Phoenix and Justin Sunder are master cat burglars and best friends until Dylan Panicosky enters their circle of hedonism and crime. Set in the blighted city of St. Louis in the '80s, Fraternity of Fractures is a love triangle played out in an urban setting full of nocturnal decadence and danger, with all the players fractured in their own way.
Phoenix and Justin Sunder are master cat burglars and best friends until Dylan Panicosky enters their circle of hedonism and crime. Set in the blighted city of St. Louis in the '80s, Fraternity of Fractures is a love triangle played out in an urban setting full of nocturnal decadence and danger, with all the players fractured in their own way.
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Overview
Phoenix and Justin Sunder are master cat burglars and best friends until Dylan Panicosky enters their circle of hedonism and crime. Set in the blighted city of St. Louis in the '80s, Fraternity of Fractures is a love triangle played out in an urban setting full of nocturnal decadence and danger, with all the players fractured in their own way.
Product Details
| ISBN-13: | 9781504957557 |
|---|---|
| Publisher: | AuthorHouse |
| Publication date: | 11/04/2015 |
| Pages: | 188 |
| Product dimensions: | 6.00(w) x 9.00(h) x 0.40(d) |
About the Author
Read an Excerpt
Fraternity of Fractures
By Mark Pannebecker
AuthorHouse
Copyright © 2015 Mark PannebeckerAll rights reserved.
ISBN: 978-1-5049-5755-7
CHAPTER 1
It was a perfect time for a robbery. Any earlier and there'd be too many people walking around; any later and the bars would be closing, causing too much activity; and later still, it would be unsafe as well as raise suspicion. Phoenix knew what she was doing.
She sat in her car listening to the Dead Kennedys, watching the thick smoke from the corner Vietnamese restaurant roll out from the exhaust fan and hang there ten feet above the sidewalk; she could smell the familiar spices of Asian cooking. The white smoke stagnating in the stale air added to her discomfort and she hoped for a breeze to cool her off.
Phoenix didn't want to sit under the dimly lit, haloed streetlights for too long and draw attention to herself, but she saw a squad car in the rearview mirror nestled in the oncoming traffic and decided to wait; but just sitting there made her feel heavy, the gray St. Louis sky weighed her down. She started to sweat and looked again in her rearview mirror. To keep her mind off the suffocating weather she thought about the security system of Chin's Orient Emporium and went through a mental list of what she needed to do to break it. The short rush of traffic finally drove past her, spiraling the cloud of smoke from the restaurant and sending it clutching into the night like skeleton fingers. The half- dozen cars continued down the two mile stretch of Grand Boulevard lined with inexpensive restaurants, cheap retail shops, and boarded-up buildings. When it was clear, Phoenix checked the area one more time: a handful of people, a couple of parked cars, little activity this time of night in the Tower Grove neighborhood.
She grabbed her Walkman and a cassette tape as she prepared to walk the block in a half to Chin's Orient Emporium. When she stepped out of her car, she was immediately wrapped in the humid July weather, her black one-piece, tight around her five-foot frame, stuck to her body as she moved her oversized black nylon bag onto her tenuous shoulders.
Standing outside the building, shrouded in its shadow, Phoenix slipped surgical gloves onto her fine hands. Partly protected by the blue haze of the new moon's light, she grabbed her small metal Mac flashlight, a pocket-sized version of what the police carry and a present from Justin Sunder, her friend and mentor, the first night they danced together. When she turned the head of her flashlight a strong white beam shot out and landed precisely on the store's telephone line. Phoenix stood in her suit of night, poised in the dark, her muscles tight, her jaw slightly clenched, and her nipples hard. Her large green eyes followed the narrow, focused light as she traced the phone line down the side of the two-story building. When she heard a couple approaching, she quickly turned off the light, pressed against the building, and squinted.
"Your eyes are like beacons in the night," Justin once told her, "close them." She wished he were with her now because — although she was good — she wasn't as good as Justin Sunder. Even though she knew Chin's system could be easily breached she still felt a little uncomfortable dancing alone for the first time since meeting him two years ago. She had come to depend on his expertise. And she enjoyed dancing with him.
Her eyelids dropped to form two crescent moons while waiting for the couple to pass. When it was safe, she opened her eyes again, turned the light back on, and continued to track the correct wire to the security box that flashed a red light. Phoenix knew with a system like this, bells and whistles went off if someone broke a window because the concern wasn't to catch the criminals but to draw attention to their activity. With a quick snip, she disabled the security system Chin's employed. In the distance a police siren sang, but Phoenix wasn't concerned — as Justin was prone to say, "It's the ones you don't hear that get you." Phoenix took black electrical tape and connected the severed lines so they appeared to be undamaged.
In the back, she found the small window she needed, just large and low enough for her to climb through. She covered the window with duct tape then tapped it several times with her flashlight, the muffled noise of breaking glass barely audible. She peeled away the gray tape, quietly bringing the broken glass with it, leaving a clean hole for her to enter through.
