The Friday Night Knitting Club

The Friday Night Knitting Club

by Kate Jacobs

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Product Details

ISBN-13: 9780425265260
Publisher: Penguin Publishing Group
Publication date: 12/04/2012
Series: Friday Night Knitting Club Series
Pages: 400
Sales rank: 146,803
Product dimensions: 4.20(w) x 6.60(h) x 1.20(d)
Age Range: 18 Years

About the Author

Kate Jacobs is the author of the #1 New York Times bestseller The Friday Night Knitting Club, Knit Two, Knit the Season, and Comfort Food.

Read an Excerpt

Open Tuesday through Saturday, 10 am-8pm.
No exceptions!

The hours of Walker and Daughter: Knitters were clearly displayed in multicolored letters on a white sandwich board placed just so at the top of the stair landing. Though Georgia Walker—usually preoccupied with closing out the till and picking up the strays of yarn on the floor—rarely made a move to turn the lock until at least eight fifteen…or later.

Instead, she sat on her stool at the counter, tuning out the traffic noise from New York's busy Broadway below, reflecting on the day's sales or prepping for the beginner’s knitting class she taught every afternoon to the stay-at-homes looking for some seeming stamp of authentic motherliness. She crunched the numbers with a pencil and paper, and sighed. Business was good, but it could always be better. She tugged at her long, chestnut curls. It was a habit from years ago she’d never quite grown out of and by the end of each day her bangs often stood straight up. Once the bookkeeping was in order, she'd smooth out her hair, brush off any bits of eraser from her jeans and soft jersey top, her face a bit pale from concentration and lack of sun, and stand up to her full six feet (thanks to the three-inch heels on her well-worn brown leather cowboy boots).

Slowly she would walk around the shop, running her hands lightly over the piles of yarn that were meticulously sorted by color—from lime to Kelly green, rust to strawberry, cobalt to Wedgwood blue, sunburst to amber, and rows and rows of grays and creams and blacks and whites. The yarn went from exquisitely plush and smooth to itchy and nubbly and all of it was hers. And Dakota's too, of course. Dakota, who at twelve frequently ignored her mother's instructions, loved to cross her dark eyes and savor the fuzzed-out look of the colors all merging, a rainbow blending together.

Dakota was the store mascot, one of its chief color consultants (more sparkles!), and frankly, a pretty damn good knitter already. Georgia noticed how quickly her daughter was making her projects, how particular she was becoming about the tautness of her stitches. More than once she'd been surprised to see her not-so-little-anymore girl approach a waiting customer and say with confidence: "Oh, I can help you with that. Here, we'll take this crochet hook and fix that mistake…" The shop was a work in progress; Dakota was the one thing she knew she'd done exactly right.

And yet when Georgia finally went to turn out the lights of her shop, she would often be met by a potential customer, all furrowed brow and breathless from dashing up the steep stairs to the second-floor shop, the seemingly innocuous "Can I just pop in, for a quick minute?" out of her mouth before Georgia could even insist they were done for the night. She'd open the door a little wider, knowing all too well what it was like to juggle work and kids and still try to sneak in a little something for herself on the side: reading a book, coloring her hair in the bathroom sink, taking a nap. Come in, get what you need, she'd say, putting off the short climb to her sparsely decorated apartment on the floor above. She never let any straggler stay past nine on a school night, though, because she needed to shoo her Dakota from the corner desk where she did her homework. But Georgia would never turn away a potential sale.

She'd never turn away anyone at all.

"You can go home, Anita," Georgia would say over her shoulder to the trusted friend who worked in the shop alongside her. Anita always stayed until closing time, peeking in on Dakota's studies as Georgia wondered about keeping the older woman out too late. But even though she had the opportunity to leave, Anita, who still looked as fresh in her Chanel pantsuit as when she'd come in for her shift at three pm, just smiled and shook her head, her silver bob falling neatly into place.

Then Georgia would step out of the doorframe to let in the straggler, a resigned smile revealing the beginnings of tiny crinkles around her calm, green eyes. Here we go again, her face seemed to say. But she was grateful for every person who walked through the door and took the time to make sure they had what they needed.

"Every sale is also a future sale—if you please the customer." Georgia often bored Dakota with her various theories on business. "Word of mouth is the best advertising."

And her biggest booster was Anita, who sensed when the day had been too long for Georgia and leaped in to assist. "I'd be delighted to help you," Anita often said, coming up to Georgia's side and reaching out to the last-minute shopper, ushering her inside. Anita knew and loved the nubbly textures and patterns as well as Georgia did; both had been introduced to the craft by grandmothers eager to share their secrets. Talking about knitting with the customers at Walker and Daughter was Anita's passion—second only to working with the needles herself.

Anita was captivated with the craft from the moment her Bubbe asked her, as a chubby-cheeked youngster, to hold a skein of thick, warm yarn. She watched her grandmother work the needles quickly, fashioning the hunter-green string into a small, smooth cardigan. With thick buttons for little fingers to grasp. And when that same grandmother presented the finished sweater to Anita…well, a knitter was born. Soon she was placing her hands over that same grandmother's as she learned how it felt to work the wool, then mastered tying her first slipknot and relished the excitement of casting on for the first time. As a young woman, Anita kept up knitting to make herself the angora twinsets her parents couldn't afford, then to cuddle up her babies in thick blankets and booties while her husband worked on building his business. She just kept at it—long after she needed to make clothes for her family, long after her husband's hard work had built a life that was more than comfortable—and then, when she was well into middle age, she threw out the pattern books and began experimenting with patterns and color to create unique designs. A mother of three grown sons and grandmother to seven (handsome and genius) youngsters, Anita was surprised to add up the years and realize that she had been working with yarn for most of her seventy-two years. "Anita is an artist, and knitting is her medium" was what her husband, Stan, always told people who admired the colorful vests he insisted on wearing to the office. Stan. He had been so proud of her, encouraging her to work with Georgia all those years ago; she began going to the shop one day a week to test it out. Anita had had no need for the money and she worried that she seemed silly to work at her age.

