mara Cerri, The Beach at Night.
Ann Goldstein has translated into English all of Elena Ferrante's books, including the New York Times bestseller, The Story of the Lost Child, which was shortlisted for the MAN Booker International Prize. She has been honored with a Guggenheim Fellowship and is the recipient of the PEN Renato Poggioli Translation Award. She lives in New York.
Frantumaglia: A Writer's Journey 3 out of 5based on
More than 1 year ago
I read this before I read Ms. Ferrante's books, but I think there is value in reading it after, because by then you will have a connection with the author which will bring more meaning to this short collection of interviews.
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