Once inside she felt comfortable again, the familiar feeling of excitement and confidence returned, and she took her time. Phoenix knew what she wanted. She didn't steal everything she could get her hands on, when she wanted a VCR she broke into a store and took a VCR, she didn't loot the place; she didn't break windows and grab whatever she could to sell later, that was for amateurs and punks; she didn't shoplift and she wasn't a kleptomaniac. She practiced her art with deliberation. Inside Chin's Orient Emporium, she only wanted three items. Her eyes quickly adjusted to the dark and she made her way through the store, straight for the kimono rack. She tried on several styles, checking the mirror to see how they looked, and finally chose an ivory colored lace kimono with a large, hand-sewn rose stitched on the back. She then walked over to the display case that housed the legal weapons. Using her lock-pick set, she opened the case for her second item. Phoenix slid open the glass panel and picked out a Balisong knife with red handles and a black tempered-steel blade, exactly like the butterfly knife she lost last year, the one her girlfriend Dena gave to her in New Orleans. She flicked her wrist three times and the six-inch blade shot out, revealing a deadly weapon in less than a second. She skillfully opened and closed it several times — like Dena had taught her.
"You're gonna hafta look out for yourself now, Phoenix," Dena said just before leaving New Orleans. "I'm not gonna be around to protect you from assholes that can't leave pretty thangs like you alone."
"Pretty thangs" — the phrase echoed in Phoenix's mind — she loved the way Dena said 'pretty thang' to her, like it was a precious title. She hadn't thought about her for years, and for a moment she and Dena were together again, saying good-bye. Phoenix touching Dena's flawless dark face, her cropped white hair, kissing her full lips one last time and pressing against her. Phoenix began to touch herself but then a light flashed on the side of the building and Phoenix was thrown back to St. Louis — Chin's. If the cop controlling the searchlight had better aim, he would have lit up Phoenix through the window, surprising her like a deer caught in headlights. She quickly dropped to the floor. When the officer positioned his light to shine through the window, Phoenix was already hidden. The cop slowly panned it across the store, illuminating the clothing racks; a full-length mirror that reflected the light onto the video shelf; onto the cash register above the weapons counter; and then across an opened curtain in the changing room against the back wall. Satisfied that nothing was wrong, the police slowly drove off, shining the light past the security box and then down along the row of storefronts.
After the store became dark again, Phoenix rolled out from under the counter and went over to the robes. She picked out the last item she wanted: a thick, hooded green robe, intricately and elaborately decorated with a dragon. Phoenix smiled as she pushed the heavy back door open and walked out into the alley, recalling the week before when she innocently walked into Chin's to simply browse but after recognizing the store's security system, and instantly knowing its faults, decided to dance there instead. She hit play on her Walkman and listened to Patti Smith as she ambled back to her car.
CHAPTER 2Justin Sunder sat quietly on a barstool in John Bowman's bar and thought of Phoenix — he hadn't seen her all night and was worried; he wondered where she was, what she was doing. As he finished his drink, he casually looked in the mirror behind the bar. The image reflected back to him was that of his maternal grandfather who Justin had never met but saw once in an old photograph. Justin's mother, who did her best to remove any connection to her Native American ancestry, had shown him the old, faded black-and-white print taken when she was five and still living on the Northern Cheyenne Indian Reservation. She showed Justin the photograph to compare the squalor she lived in as a child to the comfort and wealth she now enjoyed in Kansas City. His grandfather, Standing Bear, had fought against Custer and continued to fight the U.S. government, up until his death, by refusing to become a citizen of the United States and advocating an independent Indian nation. The mirror reflected Justin's light brown skin and strong features. His dark brown eyes stopped for a moment on his scar — a third-degree burn on the side of his right cheek that continued down his neck to his collarbone, the seared skin shaped like Italy. His long, thick black hair, pulled back into a French braid, and the crew neck shirt he wore, revealed most of the scar that marred his otherwise handsome face.
He turned his gaze to John Bowman, the owner, who worked the bar like a consummate professional. On a busy night he'd go down the length of the bar, taking a dozen orders from a dozen different people, and return a minute later with the right drinks for the right person. John was a big, bearded man who moved with the agility of a dancer behind the narrow bar. He always wore a T-shirt with a cartoon character on it, and on this uncommonly slow night, he was wearing Captain America.
Patsy Cline came on as John, noticing Justin's empty glass, came over. "How ya' doin' there Justin?"
Justin smiled. "Another, when you get a chance."
John nodded and turned his attention to a young woman who came up to the bar. She smiled at Justin, but when she saw the third-degree burn on his face, she quickly turned to John and ordered two Zinfandels. Her rude behavior toward Justin did not go unnoticed by John who made Justin's drink and took his time before splashing the cheap wine into two glasses.
John didn't know why, but his bar got people from all over St. Louis. This lady with her wine fit immediately into the look he facetiously referred to as 'west county', whether they were actually from the suburbs or not; the boys in the back playing pool were clearly from the south side; and the party sitting at the tables opposite the bar were probably from the city's west end because of their flamboyant behavior. The eclectic mix gave J.B.'s a certain attitude, and recently his bar had become a popular hangout. He didn't know they were there because of his unique taste. John adorned his bar with whatever he liked with no regard to what people thought. The result was a strange collection of miscellaneous items that eventually drew his current staff to apply. The staff, as well as the customers, gave him too much credit for his creativity; it wasn't a conscious effort he put into decorating his bar — he just did what he liked. The same was with his choice in music.