"Does it make you happy?" Stan had asked her after her first day, and she admitted that yes, yes, it did, as she rolled into his arms. Then keep at it, he murmured, keep at it.

Over time, young Dakota began to seem like another grandchild—especially precious because Anita could see her whenever she wanted, unlike her own children and grandchildren, who had all moved away to Israel, Zurich, Atlanta. There were cards and phone calls, of course, but it wasn't the same; Anita had long harbored a fear of planes, and all the psychologists and Valium in the world couldn't fix it. Her grandchildren grew so much between each visit that it was like getting to know a new person all over again. And then one day Stan was gone, too. A quick peck as she sat at the breakfast table with toast crumbs still on her lip, a sudden heart attack riding in the elevator to his top-floor office, a phone call telling her to take a cab to Beth Israel right now, then hearing there was nothing more anyone could do. And so it went.

Stan had taken care of the details as always, so she had no reason to worry about the bills. But financial security just wasn't enough. Anita was alone. Really and truly on her own. She cried as she lay in bed, sleeping or with magazines piled all around her. And then, one month after the funeral, she got up, put on her lipstick and pearls, and made her way to see Georgia.

"There are more and more customers each day and you're going to run behind on your projects-for-hire, Georgia," she had said. "You need someone in here full-time and I need to keep busier than to just work one day a week." It was the truth. Dakota was two then, and Georgia had recently expanded from creating projects on commission to selling yarn and notions. She had worked hard to make her business float, had even worked the six-to-twelve shift for Marty in the deli below the apartment building, toasting bagels and pouring to-go cups of coffee. Branching out into sales meant she may soon be able to give up the second job and spend more time with Dakota.

They agreed that Anita would come in for the afternoon shift during the week. When Georgia tried to insist on a dollar figure, Anita was adamant she would only work for yarn.

"When the store is a booming success, then you can pay me," she suggested that day ten years before.

Of course, the shop—with careful planning, slow growth, and a lot of hope—had grown into something of a hit. Over the years, it had even popped up in mentions of local haunts in papers and such; recently an article in New York on mompreneurs had featured Walker and Daughter.

"Sure thing, it might bring your classmates and their moms into the shop," Georgia had said when Dakota wanted to take the story to school. She planned to drop off her little girl at the front entrance as she did every morning, then go home to open up the shop. A quick hug and see you later; the usual. Instead, Dakota surprised her mother as she wheeled around, her winter coat already unzipped and revealing the bright turquoise sweater that accented her warm, café-au-lait skin. It was one of Georgia's creations. Dakota spoke, pointing to the article in triumph, then dashed into the door before the buzzer sounded. Georgia barely remembered the walk home, fumbled with the keys to the shop before her face became wet with heavy tears as she let the years of fear and hard work wash out of her, Dakota's casual "I'm proud of us, Mom" ringing in her ears.

Anita continued to work only for yarn, and when she wanted to start a personal knitting project—she still made vest after vest even though Stan had been gone for a decade—she simply went to the shelf and chose something exquisite. When she wanted a hug, she wrapped her arms around Dakota. And that was that. It was enough.

So Anita always let out a deep breath upon seeing this last-minute customer skate into the store, felt the ball in her stomach begin to unwind. A few more minutes to be needed, a further delay to keep her from going home to the apartment at the San Remo that remained too big and too empty. "Oh, come on in," she'd say over Georgia's mild protests, walking right over to help the client. "Tell me what you need…"

And so the door at Walker and Daughter was open a little bit late and eventually a little bit later than that. Soon enough, at the end of the long workweek, a few regular customers took to popping in with their knitting—sweaters and scarves and cell-phone socks—and asking questions about all the mistakes they'd made while commuting on the subway.

"I just can't get the buttonhole right!"

"Why do I keep dropping stitches?"

"Do you think I can finish it by Christmas?"

Without ever putting up one sign or announcing the creation of a knitting club, these women began regularly appearing in the evenings and, well, loitering. Chatting with each other, talking to Anita, gathering about the large round table in the center of the room, picking up where they had left things the week before. And then, one Friday last fall, it became official. Well, sort of.

Lucie, a striking woman with short, sandy-colored hair, who favored tortoiseshell glasses over her big, blue eyes and colorful, funky outfits, was an occasional shopper at Walker and Daughter. She came in every few months and was always working on the same piece, a thick cable knit sweater—a man's garment. There were a lot of these types who came in to the store, folks whose knitting ambitions were out of line with either their ability or with whatever mysterious comings and goings kept them from sitting down and getting the job done.

But Lucie began appearing more and more often in the early evening, gazing wistfully at the fancier yarns but typically choosing a good-quality wool that was just this side of inexpensive. Some days she sauntered in with a leather attaché and suit jacket slung over her arm as if she'd come from a big meeting. At other times, she looked relaxed in slim-fitting cigarette pants and a messenger bag draped across her body. But without fail she had a single bag of groceries in her hand, the makings of a simple supper, which she carefully placed on the counter as she paid for her yarn. After talking to Lucie on several visits, Anita understood that she was pretty fair with a set of needles but simply couldn't find the time to get going. "You could always knit here," Anita suggested idly, not thinking much of it. And then, one Friday, Lucie simply pulled up a chair at the table and began to do her knitting right then and there. And Dakota, who had been idly milling about and rolling her eyes and making noises about being bored and wanting to go to the movies, sat right down beside her.

"That's pretty," said Dakota, impulsively reaching out to stroke the top of the sparkling gemstone Lucie wore on her right hand.

"Yes, I bought it for myself," said Lucie, with a smile that recalled happy times, but offered no more explanation. Dakota shrugged, then reached out to look at the big, thick sweater Lucie had on round needles.

"I'm pretty good, you know," she said, nodding, putting out a hand to take a look at Lucie's stitches. Lucie laughed, kept clacking away. "I'm sure you are," she said, without looking up.

And then Anita sat down, ostensibly to keep Dakota in check. Other shoppers joined them at the table and suddenly, unexpectedly, it was a group. On a whim, Lucie pulled out the fresh box of bakery cookies she had just picked up at Fairway and had planned to savor over the weekend; instead, she offered them around. The polite no, thank-yous echoed until Dakota declared that she most certainly would enjoy a treat, and then the laughter sliced through the awkwardness and they each took one cookie, and then another. And somehow, between mouthfuls, they began to show one another what they had been working on. Anita talked buttonholes and dropped stitches, and then she offered to put on a fresh pot of coffee in the back. More cookies, more conversation. It became late, too late to really stay on, and the women packed up their bags and made motions to move but lingered, reluctant to leave. It was Dakota who declared she'd bring muffins to the next meeting. Next meeting? I might be busy, the women said. I don't know if I can commit. Let me check my calendar. But the next week, Lucie did show up. Dakota brought her muffins. Georgia even sat down with them. And so the Friday Night Knitting Club emerged.

Six months later, the club was going strong even as the winter drew to a close. Lucie had finished her sweater and started another; Dakota was making a regular mess in the kitchen in their apartment above, experimenting with everything from pinwheel cookies to blondies to decorated cupcakes. "Ever heard of June Cleaver?" Georgia would tease her. Big sigh from her sweet brown-eyed little girl who kept growing bigger.

"Yeah, I've seen TV Land, Mom."

Then: "It's for club, Mom, the ladies are hungry!" A beat. "What do you think about selling my creations?"

Ah, she'd raised another independent businesswoman with vision. It felt good.

Dakota's bake sale plans never came to pass—"No, Dakota, this Walker still outranks the daughter!"—but the group continued to grow anyway. People told their friends, and women would stroll in after meeting up for drinks or a nosh. Coming to the Friday Night Knitting Club became a bit of a thing to do—different enough to be fun, refreshing in that it wasn't just another place to meet men.

One such drop-in—a woman who came once but never came back—mentioned the shop in a casual way to her cousin, Darwin Chiu, who arrived one evening and spoke in hushed tones with Georgia, then sat at the table with a serious expression and a notepad. She was no ordinary customer; in fact, Darwin wasn't a knitter at all. She was a struggling graduate student in search of a dissertation for her doctorate in women's studies. The knitting club became her primary resource for thesis research. A compact Asian-American woman in her late twenties, Darwin was all business. In the beginning, she rarely smiled; she just furiously scribbled and later moved on to interviewing the members of the club about their "obsession with knitting."

"How do you feel knitting connects with your conceptions of femininity?" Darwin asked of one quiet M.D. who had popped by at the end of her shift. The doctor never entered the shop again.

"Does being an older knitter make you feel disconnected from the younger trendsetters?" she asked Anita.

"No, love, it makes me feel young," Anita replied. "Every time I cast on I feel the potential of making something beautiful."

At first, Georgia tolerated Darwin because she was amused by her earnestness and because she admired the seriousness with which Darwin approached her studies. Not to mention that she felt a certain sense of pride to have someone choose Walker and Daughter as a worthy place in which to do research. But in short order, Georgia put her foot down.

"You can't harass everyone who comes in here, Darwin," she explained. "You'll have to go if you can't stop interrogating everyone." "Aren't you disturbed that the renewed popularity of knitting is an alarming throwback? Can women who fritter away time on old-fashioned activities such as knitting realize their full professional potential?" responded Darwin, clearly missing the point.

"Disturbed? No, encouraged is more like it. As in, I'm encouraged I can afford to send Dakota to Harvard." Georgia's mouth was a straight line. Knitting had done more than provide her with a living; it had soothed her soul through more struggles than she could count. "Sweetheart, I'm concerned you're preventing my shop from reaching its full professional potential!"

The two women stood glaring at each other for a long time. Darwin eventually turned on her heel and left.

And then she returned, two weeks later, watching Georgia warily as she arrived for club. Their eyes met, the agreement unspoken: You can stay, but don't upset the clients. Darwin nodded imperceptibly. She selected one of Dakota's muffins—carrot spice—and gave it a try. It was a first. "Hey, this is awesome!" She was genuinely surprised. Dakota was thrilled, told her she could request next week's flavor.

"I'm glad you're back," said Anita. Darwin looked up, expecting to see sarcasm but found only warmth and welcome in Anita's eyes. A wide grin spread over her face. She was embarrassed to admit it, even to herself, but Darwin was glad to be back. She had missed them.

Officially, Georgia was nonplussed by the presence of the club. "You all sit here and no one buys anything!" she would say to Anita during the day. Sometimes, when they had a lot of drop-ins, she hung back at the counter. It felt overwhelming to have this group here, laughing and chatting. Her entire adult life had centered on work and her little girl for so long that Georgia felt out of practice at just hanging out with women of her own age. She'd felt awkward unless she was helping them to calculate how many balls they needed for this pattern or that. But she loved that Anita had an activity for her mornings, getting revved up about whatever knitting topic she would discuss that week, and that Dakota was happy to stick around the store on a Friday night and not retreat to watch the TV upstairs.