"Three Cigarettes (In An Ashtray)" played from the four speakers hanging at each corner. John, while wiping down the bar, looked up and saw the younger brother of an old friend approaching with a familiar stride.
Dylan Panicosky had just recently started coming to J.B.'s. His physique, his confidence, and his soft, almost feminine features — Dylan, like his brother Billy, could only grow wisps of facial hair and both brothers opted for a clean, shaven look — reminded John of Billy Panicosky, whom John used to ride with occasionally before Billy was killed. Billy the Kid, as his friends and his motorcycle club called him, was the road captain for the Four Horseman.
"My lover and I, in a small cafe ..." Dylan sang along, "Then a stranger came along, and everything went wrong — hey Johnny I accidentally broke this glass, the damn thing just fell over. It wasn't my fault, I wasn't even there." Dylan smiled and handed John the remains, "Sorry, man, can I get two more Buds from ya?" While waiting for his beers, Dylan continued to keep the beat with his hands, softly tapping on the sheet metal bar. He looked over at Justin, and they both nodded to each other. Then Dylan did something few men have ever done to Justin Sunder. Noticing Justin's scar, Dylan paused for a respectful moment on the wound, acknowledging it, and when he locked eyes with Justin's, he simply nodded. Justin nodded back, and Dylan, knocking on the bar once as if the matter was settled, turned to John Bowman for his beers.
* * *
Phoenix left the Tower Grove neighborhood and drove east down Highway 44 where late-night construction was underway; causing the drive home to the apartment she shared with Justin to take almost 40 minutes. She pulled onto the dimly lit Lafayette Avenue and drove past the black, empty, broken eyes of the deserted city hospital to the old French neighborhood of Soulard where she'd lived since she first rolled into St. Louis last year.
When she pulled around the corner, she saw lights on in the living room of their apartment. She thought Justin was home and smiled. Their building, analogous of French Renaissance, had been renovated into loft-style apartments and theirs was a 2,500 square foot rectangle warehouse on the third floor. When the annual Soulard Mardi Gras parade would crawl past they would stand out on their wrought iron balcony and playfully show their breasts.
She parked in the back alley and walked up the iron steps. When she reached the back porch the security light came on, flooding her from above. She unlocked the back door and entered. The only new walls constructed were along the north side where Phoenix's bedroom, facing east into the alley, and Justin's bedroom, facing west onto the street, were separated by a large kitchen. Each bedroom had a private bathroom. As soon as Phoenix walked in, she could see her friend wasn't home. The track lighting, on the south, unpainted brick wall, lit up nine original posters advertising obscure foreign plays and products from the 1920s, several limited addition prints of photographs from national and international artists, and many original paintings and works of art from the postmodernist movement. Phoenix crossed the wooden floors to the open living room, threw her bag on the leather Eileen Gray sofa, and sat down.
The living room, defined by two large area rugs from France, was furnished partly in stolen goods — a testament to her and Justin's craft — and furniture Justin bought in the mid-eighties right after he moved to St. Louis. The expensive European imported furniture complemented the open, airy feeling of the loft. The dramatic designs of bent steel and leather from Le Corbusier; the Italian marble and thick glass; the black lacquered wood and tightly woven fabric gave the apartment a clean, stylish look. Justin taught Phoenix about designers like Isamu Noguchi, Charles Mackintosh, and Ludwig Mies Van Der Rohe. He had walked with her in an exclusive store downtown telling her about the Bauhaus movement and pointing out the history of some of their designs and what made them unique. He also helped her pick out some of the better pieces by contemporary designers like Philippe Starck and Peter Maly, and Phoenix soon understood what gave one thing style and made another a cheap imitation or gaudy.
Phoenix scanned the shelves of cassettes and albums that filled an area between two industrial style, floor-length windows. The alphabetized collection sorted by genre, was an impressive look into the history of music, from classical to new wave. Phoenix, unable to decide what she wanted to hear, decided to just play whatever Justin had been listening to. When Roxy Music's Slave to Love came on, she smiled and turned up the volume and surrounded herself with the sultry music. Reaching into her bag, she pulled out the green robe she picked out for Justin and inspected it one more time as she walked into his bedroom. She folded it neatly and placed it on his bed.
Justin's austere bedroom contrasted with the elegance of the rest of their apartment. The old wooden dresser in the corner was one Phoenix found in an alley in the summer of '86 just before she met him. After they moved in together, he offered his German-made dresser to Phoenix and took hers. On the wooden floor laid a cheap rug Phoenix bought for $20. And Justin's bed was a simple futon covered with Egyptian cotton sheets. If it wasn't for the hidden gun collection housed inside the armoire, Justin's room could have been a monk's quarters.
(Continues...)
Excerpted from Fraternity of Fractures by Mark Pannebecker, Diana Blaylock. Copyright © 2015 Mark Pannebecker. Excerpted by permission of AuthorHouse.
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