Keeping Dakota safe, making her happy: That was what mattered most to Georgia. The store was truly theirs together, because it was Dakota who began it all. And savoring the end of each day that they were still in business—and doing well, thank you very much!—was a triumph for Georgia. She had been awash in panic when she discovered she was pregnant, barely out of college and working for poverty wages as an assistant at an amorphous publishing conglomerate. Her boyfriend, James, had dumped her the month before, saying he "just wasn't into exclusivity." The truth of it was that he had already started dating a woman in his office. And not just any woman: he was fucking his boss, the lead architect in a major Manhattan firm.

Georgia had wanted James the first time she saw him at Le Bar Bat, had felt a connection to this tall, handsome black man. She tugged at her curls, walked over to him, and popped the question: "I like my eggs scrambled for breakfast. You?" It was a gambit. James looked at her with cool authority; he liked what he saw, charmed her with his lopsided grin. First waiting at the bar to get drinks, then standing off to the side shout-talking until the middle of the night. They went home together, something she'd always been too cautious to do, Georgia feeling that she had been chosen, believing everyone looked at her with envy. And without even having a big discussion about it, they became a couple. Going to parties and to the movies and meeting for egg rolls after work. James was energetic and filled with big ideas, he loved to save up for more than a month so he could take them to luxurious restaurants like Le Cirque or wait in line to buy half-price tickets to Broadway shows. Other nights they stayed in, Georgia reading manuscripts in bed, James working at the battered old drafting table taking up most of his living room. They were young, often broke, and infused with the energy and passion that fills the New York air. The relationship was easy, comfortable, exciting. It was meant to be. For eight months, they shuttled back and forth between apartments, had late-night chats in which they discussed whose furniture they'd keep when they moved in together, walked hand-in-hand through the city streets fantasizing about where they should live. The Upper West Side, they decided. Georgia recalled nights in bed with James, her pale hand tracing lines on his dark chest as she would ask in a sing-song voice, "Will it reeealllly bother your family that I'm white?" and he'd laugh and say, "Hell, yes!" They fell to giggles and tickles, empowered by the intensity of their recent lovemaking and disbelieving their relationship would fall to any challenge.

She never did meet his parents. She only realized that after he was gone.

And then James had moved on, having let himself into her apartment during the day and gathered up his clothes. He returned her things from his home, left them piled on the couch. Georgia's mind swirled. She called him, screamed, begged him to come back. She stopped eating, stopped sleeping, then began eating way too much. Snickers bars and Pringles and giant bagels with cream cheese, soda and ice cream and pizza and cookies. She ate anything she could get her hands on. Anything cheap and filling.

"If you keep eating like that, everyone will think you're preggers," observed her wafer-thin, pain-in-the-ass cubiclemate.

A pause. Georgia did the math: Her period was late. Way late. And then she knew.

Should she take it on the chin and go back home to small-town Pennsylvania? Could she endure the humiliation of moving back home to her parents, of being a single mom with a failed big-city career at twenty-four? Or should she call her doctor and then just pretend the pregnancy had never happened? Georgia fretted over her lack of appealing options, in between photocopying endless manuscripts and opening looming piles of other people's mail and running out to buy the oversized, fat-free muffins her boss never ate.

Her indecision was her decision, and it became clear that she and this baby were going to stick together. Then came the day when Georgia, visibly pregnant, made her final pilgrimage to Central Park. It was to be her last weekend in the city before she moved home to her parents; she'd dialed them when there was no going back and choked out the news, feeling brave and sorry for herself at the same time.

"We'd be happy to have you home with us," said her father with gusto, before being drowned out by his wife's sighs.

"You've made a stupid mistake by trusting this man, Georgia," said her mother. "It's clear he only wanted one thing. And you've set yourself up a hard road to hoe – not everyone will be as welcoming to this child as we are."

Georgia could see her mother's tight-lipped expression in her mind; it was one she'd seen many times growing up. She could barely hear them discuss the details of which train she might take; she was too overwhelmed by emotional regret and physical nausea.

The day was a scorcher. The air conditioner in her Upper West Side walk-up had konked out, leaving her sweat-soaked and uncomfortable. Her dark curly hair had frizzed and stuck to the back of her neck, her belly jutted out of her slender frame, and her fingers, always so slim and nimble, were swollen. Her eyes were red, puffy. Georgia had finally worked up the nerve to call James late one night and reveal the pregnancy. He was shocked, angry, apologetic…and bedded down with his newest girlfriend. And no, she wasn't his boss. He had already found someone else. "This isn't a really good time for me…perhaps we can meet tomorrow? At the park?" And so she made her way that morning to an empty bench under the trees, sat down with the half-finished blanket she was knitting for her baby-to-be, and waited. James never showed.

"That's an impressive pattern you've worked out there." Georgia was startled by the elegant older woman standing before her, her linen suit still crisp and a wide-brimmed sun hat framing her face. Georgia smiled weakly, embarrassed by her cheap clothes, her fat belly, her youth.

The woman sat down anyway, began talking about the blankets she had knitted for her own children and about how working the needles always helped her sort out her emotions. Georgia just wanted her to go away, but she had been raised to be a good girl, so she pretended to listen politely. Tears of rage and frustration stung her eyes.

"You don't find very many people who can knit with this type of precision," she heard the woman say as she fingered the piece. "It's a dying art, and one I imagine people would pay for." She reached over and patted Georgia's left hand; there was no ring, but the woman knew that already.

"If I were you, I might start asking around, see if anyone needed sweaters or scarves for gifts. Perhaps see if you can put up a sign at the baby store over on Broadway and 76th? Get the word out. You could buy a classified ad in the New Yorker—it worked for Lillian Vernon."

Georgia sat there, at a loss for words, doubt and confusion oozing from every pore. The woman stood up to leave, motioned to a man in the distance.

"You have a gift, my dear, and I have an eye for talent." She handed Georgia a cream calling card on heavy stock. "Just to prove it to you, I'll buy the first sweater you make. Make it cashmere, and make it quickly. I'll expect a call when it's done." Her heels made a soft clip-clop on the sidewalk as she walked away.

Georgia turned over the card.

Anita Lowenstein. The San Remo. 212-555-9580.

What People are Saying About This

From the Publisher

"The book's great-worth reading now." — Glamour "If you are looking for an inviting group of gals to spend a few winter evenings with, pull up your afghan and snuggle in with The Friday Night Knitting Club...[It] makes you yearn for yarn, even if you're not a knitter." — USA Today "Impossible to put down." — Booklist "Knitters will enjoy seeing the healing power of stitching put into words. Its simplicity and soothing repetition leave room for conversation, laughter, revelations and friendship-just like the beauty shop in Steel Magnolias." — Detroit Free-Press "Poignant twists propel the plot and help the pacing find a pleasant rhythm." — Publishers Weekly

Reading Group Guide

The Friday Night Knitting Club

Georgia Walker is a single mom and successful New York City entrepreneur whose yarn shop, Walker and Daughter, has become something of a mecca for knitters of all skill levels and dispositions. What begins as a disorganized Friday night gathering of her most loyal customers turns into a regular meeting of minds and hearts, as each woman discovers there’s much more to be found at Walker and Daughter than tips on knitting technique. Just when business is really looking up, the father of Georgia’s daughter and a long-forgotten nemesis suddenly resurface and Georgia’s orderly world falls to pieces. Soon enough, she learns that she isn’t the only Friday Night Knitting Club member who sees it as the only constant in life, and a saving grace at that.



Kate Jacobs is a writer and editor who divides her time between New York and Los Angeles. A former staffer at Redbook, Working Woman, and Family Life, she is now a freelance editor at the website forLifetime Television. The Friday Night Knitting Club is her first novel.


  • Why does Georgia reject her parents’ offer to house her and Dakota?
  • The role of friendships among women is a central theme of The Friday Night Knitting Club. Some friendships develop easily, like K.C. and Georgia’s, while others begin on unsure footing, like Darwin and Lucie’s. Cat’s insecurities create conflicted feelings about drawing Georgia closer. Discuss the emotional baggage and issues of class that challenge trust between various women in the knitting club.
  • Georgia has a history of being burned by the people closest to her. Cat’s decision to attend Dartmouth meant breaking a pact of friendship, and James abandoned her for another woman. Leading up to forgiveness, do you think there are moments when her defenses against intimacy and protectiveness of Dakota are excessive?
  • What does Anita see in Georgia that gives her the confidence to invest? Why does Georgia trust Anita, given her past relationships that went awry?
  • Lucie’s decision to become pregnant without telling the man she conceives with is a choice that flies in the face of social convention and her mother’s expectations, to say nothing of her Catholic upbringing. What factors led to her choice? How does the whole of Georgia’s experience as a single mother support or undermine her decision?
  • Entrepreneurs, single moms, and a seventy-something undergoing a sexual reawakening—the women of the knitting club are hardly traditional, although a highly traditional woman’s craft is what brings them together each Friday. Eventually Darwin decides to write her thesis about the positive impact of knitting in the lives of modern women rather than criticizing it as a “throwback” that prevents women from focusing their energy on professional success. In your opinion, which is the more feminist interpretation?
  • Georgia gets defensive when James asserts that he has things to teach Dakota about race that Georgia could never teach her. Is her indignation totally justified in light of James’s delinquency as a father, or is there some truth to his claim?
  • How does Dakota’s major act of rebellion (her attempt to go to Baltimore) alter Georgia and James’s playing field? Do you agree with Georgia’s decision on an initial trip to Scotland over a trip to Baltimore?
  • Before Georgia gives James a second chance, she claims to harbor “hatred lite” toward him, reasoning that she’d always heard the opposite of love is hate. When Cat’s lawyer informs her that Adam wants to settle and be done with her, she’s unexpectedly hurt because he’s letting her walk away without a fight. Given Cat’s reaction, how does indifference factor into the love/hate equation?
  • When Cat responds to Georgia’s sincere questions about her college experience at Dartmouth by saying, “It wasn’t like you think,” what does she mean?
  • Things get interesting in Scotland when Georgia’s Gran offers her loving but firm analysis of the women’s lives. She points out that Cat is capable of handling stress but hasn’t tried, and that Georgia’s spent too much time ruminating on the past. Her advice: mistakes are made; the important thing is to decide how to react to what people offer, because you can’t make them change. How do the women accept this advice in each of their lives?
  • If Georgia had opened the letters she received from James in a timely fashion, how might things have been different?
  • While James and Dakota are in Baltimore visiting his parents, Georgia decides to tell the club that she has cancer. Why does she share her news with the knitting club before she tells her immediate family?
  • When Georgia gets diagnosed, she worries that a show of weakness will be unacceptable to Dakota, James, and others who know and love her as a pillar of strength. How do her loved ones prove her wrong?
  • In your opinion what is the main lesson of The Friday Night Knitting Club?
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    The Friday Night Knitting Club 3.7 out of 5 based on 0 ratings. 378 reviews.
    Anonymous More than 1 year ago
    Whew -- I thought you had to be a good writer to get a book contract and sell a gazillion books! Clearly, a good book cover and the word "knitting" in the title are more important. I felt like I was reading the draft of a book written by a new author. While she was clearly earnest in her endeavor, she needed a really good editor to make her book shine. There were a lot of characters in the book, and there was something about each that was almost likeable. However, they were each so lightly developed that it was like reading a book about stick figures. It enough to make the reader angry that the author didn't care enough about them to give them the flesh and bone they deserved. Fewer characters more thoroughly developed would have made for a much better book. And as for the author's unceremonious dumping of the main character at the end of the book, all I can say is that she deserved better as well. What a waste to build a plot around this woman's life and then ditch her in all of about two pages. This was done with no creativity, very little sympathy and, as far as I could tell, without much purpose. Overall, the book was a big disappointment. I won't be buying any more of this author's books.
    ttcurphy More than 1 year ago
    Kirkus Reviews dubbed this novel, "a Steel Magnolias for the twenty-first century." I believe Kate Jacob's The Friday Night Knitting Club to be a valiant reminder of the constant struggles entangled within the human condition and it does an impressive job in delving into the many diverse, and more often than imagined, meaningful relationships experienced by her characters. An onslaught of characters-each attempting to make their own way in the big, bad city of New York-permeate the pages of the author's renderering of true sisterhood. The protagonist of the story is Georgia Walker, a forty year old single mother to her only daughter, twelve year old Dakota. Together, they own Walker and Daughter: Knitters; a unique yarn and knitting shop situated on busy Broadway Avenue. The shop has become an unlikely home away from home for an eclectic group of women of all generations- all searching for a refuge from their hectic and grueling lives. The club emerges as one customer lingers on a typical Friday night. The club soon becomes a haven from the perils of the harsh world they all live in. Just when it seems like all is okay with the shop and life in general, Georgia is faced with more drama than she bargained for. The story begins to spiral into a place that the reader couldn't have prepared for; and then toward the unimaginable. Even though Georgia Walker is the main character in Jacobs' plot, the reader gets a closer look into the complicated lives of six other New York women. All of these other women emerge as the foundation of a strong sisterhood in Georgia's desperate time of need. In the end, the true hero of the story reveals itself to be the Friday Night Knitting Club itself. Throughout the novel, the author offers a plethera of knitting techniques, recipes, and simple reminders of why a bond between friends is so vitally important in a person's life. This novel showcases the characters' constant struggles associated with socio-economic status, race, emotional issues and overall health. The characters develop in a way as to evoke realism, as well as to generate empathy from the reader. Bottom line- if you haven't seen Steel Magnolias, see it! And if you haven't read Kate Jacobs' The Friday Night Knitting Club, read it!
    puzzled66 More than 1 year ago
    This is a sweet, easy-reading book, good for quiet stress-relieving moments. The characters are believable and likeable, but a little too contrived to cover all minorities. It didn't add to mention one was Jewish, one was Asian, one was Black. It didn'tchange the themes of the book. The plot was sweet, but don't go too deep into the relationship theme of the book. It was predictable.
    BookedUp More than 1 year ago
    The book was an enjoyable read, especially in the middle, but it was lacking enough to be a let down.

    By about 100 pages in I was really into the book. It was enjoyable and had me going back for more. The author had a way of pulling the reader into each of the characters and made me - a total non-knitter or crafter - really interested in taking up knitting!

    There were a few oxymoronic elements, for example, the author was trying to portray the independence of women coming out in the face of life's challenges, while they discovered themselves and their dreams. But each woman was either independently wealthy thanks to a man or a wealthy benefactor. Nice, but neither realistic nor very independent and it certainly takes the challenge out of much of living "independently".

    The ending felt distant and wasn't really engaging for me. More like the author was telling the story and not "showing" it. She pulled me in, but let me down!

    I'd say still worth reading if you have it, but don't go in with high expectations."
    3tzmom More than 1 year ago
    I was excited about this book and then very disappointed. I couldn't connect with the characters and didn't care for her writing style.
    Anonymous More than 1 year ago
    I don't want to give any spoilers, but I was looking for something uplifting and cheerful, not this.
    nanabanana More than 1 year ago
    It was an excellent book about a group of different women, gathering to knit. Different women and different lives, emotions slowly begin to form a bond. When faced with difficulites they all help each other with their different life gifts. Beautifully written. Can't wait to read the next one, Two Yarns.
    GrannyL6070 More than 1 year ago
    I thought the book was a good read. I did relate to the members of the knitters club, not because I knit but because I enjoy talking and shareing lifes experiences with others. It had some really high points and some sad things that happened to good people. I feel that I would tell others that it was worth reading. linda
    Guest More than 1 year ago
    When I picked this book up in the library I was quite reluctant to reading it but needless to say once I got started it was hard to stop. I enjoyed this book greatly because I feel it was beautifully written. Along with the dialogue the message behind the book was quite inspiring because it propelled you to appreciate the true meaning of sisterhood and to reconcile with those whom have hurt you. I would read this book over and over and I am sure it will be special each time!
    Guest More than 1 year ago
    Jacobs' debut novel is something to be commended. I wasn't too impressed with the first chapter, but by the second I was intrigued enough to continue. It's an easy read which I finished within two days and an interesting story. I knit occasionally, but not enough to make the knitting connection with the characters that they author may have intended. Still, it was a very vivid story, I thought, true to form of relationships: be they between a single-mom and her older mentor in New York or a single-mom and her co-worker here where I'm from (Kalamazoo, MI). There were many characters jumbled in this story, but isn't that so true to life? The random hodge-podge of the club is no different than my own and although a bittersweet ending, I felt it was a very real novel. Forget technical writing and character development - it's meant to portray the relationships in woman's wife so we could all relate. I think that is exactly what this novel accomplished.
    GailCooke More than 1 year ago
    A bit reminiscent of Ann Hood's The Knitting Circle we are again introduced to a group of women who meet to knit and find that they've stitched strong bonds of friendship. What raises Jacobs's debut novel above the average women-support-women tale is the author's finely crafted prose and a sterling reading by Carrington MacDuffie. A recording artist and spoken word performer, MacDffie vitalizes a disparate cast of characters from Georgia Walker, a single mom and owner of a yarn ship to daughter, Dakota, to Darwin Chiu, a militant feminist, to shop staffer Peri, to Anita, Georgia's stalwart friend and helper, and more. Her narration ably reflects the different ages, backgrounds, and personalities involved. The Friday Night Knitting Club is a cozy, warm read peopled with characters we'd like to know. It's easy to lose oneself in the story and feel very much a part of the group, as we hear: 'Without ever putting up one sign or announcing the creation of a knitting club, these women began regularly appearing in the evenings and, well, loitering. Chatting with each other, talking to Anita, gathering about the large round table in the center of the room, picking up where they had left things the week before. And then, one Friday last fall, it became official. Well, sort of. Lucie, a striking woman with short, sandy-colored hair, who favored tortoiseshell glasses over her big, blue eyes and colorful, funky outfits, was an occasional shopper at Walker and Daughter. She came in every few months and was always working on the same piece, a thick cable knit sweater--a man's garment. There were a lot of these types who came in to the store, folks whose knitting ambitions were out of line with either their ability or with whatever mysterious comings and goings kept them from sitting down and getting the job done. ' And so it began. All seems to go smoothly until the reappearance of Dakota's dad who wants to move back into Georgia's life, and unexpected events in the other women's lives. Jacobs is a deft storyteller and along with the laughter and tears she has surprises in store. The Friday Night Knitting club is an affectionate, engaging story of female friendship and will soon be found on the big screen starring Julia Roberts. Enjoy! - Gail Cooke
    Anonymous 8 months ago
    cms519 on LibraryThing More than 1 year ago
    a quick read, very predictable
    bolgai on LibraryThing More than 1 year ago
    This is a wonderful book that kept me reading late into the night and even got me to cry on a couple of occasions. It is the story of several women's journeys of self-discovery, self-realization and self-appreciation and the knitting lessons that accompany it highlight the life lessons the characters learn. The way the author talked about the craft in the first chapter, about learning it in childhood, the joy of it, it reminded me of learning needle crafts with my mom and after those first pages I couldn't stop reading. It was like I had a connection with these people and their stories mattered to me. And what stories they are! A single mother who made it as a business owner in New York City, a 12-year-old planning on taking over Martha Stewart's empire, a young woman who's supposed to go to law school secretly taking classes in fashion merchandising, a 40-year-old learning to love herself for the first time ever, and that's just the beginning. I really enjoyed the little pearls of common sense wisdom mixed in here and there. They're nothing ground-breaking but every once in a while we all need to hear them. "Your life is what you make it", "And there¿s always a better time than right now and there always will be. But right now is what we¿ve got" and "Be your own safety and security" are my favorites. I really liked the voice Jacobs used. It was so easy, so accessible, and it helped create some very real characters, showing them at their strongest and most vulnerable, and it was so touching to see them stand behind each other. There were few things I had trouble with while reading this book. One was the trip to Scotland (it reminded me of Cameron Diaz's character's trek to England in The Holiday) and another was the vocabulary of some of the characters that didn't seem to fit. I could understand Georgia and Dakota using words like "nosh" and "kibosh" after spending so much time with the Jewish Anita, but I just couldn't see a Baptist black man who's spent the last decade in Paris or a Chinese-American woman from California talking like that. These are pretty minor things in the grand scheme of things though, (besides, I didn't live in New York, may be everyone talks like that there!) and they didn't spoil my overall impression of the book too much. I would recommend this novel to anyone looking for a quaint read full of strong yet believable characters to curl up with on a cold afternoon. The ending will most likely surprise you, and you might shed a tear, but if you're anything like me you'll turn the last page with your faith in people and friendship having received a solid boost.
    eileenmary on LibraryThing More than 1 year ago
    chick lit. writing not so hot
    lexxa83 on LibraryThing More than 1 year ago
    I listened to this as an audiobook after passing up the paperback book many times because it just seemed to mainstream (meaning it was on every endcap in Target for months). It was not my favorite knitting novel, but overall it held my attention and interest. I will probably listen to the audiobooks of the two subsequent Knitting Club novels, but they are on my "to do" list, not on my "must do NOW" list.
    mmignano11 on LibraryThing More than 1 year ago
    Friday Night Knitting Club reminds me of a book that tells me a story similar to my own with some different details added. The characters lead lives similar to any one of our lives. Work, family, babies are born, the story is in the way we can relate to and understand those day-to-day facts. We can sympathize with Georgia, a single mother, in her daily struggles to raise her daughter well. We can look ahead and connect with Anita and her relationship with her son, who is ready to ensconce her in a nursing home. And we can remember or feel now the passion of a budding romance. Friendships with all their hazards take front and center. Relationships wither or grow. If you enjoy a book like this, FNKC is a good read, as you see the issues worked out, etc., but what makes this book special is that the author makes us really care for her characters. I found myself anxious to find out if Georgia would allow her daughter's father back into her life, as well as her daughter's life. Interspersed with explanations of knitting instruction, the author connects the act of knitting with pulling your life into shape, much like sizing a sweater.By the end of the book, I discovered how deeply I cared for each character in this book. I think you will, too.
    kairosdreaming on LibraryThing More than 1 year ago
    I started out loving this book; and then got to the ending. The Friday Night Knitting Club started out as what I thought to be the perfect chick lit, intriguing characters, problems to work through, and an overall sense of camaraderie. Not to mention there was knitting involved, lots of knitting.Georgia Walker is the owner of a yarn shop in New York called Walker and Daughter. Funded by long time friend and part time yarn store worker Anita, she was able to open the store when she was pregnant with her daughter Dakota.Dakota is a biracial child whose father has been out of the picture for all twelve years of her life. She has a fond love of baking, and inspired by her mother she longs to star on food tv or run her own baking shop. The members of the Friday Night Knitting Club are often her guinea pigs.James, while not a huge character in the story is the father of Dakota. He comes back into their lives with a keen interest in getting to know to Dakota, and perhaps re-getting to know Georgia.There are many other characters in the story, most members of the knitting club. Darwin is a graduate student who is doing a study on women and knitting, Lucile is in film and makes a documentary on the club, and KC is a woman searching for a new job.Another woman from Georgia's past also comes to call and they reestablish a friendship despite many problems.While there is not a really definite plot line, there are several problems that the characters work through and grow closer because of.Then there comes the end. I'm not sure what Jacobs was thinking when she decided to turn the story the way she did. It seemed like she was perhaps tired of the whole thing and needed a convenient out. Regardless, it was hurried and added nothing to the story at all. It was almost as if she just wanted to see if she could make someone cry and not really develop a true ending. It made me completely disappointed in the book.Jacobs writing style is very flowing. She doesn't waste words or try to be flowery. Its straightforward and easy to read.The Friday Night Knitting ClubPublished in 2007340 pages plus a knitting guide for a scarf and a recipe
    kerrycarter76 on LibraryThing More than 1 year ago
    Solidarity rings true in this knitting club! I'm new to the world of knitting (about 3 years now) and it was a joy to read about how other women were drawn together through this craft. Kate Jacobs author really gets into the lives of the various women; their situations in life and the path to which their companionship developed. The more I read the more I was convinced that solidarity rang true in this knitting club. I won't elaborate on the ending, except to say that it fit the story. Still the book in my opinion was an enjoyable read and I would gladly recommend it to my friends, especially to those in my little knitting circle.
    silva_44 on LibraryThing More than 1 year ago
    As a crocheter, this book's title carried a certain appeal. However, once I got into a bit, I realized that it was just full of typical feminist characters. I didn't relate to any of the characters, so this book was just a big waste of time.
    esimpson on LibraryThing More than 1 year ago
    It seeemed to me to be a contrived book of women coming together and overcoming individual situations. The main character Georgia was too heroic. Dakota got on my nerves with her smart alec quips. The challenges confronted by the characters were serious, but the characters did not have much depth. I felt the author was just pulling them out of their situations. The only character who seemed interesting was Georgia's Scottish grandmother.Also, one would think that a single mother would take more care of her health. Georgia hadn't been to a gynocologist in years!
    kayceel on LibraryThing More than 1 year ago
    A typical "women's fiction" novel - a group of women comes together through a shared interest (knitting in this case), and help each other through life events, large and small. I had a small problem with the main character, Georgia's storyline. A single mom of a 12-yr-old, she's blindsided by her daughter's father, who's come back into their lives, suddenly wanting to be a part of theirs. While James (an ex-boyfriend who cheated on and broke up with Georgia before she discovered she was pregnant) seems sincere, I was still annoyed by the whole virgin/rogue storyline that annoys me so much in romance novels: Georgia's spent the last 12 yrs raising a daughter on her own, while also starting and running a successful business, sacrificing a social life in the meantime. On the other hand, James has spent the intervening years happily sleeping his way through Paris before 'realizing' he left his heart in NYC with Georgia and the daughter he's never met. Cue eye-roll....
    Neverwithoutabook on LibraryThing More than 1 year ago
    I enjoyed The Friday Night Knitting Club. It is one of those comfortable, interesting life stories that is able to keep your attention, but not so much so that you can't put it down. The friendships that developed through the Friday Night Knitting Club and the lessons learned are ones we can all recognize. I won't elaborate on the ending except to say that it came out of left field at me, but then that just gave it authenticity because that's exactly how life really is. Read this book if you've ever had friends that you've shared secrets with, argued with, cried with, not spoken to, and re-established an old friendship with...or not. I think you'll understand.
    koalamom on LibraryThing More than 1 year ago
    A knitting novel less about the craft and more about the friendships - about people being knitted together in strange and wonderful patterns. It's about something that transcends this world, something that is remembered long after someone is gone.
    WeeziesBooks on LibraryThing More than 1 year ago
    I tried to read this book and gave up before the end, but when it was available on audio book I listened to it and enjoyed it a lot more. I wasn¿t too keen about the characters, and found the storyline trite, but I did enjoy the idea of the friends gathered around the table in the shop sharing stories and friendship. The support they gave each other as they were going through their respective relationships, jobs and illness were important for us all as an example of how to be there for those around us.The idea of ¿making it big¿ with her childhood girlfriend by knitting the expensive and beautiful dresses and becoming a great designer was a stretch too far but dropping stitches and choosing yarns and working together on projects is something I could relate to and felt might happen in many places each day. This was a light novel and for me was better as an audio selection that a print alone novel.